13 STEPS TO NOWHERE Words and Music by VINCENT ABBOTT, DARRELL ABBOTT, PHILIP ANSELMO and REX BROWN “All gr. tuned down aproe. 1s step: ‘Moderately slow: Tempo I (J = 84) Ivo: Drum gS es Bhs “Pach at somewhere between 1& steps down. "Two gr ar for one Bs ais 5s bis 13 Steps Nowhere ane © 1956 wa TAMERL ANE PUBLISHING CORD. METAL MAGIC MUSIC, RESS MUSIC DIAMOND DARRELL MUSIC, ABADABA MUSIC and COTA ‘Al Rights Adtinstered by WARNER-TAMERLANE PUBLISHING CORP. AIT Rights ReservedVerses 1 2: es hs 5s bs 1.Your win dows board - ed up, 2. See addtional lyrics pura RU A (Gi 1) 3 times Bs BS BS kis Bs abs ‘The talk shows pump it up, lab rats diseased for show. We're doomed to use the slang, Bis Bs Bs es ms at break of drug route vA church burned to the ground, tot even noetced yet — Chere pore Ds 8 alCode ‘Thirteen! Thirteen! Thirteen! ‘Thir-teen! ‘Thintoent —Thit-teen—stepst meses oooomasio aoe ngs rite - N.C{BPS) b ‘Your back 12 Steps to Nowhere 5-2News) b The wolf poked with the stick, A-waits with can - cer- ous breath! Ne. DISAD hSIGh NCBI) x x # f be Leds no = wheret Ou. sid ere still sup - pose, 13Sepe to Nowhere -5-3 neNeos) o4 ieee mien atte be _# «6 ¢ SS SE ‘The truth — should not surprise, your homes were built on Hes! ___— Slower: Tempo Il (3. = 48) Ne Inerade: 13 Steps wo Nowhere - one‘TempoT( 4 =84) ure: NCAES) ES ahs hone Bs ghee ai ea ple bate Rg SSS = SS oThirteent Thirteen! Thirteen Thir-tent Thir-teen step es 5 on Verse 2: ‘A backnard swastika, ‘actin kin aie nn. ‘haa gucgter fem, itbeaw's jog that’s dead. Win to use the slang Outbreak of gun roulsu, ‘The cross slants to the sie, Mi vee danmccent (To Chorus:) os 13 Steps to Nowhere 5-5 oneBECOMING All ts tne dows ftp: Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, =D 8 REX ROBERT BROWN and PHILIP HANSEN ANSELMO. =e O=D Moderately J = 120 ify Fig 1A (Ot.2) Ir: Poy dimes psa No Chordte5) Cte Rhy Fig 1 f AS 343 Verse Halftime fel Hs Gs RS GS NCEE) (Lost time) A Yong ime a. go 1 nev er knew omy ~ sell. 2, See addtional lyrics, end Rhy Fig. PM. PM PM. Fs Gs NCS) of shame. SF wicie syd, effet 1 — {© 1994 COTA MUSIC, INC. and POWER METAL MUSIC. INC. AI Righs Aditred by W ARNER-TAMERLANE FUBLISHING CORP. Becoming -5 1 iy MA Rights Reserved’FS GSN CIES) HS Gs jcc at Cite ie gh oS. lea jaa : dat F oa Un a2, Ug vO 7 oa SS eS So Doubtesime NU cig. 4a Core.2) (4 TIMES) ee No more. ‘The smalt one, the weak one, the fright i ened ‘one, = SS = isceessag 3 > Bia 8 fag : ss ——— f. £ - i fei 3 —— ? a. = ¢ eats ite ft Se ome == \° ‘more than a man. More, than ‘you evo: oer were, — = aay oes igi 3 ged g 7 , ¢ 7 i —— ne o23812 ft Elk 1 (Gtr. 2) Halftime feo! wih (Ce gens psa ae ya Bs as DA. Be + com - ing with snakes eyes Becoming -$-3 3Ba Double-time wiRhy Fig. 1A (Gi. 2,4 times) Nas) HS Gs : ; i Ent! o f z oe aaa ie eae me os Nea “eis 73 meses qa ie = : SS ° ar a+ ee So 0° a Becoming 3-4 on384 Double-time ToCoda @ ies ee pee care os Ansitates Rhy. Fig, 1) wiGte synth sound effets Play 4 ames cys Newsy resis nd te) God + site. — $5 HS Gs Addional Lyrics Vere using ough my bande [ound my if was slipping through my han Derhaps tough death myife wont be s0 bad {an fee you, ean fock you sie of you. Siang tou youre ‘Bee your facade fo serve met susk me, to realize my saving grasp. Tofsuiee. the nord Becoming 5-5 OB15 DRAG THE WATERS Words and Music by VINCENT ABBOTT, DARRELL ABBOTT, PHILIP ANSELMO and REX BROWN sOte 1 doubled win 4.1 (Ger 1)3 times FSS FS ES Ne. Fs ES Fs rs NG. Dg te Water (© 1996 WARNER-TAMERL ANE PUBLISHING CORP, METAL MAGIC MUSIC, RESS MUSIC, DIAMOND DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC: INC. “All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. ‘AIL Rights Reserved16 Verses 1 & 2: FSS SES NC. FS ES NC. 1A. smack on the writs is the words. from the mouth 2. See additonal lyries Gt iy Fg.2 sid ers, law = yers, po = tice, ‘and the guns and the rape, it should all___ be 0 - ay. end Rh. Fg 2 ig. g.2 (Gir. 1) SES NC fa ther is rich, he the judge, hes the man, he's the god that got your son-tence re - duced.— FS ES NC ay ie~ a But in the back of his mind he well ‘knows— what he'd find. if he looked — Dag de Wars 11-2 oaos 5 Whoat ES NC. Chor: FS BS Sanrsaaitt How!—18 ey. Pg (Gir 1) tones CSG DSA EbsmBb FS ES FS BS Drag the wa-ters some more, Ivetude: ne oa BoB pees ST ered bend lansing echo effec, ews ieee19 Guitar Solo: , flange echo & wah used as fer Bogie Wate 11-520 9) abe ‘Top sing while hldngben, Drag he Waters- 11-6 ons2 9) 3) Bagi Ween 1-72 Chorus: ni. lg (Gr 1) 4 times BES OI ES NG SES FSES NC Drag the wa-ters some more. Double-time feet BSS Fs 5s Ne. SES SES Drag the Waters. oneFs es Daag the Waters 11-9 uae Bs Ne, 2B Drag the wa- ters some more.-24 See what it isn side that fuck tn’ le, Ne ES FsEs Ne Drag the wa - ters some more. — Like nev = er be = fore Fs BS Fs Es Ne Bs es BS ES OS AS BIS AS Bos BS ters some more. Ant 12a, bat dives, pik tapes ted esac wl end. Woters- 11-10wR Fi. (Gir 1) times FSES Fs BS Ne, 25 FES Yeah! Ne. Dig the wa - ters some FSS FS ES Ne. be + fore. Verse 2: ‘Sweet is the slice and the lips ‘You're gonna have that woman, She is your favorite lay Promized, you swore, that no one hed been there ‘And she was gonna Keep it that we Let it move in, you got thin ‘And got high and your money went ‘And so did your friends. Bur ae by your side and her smile Cannot hide the premonition of the beckoning end, ‘The end. (To Chorus.) Drag the26 COWBOYS FROM HELL Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, REX