Estamos usando diferentes tipologias

O quarto pequeno. Comeca ser grande. O projektu koj bih radila, razmisljala sam kao o polju koje bih napravila. Da li ja pravim arhitekturu? Recimo, ja konstruisem. Conto 1. Perverse, hated cities. What is perverse abou it? Its constant coming back from the good to bad. Steeps are hideous. I hate its own perverse dependence on its breakness.

Conto 2. About the marked fields As you know, I am in the deap steep of the fields we can not come out of. As we stepped out of them, we noticed we couldnt breath. We were watching the production of cold water.

Conto 3. And if I could become tall, why would you put me In a small chair?

Conto 4. Yesterday I talked to the man who had always wanted to do a road movie. He talked about how free those long distance are and how you only feel free while you are embraced by that tiny path, struggling the mountains, splashed by fields of the sand. I wonder what would be like to breath the dry wind.

Conto 5. Yes, that is why I love coming back to Alice. Instead of rooms characters walk into or leave, signaling the start,The use of disorientation fo time and of space and furtniture and red and that. Yes, thats why I love coming back. Conto 6. Valjda vise nece morati ovde da cekamo.

Mesto ge se proizvode misli o gradu. Gde se pravi dnevnik onoga sto grad jeste

Ja pravim polje koje se ne razlikuje od ostalih polja. Polje u kome igram polje u kome pleem polje u kome plaem na suncu

White fields stands to be performed on. Does not know that the fields itself is a performance of scale, of notion of scale. IT is a translation of the airzoneto the breathning zone. What if our breath could be captured, its essentiallity of it? What would be the event that I am proposing and typologies that I am