Blood Brothers

Conductor's Score
BLOOD BROTHERS
by Willy Russell
Samuel French Ltd
--
---
--
CONfENTS No. 1 2 2a 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21/22 23 24 25 26 27 28/29 30 31 32 33 34 35 36 37 Title Overture Marilyn Monroe Marilyn Monroe (reprise) Mrs Lyons'theme Underscoring Underscoring My Child Underscoring Underscoring Easy Terms Underscoring Shoes Upon the Table Easy Terms (reprise) Kids Game Underscoring Shoes Upon the Tables (reprise 2a) Shoes Upon the Table (reprise 2b) Bright New Day (preview) Long Sunday Afternoon Bright New Day (reprise) Marilyn Monroe (reprise) Underscoring Underscoring (Continued) Underscoring That Guy Shoes Upon the Table Underscoring I'm Not Saying a Word Underscoring Miss Jones Just a Game (underscore) Marilyn Monroe (reprise 3) Light Romance Shoes Upon the Table (madman) Tell Me It's Not Tme Page 1 4 9 11 12 13 14 22 24 25 33 35 40 42 56 57 60 62 65 76 93 100/101 103 104 107 108 113 116/117 121 127 128 138 139 144 149 154
--------
. Overture
Mrs Johnstone - Choir
Very slow (J
=30)
Vocal Hne (play if needed)
6-_ Mm Very sustained chords AtmosphericPolysynth
Mm
--Mm
Straight mute Tpt (second time only)
Mm
E/C#
eD2
B/D#
1.
2.
Mm
Tpt
A
e.
Mm
q G2
1. Overture
Mm
H Em/G
-.....Mm Mm,
G/D
Mm
-2-
--_
J.J~~eJture
~
Mm V1n
MmJohnstonc
._&
.. -
Ten me it's not
u true,
Em
DIF'
D/F#
D/F#
say it's just a
sto
rye
Cue: How one was kept Cue: My own dear sons lie slain & one given away. Hold till cue Hold till cue I":'.
::>
Segue 2. I":'. Timp
-3-
----
2. Marilyn Monroe
Mrs Johnstone
Cue: Narrator Judge for yourselves how she came to play this part
Slow
Mrs Johnstone
you know the sort of chap,_ Bm Em
Colla voce
Once I had a hus band,-
Sax
met him at
a dance-
and how he
came on with
the
chat.
r
A
Bm7
A/CI
Bm
my eyes were deep blue pools,
my
skin as soft as snow,
he
Bm
Em
a tempo (quite brisk)
told me I was sex - i-er than
..
Ma- ri-lin_ Mon -
roe. And we went dan - cing, TDt Gtr

.g
Drums
Bm7
C07
A/CI
Gm/D
Ebo7
IEm
we went dan
Then, of course, Vibes
found that
was
A
J
Gm
Bm
weeks 0
I
- ver -due.
-
We got. mar - Tied at
the re - gi -sty
an'
then we had
Em
fl
)
[!!]
Clarinet in A
It
Bm7
C07
A/C#
11
Gm
Key 11
Swing
_3
. -
We all had cur - ly sal - mon sand-wich- es,an'
"do" .
Bm
- [E] -5-
---
- - - --
2. Marilyn Monroe
3
the ale did flow,
they
said
the bride
was lov li - er_than
Ma-ri-Iyn-
Man -
Bm7
A/C#
Gm
And we went dan
cmg, Tpt
yes,
we went dan
- cmg.-
Em
Gm/D
---the ba by came a long,
we
called
him
Dar
- ren
Wayne,-
then
Bm
Em7
three months
on
found
that
was
the club
- gam.
KeyII
Bm7
A/C#
Gm
2. Marityn Monroe
3
.
l
"
An' though 3
I still fan - cied dan -cing, my
hus - band would- nit go,-
with a
("
Em I.
J_jAaug7
ID
Bm
lE m
[E]
i
Half tempo (non swing) Tpt No more
wife he said was twice the size of
Ma- ri -lyn-
Mon -
roe.
dan-
Bm7
A/CI
Gm
Sax
~~
'"
dan
no more
- cing.
Rit.
i .. By the
u
3
.-. Y .r"'II. MIL I
3
I
->
- I
--
--.
I I
I I
-' -
-' -'
-'
--
-'
I
time that Colla 1\ , voce ISax ....

I
,
I
was twen ty five,_
looked like
four - ty two,-
with
f
I
r
Bm
Em
-' r:
i
.
-'I
.
-7- --- ---
-- --
2. Marilyn Monroe
Vln
n-J
se
yen hun - gry mouths
to feed
and
one more near - ly
due.
Bm7
A/C~
Gm/D
My hus - band, he'd walked out on me, a
month or two-
a- go,
for a
Bm
Em
who looks a bit like
Ma-ri-Iyn-
Mon
roe. And they go
dan-cing,
Bm7
A/C~
Gm/D
B7(b9)
Em
An irate MI1kman (the Narrator) rushes in to rudely inteTTUpt the song
Yes, they go dan -cing,
they go
dan...
Em
Gm/D
20. MorilynMonroe - Reprise

Mrs Johnstone
Cue Kid Four (oil) Mum, I can't sleep, I'm hungry, I'm starvin'. . . Kids (off) An' me, Mam. An' me. An' me. Mrs Johnstone
know it's
hard
on all
you kids, but
try
and get
some sleep.
Perc (Vibes)
mf
legato
Bm Em
---
loads of things
to
eat.
We'll have
Bm7
AICI
Gm/D
I'
L#
MU
.J
..
..I .. - .. -
(speaking)
I
.I
. X'
I
.,j,.
(sings) "
"'
ham, an' jam, an' spam an' Roast Beef
1\ ,
-.; 1\
\I
1//
Yorkshire Puddin', Battenberg Cake, Chicken an' Chips, Corned Beef, Sausages, Treacle tart, Mince an' Spuds, Milk Shake Mix for the Baby:
When
.
Bm
I
JI'
-9-
.
./
11
If
- - - . - - - -- - -
-----
20. Marilyn Monroe - Reprise ~

3
bring home the dough,
we'll
live
like kings,
like bright
young things,
like
Ma - ri - Iyn
Mon
r
A/C# Mrs Johnstone hums a few bars of the song
Gm/D
And we'll go
dan cin', -
yes we'll go
we'll go
Em
Gm
we'll
go
dan - cin'.
Dim. rite . . . . . .
u V
3.
Mrs Lyons Theme

Instrumental
Cue: Mrs Lyons Look.,if it will make you any happier I'll put them away. . .
Vibes (Motor on) Hard Sticks ff Vln [Tremolo,hannonic squeeks.]
Perc (Vibes) P:g

:>
n:
& :>
e U :>
1'I'e: :>
U :>
Tarn Tarn
:>
q;;
ff
mp Full reverb/Echo
=mf
::::::::=-mf <:::
J =90 Mysterioso
Ky-I-Synth
1.v.
::.:: f
rite
- 11 -
-- --
---
----
4. Underscoring (shoes upon the table)

Instrumental
Cue: Gynaecologist You're expecting twins. Congratulations. And the next one please, nurse.
Soprano
(Sax leads)
slap >-
:>
:>
:>
:>
open tone
Drums Ride Cym on bell :>
Medium tempo
J =100
i mf
KeyI Synth(Sax solo)

iF Am9 Em9
~
Am9
&
rail.
v
D(add9)
Gmaj7/F# Em9
17\
5. Underscoring (Mrs Lyons theme)

Instrumental
Cue: Mrs Lyons T\\ins? You're expecring twins?
f:> ( Vibes (Motor On) Hard Sticks :>
:>
:;=:
:>
.0
:> .n
Tom Toms (Soft Sticks)
...
f
L-l
====mp
I-,
-=::::::
mf
Faster J = 140
Sustained mettalic 5ths
Key I Synth Sustained Bass
:> .n
- 13-
- - -
--
--
- - - -
6. My Child
Mrs Johnstone - Mrs Lyons
Cue Mrs Johnstone Are y' . . . are y' that desperate to have a baby? Key 11 Strings
Cym tr~ soft stix
Vln Vibes Key I
Gtr Bass
mf
Mrs Lyons r':\
Vibes
Each
day
I look out from
this
win- dow, Vibes
Colla voce
Bsus4/F#
~.
see him with his friends, I hear him
call,Vibes
I rush down but as I fold my anns
a-
Bsus4/F#
6. My
Child
he's
gone. Was he e - ver there

17\ 17\
at
all?
G07
17\
Af7
r:.
IBm7
F#
[EJ
[ID
dreamed of all the pIa - ces I would
Bsus4/F #
the
games we'd play, the sto
- ries
would
the
Bsus4/F#
jokes
we'd
share,
the
c10th - ing
would
make_
him,
I reach
I
82 ,-
- 15 - ---
---
--
6. My Child
out, but as I do, he fades-
a-
Vibes
Af7
A tempo J.=120
Key11 Piano
Bm
~~ r
D9
Bm
D9
Bm
~~ r
Mrs Johnstone
--"'-'"
If
my child- was raised inColla voce
pa -lace-
like this-
one,_
he
Bm
D9
Bm
---would-nIt have_ to wor- ry wh~ his
---next mealwas corn- in' from.His
Bm
D9
Bm
6. My Child
~1rs Lyons
c1o-thing-
would be sup-plied
by
George Hen-ry
Lee.
Asus4 He'd ha\.e A/C# A B A/C#,
D9
Bm
Mrs Lvons
~':::- ~- ---"
make too much noise_
with- out
the
neigh- bours corn - plai
nin'.
Sil- ver
D9
D9
Bm
f"
-
..
f.
Mrs Johnstone
-to take meals-
- from,a bike withboth wheels on?-
trays
u. A7
- 17- - - --
--
6. My Child
Mrs Lyons
~
---'ry
And he'd
sleep
Key 11
ev
night
in-
Vibes
Asus4/B
A/C#
~ D9
~ Bm
Mrs Johnstone
bed
of
his
own._
He would-n't
get-
in - to
fights,-
he'd leave
~ D9
~ Bm
--mat- ches a - Ion e.And you'd ne - ver find_
--him-
Em .
6. My Child
ef - fin' and blind
in'.
And when heVibes ~:
grew up hej.
could
A7 A~A B
C#
f' Bm
ne - ver be
told-
to standAi:
and queue j.
up_
for
hours
on
~.
f' Bm
f'
f'
f'
Both
f'
end at the d01e.-J. i.
--
:
.
--
'
a
He'd grow up to be-
ere-dit to me.-
4J
-- - ------
-----
--------
6. My Child
Soprano
@]
Mrs Johnstone To you.
F rl.
Cm
F rl.
Cm
-1.
Mrs Lyons
Mrs Johnstone I would still be able to see him every day, wouldn't I? An'. . .an' you would look after him, wouldn't y'?
I'd keep him
Gm
Rit. C11 BblC
A11 G/A 1"':\
.
'i
Slower
-warm_
Vln
in the win- ter,
and cool when it shines.
I'd pull out-
his splin - ters
with - out
Bm
D9
Bm
D9
Bm
6. My Child
-mak- ing_ him cry.

