Composer biographies

Disclaimer
This document does not attempt to be a final word on anything. It has always been in a state of flux, and I expect it will continue to be so for a while to come. Some of my information is woefully inadequate (my entry for Schubert read famous song composer for an embarrassingly long time), and a good proportion of the rest is little more than (what I hope is at least reasonably informed) opinion. With the exception of entries provided solely to provide links to other pages, all entries are present because I know something about the composer in question and their works. If a composer is not on these pages, theres a good chance that while Ive probably heard of them, I havent actually heard any of their compositions. These pages are my own thoughts about composers, not a compiled encyclopdia of biographical details. (Of course, Im always open to people mailing me and telling me that I simply must listen to so-and-so...) Finally, its worth pointing out that Wikipedia has much more information on many more composers than I will ever have here. Wikipedia didnt exist when I began this page (over 10 years ago), but Id now recommend it as a great first source for information on these composers, and more.

Other material
a list of important composers omitted from the main listing below a page of miscellaneous music links a Whats new? page my listening, reading and other stuff log

The composers

Bach, Johann Sebastian Born: Eisenach (Germany), 21 March 1685 Died: 28 July 1750 One of the greatest Baroque composers along with Handel. His most famous works are probably the Brandenburg Concerti, the Well-tempered clavier, The art of fugue, his Mass in B-minor, and the St. Matthew Passion. Needless to say, I wholeheartedly recommend each and every one of the above works. From what Ive read and heard, Bach is now considered somewhat atypical as far as Baroque composers go. His obsession with the fugue was apparently rather anachronistic; most other composers of the same era held that the fugue was an out-dated form.

Bach links: There is a good Bach FAQ available, published by one of the readers of the alt.music.j-sbach newsgroup. You might also like to read a detailed discussion of Bachs canons and fugues, by Tim Smith, or the extensive Bach Cantatas web-site. An interesting article by Nicholas McGegan about performance practice for Bach (and other Baroque composers.

Beethoven, Ludwig van Born: Bonn, 16 December 1770 Died: Vienna, 26 March 1827 Without doubt, one of the true greats. Just awesome, man. Beethoven didnt write as much as Mozart or Schubert, but what he produced is all worth listening to. (The stereotype has it that he sweated over every note in a way that Mozart didnt. This makes light of Mozart unduly however; letters of his describe how he found the composition of works such as his later quartets very hard.) I can recommend all of Beethovens symphonies but in particular, the third (Eroica), the fifth, the sixth (Pastoral), the seventh and the ninth (Choral). The last three piano concerti (nos. 3, 4 and 5), the Missa Solemnis, the triple concerto (for violin, piano and cello) and the string quartets are also all well worth listening to. Apart from the triple concerto mentioned above, a wonderful violin concerto, and a Choral Fantasy for piano, orchestra and choir, I believe that Beethoven didnt write any other concerti for orchestral instruments. Though this seems a shame, I suspect it was probably because he had little experience of other instruments. (Beethoven was primarily a pianist, having earned his living for a while in Vienna from performing, but did also play the viola). My own theory is that perhaps this came about because concerti for instruments for other instruments seemed unduly light. Of course, one of the most famous things about Beethoven as a person was his deafness. I find it hard to imagine being able to compose music as wonderful as the Choral symphony whilst being unable to hear the music except in ones head. There is an impressive, but rather sad, story about how Beethoven was encouraged to help conduct at a rehearsal for the Choral symphony. Even as the rehearsal finished, Beethoven was still conducting to the orchestra, and he had to be made aware that the musicians had finished playing. Links: Deryk Barker has written a very comprehensive review of various Beethoven symphony recordings, which is worth looking at. There is a very extensive site (in French, English and Italian) at www.lvbeethoven.com. Another comprehensive site is Iulian Munteanus All about Beethoven. Berlioz, Hector Born: La Cte-St.-Andr, 11 December 1803 Died: Paris, 8 March 1869 I dont actually know anything of Berliozs music or life, but Ive included this entry just so I can provide pointers to Matthew Teppers Berlioz pages.

