Chapter 13 (Matthew Upton) Professional TermsBackground music- Music that helps emphasize the broadcast Broadcasting rights-the permission

to broadcast copyrighted material Cablecasting rights-permission to cablecast copyrighted material Cover music- A remake of a copyrighted song Foreground music- Music that is the topic Recording rightsRe-Recording rights- Getting permission to copy copyrighted material Streaming rights-permission to stream copyrighted material

Synchronization rights-permission to synchronize a video to music Transitory digital, and Transmission rights-the right to put downloads onto the internet

ObjectivesSummarize the difference between background music and foreground music. Identify the guidelines for using background music in a production. Explain how copyright licenses apply to student produced programs. Recall the types of contracts available when using a music library service. Recognize the unique characteristics of the different music rights available.

Review questions1. What is the purpose of background music? 2. What is the heart of a song? 3. List 3 guide lines for using background music 4. Explain why using busy music in a dialog scene may be challenging 5. How does copyright affect school programs? 6. Explain what should be in a letter asking for copyright permission 7. What types of contracts are available in the music library services? 8. Which music rights apply to use on the internet? Chapter OutlineThe chapter was about how you can use different types of music (and copyrighted ones

with permission) and add it into your video productions. This also taught me how to properly ask for copyright permission through a letter.