I'd al - ways be there_ if his dream be-came a night - mare.
Bm
H: Em
A7
Vln
Both
My
Vibes
child.
My.
child.
Accel
A tempo
A7 A Asus4 A. B C#
D9
Bm
f:
ID9
Bm
Gtr Bass
Vln
f'
-.. .
f'
f'
1"';'\
My
child.
v
RaIl. _ _ _ _ _ _ _ _ - _ _ _ - _ _ - - - - - - - - - - - _ _ - _ _ _ _ _ _
Bm
C9
D(no3rd)
u.
- 21- - -- --
- ------
7. Underscoring
Instrumental
Cue: Mrs Lyons I want everyone to know about my baby. (She suddenly reaches for the Bible)
[J
Mrs Lyons
,..
Freely - following narration Mysterioso. disonant
Key!.-..,_
I f e-
We must make this a, erm, a
bind - ing
- gree -ment.
.
Solina - hold throughout
e-
,..
Key 11
BassDrum
I l .. I .. I .. I .. l I .. I .. I .. I ..
.
Drum Machine this stans to at
J = 50
during
and
is nanation Vibes
gradually
increased
J= 120
the following
Tarn tarn
- soft
stix
,.. Percussion
- motor
on
Drums
:
rrll Toms
) I
I. I I I
Cym
.-------j
.. Narrator
In the name of Je -sus, the thing was done. 1\now there's no go-ing back for a-ny-one. It's too late now for feel- iog tom
:
____ e-
1\-
l
<
:
r
,..
..
..
..
Tom toms :> .
7. Underscoring
Mn J
"
n
L.- NnJ
W1fJ. _...,. 6d ~ ~
, _ ~ bow.
JtiP. J
to do dJat?
-.......
"bekJog.. . . .. Bye.
.., there's. pact bcallmted. ean . becD bom.
Continue ad lib
&c- - - ,
A-
/7'. .fL,..
- ....--. I
How swift-Iy those wbo'w made . pact.
( tJ
(
..
e
------------______I
Graduallyincreaseintensity
_e
"...,
I ...
I
...
1\
f
..
Cym
I
#(
------_.
Tomtoms
.., .
Play toms sparingly
>-
mp -=::::::: f
..
.., can come to 0 -ver-look the fact. Or wish the -kon- ing be de-Iayed. but a debt is a debt and must be paid.
A-
_e
-e
e Segue 8
1\.., SolinaIDrum machineofT

I
...
...
...
..,
fill
- 23-- - --
- - - ---
- - --
- ---
- -
8. Underscoring
Instrumental
Cue: Narrator But a debt is a debt and must be paid.
Key 11Synth (String Setting)
Piano
&:
Optional repeat
,. -]
III
"T'8
tf
'-.
.u
"
\I
_... ,.. III

L "
-J
.. "- .
1":\
=
Finish when debt collector enters
-=
I
fJ.
I
1":\
9. Easy Terms
Mrs Johnstone
- Backing
Singers
Cue Catalogue ~faD Ab wen as long as y' can laugh about it, eh, that's the main thing isn't it? (exits) Mn JobMtODe Yeh.
Mrs Johnstone
-Medium 4 J=110 On - ly mineun
til
the time-
comes
e-
C/E
round to pay-the bill.
Then, I'm-
a- fraid,-
what can't be
IAm2
I
-
n. Em
.0
paid
must be
re - turned.
You ne- ver, e - ver
learn,
that no - thing's
\
(
E/G,
D/F#
-25 -
9. Easy Terms
on
ea - sy
tenns.
On - ly for-
FMaj7
C2
---
Cm
to call_
you
mme.
Fa-mi - lia-rizf
Em
that face, those eyes,
make fu - ture
plans
that can - not be cc

3
3
r
G F
D/F#i
9. Easy Terms
firmed. ~
J
On bor - rowed
time,
ea
sy
Cm
F Maj7
Liv
- ing
on
the
Em/B
"
."""
. I
...
..
I
ne
"
,;
1\
'"'
ver I I
.,;/ ..' ne - ver,

...
-=r
.-I
.-I. -
.,
con
..
r
I
I
r
---\
.-J-
r
..-J
.
GIB
stant
as
I
--,
&I
the
--,
r
T
f
--
11
=-I
)
".Am / ..
- -i ..
- 111'
..-
--Em/B
'S
C
-.-
;I
;I
111
- 27----
---9. Easy Terms
wea ther, ne ver
sure
who's at the door
or the
Am
C/G
Fm/D
pnce
I'll have to
pay.-
Should we meet a - gam,
I will not
r
GIB
cog -nize your
name.
You can be sure
what's gone be-
r 3
3
9. Easy Terms
fore
con - cealed.
Your friends
will ne - ver I
I
,. ,. t: f:
,.
..8_ .. ,.
..
11
'. "-
JL
that
once we
were
ea
sy
Dm
FMaj7
Mrs Johnstone
tenns.
Liv- ing on_
the ne - ver
ne-ver,-
Backing Singers
on_ LIv-mg
the ne - ver
ne-ver,_
Dm Drums in andfill
C Rhythm
Em/B
Am
GIB
-----
9. Easy Terms
...... -
.... con - stant as

surewho's at the door or the
con stant
as
the
chang
- ing
wea - ther, ne ver
sure-
door-
8!1
Em/S
Am
C/G
Fm/D . . .
I'llhaveto pay._
Mn Lyons They're bom~you didn't notify me.
I'll have
pay._
to
Instrumental section Vln

............. I
I
GIB
lAm
IIG
Em i
t::!::!::I f
Mrs Johnstone Well!...I just...it's couldn't I keep them for a few more days, please, please, they're a pair, they go together. ' I
9. Easy Terms
Mrs Lyons My husband is due bid lomOh<>~'. \1rs Johnstone. 1must have my baby. We made an agreement. a bargain. You swore on the Bible. Mn JObDStOH You'dbencr...you'd bener see which one you want. Mn Lyons 111 take...
@]'
Mrs Johnstone Liv -ing on-
the ne - ver
ne-ver,-
con- stant as
the
Mrs Johnstone No. Backing Singers . . Don'ttell me which one. Llv-mg onJust take him, take him.
the
ne - ver
ne-ver,_
con- stant as
the
Em/S
Am
GIB
Em/S
chang - ing wea- ther, ne - ver surewho's at the door or the price I'll have to pay.-
chang- ing wea-ther, ne-ver sure-
door-
pnce
1'1)
have to pay.-
C/G
I F
Fm/D
GIB
- 11-
17\
[ill
9. Easy Terms
...
,--.J
Very Slow J=50

17\ Key I + Tpt
.
F Am2 Am -
I
I
I
G2
Em
F2
I
.. I~
. "
I
u
I ;
Hold till Cue Mrs Johnstone I've got to go to work.
/7'..
.
I
D/F#IG
Cm2 Cm
C Dm2 IC2
. I
10. Underscoring
Instrumental
Cue: Mrs Lyons No. You'll tell nobody. Because . . .
GJ
..
Hold throughout
Because
if
you
tell anyone
... and these
children learn
of
the
truth,
then
you
,..Key 11 -.:
mp
Drum machine
.
Drums
Tom toms
I I
..
J = 50
..
.
..
..
..
"
Percussion
i
I
know what willhappen,don't you? You know what they say about
twins secretly parted
,,-: ..
..
..
-.
..
Vibes f.
P-W .. .
..
.
-W
..
P-W_ .
"
. #
don'tyou?
What? What?
They say that jf
, either twin learns that he was one of a pair they shall both immediately
,....,
~!
..
A
.. .
..
. ..
..
..
Ad lib (faster)
..
..
..
..
.,
p-W
111p
-P.
(Continue till stop)
- 33 ------
7. Underscoring
..
t.I die! 1\ It means, MrsJohnstone, that these brothers shall grow up, unaware of the other's existence.
...
)
1\
,.
,. ,.
,.
,.
,.
,.
,.
t.I
.
: ""
.. I'
t.I They shall be raised apart and never, ever told what was once the truth.
A)
I I t
-.
-,
. .
... .
A
t.I
.,
You
won't
tell
anyone
about
this,
Mrs Johnstone, because
if
you
do,
you
will
kill
them.
A...
SlOpDrummachine
):
--.-
,.
,.
,.
Segue 11
tY
11. Shoes Upon The Table

Narrator
Cue 1\1 rs L"ODS You \\'on~ te)] anyone about this,Mrs Johnstone, becasuc if you do, you will kill them.
o
J=120 Rock Feel (Heavy)
::>
NalT3tor
Shoes up -on-
the ta - ble
an' a
killed.
(on rims)
Timbales.ff
::> ::>
Cm2
Gm2
::>
Some one broke the look in' glass,I

I.
full moon shin-in' an' the

I"
salt's been
. I
, "" ....
I 1.1 I U ....
'"
,","v
-t.
Cm2
...
-I.-
-c.
-c.
- . .
Gm2
...
'S_
.
'S
- 'S- o-
...
"I..
I
.1....
,..
D__ ,
I
i
1/
I
Ebadd4
I
F2
Bb
Bb/A
1.._ ..
. . ....
.
I
D.
I
spi11ed.
1\ I
You're walk - in'
on
the
pave - ment cracks,-
,""LI
I. ,
\
J
tJ
. . . .
...
-t.Cm2
-I..
-t.-
-t.-
..
....
....
--
"I....
.t-...
Gm2
.&. ....
F2
,...
- 15 -
- --
--
--------
--_.-
00
don't know what's gon
". Shoes Upon The Table
~ ......
~
, I
- na
come to pass.
Now y'
know the de - vil1s got
your
!"-
Cm2
Bb
Dm/A
nwn-ber,_ y' know he's gon - na findy',
.. ,"
....
la
he's sta - rin' through your win - dows, he's
::n & '--'
,.....,
G2J
Violin
_. creep - ingdown the i
D7/F#
Cm7
Timp
. .
r1
DO
point
in
clutch
- ing
at
ro
you're
IGm
al-ways gon- na know what was done,-
e-ven when you shut your eyes-
Gm
E~
r F
see
that you
sold
a son,-
r F
and you can't
ten
- ny-one.-
But y'
know the de - viI's got
your-
r F
r
-17 -------
Bb
Dm/A
----
-11. Shoes Upon The Table
~
.
num ber,-
y' know hest gon - na findy',
---
.
. .
he's sta - rin' through your win dows he's
-&
creep-ing-
down the hall.-
Yes, y'
know the de- vii's got
your_
Cm2
Bb
Dm/A
num-ber,he's gon-na fmd_ y',
y' know he's right be hind-
11 . Shoes Upon The Table
knock-ing-
at your door,_
he's
D7/F #
Cm2
. \I .
,", J
"""'I
.-.
I I
.
..
at
,
.,;
,
"_4
I I
"'
be's
.-.
....--.,
..
at
-i
-i_
knock ing,.. I
)"OUr door._
I
knock - ing-
your door._ Rit. Gtr
.,...,." u
c_
..
F
..
T-..
D7/F,
I
..
w- w- w- wCm2
-6 F
:!
... .
I
I
.fff
."
u
*(.1
. .
.
. . .
. . .
. ft- iIII '"
- - -
u.
i .
..
{
EJ
e'V
!
I
I
1 - -- - - - - - - -
- 39-
Fairlyslow J=100
12. Easy Terms Reprise

Mrs Johnstope
Mrs Jolmstone
Cue Mrs Johnstone Ever! Now go on. Beat it, home befroe the bogey man gets y'.
Should we meet
gain,
Lv.
I wi1l not
Acoustic Guitar
+ Key II
eC/E
&
cog nize your
name,
you can be sure
what's gone
be-
Am2
will be concealed._
Yourfriends will ne- ver learn

J J
that once we:
D7/F#
12. Easy Terms - Reprise
RaIl.
were
on
sy
"Q: tenns.
r
RaIl.
I .
F Maj7
,.
.
.
..
I
I
_u
,..
. . .
,
..
I I
'I
1\
., .
..
\1
Ez:
Doorbell cue Mrs Lyons Edward, I've told you there's no such thing,
.. ...
.. ..
.....
..
Perc (~es) ~~~
Stop cue Mickey (oil) Does Eddie live here?
-41 - -----
---
13. Kids Game

Kids
- Linda - Cowboy - Sammy - Sergeant - Corporal

I ....
Cue Mrs Lyons Oh, my son. . . my beautiful, beautiful son.