Brahms, Johannes Born: Hamburg, 7 May 1833 Died: Vienna, 3 April 1897 A prominent Romantic composer, (in)famous in his day for looking back to earlier musical styles (such as those of Beethoven, Mozart and Bach) rather than following the trend towards the styles of Wagner and Liszt. This is not a criticism in my eyes, but then I am a Brahms fan. I definitely approve of the fact that Cambridge University gave Brahms an honorary degree. It has long been an accepted myth that Brahmss childhood was spent in what was a fairly seedy part of Hamburg, and that at the age of twelve, he was playing the piano in a bar, consorting with the good folk of that area, and generally getting what was probably a fairly untypical education for a composer. However, I believe that this myth has now been thoroughly debunked, and that while Brahms had a relatively poor upbringing he wasnt quite the piano player in the brothel that legend would like him to have been. Brahms was good friends with Robert Schumann and his wife Clara. Clara survived her husband by many years, and she and Brahms were very close. I believe most authorities consider this to have been a solely Platonic relationship. In any case, Brahms was apparently a pretty difficult character to get on with. He never married, but managed lots of tiffs with his friends (the Schumanns and the violinist Joachim for whom, and with whose help, he wrote the violin concerto). Brahmss major works include all four of his symphonies, Ein Deutsches Requiem, the two piano concerti, the violin concerto and the clarinet quintet. (This latter apparently so impressed Clara Schumann that she became reconciled with Brahms after them having drifted apart over some misunderstanding.) I have found Brahmss music very rewarding. It is perhaps not as easy to listen to and grasp as (say) Mozarts, probably because in the orchestral works the sound tends to be denser, while his chamber music also seems quite complex. His later chamber music, such as the two string quintets and the clarinet quintet, is very beautiful, often conveying a wistful, slightly melancholic mood. Further, Brahmss concerto slow movements are definitely beautiful, and do not necessarily approach the same density as other examples of his music. I am thinking of the second movement of the violin concerto, and the third of the second piano concerto in particular. In both pieces, the solo instrument seems to take a back seat to another instrument. In the violin concerto, the second movement opens with a beautiful melody played by the oboe. The piano concerto sees the cello take the lovely main tune for quite a period while the pianist is reduced to occasional accompanying trills.

Chopin, Frederic (Fryderyk) Born: Zelazowa Wola (Poland), 1 March 1810 Died: Paris, 17 October 1849 A composer famed for his ability at the piano, who in turn wrote the vast majority of his music for that instrument. Many of his pieces are quite short (being Rondos, Mazurkas and the like) but they are all beautiful. Not being a piano player myself, it is difficult to appreciate their comparative difficulty, but I am assured that most of Chopins music is very difficult to play.

Played well, it doesnt sound it. Though born in Poland, Chopin spent the last half of his life in Paris, arriving there in 1831. In Paris, he came to know the novelist George Sand, and was her lover for a time. The Vancouver Chopin Society have an interesting web-site with more information on Chopin and his works.

Elgar, Sir Edward William Born: Worcester (England), 2 June 1857 Died: Worcester, 23 February 1934 Probably the most famous English composer (although Purcell and Vaughan-Williams are well up there as well). Elgars most famous pieces are the Pomp and Circumstance marches (one of which became the hymn, Land of Hope and Glory), and the Enigma Variations, a set of variations that depict a circle of his friends in a sympathetic and very listener-friendly way. While still in New Zealand, I also had access to a recording of his second symphony, which was a far harder nut to crack. I should probably try and listen to it again. Elgar wrote just two complete symphonies, but left enough of his plans for a third when he died that Payne, a contemporary English composer has recently been able to reconstruct an approximation of what Elgar intended for his third symphony. In the short time since this was done, this new work has received quite a favourable reception (in Britain at least). Another famous work of Elgars is his cello concerto. Jacqueline du Pr made a famous recording of this, which I can recommend. No doubt said recording features in the recent film Hillary and Jackie. Readers interested in Elgar will surely enjoy Anthony Andersons account of the 1995 Elgar weekend.

