: Roland PERCUSSION SOUND MOOULE TU-7 OWNER’S MANUALFor the UK IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE BLUE NEUTRAL, BROWN: LIVE ‘As the colours othe wires in the mains lead of tis apparatus may not correspond with the coloured markings identitying the terminals your plug proceed as folows: ‘The wire whichis colovied BLUE must be connected othe terminal which is marked with the letter N or coloured BLACK. ‘The wie whichis coloured BROWN must be connected tothe terminal which is marked with the leter Lor coloured RED.Roland Ti)-7 PERCUSSION SOUND MOOULE OWNER’S MANUAL. INTRODUCTION Thank you for purchasing the Roland TD-7 Percussion Sound Module. The TD-7 is a superb sound ‘module incorporating Roland's latest technology. To take full advantage ofthe TD-7's capabilities, and to ensure years of trouble-free service, please read this Owner's Manual carefully. Copyright © 1992 by ROLAND CORPORATION ‘Alig reserved. No prof this publcation may be reproduced in any form ‘thout the pamitcon of Rota CopvatonImportant Notes Be sure to use only the adaptor supplied with the unit Use of any other power adaptor could result in damage, malfunction, oF electric shock Power Supply } { Maintenance @ When making any connections with other devices, always turnoff the power toall equipment first; ths will help prevent damage or malfunction, ‘© Donotuse this unit on the same power circuit with any device that will generate line noise, such as a motor or variable lighting system. ‘@ The power supply required for this unitis shown on its nameplate. Ensure that the line voltage of your installation meets this requirement @ Avoid damaging the power cord: do not step on i place heavy objects on it ete ‘@ When disconnecting the AC adaptor from the outlet, grasp the plug itself; never pull on the cord. (© the unitis to remain unused fora long period of time, unplug the power cord, Placement (©.Do not subject the unit to temperature extremes (e.g direct sunlight in an enctosed vehicle). Avoid using or storing the unit in dusty or humid areas or areas that are subject to high vibration levels. (© Using theunitnear powerampiters (orotherequipment ‘containing large transformers) may induce hum, © This unit may interte sion reception. Do not use this unit in the vicinity of such receivers. with radio and tele (© For everyday cleaning wipe the unit with a soft, dry Cloth (or one that has been slightly dampened with water). To remove stubborn dit, use a mild neutral detergent. Afterwards, be sure to wipe the unit thoroughly with a sot, dry cloth ‘@ Neveruse benzing, thinners, alcohol or solvents of any kind, to avoid the risk of discoloration andior deformation Additional Precautions (© Protect the unit from strong impact. © Do not allow objects oF liquids of any kind to penetrate theunt, Inthe eventof suchan occurrence, discontinue use immediately. Contact qualified service personnel as soon as possible, ‘© Never strike or apply strong pressure to the display. © A small amount of heat will radiate from the unit, and, thus should be considered normal {@ Should a matfunction occur (or it you suspect there is, ‘a problem) discontinue use immediately. Contact ‘qualified service personnel as soon as possible. {@To prevent the risk of electric shock, do not open the unit or its AC adaptor.Memory Backup ‘@ Tho unitcontainga battery which maintains he contents ‘of memory while the main power is off. The expected lite ofthis batteryis 5 years or more. However, to avoid the unexpected loss of memory dala, itis strongly recommended that you change the battery every 5 years, Please be aware that the actual Iife of