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Pe a More and more photographers are discovering that big
really is beautiful as full-frame D-SLRs become more and
erin more popular. Size, when it comes to sensors, does matter.
oo A full-frame FX chip is over twice as big as a crop-factor
Ree DX one — and this has serious implications when it comes to =
f CR MECREME image quality and creativity. The bigger surface means that aw Be
2 RGOEEE the pixels, or photosites, can be phys
NLR gather more light, which in turn means that there is less
CCM noise at high ISOs. But one of the most noticeable things fx
‘when you move up to full frame is the reduction in depth of AW
eRe field. With no crop-factor effect to take into account, you need =
4 ie: a longer focal length lens for a particular angle of view, and
ally larger, so they
USURRGGRMUM this means that you get over a stop-and-a-third less depth
baad a rtuboaen of field for any aperture you use. For lovers of big
Deets
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Nikon was a late arrival at the full-
frame party, and its FX family was only
aes born six years ago, with the launch of the
aH ts revolutionary D3. There have been
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MisetreieeieaaaM are still in production. As the cost of
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Eee rene together the most comprehensive
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as
Chris George, Editor
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ober Come to Photocive 2013
fap ee pean blur and beautiful bokeh, full frame is king! A
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