Alto Sax
'" \I
P"
pp
Feel
/118L
.J
e:
Gtr/BassIDrums
'11
\,j 11
Reggae
I
y
J.=140
Timbales
Tpt
> >'> r I
f:
f'
"-
H
r
'"
"
>
'"
j
L":
/ h y U
:>-
.
I
'"
1
"
., . .
I I
os
. .
':11
,
.10.
"-
..L
::z
.,
os
....]11
--
--'-
t- I
t~ t
!
Gm7
Gm7 .I
11
."
..
.
..
l
.
..
_4
'.. .
u f' ~ -r
i
I
I..J
,-,
--
--
_._u.
Gm7
. .
0
EMaj7
-.
EMaj7
-.
T
. .
I
-:...:--
"
I
I
Sax
Perc
!
I
. III
i
lj
!
-I
Key I Hammond
Gm7
Gm7
i. I I.
- -
------
13. Kids Game

Linda
.
stopped it with the bin lid.
y' bloo - dy know I did. I
got y', I shot
y',
GmG
Eb
Eb
~.
Kids
, """
11 ....
,.
-.
f Perc
t>
"
tJ mf
.
>I
..
I'
II
11
But you
>I
. f--
fTpt I
u, Sax
>I
U'
Vln
f\
\I
11 .... ,"""I' t>
I rJ
-.J .
I
..
U.
Bj9
U.
1--
...
Dm7/C
._u.
'"
.
.
.
. .
Dm7/C , ,
.
,
. I
.
I..
EbMaj7 L'. .
./
....
..
"'
. ...
,
. . . ...
I. I I
1i
that if you cross your-
fin- gers,_
and If you count
from
, .. . I~
Dm/A
I Cm
. . ! iI . l
a - gam;
I.
---
13. KidsGame
E~Maj7/C
., I
1\ I Perc ... >>... >>:> >:>
Sammy
:>
EE !
I
!
I
;
I
Sax
My -:
lIIf :Tpt
/C
IE!,Maj7/C
I ..
jl n.
EaJ7
,
.-
I
@]
I.J
I
- ""'--'"
name is El-li-ot
Ness, and la-dy,
here's
my card,-
I'm
look-in'
for-
one Al
Ca-pone,-
Em
_"0-
e-
" :"*
ij
::;-
11
11
Cm
I Gm
I Cm
,t:=
J
-45--- - --- -
---13. Kids Game
. !'
.
outthe back, Sarge, you
check out_ the
Bb
BbMaj7
Linda
But pal.
u.
I've told
y'
AI ain't
Gm7
Sammy
home. if /\pp
So,
la - dy can I use your
te - le - phone.
.ff
1
~, ii.
you can get up off the grounda gam,
it doe - sn't mat ter the whole-
Fsus4
i -
.
Cowboy
. III
thing'sjust
a game.-
When
... I
- 47 ----
------13. Kids Game

,
.J
may
- be-
say-
prayer,-
Cm
Tpt Mute
~ !
fast
- est-
draw_
that
man you-
e - ver
Gm
Bb
Cm/G
Call up your wo - man, say good
- bye
to her,_
Cm
cos
y'
know
you're go
in'
right
down
13. Kids Game
.
,-.
-6
-c
1 n
11611 (.
..
there.
1\ I
...J. ,
.. - .
Perc
I
11 "J 11
11I.
Gunshot
Gunshot I
>-
Gunshot
I I
.J
11
I'
>I or L.. KrII ...:. (-,
::>
-'
"\.1.1
--
.,
Fn.aj7/D
-:..
U,
r.
I. Shaker
>- .. .. .. >.. .. ... ..
,
mf
'-'
7. ..
7
-v
.""' ...:.
co
(.,
:....
I. ,
Timps
.
-
>-
.. .. .. .. >.. ..
..
1_ L-
1- 118'"
>-
- 1_ 1-
>-
- >-
'U.
>-
I jJ L1J tJ
>I
:>
All
1-
[]
11
I I
If
. .
But you
know that if you cross your

>-
. fin-gers,
:>
:>
.
III
. .
..
:>
Timbales
Shaker :>
I
:-
(\Vith Timp Sricks)
11lf
:> Timps
:>
>-
>-
J LI . I' . ,-,. y
".
r
I
"
.
,
I
j ,
i
,
I
...J. ,
,
I
1
I
:=> L.-"'.
and
.
!
I
:=>
I
from
if you count
..
..
I
. .. .
r
one
:=>
.. . ..
r
I L....J to ten._
. ....
>-
;; I
I
you can get up off the ground-
. . .
- -
>-
..
18'"
. .
-
I
1
i.- '-
Snare Drum
..
I
- 49-----
--_.
-- --
13. Kids Game

Sax I
K-
men,-
let's get them with a
hand
gre - nade.-
Let's
Fm
Rest
see them try and get out
this._ Sax
He's a
hot shot
Ser - geant from the
Gm
Db
13. Kids Game

J
I ..
.
Ninth
Bri - gade.
111 .." . He's ne - ver been
4t . ..
,. ..
. ... i1 ..
11021
B,
B~aJ7/A
Gm7
Sergeant
Cl
-man,
gIve
Dad - dy a
kiss.-
-i
!
E~ Cm F
1
His bn"gadecover their ears and crouch. down. Linda catches the grenade and lobs it back at them. After being blown topieces they get up singing the chorus" along with the 'enemy'
I~
Sax
Vamp tJ11'man"ne' climbs on dustbin then hit lower end of keyboards for explosion
3
Tpt
J
Fmaj7/D F maJ7/D
.J
1./
F-
u.
'"'
u.
- 5] -
-- ---,---
----13. Kids Game
But you
know that if
you cross
your-
fin - gers,_
Bb
Dm/A
Eb
r-
count from
one
to ten,
you can get up off the ground-
F Fsus4
- --
E~
it doe - sn't mat - ter, the wholething'sJust a game.1 F D7/F#

I I
Sax
13. Kids Game
DJ
13. Kids Game

Tlmbales (On Rims)
-'
plode,
un - less you let me out of here_
Gm7
Cm
Gm7
"
11
III
I
I ..J.
i-
1 . ..J..
-'
..J.
(NO?)
11 I
.. .. . Thca J ,,-pI1 you

...
'fi
..
..
co -ver your ears..
.
I
...:.-..-
.;
,.
11 I
_1;'.
i1.
, - - 1. - - ,
I
tU
I I ,
I .... I 'SI
,, I ....
. . ..
I
..
,"'1.1
- I...-'
I
, Cm7
'SI
- I
I ...
IF
..J..
....
./
. .
F
,
....
I .-I
.-I
... 1
-.
- - "'- .-I
-I .
I I
,..
.I
.-:; .
....;. .
....
I.of
All
There is an explosion which tops them all Out of it come all the children singing the chorus
But you
~.
Vamp t111 Sammy throws water bomb
Timbales (Nonnal) ::> ::> ::>
.
11
13. Kids Game
.. r
.
, .,
i
QJ
...
know that if you cross your fin - gers,-
and if
you count
tTom
.
.
-
I Om/A
Gm/C
, . . .
.
i
1-41
...
onc to ten,
you can get up
off the ground-
a - gam,
,,; Fsus4 .. ..
--
r
I
Eb
j i ..
l
it doe
sn't mat
ter,
the
whole-
thing's-
just
game. -
..
1
F
e. D7/F#
fJ
,-Sammy (intelTUpting)You're dead, you know you are,

I got you standin' near the car etc.
i." ii .-
--the whole_ Tpt things just a game,the whole_ thing's just
iI
ff
Tpt Sax
... .I ..
.. ..
..
I
..
Timbale Fill F D7/F# Cm9
Timbale FiI
.
I ..
- 55 -
--------
.. --
14. Underscoring (Shoes Upon The Table)

Instrumental
Cue: Mickey No...come on, let's go get Eddie fIrSt. Linda Who? Mickey Come on, I'll show y'.
...I .
..
J = 100
(Pink Panther style)

Key II Clarinet in A
V1bes >-
~'
O
~
_ . _ ~_
r-
Drums
_ _
-
~
-
f.
. I',"
I
!!!!I
...
Tpt
Sax Solo
iAlto~ i'f. p"~ r'l

mp ~-' l
Piano
.
:d
. I .
mf
I.
I
[!]
Bass'"
mp
.
.. .." i
...
15.
Cue Mickey
Shoes Upon The Table (reprise

Narrator
Come on, bunk under y' fence, y' Ma won't see y'.
Vibes (Motor On), Med. Hard Sticks Ist and 2nd time only 2nd time 8 - - - - - - - - - - - - ...
20)
,.,
i .
Glass Harmonica
11lf
i .
Mrs Lyons Edward, Edward, Edward . . . (Light cym) mf ;> ;> ;>
Narrator
,.
LJ
J = 140
1'\
Violin
., . .. '" .. -..
'
I[ .... r,", " '-'-,}
I}
I. __ .. -
.. -
.. . .., I
-:
ff
mf7
./
-:
-:
.
i i
.
i
.0.
-. i
11
I
t.-
. I} I. ,. ,
....
SusBass mEa
-i
i ..I
..
gyp - sies in the wood,_ an' they've been wat - chin'
Gtr f\
I
, 7Ii ." -
you,
they're gon-na take your ba-by a-way.-
I
f}
><
Chorus,
Fuzz., Delav I ., ON
rr ....."
I,
'-F""" ..,
./
"'" f
1__
) ,
--
--'-T"'"
Cm9
I I I I
I
. ,.
Cm9 "
....
Gm2
I
I}
-I
-I
-I
-I
, 0
..
...
There's gyp - sies in the wood,ani they've been
call - mg
-.
Eb(+aug4)
F2
Bb
Bb/A
- - - -
- - -
---
----
...
...
can Ed - ward please come
out
to play,-
:-' I I
F2 .. r
,,.
I
...
..
.
J
"'.J
11 'F"
9-
_u
Cm9
F2
I
I
I
B
--r
"" ...
./
rl
..
. . . .
T
r-
.
i-
. . . t-
B/A -
. --
. .
.. .
num -ber,-
. .
y' know he's gan
na find_ y',
. =
Eb :>
y' know he's right be -hind-
y'.
he's star- ing through your win- dows, . he's
e........
-,T
,...
-,;
creep - mgdown
.-
the hall.
Rall . . . Gtr0
I I -----.
~Q
-6 F
CJ
J
'-Y"
~~ ~
17\
I~
#~: F/F#
Synth
V Cm9
17\
~-
- ~.
, .
if :::::=Timp
.. I
. .
-59-
16. Shoes Upon The Table (reprise - 2b)