ROBERT BROWN and PHILIP HANSEN ANSELMO Fm 4, AC} (Ds pls as a fee Moderate rock 4 = 116 ee ia fe oe fae Ri A end Rutt A RIM A (Gir 1)2 times Gu.2 Rare iran (Gt 3) eae CComboys From Hell- 10-1 one {© 1990 COTA MUSIC, INC, ang POWER METAL MUSIC, INC: AIT Right Adninitered by WARNER-TAMERLANE PUBLISHING CORP All Rights Reserved27 Gu.283 From Hell - 10 Contos From Hel 10-2Verses 1 2: no = bod-y touches us at 1.Un-der the Hghts— where we stand tall bet-ter mot take it out on 2 Pit-lage the vil trash the scene, but Caboys From Hell 10-3gonna take what ours to. have.— Spread the word through-out the ‘out of the dark-nessand in-to the light, sparks fly, ev ~ “ty-where in bod guys wear black. dov-ble bar-rel,____iwelve gauge, Contre om Hell- oe% Chorus: ‘Aimed at you, we're the cow-boys from Hell ‘Contoys From Hall 10-5 Pony31 es To cole! @ [7 ‘Comin’ from you,— we're the cow-boys from Hell. id (Covtoys From Hell- 10.6 cy2 Guitar Sole: 2 7 g G5 wis op E Em Ry Fg Gen 283 Com in from you— we're the cow. ~ boys from Hell Gus es PM PM PM ort (2) bs pons d—J yd pace a — ORE as EAST ign 11S Cowboys From Hel - 10-7 bPWR Fle (Girs.2& 3) Em c a (S00) Sy BR Bridge: "wT (Gir 4) st me onby > Bis as Ne. Gun283 ey Covtoys Pom Hell- 10-8 ome3 (3) latte only (oa) G 4 aa pent = > ~ = ——= S| = = = — — a2 (Gir. Taste only Gus 283 oY To Coda 1 oa wea 3 (G3) lassie only a ‘mu (G2) From Hel! 10-935 DS8 alCode Coda 11 Se we're the cow - boys from Hell. pou side, we're the cow- boys from Hell. Cowboys From Hell - 10-10 teaseHERESY ‘Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, REX ROBERT BROWN and PHILIP HANSEN ANSELMO Fast | 2176 iro: r) See rineeed eee (ave) vo ay gt ates ance PM. throughout nd Ras Fit Hesesy-10-1 38 {© 1990 COTA MUSIC, INC. snd POWER METAL MUSIC, INC, ‘Al Rigits Admiaisefed by WARNER-TAMERLANE PUBLISHING CORP. ‘A Rights Reserved37 BS Bhs Abs BS Bs BASS GS AS Bs obs Abs Bhs BS BBS GS. ts as. Bs Bhs ADS bs BS Bhs Gs ts as Bs obs abs Bhs BSS CHS. Gs chsVerses & 3: aa = ture is of vio ent breed, lief“ is) stron - ger than” your ad ~ View os ats theres they "go. Bs Bs BS ESS. fu - tres laid out for gives them rea - son to Heresy 10-3 038cls ots cts gs ona back-wards glove, a ea ters ono one® feet’ or os oats ks Bs Fs sin fo you. For me ith hope; its my le and pros vi syne thet “ie de = aes BY where TS Be > tong Hay 10-4 ae40 ES Gs ols Black or white, some to pray, You ques = tion why they act My sand he, RY = man Face owih - tut kay = bel ES Ne cts pbs Gs Bs cts bs BS cts bs as Bs cts Bbs Peace signs, pro = test. ines mean noth ing tome Harey-10-5 02338a Ry. ig (Gr 1) times BS ime, Here + sy absabs ES BS Bbs Fis Gsa2 Get Bbs Heresy 10-7 coe as ts ots Gs Fs FAs as Fis ats FIs cs cs ts Bs FIs4a cs ats Bis BS cs BS