Handel, George Frederic Born: Halle (Germany), 23 February 1685 Died: London, 14 April 1759 Handel, though born in Germany, probably made most of his name for himself in London, England where he came to dominate the English music-making scene. He composed a large number of operas (including Xerxes, which I only mention because Ive seen and enjoyed it), but these did not tend to do so well, prompting a shift to the oratorio form. Pieces of his that are particular favourites of mine are his organ concerti, his Water-music and Fireworks-music, and the Messiah. The latter is probably his most famous work. It is a huge choral piece that includes the well-known Hallelujah Chorus. I recently went to my first performance of this, and I will attempt to include a description of it in these pages soon. Haydn, (Franz) Joseph Born: Rohrau, Austria, 31 March 1732 Died: 31 May 1809 Contemporary and friend of Mozart. He wrote 104 symphonies, arguably creating the form as we understand it today. The last 12 of these are known as the London symphonies, being written on the

occasion of two visits to London in the 1790s, and are very good. Haydn is also credited with the development of the string quartet into a form capable of real feeling and subtlety. One shouldnt assume that Haydns pioneering rle in the development of the symphony and the string quartet means that his pieces have been superseded by subsequent composers works. Indeed, one of the many ways in which his music seems impressive is the self-assurance with which a relatively limited palette is explored.

Holst, Gustav (Theodore) Born: Cheltenham (England), 21 September 1874 Died: London, 25 May 1934 Gustav Holst was an English composer of the same era as Elgar, but, like Pachelbel, is really only famous for one piece, his Planets Suite. This is a series of seven "movements", one for each of the non-Earth planets known in Holsts day (i.e., all of the planets but Earth and Pluto). The basic inspiration for the characterisation of the planets is their astrological nature, not necessarily the Graeco-Roman gods. For example, Neptune is Neptune, the Mystic, nothing to do with Neptune/Poseidon, god of the sea. One of the themes to Jupiter was subsequently used as the basis for rather a patriotic hymn (I vow to thee my country), in much the same way as one of Elgars Pomp and Circumstance marches was turned into Land of Hope and Glory.

Mahler, Gustav Born: Kaliste (Bohemia), 7 July 1860 Died: Vienna, 18 May 1911 Much of Mahlers early career was dominated by his job as conductor of the Vienna Opera. He wrote much of his music while on summer holiday. Ive recently started to know some of his work. The second and fifth symphonies are brilliant, and the fourth symphony is also pretty good. The first symphony seems a little light, though the third movement sounds surprisingly like the theme from the Godfather movies, and thus rather menacing. The sixth symphony is also one that I have come to know, and I can also thoroughly recommend it. The Naxos label have a cheap recording of this with Antoni Wit and the Polish National Radio Symphony Orchestra, which is very good. The Penguin guide also recommends this recording. Its a double CD. The fourth symphony I listened to first was again on DG, but with Karajan conducting. I cant remember the orchestras. This I also liked almost instantly. Deryk Barker has written a very extensive Mahler page of reviews and information about the man and his work.

Mendelssohn, (Jacob Ludwig) Felix Born: Hamburg, 3 February 1809 Died: Leipzig, 4 November 1847 Another composer who was famous as something of a child prodigy, Mendelssohn didnt manage to achieve the fame of composers such as Mozart or Beethoven. He wrote five symphonies (the last of which, the Reformation symphony, I particularly recommend), a famous violin concerto and some famous theme music for A Midsummer Nights Dream (the Wedding March from this is often used at real weddings). Mendelssohn also wrote a number of religious works, including the St. Paul oratorio.