Narrator
Cue Mrs Lyons Frightened of what, woman? Frightened of. . .
...
Narrator (Freely)
There's
,
shoes up-onColla voce
the ta - ble, an'
spi- der's been killed,

..
Sustain chord throughout 16
Cm9
m2
I
. .,
I .
-'
there's a full moon shin-in', an' the salt's been
"
EW+aug4) F2
Bb
Bb/A
spilled.
Vln
You'rewalk- in' on the
pave - ment cracks,-
In tempo J = 140
. .
-.I
16.Shoes Upon The Table
I ...
. .
I
t.J ... vi~f~
don't know what's gon - na
come
to pass.
Now you
know the de - viI's got your-
.. ..
..
Bb
Dm/A
-. -
. --
.. l'
he's gon- na findy',
y' know he's right be -hind-
.-
.-
I
)1
+Gtr
.... -
IL
\ t::::::
Cm2
-..
.; _..,; 41\" , - .
he's
$la- rin' through your win- dows. he's creep- ing_ down the haJl._
...
--
--
Rit. . . .
-.
..
-- 61- ----
'V Cm9
....
- ------------.-
17.BrightNew
Cue Edward
Freely
Day (preview)
I
Mrs Johnstone
Adolph Hitler
J. = 50
Key I Piano
...
Em
r
.
May-be some A7sus4

17'\
Slow coIJavoce
-we'll_ move a - way and start all 0- ver a - gain,

m some new l
D/F#
A 7sus4
.
. . . .
I~
11
17. BrightNew Day (preview)
place
MU TI
where
they
don't
know
my
lace,
and
no
- 00
- dy'S
heard
I
I
I
of
my
1\
e-
..LI.
-:n:
e-
c...
'"'I u
A7sus4
"J
I f
O
-,......
D/FI
,. .. U
TI
'-'"
= '-'"
...
....
Key 11Clarinet in A 3
name,-
where
we can be - gin a- gain, feel we can win, an' then. .. mf" f:\ maybe ..
Atempo
.!
. il -
Em
GIB
A7
1 ...
.....
Em
GIB
A7
A/CI
-63 ---
17. Bright New Day (preview) 3
2nd time ---~
Em
GIB
A7
Slower
.
A
.
Bm7
.
I C07
J:
A/C#
ID
A7
ID
18. Long Sunday

Mrs Johnstone
Cue Mrs Johnstone Free ternpo
n _
Afternoon
Mickey, say goodbye to Eddie, he's moving.
Cym (soft Slice)
.J Synth (hold on)

1\
1\ ,"'" '-\"l.l 111
Mellow Strings , Fade in from nothing 1'7',
Hold until. . .
.
v
Eddie hands parcel to Mickey Hold until. .
L-". 111
./
GJ
mp
{~
~
u
Mjckey pulls gun from parcel. They clasp hands
T
t
I
h~r;;
Vln
Retain on Hold
Whenlthey wave goodbye --.
..
l,;Iiiiiii"
. .
1*'
I T
, f)
--.
-I
I
--.-
()" ... I
.- - - -.- --- - - - - -,
'*
---I -...
..
.
...
8------------------------------------- .. .. I I"'" - I I 1 I - I -I
I
-17 T
JI' T
,"', ,I
1 I
-...........!
-I -
J
I
..
I
.
./
- 65---
-------18. Long Sunday Afternoon
D4IE
17\ ~_ _ _ _ _ _ __ _
_ u u u - u -- -- -- - uti :' m
Fill until 'O~ look, Edward . . . look at those trees and cows
9-
111
-'
I 1
, -.
!
I I V1n
3
I.
J -'
-'
I I
-,. -'L U'
.. III
.... ( I
"'"'%Ir'-
IT -r.-
I
I
-LI
t
.11 .. - T
' I
--#.-
----
.
I
aN
_A
I I
3
,-
3
,......""",
.-
<
( --L
--,.. III
,.. _.
,..--.
-....-
.- .
"V
- - ---""'"'
.-
r---.: ..
17\
'-..
/.:..
'
.0
~
~
18. Long Sunday Aftemoon
Sax (Like a Cadenu)
. ..~ ---
--.....
'"'
---
-- ,,-,.--r.~ ~~,.
--
1l
I
~
Door Bell (Vibes) :::>
J. I
~
~
-P=q ~
-...
-if--,;-
\~
I
I
.
3 Colla voce 17\
I~
~
(all parts have this time change)
Rubato Mickey
No kids out on the
~ maj7
. ~
- 67-----
18. Long Sunday Afternoon
streets to - day,
Sax
you could be
liv
ing on the
moon.
May-
Piano
Em9
"Q: C
-&
1\
',"'J
I!
..
...... I
""!
bags and moved a way,

I ......
. .gon-na be a
I
be ev - try bo - dy's packed their

1\ j
I
tJ
u I!
, .
W
'-'-',J
tJ
..Bm(+4)
...
Am9 1":\
...
L. , . ", .. " '"
..
1\
11 ,"'"
I
I
' ., I
.,.-,
I
:.-
....
r-......,
3
rJ
.-I af
long, long,
1\
long,
I
Sun -day
- ter - noon.
.._v
t7\ 1\ U
11 .. , "'" ,,'- J
1":\ 1":\
.".
I r
rJ.
--.. w.
.;
"
Em7 1":\
r:
-6
I...
I.. TT
r- I _ _ I
...l. -..... ,
.I
r:: I
I - _ .-I
.-
t7\
D 1":\
.-.;; U
Em
... 1/1
..
18. Long Sunday AHernoon
#--
Just kiJ - ling time and lOck- ing
cans
a -round,
try
to reJ
"
\~
)1
tt
Em9
1'7'\
t:~
;;maj7
(~
mem
ber jokes I
knew,
tell them
to
my - self, but they're not
KeyI ,...-
.. ,"'"'"
1I 6IIr
1'1.M .u
TT
S
-...
.-
::
,.j
-...
...-I
!
c
.7
... .
Bm(+4)
:
I
I
-T-
-...
fun -ny since I found
it's gon-na be a
long, long,
long
17\
1'7'\
1'7'\ 1'7'\
T:P Am9 1'7'\
T:P
D
1'7'\
Em7
17\
D
17\
TT
- 69--
--
I .
J I ,
Sun-day af - ter - noon.
I
.J
.,
I
.
...
- sweets to share,_
he-
knew e-v'ry word-
in the
djc - ti - 0 - na
ry,
he was
.
G2 Em G2 Em
G2 Em .
18.Long Sunday Afternoon
clean. neat_
and ti
- d)'.
from Mon-day to Fri
day,
(Drums)
Guiro
'\
...
Em2/A
;
I
CID
D7
C/E
D7/F#
u.
wish that
could be
like,
wear clean
clothes, talk pro
- per - Iy
like,
-----.
A tempo J.
=120
Em7/D
Em6/C#
'"
....
."'"
11
I _. I
,
sums and hi
I
I like,
Vln
my
..-
- sto -ry
I
friend,
.. ... .. .. ..
,..
JI
4.
---. "S "S
---.w'
I
Gtr
/\
\I # III '"
"'1.1
---' Cmaj7
C'.
j
I
I L.
-. .
- . ,:
-.
.
Am/G
.:
G
-.
..
.
I
- ..
...
...
.-.-...
...
1/-
CID D7
I
,
D7/G
,- III
., III
1 _. I ,
..
-
..
-
...
... -
..
.. -
...
- 71-
...
Both
[QJ
Edward
I alii
My-
best friend,-
he could swear_
Gtr J = 100
I'"
was-
un ti
- 1:7' .
dy
from Mon-day to Fri
day.
-----
.
, -
'"
Am
Am2/E
CID
"
C/E D7/F#
18.LongSunday Aftemoon
that
could be
like,
]cjck a
ball
and climb
tree
like,
nm
t.
J.=120
. r,,__
-r.
l'
-----
# ~.
,
.
1\
,
......
.,
I with dir
....
r-
I like ).
I
my
friend,
Vln
round
1\
ty knees
\.J. r'
"
I
" 11 ,.
'S .
os
I
os
"ill'
C maj7
i
L.
. -. .
CID
,:
pr
- .
D7
-l:'
. .
&I
..
...
t :
G
..
..
..--.. ...
II
1_
Am/G
, n:_ ./ '"
J8""
.. .. .. ..
- -
..
D7/G
Both
1\ '"
r .
I
.M .
I
,'.,
tJ
my
1\
,........
,
friend.
. .
r;'\
n.
17'.
t:
" 11 ,.
'
-lie
. .
.
.
-
..
..,. -. -
Am/G . .
..
.-. .. tJ: G D7/G . . . .. . . . .