Bibs ra os os Es Gs Es Gs Fs Gs ES os Bs Gs Es os Bs AS os BS AS GS OFS Hey 10-8 os“4 Fis BS Gs BS FS BS Gs es FHS FS GS BS FAS ES Gor Fs BS Gs Es Fis ES Gs BS Hs 723. Ils cs BS AS FSS CS OBS OAS HIS ES CS BS AS cS BS AS IS ES cS Bs AS FES BS CS BS AS Fis CS BS AS FIS BS CS BS AS FES ES CS BS AS FES Sle pitt: tga? te pee es Heresy 10-9 on3B45 i. Pg (Gi 1) 5 times Uy | ats as ts As cs Ds cts pis bbs BS Fis 10-10 oeTHE GREAT SOUTHERN TRENDKILL Words and Music by VINCENT ABBOTT, DARRELL ABBOI PHILIP ANSELMO and REX BROWN "Allg. tuned down approx th pe Fast: Tempo (4 = 224) Ins News (Seream) Blah! Cte (weary dis) Ry Ft end Ry Fig ‘Phen fas coment between 1&1 spe dow ‘Side et and finger up and down st wight prssre, not enough to fet, prodigal harmonic ‘The Great Soutbem Trenill-7- 1 ose (© 1996 WARNER TAMERL ANE PUBLISHING CORP, METAL MAGIC MUSIC, RESS MUSIC, DIAMOND DARKELL MUSIC, ABADABA MUSIC and COTA MUSIC INC. "AIT Righs Administered by WARNER TAMERL ANE PUBLISHING CORP. "A Righis Reserveda7 = Verses 1 6 2 REA (G1) 4 mes G BRS og \, AB Rs wearing on — my mind Tm speak- ail— my doubts a - fond You 2.Seeadditonal lyrics eee 7 6 BRS G ss rob a dead man’ grave, then Double-time: Tempo I (4 = 224) wy. 1 (Gir 1) fount it like you did ore - ate, — Y 1 hit bor - som and ev - “ry thing’ gone im the — great Mis ~ sis ~ sip ~ pi please Haltsimes Tempo It (J = 112) WRT (Gir I) tomes : —— FSS 4 LBS Fis 7° drown me and run Double-tine: Tempo I (J iy ip (GD) ts dig- ping time. a gain, you're mur-tur- ing the weak-cst —trend.— Those with the heart and the brain to get past this can spot a pa ther - ie with - out e- ven ask ing Halftime: Tempo It (J = 112) a rors og ben 7 Fuck your mag-a = zine, ‘and fuck the long dead plas-e scene, 2 8 rt 5a) ae ¢ ‘Me Gea Southern Trend - 7 an48 6 mB MS oo ¥s bi hell was “in”, youd give your soul to the (5ma) To Coda ® be “The Grest Southern Tendlil-7-3 onB.49 Slower: Tempo III (1 = 72) 6 Iuerude Coda BS _——____veen E 7 E zl (Spoken:) I's the great south-ern trend kil. ut Same 4 et tae ULL Ee a (oy ee (sme) Snay 4 2 ——— ‘Te Grat Southern Trend 7-4 i50 Guitar Sole: wit 2) (Ba) oo wan € (G1) ~~ eS “The Grest Souther Trend 7-5 oe51 ime (G1) es) Gus Te . ~ oN £ £ e “ pits filet #2 ¢ 9 ie a - —— a ; ce a Gus ‘WiRMTC (Gur 1) bs Gu Stet "2S tet isapprox. Ply wid jst past 2 fe. Te Gre Souther Teen 7-6 990. Play Wd jst past 24 tas“Gu 3 walgh vation on eps. Use these Zens. aba model ormpeow F Repeat eS ee “Tye Great Southern Trendill-7-7 Verse? Buy iat astore, from MTV to on the floor ‘You look just lke a star, IS prot you dont know who sou are Hthitbottom and everything’ gone, in the ‘Great Misssippi please drown me and run. Its bullshit ume again You'll seve the world within your trend. ‘Those with