Mozart, Wolfgang Amadeus Born: Salzburg, 27 January 1756 Died: Vienna, 5 December 1791 Along with Haydn, one of the first classical composers. Wrote music of many different genres. Major works would include his Requiem, the operas Nozze di Figaro, Don Giovanni and Die Zauberflte, the clarinet concerto, the string quartets, the later piano concerti (nos. 20 onwards) and the later symphonies (numbers 36, 38, 39, 40 and 41). There does seem to be a tendency among some people to label Mozart as nothing more than the composer of pretty tunes or little twiddles. I couldnt disagree more. In particular, I think his religious music exhibits a great deal of feeling, and transcends mere twiddles. In my opinion, the problem is probably that people tend to know things like Eine kleine Nachtmusik, and because this particular piece is eminently hummable, not particularly deep, and played to death in Muzak-like environments, people assume that all of Mozarts music is like that. The best Mozart site on the web is probably The Mozart Project. But you may also find the online site for the Neue Mozart-Ausgabe fascinating. This is an online presentation of authoritative editions of all of Mozarts music, freely available for personal use. For more information on Mozarts home-town, and some biographical details about Mozart, see the Visit Salzburg site. Scarlatti, (Giuseppe) Domenico Born: Naples, 26 October 1685 Died: Madrid, 23 July 1757 A Baroque composer most famous for his harpsichord sonatas. The majority of these were composed in Spain where Scarlatti had employment with a royal Spanish woman (a princess who later became queen I believe). His sonatas dont seem to have the purity of development that one finds in Bach, but they do conjure up images of beautiful, elegant dance in a way that Bach does not. I find it very easy to imagine the rhythms and gracefulness of the music in some Baroque court. Bach, Handel and Scarlatti were all born in the same year, but though Bach and Handel knew of each other, it was only Handel and Scarlatti that managed to meet. On the occasion, it is said that they held an informal competition, and while Handel was held to be the better organist, Scarlatti was judged the better harpsichordist. Schubert, Franz Peter

Born: Vienna, 31 January 1797 Died: Vienna, 19 November 1828 Famous song composer. :-) But seriously, Schubert also wrote a number of symphonies (the so-called Great is in fact very good, if not great), piano sonatas, chamber music in general, including the famous Trout Quintet, operas (26 of them!), masses and much else. He was probably even more prolific than Mozart. Schubert died just a year after Beethoven, and it was thought quite tragic that Vienna should lose two great composers so close upon each others heels. Tomoko Yamamoto has a published a page celebrating the two-hundredth anniversary of Schuberts birth. Bart Berman has some notes on Schubert, with particular reference to some of his piano music.

Schumann, Robert Alexander Born: Zwickau (Germany), 8 June 1810 Died: Endenich (Germany), 29 July 1856 A contemporary, friend and mentor of Brahms, Schumann wrote a great deal of music, including a piano concerto (one of the strangest phenomena of music publishing today is the way in which his piano concerto is almost invariably coupled with Griegs), four symphonies, song cyles, and a variety of chamber music. A correspondent writes to claim that his third symphony (the Rhenish) is known as the Queen of Symphonies (with Beethoven's ninth being the King). I certainly recommend this symphony, but it, like much of Schumanns music that I have heard, does not strike me as having the intensity of Brahms. Rather, I think the melancholy on display in the Fantasiestcke (a work for solo piano) is among the most affecting things he wrote. Schumann was committed to a mental asylum after throwing himself into a river, and died soon afterwards. Schumanns attempted suicide led Brahms to write his first piano concerto. Schumann earlier caused himself a debilitating injury to his hand while using a mechanical device supposed to improve his finger strength and reach for piano playing Roberts wife Clara was an internationally famous concert pianist (and also a minor composer).

Shostakovich, Dimitri Born: St. Petersburg, 25 September 1906 Died: Moscow, 9 August 1975 One of my current favourite composers, Shostakovich would certainly lay claim to my Greatest of the 20th century crown. All of his music that I have heard is full of feeling, though the feeling expressed is often bitterness, sadness, or sardonic "humour". Stravinsky apparently said of Shostakovich that he was one of the most frightened men he had ever met (this reported comment may in fact have been something similar made by Robert Craft), and this feeling of fear (terror, even) is something one can often hear in Shostakovichs music. This is not to imply that all of his work is irredeemably grim. The second movement of the second string quartet is beautifully sad and sweet, for example. Significant works include his fifth and tenth symphonies, the eighth quartet, the two cello concerti and the 24 preludes and fugues.