-. -
I I
I'
"'
..
D7/G Rall. G . . r. .
--- .. ::-
..
--
- -
- - _.

n , ""
IC
111
Mickey
I. 'J , .Jo.
. I
I I
I I
-.
-.
I .-I
--
I .....
I I
Rubato
f\
Feels like e - v'ry - bo - dy
stayed in bed,
t>
Sax fr.
'U'.
.
. .J'
...
""fJ
or maybe
fr.
"
,""
11
Colla voce ,,
::>t.. L.,.. "

./
-.
Em9
Gmaj7
,....,
...
'J --.
.
--6.
...
-&
,- .
"
I{
\I
111 rJ
I
.It
I I
,
.Jo.
.. 1_
I I
I I
r-
I I
" I , I
-I
r-
woke up too
soon.
Am
the last sur - VI- VOf,
IS
"
t>
"
\I
MI
... ><
111"1-
. Bm(+4) -J
vE7/G# " .-I
, n:_ ./
...
"
'-'- J
..... r-\ rI
1_
e - v'ry - bo - dy dead?
"
t>
I
I On this long, long,
I p-
r-
I I
long
I
...
,
Tpt Sax
I"':'. I"':'.
I
..-
,
I{ '"
Am2
(J
I"':'.
'-'-<1 tJ
"Ic..
:JIi lIE.
'-!..
Em7
D/F#
L.,.. III
./
r.
-
-0;.
'l::
is
'-!.
18. Long Sunday Aftemoon
" U
,""
...
Backing vocals
f\. .11
.......
..
Long. long. -
long, I
long, -J -f/I
long,
.....
#\. ;a
Sun
-day
af
- ter
r
I
I
11
.. '-'
=-
Ii IL. n
I1 I'
- noon. ..
Sun -day af - ter - noon.
f
-
";"0
A tempo Em\
'.rI
....
Otr
G
'oil ...
..
-I
,
,,
Em7
..
D/F# ..
...
1.0 M
AI. &..
_u
L-"'. '"
ePiano
...
-...
I .r-. 11..
long.
A littlefaster J.
=140
Segue 19
A7sus4
- 75 ------
---
- -
--
19. Bright New Day (reprise)

Mrs Johnstone
Cue Segue from 18
- All
Mrs Johnstone
~ Oh, bright_ ~
Swing tempo
Mickey Mam? What's up?
we're mov
Gtr D/F#
ing a - way.
We're strat-
mf
Doooa Marie Is it a summons, Mother?
ver a -gain.
Key 11Ch
~ Oh, bright
--new day, ,
we're go
ing a - way.
Where
no - bo-dy's heard-
of our name.I
p
D/F# G Dsus4/A
Key IJ Ch
Where
we
can be - gin_
a - gain,
..-..
feel we can win-
and then
live just like
li - vin'-
should
be.
Got a
jj A7 .. -w.
Em7 A7
new si -tu - a - tion, a newr
de - sti - na
- tion,
and no re
pu- ta - tion
I
I
A7 A Bm7
. - 77---
- -
----
- - - - -- - -
--fol - low-ing
me. We're get - tin' out,
--
8:
Co-r
A/C#
we're mo
vin' house,-
we're star -
tin' all 0 -
cer a- gain._
C/F#
We'releav-in' this mess for our-new ad-
I I
dress,
'six
- ty
five Skel - mers - dale Lane.'
Dsus4/A
D7
Where the
air is so pure,-
you get
drunk just by breath
- ing,
and the
A7
wash - ingstays clean_

------onthe
line.
Where there's
A7
- 79-------- -
i -
--space for the kids,_ 'cos the gar

den's so big,itwould take youa week just to
J 01\ I
Milkman
19. Bright New Day (reprise) All
say? ..
:>
They're mov
..
rng
- way.
Praise the
p
F/A
Neighbour
Lord, he has de-Ii - vered us-
at
last.
They're
get-ting
out,-
r v-r pr p-ro Bb Fsus41C

~o
they're mo
vin' house,-
life
won't be the same-
as in the
..
F/A
r V-r Bb
~ r p-r
Fsus4/C
- 81 --------

Policeman
: -'11 ...
.
~,
,
a sharp
I can safe - ly pre - dict-
~
I I
I I
I I
Vibes f but not heavy
I
i
I
Gm7
t 1
Neighbour
-m the crimerate,
it - '11
be
calm-
an' peace - ful
a - round
1 . i
. ..
I \ .. , J
~.
Gm7 Milkman Neighbour
i I ,J 'J An' I 11 . I ~ . .,
--here.
AND now I might e - ven get
paid what is mine,- mate.
Gm7
C9
. -~ i . 1I
i j
I~
19, Bright New Day (reprise)
you'll see,
gra-fit - ri
soon
di sap
- pear.
.
6-"
Dm7
Eb'7
C/E
..
--!
, I
-'
.::..
Mrs Johnstone [ID

Just pack up the
bags, we're lea
vin' the
rags, A
the wob- bl- y
>-
!~ !
r
C/FI
war
- drobe,
chest
of drawers
A
that
ne
ver
close,
A
Key11 Ch
1.1' It
)-J
"
D
"
e
- 83-- ----
- ---
19. Bright
New
Day
(reprise)
I .
. .
The two leg - ged

"
chair,
the car "
pet so
bare, "
you
would
n't
11
_I
~.
r
D/F#
.
it
was - n't
for
the
holes.
.thl .
~.
~.
~.
D7
..
I I
Now that we're mo

- vin', now that we're im-pro - vin',
"'--"
let's
just wash-
our hands of-
this
. I
I
1.
I
t. Em7
Em7 t.
t.
A7 .
19" Bright New Day (reprise)
lot.
For it's no Ion -ger fit
ting, for me
to be
sit
- ting
on a
_s
t.
A7
t t
t.
I
"
Em7
"
I
"
A7
t.
GJ
-+ "*"
so- fa,
I know for
fact, was knocked
off.
We might get a
car,
be aIJ-
'Iar-die
dah',
an' go
r
D/F#
- 85-
----
19. BrightNew Day (reprise)

.~
~
~
1 I
to
the sands.-
At the week-
r
Dsus4/A
ID
end
a gen
tie man
mend.
might take me dan - cing to the 10
cal bands._
p
D/F#
r p r ~r p rp-r G Dsus4/A
I
a front room,-
and then if-
~
-
it should hap
- petL
that His Ho-li - ness flies_ in-
from Rome,_
he can
Em7
A7
sit
there with
me,-
eat
- ing
toast,-
drink- ing
tea
In
the
I'
1\ . \Or _....
'11
..
Em7 .
I
...,U'
-,
'"
..l.. ..
ro.
..l..
..l..
"'
..
I
- ,
..l..
..l..
t
A7 .
I
,.. ..... /
'rI
-.
.-I .
-.
I I
sortof
sur - round
-ings
that
re
mind him of home.
--A Bm7
-87 ----
---

Key 11Ch
.~
!
Till: Eh, I could dance. Come here.
A7
mp
~~
Oh bright_
new day,
f
:>
we're mo
vin' a
- way,
A
we're star-
r~r~r~r
G
Dsus4/A
r p
TilI: Come here the pair of you.

utter Tongue
Last timeb#:g: .ff
rp
D7
Mrs Johnstone
Now we can be - gin-
a - gajn,
feel we can
win_
an' then,
J Em7
- RC} - ----- - -
19. Bright New Day (reprise) ~I

I
live just-
like li-vin'-
should be.
Got a
new si - tu - a - tion, a new_
Em7
A7
Em7
de sti
- - na -
tion,
an'
no
re
pu
-ta
tion
fol- low - ing
A7
Bm7
Co-r
All
[ill
out.
. "
JJ Key 11Ch
We're gettin'
tf
A
1\1\
We're mo
vin' house,
we're go - in' a - way,_
E/G#
get-tin' out-
to - day.
E/G#
IA
We're mo
vin', mo
vin' mo
vin' mo
vin' mo
vin' house.
F#m7
E/G~
- ---
- -- -
- - ---
--
--
19. Bright New Day ~
(reprise)
.' .,.., J . .,
I ..
.. . .
~-------
. 81 it .
END OF ACT I
20 Marilyn Monroe (reprise)

Mrs Johnstone
Cue: House lights go down Fast swing Tempo
J = 200
,.
-------------------------------------------------------------------Ad lib
Gtr Em
Tpt Mute
Drums
Key I
Congas/GtrlDrums D2
I Bm7
GJ
I
I
A7
A6
112.
"-
Mrs Johnstone
Colla voce Slower
..>
..-
The
(A)
house we got
was love ly,
the
--l
I
I
:1IJ
112.
...
I
11. i I
Colla voce Slower
-9
A 7aug5
11
Bm
neigh - bours are
a treat,
they
some - times fight on Sat - 'day night, but
ne-ver
In
the
A7
Bm7
A/C#
Gm/D
- 93 ------
-----
a tempo
RaIl. 1"':\
LV.
,VIUIIIY"
'VIUI 11
ue Irepnset'1
:
[ID Colla voce

. " -. Since I
_
_.,
- . . .- i J
I
pay my bills on time, the milk-man in J a tempo
~
3 -,
.., 1"':\
I8l Colla voce

11
33
~..~
-~
Bm
.. ...
14
sists
call him Joe,
he brings me bread and eggs, says I've got legs like
Ma ri-Iyn_ Mon
Bm7
C~
A/C#
Gm/D
a tempo
Some -times he takes me
dan
~.
ClOg,
takes me
dan
cmg.
~ 1 -
Drums
Ch (Key 11)
u A7
Gm/D
.. ~i ~ .... ~
- 94-
-~
--_. -
Ra 11.
~
know
6
20. Marilyn Monroe (reprise)

CoUa voce
our
Sarn Vibes mf
my burnt
the school
down, but
it's
~
s ..
A7
Colla voce
Bm
ve
- ry
easj
- ly
done. If the
tea - cher lets the sil - ly gets play
with rnag - ne - SI
Bm7
A/Cft
Gm/D
.
I
rEJ
RaIl. 17'\
urn.
Thank God he
on-ly got pro-ba-tion,
the
Judge was old and slow, though jt was
\..J !
,
D Bm Em7 A7
---

Judge a tempo .. ,
kind of him, said I re mind - ed him of
Ma- ri-lyn- Mon - roe.
And could I take you
b
::>
a tempo
......
Mic- key's just turned four - teen, Vibes mf
y'
know he's
at
that
age.
When you
I I
( IIiiii
r" I
....
...
, I ...
Bm
Em
A7
I t
!-
i ; I :
20. Mari1ynMonroe (reprise)

Ra 11. /7'.
---...
men tion girls
or court ing.
he
flies in - to
rage.
He's got
,*
f
, 1'1
RaIl.
r-..
Bm7 Crr' A/C#

I
Gm/D
---
A7
I
I I
I :1
thing
for
tak
ing
black heads
out,
and he
thinks that
don't know,
that he
Bm
Em
A7
" .u
I
I f;)
A tempo
dreams all night of girls who look like

I..
I ..I
,...1
I..
Ma ri-lyn- Mon b
roe. He's e - yen start-ed
! I I I
I
11 I
A tempo
.!
_1
D#o7 n
, t=
, r
-- ---
- 97-
[fJROCk Tempo
dan
AltoSax
emg,
se - eret
dan - eing.
And
. .
II
lA
Gm
ID
A7 D
f:'\
Slower
rest, they've flown the
nest,
got
mar Tied or moved a
way,
our
Slower
Bm
Em7
8~
Don -na Ma - rie's-
al- rea-dy got three, she's a