the heart and the brains to get Post he can spot apathetic without even asking Poltscally relieved, you'e product sold and well received. “The ight words spoken go ‘You'd ell your soul (fo Chonis:)53 I’M BROKEN ‘Words and Music by Moderately 2 = 148, VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, Hatsime tet REX ROBERT BROWN and PHILIP HANSEN ANSELMO [No Chord (ES) “Guitar eee tt 4 4 1s: Ch,9=FE@ =B,0=6,9=G1,0=C4 © 1994 COTA MUSIC, INC. and POWER METAL MUSIC, INC. ‘All Righs Administered by WARNER-TAMERLANE PUBLISHING CORP, "ARs Reserved34 Verses 1&2: Ne. eee z pad) >? aid t path our loved ones ab mourn the day, won - der 2, See additional yries if well smile cof fins while + lw = sion55 you taught your how! Thats how! That | Pm bok - en, — in = her-it my—56 Vn Brken-9- 02238 fatePee 7 Bridge: NCES) Lerring ga RTO Wh bar Pa Broken- 9-5 oe58 es z= by = — ae , ; Soe +e = i fa A | With bar* - fates ot : a =—= = Guitar Te Broken -9-6 a859) Chorus: NCAES)Guitar 1 ith a seus NEES) NCES)unN Verse 2: Bridge 2 Chorus 2: ute: Additional Lyrics One day meal dic, Aiches ato ie forced toate ned inbred to sponge our beed Every warding leaking rober ‘Apolsom apo for mingled bios ‘Tobyoang for ones delucion, Thehiestic ost Nenereal mother embrace the oss Tha how Look at you now, You're broken, Inbert your he (To imertude) 61 Repeat and fade——— re oy I CAN’T HIDE | Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, PHILIP HANSEN ANSELMO and REX ROBERT BROWN Allg. tare @ dows oD ‘Moderately fast metalin2 J = 126 nee 7. renin ae i oe Verses Ds tye writ-ten a 2m sil takes te (Eee. wilt) Gin (Ble. wis.) “Composite aerangenet Bate ant Hide -8-1 2238 (© 1997 WARNER-TAMERLANE PUBLISHING CORP, RIA MUSte-INC ap VDPR MUSIC “Ai Righs Admit by WARNER: TAMERLANE PUBLISHING CORP. Sea tee saoa our right now, cleat strength 1 do; bbs os cs bs with dope. But my eyer— like you, Tm just lke Bos Gs Fs sight lite A man that stands strength 2nd vel: My gus are bla Tou tide- 8-2 oeChon: Gs abs os is Gs AS Gs BS Fis Gs abs Gs Fs os abs os SAS ps | done ast year and the years be + fore. egg Hie 8-3 ieCont hide my = se strong. — oa Hie 8-4 case2ndvel: Makes. = Guitar Soo: eral ser, 38 4 wii. & effec) can Hide- 8-5 eaeToa iss 6 aeBb Gm Dm ‘Top noe produced by Harmonize ee Bb cm ve_je trem scoop ana dive yy Foca 1 can Hide 8-7 UCann:al vith = drat wn 69 in = side, /s——— 70 SHEDDING SKIN Words and Music by seen VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, ee REX ROBERT BROWN and PHILIP HANSEN ANSELMO Ne Chord Sista a dp iges ages aed pe 2 eS sw/hy ig, 1 (Gee 3,3 times) Em? EmTonajToS EL dont Spoken: {3 See additonal Iries = = (end Rhy. Fig.) Em7addA Em? EmTonajTes £7 EmTadda Gide Td rather shoot myself tran fave you walch you 10 see whats (© 1984 COTA MUSIC, INC. and POWER METAL MUSIC: INC. ‘Anno DN Sint by WARMER-TAMERLANE PUBLISHING CORP. "All Rights Reserved1 ddA NC. Em? EmTanaj7is5_E°7 ‘ 1 feel you'd steal my skin 10 try and wear me 1 was be - trayed- ‘one Get Gus. 182, of my short ie, Youwere car-vied a = way,— had no. shame, but you were-at you ‘You were stick-ing to me likeascab— ST peeled you a - way.