the battery will depend on the physical environment (especially temperature) in which the unit is used. When itis time to change the battery, consult with qualified service personnel. @wnen the battery becomes weak, the following message will appear in the display: Batters low | Press anu key | Please changebatteryas soon aspossibletoavoidthe loss of memory data (© Please be aware thal the contents of memory may at times be lost; when the unit is sent for repairs or when bbysome chance amaifunction has occurred. Important data should be stored in another MIDI device (e.g. a sequencer), or settings written down on paper. During repairs, due care is taken to avoid the loss of data, However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may be impossible to restore the data, Conventions in this manual [Name ofa button |: Represents a key or knob on the front panel ofthe unit, == ; This symbol is followed by a page number where relevant information can be found %: This symbotis followed by a cautionary note or important information Tris symbol is followed by what you should refer to,TABLE OF CONTENTS portant Notes ‘Conventions in this manval Table of Contents ‘mPanel Descriptions atures installing the TD-7 on a Stand (chapter 1 Playing the TO-7 ) (chapter 3 Patch Setting 1. Connections and Precautions. oe 2. Power ON / Power OFF. 7 3. Adjusting the LCD Contrast ........0000.18 4. Playing the Demo Songs....... AQ 5. Quick Start ( Experimenting with various performances ) oon [2] Rim Shot 20 [3] Choke Effect 22 [4] Playing Sequence Patterns 23 1, Basic Operation .. 30 [1] Setting Parameters senses 30 [2]. The Jump Function 31 [3] Main Screen. 34 2. Inside the TD-7 i 36 [1] Parameters in a Patch 37 [2] Other Parameters 38 1. Setting a Patch . {1] Naming a Patch {2] Assigning a Note Number toa Trigger Signal .. 44 {3] Soting Various Trigger Parameters 43 [4] Instrument Section : ‘a. Setting Sound t and 2 b. Layer. - {5} Performance Section (6) Ettects : a. Parameters for Effect 1. b. Parameters for Effect 2... [7] Hichat Control Pedal [6] Program Change Numbers 2. Patch Copy 3. Global Performance ParametersChapter 4 Editing Instrument Sounds {Chapter 6 System Setting 1. Instrument Parameters . 2. Instrument Copy Chapter 5 Phrase Sequencer 1. How to Record Sequence Data wn... 92 89 2. Phrase Sequencer we 95 {1}, Recording and playback of Sequence Patterns... 96 {2}. Setting Beat and Measure Number and erasing Sequence Data 98 [3]. Selecting a Performance Type .. 100 [4]. Copying Sequence Pattern vm 101 3. Tempo, Metronome, Available Memory and Synchronized Playback 104 [1] Tempo Setting 104 [2]. Setting the Metronome 104 [3] Available Memory seen 105, [4], Synchronized Playback «0m. 105 1, MIDI. secsenseneeeee 108, [1] MIDI Messages... 108 {2} The TD-7's MIDI Messages. aM [3] Setting MIDI Parameters a 14 2. Setting the Interface Mode 123 3. Using the Footswitch and ‘Sound-on-Sound . [1] How to set the Footswitch Mode nun 124 [2]. Using the Sound-on-Sound Function 126 4. The Sound Setup. 5. Initialization [1] Hichat Control Pedal Inialize ... [2] Alliniiatze... ' Chapter 7 Reference 1. Error Messages .... 2. Troubleshooting... 138 3. Patch List.... 141 4, Waveform List.. 144 5. Instrument List 146 6. Initial Settings .. 