,
bit like me that
way.
And that
f:'\
LU
3 A
L
3 Bm7 3 C07 3 A/C#
Gm/D
A7
20. MarTIyn Monroe (reprise)
! I I J
, , !
Slower
ther
child
of
mme,
have
- n't
seen
for
years,
al
- though
each
Slower
Synth (Brass) Legato
Bm
Em
A7
[HJ
day pray he'll be 0 K, not like
Jazz waltz J=80
Ma-ri-Iyn-
Mon - roe.
Vibes
Yes,
m
:>.
b
!~
j
[HJ
Bm7 C'7
Jazz waltz J.=80
AICI
Gm/D
(
B
that's right you're
dan
Vln
cmg.
That's right, you're
. ... ..
J
.1
-
qI
\\.\1
"
r FjF:
Em
,
..
- 99-
cmg.
>3
,-
D
::>
::>
Cue Edward Mummy what are you on about? Sometimes. . . Car horn (on Cue) 1\
Synth (Brass)
Key I
21
Cue Conductor Gettin' on, Misses? Slow
Drums
I I I
. Underscoring
Instrumental
Repeat ad lib under narration
I -:f'
mf
Key II Solina
If ,-.
Hold for whole piece fI -:. U
Key I mf
I
18"
....I
..--
.....--II
)';T
-:7
==-Synth - Glass Hannonica, Sus. Bass
... c
22. Underscoring
Cue Sammy Fuck off.
Key 11 Solina
(Just 0 game)
Instrumental
pp Tpt ~. :> Timbales Delay,>C1J..o~ OFF Gtr mp
Bass Kev I
f
Repeat unti\J Sammy runs from bus His spotlight moves to front of stage, Then doubles back when a second spot lights Policmen As ~oon as Police are lit play
Il o'
Sax
mf.
f
EbMaj7 Gm7 ri
Play against the beat, lowering pitch to imitate siren doppler effect. Repeat section ends.
r EbMaj7
Cue: Bus screeches to a halt Vln
ff
(Break noise effect)
-101-
--22. Underscoring (Just a game]
-=---= ----
.Gm7
Optional repeat
~.
EbMaj7
Gm7
..0.
23. Underscoring (Hymn)

Instrumental
Cue Mickey Come on...we're half an hour late as it is. Slow
J =90
D/F#
~
KeyI Solo D
Bm
Asus4A
GIB
Asus4 A
D/F#
, ~ I ~ ,
Synth (A: Pipe Organ) p
D/A
Bm
Em/G Asus4 A
Gm
C7
Fsus4
F Dm
Gm/D
~
,
4
.,
J[2]
) 1
-"
Eb
1. Dsus4
2. Asus4
D.e. al fine
~
J
,
..,j
[!!J
3
~ ...
.
~ d J
~J
1
- --
- 103-
--
24. Underscoring
NaITator
Cue Mrs Lyons Oh, let me look, let me look. (She opens the locket)
Vibes (Motor On) Med. Hard Sticks ff
Vln Harmonic squeaks ad lib
Key II Solina On
Tarn Tarn
if
Piano
800
-----
,
1":\
Synth Sus. Met. 5ths, Sus. Bass
Free tempo
Synth
The Narrator enters
Narrator
Did you real- ly feel that you'd be - come se -cure,_
time had brushed a - way
the
Colla voce Cm Gm Cm
Dm
+ Bass
24. Underscoring
that there's
no - one by the win dow, no one
knock - ing on your
door,
'Z :>-
:>-
Gm
Eb
Bb
F/A
Gm
you
free
at last,_
free from the bro
- ken
Cm
Cm
A tempo J=140
look- ing glass.
Oh
y'
know the de - viI's got
your
num-ber,-
Bb
F/A
Cm
+Gtr DmEb
Timps
- 105 -----
- --
---
----
24. Underscoring
he's ne - ver far
be -hind-
you,
he
al - ways knows where
to
find_
FIC
and some-one said they'd seen - him walk-ing
past your door.-
F7/F#
Cm
_-&
Segue 25. One summer
j .
~
-! I :
~
IIt-1
....
L.
..I
.L ....
~ .. I
--
--
25. Underscoring (One summer)

Instrumental
Cue Segue from 24 Gtr Short Delay, Chorus ON Join in asap! Slow 3
- legato
pp
Am
t I
1
I
----F
F/A
Bb
F/A Gm7
Bb
.
, t=:
GJ
i,
."
Gm
Am
Bb
F/A Gm7
J0
:>
!
1
8ii
Am
Bb
3 C
Am
Om
CIf.
Bb Am
,.
-i -
-0
....
;;]
8va- - - - - - - - - - - - ,
Repeat till cue: Mickey: Look!
...
I
Gm F F/A C F C F Bb F/A Gm F F/A C 3
-.j
-i --' i ,-
- r:-:l
..
- 107- - - -----
---
--
26. That Guy

Mickey
- Eddie
Eddie
Cue:Mickey Me feet are too big, an' me bum sticks out an . . .
Free tempo. not too slow .. '" 1""-. ,""'

"
11
-.
l
.. I
"""L
I.
...
t.J
.
I
"
11
..
....
Mickey
.3.I ..
If
I
I I
'" '-LI " t.J
, ""'
-' I
. .
:
x.
-x
-x
-'
....
-x
-'. -
. I
" 11
)
If
.. ....
LJ
I
-,
was like
him
I'd know allr
the right words,-
Colla voce
.,
.
:
. Em
--,-r.
T
G2 n.. ,... / m 1""-..

"
G2
I I
i. Em
I I
.....
I
1
I was like him-
I'd
know some_ real birds a - part from
those in my dreams,-
and
G2
Em
G2
Em
Am
r ""'
t.J
" I If .. - I . ,""J in
1\
...
I
r
\ J I
..I
--.
I
I.
I
...
IJ
ma - ga - Zlnes._
His
... ...
...
"
I -
.
I I
r ""'
t.J
"'-'-'J
t.J
11
,. u
.. '"
-6 :
.
I
Just
look
at his
hair.-
...
< .. 1:.,. . ..
/
....:-.. .
-.
.. ..
D7
,
.3.. ... ,
-' .
...
...
..
D7/F #
r.. :
G2
I
i.
.... Em
Dsus4
'"'
...
C/E
I ,
..
26 That Guy
I
l,
, ..,
r
hair's dark_ and wa - vey._
mine's
I mou-sey
to fair.-
Each
.,
.
..
...
Mine's the co - lour of gra
vey._ Each
Em
G2
Em
G2
Em
1
-6E
~
part of his facef\
, n""\
11
IS m
just
the right place.-
Is he laugh
mg at me,-
at my nose,
IS m
just
the right place.+ Key II
... - . .
. Am .... : D7sus4
,"'-\J
r. , . . .
D7
to""
r. .
t: G2
-- .
i.
Em
I
I
L'.
..
III
'"
.....
to""
That I've got
ha-li - to
515.
When
I
: ,..
\I -JF
should wear a brace.-
When
-TI
: G2
Ill" TT. I
-. i. Em
I
I
, . : G2
I
I
i.
Em
rJ' I
I
: G2
rJ .
....
-i. Em
rJ'
I"7 .....
,.- -.. -JT , -' ,
rJ .
--
----
- - - ---
- -
26 That Guy
I" me,
me._
she I chose to stick on-
Jt; she chose to stick onm-r' Drums
- ture
picked
on-
me,
me.-
mf .
Am
D7sus4
+ Bass
\.I
1/1I
,"'"
tJ
Eyes
- I
"
.-I
match.
-.
.
"
-.
I' I
I
.. .
I
.-I ,
1I
that
don't
She
1\
,11 "'" +Gtr 1\
- ears1
L.
.
I I
I
.-I'
I She
And
that stick
out.-
:"
t:
" -'
.
111_111
.- .
Em
.-I
r I
:
(Sim) G2
-. i.
Em
<
/
/
,. 111
-
G2
1
.I -
.
--
.I.
I 1
1 I
~ . i I
."''-, 1 --.
" \.I 111
picked
I
I
-'"
I
t-..
"
batch_
"
.-
-=...
.....
..
-=
I
1
-I out.....
-I
-I. --
-I
.-
I
1
the wrong
-I ,
I
when she
hand - ed mine
1
I I 1
And
/'\
If
"''-11
-z;.
.-
--
--
.;.11 -I-
--.
l.o .. 111
'"
picked
: G2
the wrong batch_
when she
hand - ed mine out.r -
And . Em
r .
I
r I III .. 11
-,- -r
.. .. w,I
I -
: G2
r -
.. -,yI
I I
. -.
Em
26 That Guy
E
I
me-
with
per- ma-nant ac
ne.-
Soprano Sax
me_
with
per-rna-nant
ac
ne.-
D9
D7
C/E
D7/F#
., -
.
..~
.
"'"
f1
, .'" "" J
t.. I' I
.....
"
"
..
I aJ
..... I
wish that
.....
I I
I
"
.....
- and be
wish
11
-I
was
bit
ft.
-'
like, -
could score
hit
like,
.
J,
""
r
11 jJ
Gtr
) -"if
io..... -1 - I
Cabassa
t\ I
I
t.>
1\ ,
1____
Tpt/Sax
Y:J . --I
(.J'
J
<
i.
..
ftt:
.. t
.
I
t :Em7/D
.. 1I t
I
I I
.....
:...
Em6/C#
I.L
n
...
Em
./
,.. III
E mMaj7/D#
,
I
-.
,,-
I I
-. :
.....
--------
26 That Guy
that
guy.
wish that I could be like,
just a
---I
Am/G G D7/G G
r-
12i
lit - tie less-
like me, like the
sort of guy I see, like
that
guy,
J.
Cmaj7
CID D7
Am/G
RaIl.
,.
I
..
L D7/G
-.
-I
!...,
I Am/G
I D7/G
11
i.
r39l
27. Shoes upon the table

Narrator
Cue: Mickey No, it's all right, me Mam'JIgive it me . . . Edward Come on then, before my Ma sees it. she's off her beam, my Ma . . .
(They exit) I
- = 120
Key II Solina
mf
NaITator
Did you real - ly [notlasttime]

:>
fee] that you'd be
C m2
I
:>
Gtr ChoruslDelay ON mf
!
1'-
GJ
Bass
mf
-.
-)
J
I
se cure,-
and that the
past was tight
- ly
1
."
Cm2
locked Dm
a - way,_ Gm2
..1
"--
,
did you real - ly feel that you would ne - ver be found,
'0 -
... -
Eb
Bb
:>
F/A
::>
G m(+4)
1 \,
~.
- /'
.
p>.
[2J
-113-
....
..
-- - --
27. Shoes upon the table (reprise)
debts F
to pay,Cm2
did you for - get
a - bout the
&
&
ree - kon - ing day.
Yes, the
de - viI he's still got Bb F/A
your Cm
num-ber,- =>
he's moved in down the street_ from you,some-one said he wants to speak-
Eb
Eb
27. Shoes upon the table (reprise)
some - one sajd they'd seen hjm
lean- in'
on
your door.-
F#m(b5)
.
Rit. . . .
! ,
1,...1_
t
,
...
[1!]
1 J 1
..
}
...
I1
...
1'7'\
. ."'"
., "
..
.. I -'
-115-
--
28. Underscoring
Instrumental
Cue: Mickey She's a fuckin' head case. Come on . . .
\I I{
Synth Key I Sus. Met. 5ths, Sus. Bass