— bled for days WH Sediag kin 10-2 ae2 anes wD ASadaD AbsedaD & f——- | —— ‘Then sepped oot of my selt— Chorus: NC : Tm shed ing skin. changing with-in. — faving in 4 E a +e oS ewes sae “7 bee a Pe ae ats = 22 2 ° Soe me 4¢ > 2 oS seer Throughawel-ten eyes dreamed you did.- cought in side 4 = oe Fe * - 5 wey ¥ Fe aayaay be #3 aoe _ = oa et eet = atte a? coor + vee + * Vm shed ding skin. spread: ing thin. fevered stem Steading Skin-10-3 oanCre-at - ed the end, Kill- ing a fiend. Cm shed dingmy skin, ie ieee oF You're fuck ~ ing ‘and suck ~ ing Tyi teed eg ety PM, os peas fine, veg PM. e is Siedding Skin 10-4 ase4 but no ones een in-side you tong : ‘ ratnefet SS SS + aS p = oe eae eae fo ee , ts =; tH = ert S erat ga eas teh ge RMT ye Meret de Te dee AS GSRIS FS = the fear, Verse 3: NGAES) gels nev-er love, Blood = y touch 4 ie SS - ‘Shesding Skin 10-5 omeSs as) Bsr 5) BSF No peace arts) ese wis) csc es) Bs es) BSIF NC. Lome. You've got to toe me! Yeah |- — eS (ee Guitar Soo: NCAES) Ny Seating Skin 10-5 58eam harm, ‘grad. bend ) Bsr es) Bis Shrunk- en head. Snake strike. @s) Bhsie as) BhSiE Poi son-ous. ‘Shesing Skin 10-7 osets) ese ts) csi drain you ou es) sie «5 BSiF NC. You've gor 10 Interludes z som harm: Stelling Skin 10-8 aeB sense With Bar (ae) Fs Guitae Soto Nc. eens ee eee ae 3 3 “— pan CS «es BSF es) Bis es BisE Gers. 1.429 Verse 2 1 dont think you betong inher, feel I'm sick Dont ask because you now dani well where I've been Tekepta simple woman through the thick and thin Bot {ve found the gute to severe om my Siamese vin, bon yortya Ever dah ep otle ranging back Seething black. fn betucen my longing fr fortune. fon face hu cane omyoar ince. The rato kissing ane bleeding I pat you sv. Thur You away pssed you away threw you ava.80 MOUTH FOR WAR Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOT! REX ROBERT BROWN and PHILIP HANSEN ANSELM( Slow rock J = 80 noe Ne. Bs Ne. Bs Ne. BS Ne. Bs Ge Double time J =160 Bs Gs BS NC. as NC 05) BS NC OSS NG. Rig Fi? Es GS BS NC GS NC GS BS NC GS BS NC. GS ES Gs BS NG GS NC. ‘Mout For War -9-1 osB © 1992 COTA MUSIC, INC. and POWER METAL MUSIC. INC. AI Rights Adbnisted by WARNER-TAMERLANE PUBLISHING CORP, ‘AI Rights ReservedBS NC. Gs BS NC, Gs BS NC. Gs Ga) “Fontelee atl peop ‘Halftime J = 80 Bis BSCS AS BIS GSAS Fis OS BE as cS as bs 8 ine e She = q ee Seg PFs RS PPS Tee = ; _— f e, ert i aut + a — = Bbs BSCS AS BLS as AS FAIS GS) BbS BSCS AS BbS OS NC. é = Re~ venge!