7. Blank Chart.. Roland Exclusive Messages ...nnu:nnsmenenne 156 MIDI implementation 158 EID implementation Chart so 1A How to read the MIDI implementation chart ....168 Specifications : 167 index so 168 information | nnn 170PANEL DESCRIPTIONS DvoLUEKnad wh 191) @Ospiay rr 1) para cial wr P18) @SVSTEM buton P34) @PHAASE SEQUENCER button M38) oS _@muoimessace inset 108) xk cursor button br 18) @PHONES ack or P12) @ Pin cursor outon @ VOLUME] Knob “Ths hc cone solo of the sound pa hgh de CTPUTacs and PHONES ick @® display (Lco) “The dilate the cue pering conan valve a pri parameter @ (DATA) Dial Use thi ilo selec prameters andor set prams als, @ system) patton Ue this on ost prance ales ih apt othe ae yen sath Fr MIDI. 18h P24) cx sound Sep FL) ® SEQUENCER] button Use this hoon to set ore the Sequence pater of Phase Sequencer P92) for syne pesrmaee, ®EDIM button Usethisbatonto etstumen preter pace vaesin ah P., + The|SYSTEML SEQUENCER] orIEDITI but may be signed 2 aft function depending on the Parameter Sting Display @ioi Messack indicator Thine gh shen I messages are bing recived @ POWER Suton 17) @ ENTER tone P19) @ ex oton #18) © sue oaton (#239) or. 18) @ PHONES Jack Cone examen RH eps hk The ppp inpatients ba Fen hen heaps are cere cd spt tig he LTT a @ tet cursor buton Tishton sie cue ft int EDO Inthe ah Pays ame btn il ave al he seen Pathe ins Pach @ Fight Cursor button Tisbubamestccue signin ener Inthe Pah May sce te sane a il ee al sequence uci na Patch Chain, @ LUMP} button {aes hatin pce asp see @ tex pation (se this wo eave (ei he cure sere, @ [ENTER] button {ths tno exact (pes wh the operon fton @ [PoweER| Switch Ths onic the uit ON and OFF@ cor Hook 7) @ AUAIN JACK (m P.12) ‘Stereo OUTPUT (UR) (P12) Qinowouns ov soe) LE a 7@) OrKOxS AC ACF ek oe 12) @ FOOT SW ck 128) @ icon Pedal Input cao es) “Tigger input Jacks P12) MIDI ROUT Connector (er .13) @ AUXIN Jack Asgn fom an estalitschassC perro shock hve TDS ‘a he PHONES koa. Th incon miic ows you w ply along, Te, pie en @ OUTPUT (UA) Jacks (STEREO Outputs) these jaeksprovidea sesoonept, Formonaoral at seer inkchort) (@ IND 1/2 Output Jacks (INDIVIDUAL Outputs) Each pois op of nse speci set um orn) LUKICK 2ISNARE SIH-HAT 4/TOM 1 STM? 67 TOM 7/TOM 4 SIRIDE SICRASH (Trigger Input sacks) Te it ks ni ig sas om se sega shunpsop top Theldmens he een eee er ene Teeter ks ano eee in Satan Coke et Sd en you ag pen FD pasa come er espe PD ol any inks ings ci AAC Adaptor Jack Conte sip AC alge isk Con Hook Lp A apr aa is sok to preventthexdpror Fr avid diconneion. @ mp1 IOUT Connectors These whet fr connecting MDI devices. (6 P.12) @ FOOT sw (Foctwich) Jack Containers, Youenasin thedeie fncon teers Pah set, bol ssi sg st oa fr Sun So. “Wisi akan rine sek! ede i wo rmmatinpaseia speci ae(PCS31: opin sheng @ WH CONT (shat conto) Pedal Input Jack Thsekncenscond atc eGo Pl FD ‘optional This is ser jc, How to use the Cord Hook ange the in haded AC adaportothe T.7.andthenpgiinioan AC rae. By opingthe ACadas abe and the Cord Hook, you can Preven the py fam accidently being dsenonected Note: Picase use ony the inladed AC adap. Using other AC xaptes can suk in malfunctions o eect sock,FEATURES 1. The TD-7 contains 512 percussion sounds! m Sounds {ipta512festumen souls ane nett usng 2a percussion watckoms, Pam invade with une crete Pith. Dean Pain ‘une, Mea, Atack Dan, Vela th Bad, Voie sd Asin Tepe th 1 ale Hstrumenis sh hah, 3 ff sound id 5 ass sou saefors ine 4 hck hms, ae dus, tm, hats, may, hs 32 akltomal percussion bse, Av nlc ™ Sound Source The TD-7asesa I htseund ace wih acutely eprkesthe dynamic rang anharmonic conte alee ness hal ou play te pads eit instrument Section and Performance Sections The TD-7continscme samen section the Pfs sections nd bere canoe us s+ Pat tisha wand male = Maximum Polyphony ‘The TD-T can play up to 1 ois athe saree, Asn of ies ca e me LAYER? whi tie yu cam use de Velity Sth ‘ely ise Voi Cras Fade sons ™ Dynamic Pitch Bend ‘The amount of pc end change depen ow hard yu ply the pds elit 2 2. High-speed pad response is made possible by direct trigger inputs! Trigger Input Jacks The TD-FisoquippewitOTriggerinputs singles pus?" optna . 