I
Fade over dialogue
"
,'v
-, -----.. --
....:::..
Rt
, ,. ,. I. ./ ,".I
.....-:=:-=
Cue: Mrs Jobnstone Look, I'm not followin' anybody. Desc. Drone, Sus. Bass
Cue Mrs Lyons Witch, I curse you. Witch! Mrs Jobnstone Go! [Kids chant] repeat to fade over chant Timp
:>
:>
:>
:>
:>
Gradual F aae- m
Timbales on rim
Last time only
Segue 29. Underscoring
:>
:>
:>
:>
:>
:>
:>
:>
On skin
:>
29. Underscoring
Instrumental
Cue: Segue from Chant Bluesy - improvise accordingly Gm Alto Sax Melodic but sle u. Cm
Gm
Cm
u. Gm
~ ~ ~
~
[!]
Gm
Gm
~0
~
..
1
\
Continue till crsossfade to Fairground
! [ii]
,.
i
Fairground Tpt Mute
J. =70
~
I
:>
Cl cr.
F 2nd time [8va]
I Fmaj7/A
Fmaj7/A
-117-
- - --
---
29.One Summer sequenc~1 J
Repeat till cue then segue reggae Cue: When you're sweet sixteen ,-
,
t
@]
Reggae
J.=100
Bb
Bb
29 One Summer Sequence
Timbales mf
Am
Dm
~o - ~o Cm F
Bb
_0
Gm
ii
\
F/A IC
B~
Gm
F/A
L--
i
r .
Repeat till cue then segue
j
.
- One
Summer Theme
..
Cue: At the midnight hour, at seventeen.
-r
-"
-119-
- - -----
- ---
- --
29. One Summer Sequence

One Summer Theme J=100
Vln
2nd time only
.of
..
3
Tpt
Am 11
Bb
Am
Bb
III "
..
.
Am Dm C/E
F C F Bb
F/A
GmF
i I
r
I
Repeat and fill out till cue: And only if we could stop and be forever,just eighteen.
,I
I
.~
; I
I
,f
30.
I'm not saying a word

Eddie
Cue: Linda He'll be a pensjoner before he gets around to it

1
Intro
~=120
:> :>
i i . . .
11
"
"
E/A
I
D-rr-r--,
AID
----"
.-
DIE :>
mfe
&
Eddje
If
could stand
in - side
hjs
shoes-
I'd say,
i
)1
-. 11-
( !Q
. .
& :>
F#m7
-.
ID
I'd take a
.B
.
.. I
how
can I
corn -pare thee to
sum
mer's day?
Ljnda: 'Go away. . .'
E/G#
)
GJ
- 121-
30. I'm not saying a Word~!!

~ :,,
...
J
I
In all-
the pa - pers, I'd an -nounce-
it on the news,-
if
I was the guy, if
F#m7
A/C#
r -i
was in
his
shoes.
Otr
If
I was
Esus4
D/G
i
11
him
I'd
bring
you
flow
- ers,
and
ask
you
. to
dance,-
we'd
F#m7
30. .I'mnot saying a word
J .
,
while a-waythe hoUTS- mak-ing
for rai -ny days in coun -try lanes and
)
[!!]
1
E/G#
I
F#fn7
DIG
E/G#
lA
F#m7
0 111R
I I -' I I I I
I.
I ., 1 I
@]
11
I ,
-love you,if it was
I
.
tnps to the sea,_
I'd just
tell you that I
..
J
....
_.
D
---..;
E D A/C#
11
Bm7
. .
KeyI Str
"!
I .1
I
r...--
..
Ii --
i
But I'm
41-
HIC._
not_
f Accoustic Guitar
mJ'
. . .. ii
..
\. .
-...-
)
\ I 11
I .J
Esus4
El A
==1
Bass
11
--....
...
123 -
----
-- - - -
----
- -.- - -- --- ---
30. I'm not saying a word
not-
say- mg
care,-
though
F#m7
E/F#
F#m7
[~]
1.
would
like you
to
know,
that
.
AICI D Esus4 E J
e1"'1
Soprano Sax
:>
-)
b
know.
Instrumental
p-r
811
F#fE
F #m/E
AlE
If I was
him I'd have to
tell you, what I've
kept in my heart,-
that
- 125 -
if
I was
him, if
I was
him
that's what I'd
j
j
..
I
I
A/C#
Bm7
---
....
I -..,.
. J.
f" notI
I
[ID
Ir
.
.
But
I'm
.
.
Esus4
E/A
not-
saying
care,-
though
-..F#m7 E/F~
- 126 -
30. I'm not ay~ng a word

1.
to
know,
that
..
1.
Bm7
A/C#
D/F#
Esus4
2. 17\
2.
Rail.
Cut off on: Eddie 'But I'm not.'
31.Unde~coring
Cue: Mickey Yeah, Eddie . . .thanks Cymba] mf
1\
~
ii -
-----------------I I I
"
11
""1..1
.-I ...
-'-
... . ... - ... ...L." - . ... uI
... uI .-
_I
I _L
-'I
--'8
... --
-L8
..
1\mp
,
1\
Key II Solina
...
Ket I Sus. "Eery"Sound

_811::. .-I
I
11
--
End cue: Narrator The bogey man was seen around the to:wn
, ---
th
./
Sus Bass_
,-
f i
- 127 - -- - --- - - - --
32. Miss Jones

Mr Lyons
Cue: Mickey Tarrah, Mam. Thanks Moderato J = 100
- Doleites
..
Bb
0
ow ing to
cir
- cwn - stan - ces
quite
be
yond our con - tro1.It's a I

l
{I
I
/:
.
0
Bb
32. Miss Jones
----pre- ma-ture_ re- tire

ment for thos
sur - plus to
re - quire -ment,
I'm a
..
1 ..
=i ..
.. -
Fib
I
I
[ID
"
81
.. -
rake a let ter, Miss Jones, due to the

-e
Pi
world si tu - a
. -
tion,
the
:)1
.
11
... c
- 129 ---
--------- _. - --
32. Miss Jones
~ t
I
--shrink - ing pound, the glo
bal
slump, and the
price of
oil,-
I'm a-
B~ C
-we must fire you, we no Ion
- ger
re - qUlre-
you,
it's
C C
just a-no-ther,- sign of the times,_

Miss lones, a most mi-sera- ble sign of the
Dm
C/E
Bbsus2Bb
32. Miss Jones
@]
--.
Gtr
Take a let- ter, Miss Jones,
of
course we'll
let the work - force know
when
In-
Bb
.,
ii
..
fla - tion's been de-feat
et
and
re
ces slon
IS
no
" -
more.
And
for the
Pi
"
(
JI
,
b.-
IBb
f
-131--- - ---
- - - - -- - -
- --.--
- -
- - -- -
--
32. MissJones
mo - ment we sug-gestyou don't be - come too de-pressed,as it's
Bb
on Iy a-
sign_
of the times,-
Miss Jones,
a pe-cu - li- ar- sign-
of the times.-
Bb C
Cm C/E F
Bb
Take a let-ter, Miss Jones: my dear Miss
Jones, we'd like to thank
32. Miss Jones
ma -ny
yeC!!'S of splen - did ser - Vice,
et - ce-te-ra,
blah, blah, blah.
You've
yes
that's
right, Miss lones, you've got it,
it's
t ..
1 .. I.J
"l ... just a - no - ther_
I I
SIgn
of
the times,-
Miss lones,
it's
.. -
)
;.
Em
D/F#
- 133-
- -
- - --
- -
32. MissJones
~1 J .
,
I
just a - no - ther- sign
of the times.-
Csus2
GIB C
G/D
C/E
DoIeites
Dry your eyes,
Miss Jones, it's not as
G 7(no3rd)
bad as it seems,
(you)
get
used to be ing I
dIe
In a
year or
two.
Un- em -
Bb
Bb C
32. Miss Jones
ploy - mentis such
a plea - sure,
these
days, we call
it
lei - sure,
it's
Bb
,
,
There's
I
a
.f.
young man on the stree4Gtr
Miss Jones, he's
T_. C'n"
... I
mf
'Ill!
il ,
i --t
. J
JI
..
11 ..
J
I
,
..
135 -----
32. Miss Jones
walk - in' round
In
Clf
cles,
he's
old
be-fore-
his time, but
still
too
Bb
young to know.
Don't
look at him,
don't cry though
this
liv -ing on the Gi - ro
IS
Bb
-_ sign
I
just a - no ther
of the times,_
Miss Jones, it's
just a-no-ther-
sign of the times.-
Bb
Om C/EI F
Bb
32. Miss Jones
Miss lones,
it's
just
no-ther-
SIgn
of
the
..
Dm
CIE
Bb
y ,",-v
.
loo . .
. . . . .
(times.)
11
,i
-"
+ Perc sleigh bells

1\ WF1 "' ...
I
f Rpt and fade

.
IS.. I"""
-!-1*-
11. .. . .
'"'-J
; .
/'
C
. ,. loo
- -
1
i1
.
Tpt plays as music fades (Ding dong melTilyon high)
,
..
,
---
-137 --------
- - --
33. Just a game

Underscore
Cue: Linda Mickey, Mickey . . . . .No! Reggae J,
= 120
Timbales ff
Solina until Police siren, then fade
mfr'
Gtr Delay, Chorus ON
2nd time only
Bass u. f
Key I "Dry" Clavi
I'
:>
I8l ~
Key I Brass
Out of tempo (POliCe car sirens)
34. Marilyn Monroe (reprise 3)

Mrs Johnstone
Cue: Linda But I've ironed him a shirt. Very slow
Mrs Johnstone
Colla voce
Key I Mellow strings 17'\
The ju - ry found him guil - ty,
sent him
down for se - ven years,
though he
1
Hold till vocal
11
Bm
Em
ac
ted like
they gace
him life,
he
could-nIt stop-
the
tears.
And
H
Em/A
:!It
Gm/D
A/Cn
{
ji0
i ..
when we went to vi-sit him, he did-nIt want to know, it
seems like jail's sent him off the rails, just like
. Bm -J
I
Em
H Em/A
[2]
- 139 -
h ~ __
---
---
34. Marilyn Monroe (reprise3iJ
I
Ma - ri -lynMon roe. His mind's gone dan
Vln
cmg,
can't stop
dan -
cin~._
-j
t
i
,-I
H
Em
I
A9
Gm/D
, i ,
,
They showed him to a doc
tor,
and
af - ter rou - tine tests,
a pre -
I "
'
Bm
Em
I
J ,1
J
I i
scrip
tion note
the doc
tor wrote, for the
chro-nically-
de
pressed.
H
Em/A Gm/D
r D
A/C#
I'"
J I
34. Marityn Monroe (reprise 3)
his tears
have stopped,
he sits
and
counts
the days
to go,
.. and
Bm
Em
t
,
,
...
treats his ills with dai - ly pills just like
Ma-ri -lyn-
Mon
roe. The stop his mind from
H
Em/A Gm/D D
dan
Vln
dng,
stop
it
dan - cing.
,.
..)
Em
A9
Gm/D
07 r:--.
Vamp (improvise) tiB cue. . . . leave me alone

07
11
'
.. - 11
11
.
n
D
. .
I
::..;:
IF
Bm
: Em
H
Em/A
ptJ
Gm/D
I ,
...
.-I
..
- 141-
34. Marilyn Monroe
(reprise 3)
With grace
Vln
for good
be - ha
- viour
he
got
out
be - fore
his time,
the
D
17'\
Bm
Em
fam
'Iy and
the neigh - bours told
him
he was look in'
fine.
H
Em/A Gm/D D Bm
But he's feel - in'
fif- teen years 01 - der,
and his speech is ra -ther slow
and the
Bm
Em
34. Marilyn Monroe (reprise 3)
neigh - bours said you'd think he was dead like
Ma -ri-lyn-
Mon - roe. No cause for
H
Em/A Gm/D
dan - cing,
no more clan - cing. -
r:'\
H
Em
I A9
A7
I Gm/D
ID
Vamp (improvise) till cue. . . .