- Vere iy. Fi. 3 (Gr 1) 4 timer Bhs BSCS ASBIS GSAS. Fis as BS BSCS AS BIS GS NC. BS a cf screaming re ~—venge— a gain— Bbs BSCS ASBbs GS AS FIs Gs Bhs BSCS AS BIS Gs. BS Wrong. Ive been wrong for far— to long Bos BS cS AS BIS gs As Riscs Bhs BS cs AS abs Gs NC. ES LY A, Been con-stant-ly so frus + trat Mou For War -9-2 ase ed, Tre moved — moun: ins with ess.—2 way. FM (Gu 1) BS BS css Bhs GS AS_ FIs GS) BS BSCS ASBIS GS_—_NC. ~ When I chan-nel my hhate— 10 pro- due - tive,— Tdon't find it hard to im- prese.— % Pre-Chorus: i. pt (Gir. 1) Nc BS Ne. Bs Ne. BS BS es pee a Bones. in tac + tion, hands break 10 hold raw en er - gy — ty Fig 1A (Gi. 1) Ne BS Ne. Bs Ne. BS NC. Bs Bola ‘and dl - sas ~ trous, my ears can't hear what you say 10 me— Double time J = 160 Chon ty -2 (Gir 1) FSGS BS NC. GS.NC, GS BS NC, GS BS NC. GS ES GS BS NC. GS NC. es Hold your mouth for the GS BS NC. GS BS NC. Gs BS GS -BSNC.GS NC GS BS NC G5 BS NC. GS ot Use it for what its for—— Speak the truth a bout me.—Sate wy. BU (Ge 1) 2nd time only To Coda BS Gs BS NC. as Ne. BS BOS BSCS ASBIS GSAS FAS GS BS BS CSAS BLS GSN. Bs fy G1) BbS BSCS ASBIS GS AS FAS GS BMS BSCS AS.BIS GS NC. BS Pos - sessed — Verse2 iy. ig 3 (G1) 5 mes bs BSCS ASBIS GS AS FAs GS Bhs BS CSAS DHS GSN. BS = 1 feel @ con-quer- ing will— down in - side me.— Ne. Bhs ps cs ASBIS GSAS FAS. GSS BS CSAS BS Gs Sirengih. ——___ The strength of man-y to crush— who might stop me, bs Bs cs asBIS Gs AS FES G5 ESBS BS cS AS BLS GSC, BS My strength is in mum ~ be,— ‘and my soul lies in ev - "ty = one. iy. 12 (Gi. 1) DSM al Coda Bhs BSCS ASBbS Gs AS PIS GS BIS BSCS AS BIS Gs NC —_ The re-leas-ing of an» ger——__ can better an-y med-i-cine —un-der the su. os For War -9 4 reHalf ie J =80 . Guitar Sle win (G2) cu OS Bs Es Ne lt (Gi. 1 2) Dames win (Gu. 2) cis Bs ES ne ae 4% “A Mouth For War-9-5 maIe ete te ae te ap Ot ‘in. FN (Gir. 1) 4K (G2) ES Ba Gtspispsctsas fs gs There comes a time. — Within ev'ry one 3% may —=Fis Gts Bs GIS Ms Ds cfs BS Hs ES Ds to close your eyes— 10 what's real. Double time J = 160 ols PES ots FIs ats Verses 34 ts t i, (we) sh, feet) Month or War-9-7 woe.88 ats FIs ats FS Dak ats FI Play 1¢cimes Gts FIs ats FIs cts Fis Gls89 STRENGTH BEYOND STRENGTH All girs. tune down. 12 step: Oiacw Words and Music by @-b O-8 VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, REX ROBERT BROWN and PHILIP HANSEN ANSELMO_ Moderately 4 = 112 Verse 2 as Gis os ols as tion, No Ss = i : —— a oe ge eres : +t = ? i = = my eee eee - 35 ———— é Pg eat 4 — z 4 o 3 2S rena Beyond Swengih- 7-1 © 1994 COTA MUSIC, INC. snd POWER METAL MUSIC. INC. ase ‘mh miner by WARKER-TAMERY ANE PUBLISNING CORD, "AIIRighs Reserved