Shostakovich had a strong musical education. He entered the St. Petersburg Conservatory at a young age and was taught there by Glazunov, among others. His first symphony was his graduation piece (composed in 1925), and was well received. He supported himself and his mother in this period by playing the piano at silent movie screenings. In later works, Shostakovich made frequent use of a D-Eflat-C-B theme. Written using the German notation this reads D-S-C-H, his initials (given another Romanization of his name; Dimitri SCHostakovich). There are a large number of other music pages and resources on the Web devoted to Shostakovich, so Ive collected them together into a Shostakovich links page.

Sibelius, Jean Born: Hmeenlinna (Finland), 8 December 1865 Died: Jrvenp, 20 September 1957 Finlands most famous composer. He wrote seven symphonies, a violin concerto and a number of suites for orchestra. I have listened to all of the symphonies, and like them all. The easiest to get to know is definitely the second (which was an international hit pretty much as soon as it was performed), but the third is also very appealing. The Karelia suite and the Finlandia tone poem are also very good. The former is quite famous, and I think it may have been a TV theme at some point, though I couldnt say what to. (Im told it was used for the BBC current affairs programme This week, but this programme predates me, so I hope it was also used on something I really have seen.) Interestingly, Sibeliuss last published works came out in the 1920s. That means that he was alive for about 30 years and not producing anything he considered worthy of publishing. Apparently, he spent much of that period working on an eighth symphony. He sent some material to a publisher at one point, saying that the final work would be eight times as long, and that he thought it was the best stuff hed ever done. However, he grew increasingly self-critical, eventually asked for the material back from the publisher and burnt it. Having recently travelled to Finland to attend a conference (Sibelius is on the 100 Mark banknote), I cant claim that the Finnish landscape is an obvious inspiration for Sibelius and his music. However, I was there in summer (and it was warmer there than in Britain), and at a stretch I can imagine that seeing everything blanketted in snow might well lead one to music like Sibeliuss. Perhaps. Or perhaps music says a lot more about ones inward feelings than it does about the topography of ones country.

Tchaikovsky, Piotr Ilyitch Born: Votkinsk, 7 May 1840 Died: St. Petersburg, 6 November 1893 Tchaikovsky is probably most famous for ballet music (The Nutcracker Suite, Swan Lake and the like) and the 1812 Overture. However, his work in the standard forms is definitely worth a listen. I have heard the violin concerto and the Pathtique symphony live, and these are both great works. The first piano concerto with its initial crashing chords is also very famous.

There is still some controversy over the nature of Tchaikovskys death. It happened very suddenly without much warning, and it has been speculated that Tchaikovsky committed suicide. Vivaldi, Antonio Lucio Born: 4 March 1678 Died: 28 July 1741 Very prolific Baroque composer. Composed a large number of concerti, inspiring Bach to the same form. He composed much of his work for the orchestra at the girls orphanage in Venice where he was music master. His most famous work is undoubtedly the Four seasons, but his flute concerto La Notte is also wellknown and very good listening.

My biographies page is part of The Classical Music Web Ring, the free linking service hosted by OrchestraNET. Give it a go: [ Previous ] [ Random ] [ Next ] [ Next 5 ]

These pages were once selected by the Eye on the Web people. I suppose Im honoured, though I have no real way of telling how selective the Eye is. (And now, in 2005, the whole company eyeontheweb.com seems to have disappeared; their glowing words of praise are lost to us forever.)

At one stage these pages were reviewed by the McKinley people for their Magellan search engine. The review suggests that sample music clips are missing, but they do give me two stars, which is nice I guess. The incitement for me to go out there and test copyright laws by providing music samples is one Ill ignore (if only because of a lack of disk space, and because I have real work to do). The fact that my page is still around, but their review of it is now only preserved on my machine, says something for the transient nature of the Web.

Last modified: Mon Feb 19 22:34:55 GMT 2007 Michael Norrish <Michael.Norrish@cl.cam.ac.uk>