:I
Bm
Em
Em/A
Gm/D
i -
. . . you don't know him, Mam . . .
j -
Rit
... b- -"4-"lf
~__JU
-er
- 143--
--
--
35. Light Romance

Mrs Johnstone
Cue: Mickey So I can be invisible, now give me them.
Narrator: There's a girl inside the woman. . .
-~
(Cue: Comes to her lips again) accell
. . . for letting the young girl out . ..
(:
I~
I,
~ r,
,
'~
Mrs Johnstone
--It's just a light- ro - mance, Intro it's no - thing cruel, they laid no
, I.,
I
: .J -, I . IJ ..
I ~ i .
35 Light Romance
how it
came,
who can
ex
- plain?
They just said
'hel-
and [001- ish -]y they
gazed,
they shou]d have
gone
their
se
p'rate
u ways.
It's just the same-
old
nothing cruel,
no - thing
i1
SVb
- - - - - - - - - - - - - - - - -'
It's just two
fools,
who know
the
rules,
but break them 3
- 145 -
35 Light Romance
~
,
chance to play their part
In a
i
light
ro
.JI
j
j
,1I8Ii
.. ,-, !
u mance.
Liv - ing on the as the
+ Bass
ehang - ing
wea ther, ne
- ver
sure
who's at
the
door,
or the
, """
...'V
11
-I -
ILl
-I
-I -
-I -
I' I
...
I I
--I
.....
...
...
.I
11
.
I
- -. ----I _
-I
pnce
1\
you're gon -na have to pay.-
It's just a se-eret

Vibesmp
glance,
a -cross-
, I
'"
fI
11 -w
.
........
'. "
t- it"
"-
I -..
.. . t-..... 18"
'" '-.J
--
1 r
-' -
.J .
f"
.-. -
L.,..
'"
,.
,,,..-' 1 ..... -
11
.....
1At:
35 Light Romance
.
room. A touch of hands that part too soon. That same old
that al- ways plays,-
and lets them dance as
friends,
then stand a-
,
i
.. ..
u ends.
Liv - ing on
the I ne - ver ne - ver,
-.
- 147 -- -----
---.--..--------'._~-------
35 Light Romance
fJI
con - stant as
the
chang
- mg
wea - ther, ne - ver
sure
who's at
the
1
I
i I
.~
J
, , -1 .'"
- -1
--pnce
you're gon- na have
to
pay.-
Segue 36.
36. Shoes upon the table (madman)

Narrator
Cue: Segue from 35 Fast rock
J = 160
Mrs Johnstone
A Clarinet Alto Sax Tpt
.A _ A .
ifz A A
:>
:>
, ,
.
R
{
ifz
"
::>-
Gtr F#m
F#m
F#m
'"'
Am/F#
::>-
::>-
::>::>-
::>-
1::>1::>-
::>::>-
::>-
I:
I:
::>-
H(
..
GJ
N8ITator
There's a
A f:.
man
gone
mad
In
the
:>
:>
Bm
-'
...,
--------
- 149 ----
---
36. Shoes upon the table (madman)1i
town
to -night,ifz 1\
he's gon - na shoot some - bo - dy-
down,-
C#m/G#
GtrAm/F#
mad man, ifz 1\
there's a A
mad man,
there's a ifz~ A
mad man run - mng
A m/Ft
:>
round
and round.-
Now you
know the de - viI's got your-
num - ber,_
Bm
he's run -nin' right be -sideGtr
you,
E D
he's scream- in' deep in - side-
,
j
..
- you,
and some-one said he's cal - lint your num E D
ber up_
E
to-day.-
'" ..
D
E
-151-
---

" If. ,"'" ,",-1.1
MIl" 1L
.,
IL I
"
....
.
"'
..1. ,
....
--. ,- -. . . .
I
...
I
,
8.1
-.
Y'
,I
e>
I -
There's a
"
t!
4t
mad ifz
man,
:>
:>
there's a
:> :>
Vl:F5
Saxffpt V Bongos
L'.
./
(with hands)
mf"
,. 111 n
1L
::> :>
I -.
Vamp till cue

I
X
X I
::>
I
:>
"
.
. 11 ... M11"
"
.w
X'
Bass
I r.
,-.
1\ t'f U MLL" ..-"
I
X 1 ..1.
I
Narrator last time

, .
"'
"
8.1
x
IT-.y
OTI --,;
.1. "',. ....
1
-
-1
man run
..
mad
It.
man,
:>
mf
+Cjt':>
.1 111n
1L X'
..
n
I 1
1
:>
:>
:>
:>
there's a
:>
mad
I
nmg
..
ff
>.,T x-
tJ Cue 'Eddie Lyons'
r,..
/
t
I I
:> ::>
,
I
1
X
::>
I
I
--z:..
....
T-"-. /
,L 11II n
Tl
-.
...
-.... 1 I
,.
.. ,
round and round,_ Now you
know the de- viI's got your-
num- ber,C# D --
Bm
:> D
8 you know he's right be - sideGu-
you,
E D
he's scream- in' deep
in - side-
E
>>-
---
- you
and some- one said he's cal - tin' your num

E D
ber up-
to-day,-
r
..J 040
.,
to - day,-
to - day,-
rl ..
TO - DAY!
A
. ... -.
ii ...
- 153-
.ff
Fuzz OFF as last note is hit
>-
\E
37 . Tell me it's not true

Mrs Johnstone - Company
Cue:Police Just stay where you are.
"
"""I{
SlowJ=100
--I
........ ......
--.7.
,..
J
Play under narration till Cue:and Narrator. . . they died, on the self same day? - - - -:::- - 18" _ -- ,... - - ,... hC
......
T
......
" .-v L. ,
Piano (Solo) F
.-Bb
J
--.
I T
_....4
...I I
--
,...
nil::
1iiiiiIBb/C
I
- -., L...I T
...Bb
...-
I T
Bb/C
I I ---
I T
.-I
[!]
I
Mrs Johnstone
~
it's not
true,
say it's
just
sto
ry.
news,
tell me
it's not
true.
Am
Gm I F
it's here be
fore 3
me,
say it's just a dream, 3
say it's just a scene .~ I i C/E F
Am
,I
37. Tell me ifs not true
- 155-----
37. Tell me it's not true
Say it's
just two
clowns,
who
could - n't get their
Say it's
just two
clowns,
who
could
nit get their
lines
right,
say it's just
a show
on
the ra
- di-o,-
that
right,
3
say it's just
a show
3
on
that
Am
C/E
we can turn
- ver
and
gam,
that
we can turn
0 ver, it's
gam,
that
we can turn
0 ver, it's
Gm F F/A
F Bb FlA
37 Tell me it's not true
e-
Tpt
Is
Tell me it's not
game.
on -ly a
u Alto Sax
'E!; if
rr r r
Tell me it's not
game.
i
I
.,
@]1l/f
..
11
Gm F F/A
IB/C
11
F/A
,
J
)
11
true,
say
I on
Iy
dreamed
it,
and
1
A
,
J
1* i
true,
f\
nr
I on
r
Iy
r
dreamed
.
it,
iO
say
Tpt/Sax
.i
)1
F/A
Gm I F
F/A
J ,
J -
, t
- 157-
.,.
----
---
37 . Tell me it's not true
+ Vln 8va Company
Tell
me
r
Tell
:> fTpt/Sax
it's
not
j:
r
it's
r
not
etc.
soon.
Tambourine :>
me
sim
Bb
F/A
Gm
F/A
true,
say
you
did
nit
mean
it,
r
true,
r
you
r
did
r
nit mean it,
say
Bb
F/A
Gm
F/A
37 , Tellme it's not true
say it's just pre tend,
say jt's just
the end,
of an old mo -vie from
of an old mo - vie from
.
\1
Am Dm
11
.
I
I C/E
/E F
Bb F/A
..
I)
t::::
I
11
' ..
--p
a
'
-,;;r
..
go,
.'
Ma-ri-Iyn
of an old mo - vie with
Mon -
,1
p-/r
years_
rgo,
r
-.J
of an old mo - vie with
U ,
Ur
Ma
p
Mon
- ri -lyn
\
11
F F/A C
Gm
F F/A
L'.
.)
,
I
iiII
17'\
-,
LI
-,
..
..'
,
-=
l
,
Tpt/Sax/Vln
roe.
L\
, ,
'1
11
)
Timps &
ifp
LLLJ
>>>-
V
>-
- 159-

Blood Brothers

Uploaded by

Document Information

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Blood Brothers

Uploaded by

Copyright:

Available Formats

Conductor's Score

Samuel French Ltd

Mrs Johnstone - Choir

6-_ Mm Very sustained chords AtmosphericPolysynth

Ten me it's not

say it's just a

Segue 2. I":'. Timp

you know the sort of chap,_ Bm Em

Once I had a hus band,-

my eyes were deep blue pools,

skin as soft as snow,

a tempo (quite brisk)

told me I was sex - i-er than

roe. And we went dan - cing, TDt Gtr

Then, of course, Vibes

We got. mar - Tied at

We all had cur - ly sal - mon sand-wich- es,an'

the ale did flow,

was lov li - er_than

And we went dan

---the ba by came a long,

I still fan - cied dan -cing, my

hus - band would- nit go,-

wife he said was twice the size of

time that Colla 1\ , voce ISax ....

was twen ty five,_

yen hun - gry mouths

one more near - ly

My hus - band, he'd walked out on me, a

who looks a bit like

roe. And they go

An irate MI1kman (the Narrator) rushes in to rudely inteTTUpt the song

Yes, they go dan -cing,

20. MorilynMonroe - Reprise

you kids, but

ham, an' jam, an' spam an' Roast Beef

20. Marilyn Monroe - Reprise ~

bring home the dough,

Mrs Lyons Theme

Vibes (Motor on) Hard Sticks ff Vln [Tremolo,hannonic squeeks.]

Perc (Vibes) P:g

4. Underscoring (shoes upon the table)

Drums Ride Cym on bell :>

KeyI Synth(Sax solo)

5. Underscoring (Mrs Lyons theme)

f:> ( Vibes (Motor On) Hard Sticks :>

Tom Toms (Soft Sticks)

Key I Synth Sustained Bass

Cym tr~ soft stix

Vln Vibes Key I

I look out from

win- dow, Vibes

see him with his friends, I hear him

I rush down but as I fold my anns

gone. Was he e - ver there

games we'd play, the sto

out, but as I do, he fades-

my child- was raised inColla voce

---would-nIt have_ to wor- ry wh~ his

---next mealwas corn- in' from.His

Asus4 He'd ha\.e A/C# A B A/C#,

make too much noise_

neigh- bours corn - plai

-to take meals-