-ERENeE

AND THIS

CONSq~ENTLY ORDER

PESTRICTS IS POSSIBLE SINCE ANY

THE

DEVELOPMENT THE FORM

OF THE

PLAN

WITHIN THE

IT. VERT26:

71

No

CONDITION

OF TOTAL

IF NEITHER RESULTANT

HORIZONTAL WILL HAVE

NOR

ICAL

IS TREATED

AS AN ABSOLUTE

NO FRAMEWORK

OF RIFERENCE.

To UNDERSTAND
THAT

VOLUME

WE MUST

INTRODUCE

THE

NOTION

OF MOVEMENT, NUMBER

AND

PGSTULATE

AN EXPERIENCE ON! OF THEM BUT

OF A~C~ITECTURE APPREHENDED O~ER

IS THE

SUM OF A LA~GE IT IS TRJE TIME SPAN

OF EXPERIENCES OTHER FOR THE

c.f. G~offre) Scott: p. 227. '~pdce in f~cl is liberty of ~Dveen t , Thor iiiits va Iue to ~IS ,me! as such it ent~rs our physical con,ci0u~n.ss ....t~~ space ha! suggestcr a OV8m~nt rth~ nav~ Df d churcn} . Sj . etrical sr ce, on th0 other 'lc,nd riu I y or port ..;r, ..ti ;, (/ i ~v i t c : no -'lV .~,~nt in any i r c t i ..)n r Jr _ t ln ,1(l( lher t. l . s, !;. h.: I S p.::t o,;.cit.
I _' It' ,.~

- EACH SENSES; INITIAL NOT

VISUALLY, A MUCH LONGER WORK' THIS

'5 WELL THAN UP

AS TH~OUGH

ACCUMULATED

IS RE\UIRED INTO

APPRECIATION

OF A PICTORIAL WHOLE.
AND

ANO BUILDING WHO~E

A CONCEPTUAL, HAVE A

A PERCEP~UAL, OF CO'CEPT:

SINCE

IS CONCEPTUAL

IT YUST

CLARITY

ITS ARGUMENT

MUST

sr

INTELLECTUAllY HAVE SIMPLE

AS WELL

AS VISUALLY THAT THE

COMPREHENSIBLE. CO~PREHE~SlaILITY 5~UARE, INTO

THE

T~E GESTALT DEPENDS

PSYCHOLOGISTS

CONCLUSIVELY CONFIGURATIONS, WHEN

DEMONSTRATED OF WHICH

ON ESSENTIALLY CIRCLE ARE

THE

RECTANGLE,
DIMENSION.,

AND THE

EXAMPL~S.
CUBE, THE

THESE ARE PRO~ECTED

BLOCK, BEE~ AND THE

THIRD

TI~EY 9EC::H.1E THE FORMS THE AND

RECT'NGULAR THAT HAV!

SPHERE, 'SOVE.

IN SHORT, E~UALLY,

THE GENERIC ONCE THEY

9A91C

SOLtos

~'SCUSSED WHICH MUST OF

TAKE

FJRM OF AN ARCHITECTURAL AND 1M MOST UP THROUGH CASES THi

ENTITY FROM

BE eXPERIENCED LEVELS, THE

FROM

WITHIN

AND WITHOUT,

A VARIETY

TOTAL

OF APPlRCEPTION

IS BUILT

PR~CE5S

OF MOVEMENT THAT WORK 15

OR CIRCULATION. E~TERNAl eUT TO THE

1M THIS
FABRIC

SENSE

MOVEMENT OUILDINGR WHICH

IS CONSIDERED IT IS NOT THE

TO BE A FACTOR OF THE

OF THE

A ~UAlITY ENFORCES

ITSELF

27.
RATHER A PATTEPN THEN OF BEHAVIOUR aU'LGING ON THE INDIVIDUAL.
H.. oe l f I l ln and ~Ul('rS t.!nded to

MOVE~ENT

C~N

BE DEFINED CAN

AS THE

CIRCULATION

OF PEOPLE

IN ANY

ARCHITECTURAL VECTOR O~ AN EX-

ENVIRONt.'ENT.

MOVEMENT

BE THOUGHT

OF AS EITHER

A GEOMETRIC

reg2rd ~ovement as a quality of the ~~ecific work of art itself. James Adam f'ra i s",d lJanbru9h for h III 'qual ity of moversent as picturesque'