8sundscantecontedtsinethe insur sigalg sswelasthe tnd entrap si. Inthe sound mode ton vies eam he mixed LAYER ring mop ws eves with one pal ePD= psa, You can set MIDE Ne Nun, Gate Tine, Veet Cuvee or each tigger a aqpatias IDI Note ese Automatic Trigger Signal Setting Function “Thisfuncon tomatic ststhe porate thtageialfeh pal connote FD, Haan st wsisincton ae. Mii Dynamic Range, Maxum Dynamic ange, irimum Velox. Mask Tin and These Choke Effect sig the speed ps (PDs: option yo can eeate Choke fxs tng, This he uel fo nsrumw ike tah yma WHi-hat Control Pedal Jack ‘By comecting de spec pel FD-7_optena ths ck, yo can conte sou ale sec: contowoxsty- cnt he op al elese He hu ply open al sed sounds ad abo conta te pitch, dee or mnce oa spi su3. Using the Phrase Sequencer and Sound-On-Sound, you can enjoy spon- taneous performances! Phrase Sequencer The TH isesqipped witha Mase Sequencethat as youn onsindand pyhock yp to FOmessues dats eam hack 2 Preset Pate and 24 User Pater 8 pater iat ™ Performance You canst ortap the Phrase Sepeer using po You can ae pa Phase ror he seguencer te ens set tapping eal Tap Perfomance m Synchronization “The Phase Sequencer the TD can shone wth an extemal MI vie a MDD. Voice Click Yiu can we the sn of aman Voie forthe temp clk teteanome when ening inthe seeks ™Sound-On-Sound ‘aan ed dn th pene tack nm. The Soumon sn in sp to nce of 4, The On-board mixer and digital effects allow you to control the output at will! MEffects The TH? features tv sets of fects: ever Paso Chou Faget. Yen net es WAUXIN Thick exes the ai sg fon an exer playhack deve ad nest wit be TD-"Soupt The wes sup hag th PHONES ack, Audio Outputs The suo outpts ons ofa Se aie OUTPUT LR) and nil pis OND Tad ND 2 5. Other Useful Functions (© With 32 Patches ant Path Chins 16 steps ale the TPs yu to change Patches rigs performance (© Pch sings cn be eer nt the yequencer ug the Bal Dap con (@-The semen isa 2fne a ICD characte peri. The Patch Numbers are displayed in ange eh ea haces © Yi can connect ts faites the TD an ethan Pach seein, stan old or Sound. On Sound ei (© Th UMP fete allms yo ome to any speci ren fom an i sree. (© Tie TH. lak 1 oi cosy ined in asste ak oro dum sand singe ak mount aaptr send akeInstalling the TD-7 on a Stand Usethe supplied srs (5 Ham ta atach he MDS-7 Duman oe asshole | + Usinglongerscrewsmay damage the TD-71 iF you are nol using the optional Rack Mount ‘Adaptor AD-S0), attach | the rubber fest supplied | vith the TO-7 as shown | belowered Playing the TD-7 +.Connection and precautions 2.Power ON/Power OFF 3.Adjusting the LOD Contrast 4 Playing he Demo Songs 5,Quick Start (Experimenting with various performances) 12 71. CONNECTIONS AND PRECAUTIONS fie sing up the wise same eH. ns a sti al yews mk ‘omestions with an anion he sper ur et ments nay hea To play the internal sound module of the TD-7 using pads such as. PD-7s: a y ‘To get the most rom the T-7 se sere pa whenever pole [ine Ah, 5 Sei oe + When using an FO-7, Sato [ee execute Hinat Conta! Pedal ntatiation ©. 192 | | Foraker: | Set ine pte son Min FF 1 | The dtausatings are | ss toons Set Dine ste owen MON = OFF PIT | tain =o | Mid Out = ON CChapter 1 Playing the TD-7 2Using the TD-7 as a “Trigger to MIDI" converter (playing an external sound source): FSSU FSSU —=—, aa ) wor spaczer Theethmingsetingwillacekrethecomensonpmxelareion wigesunal w ADIs. The | 4 The default settings are iemal snd ao othe TO 8 ot sd as flows: Midi n= ON INTERFACE, St MDH nthe System sen Ho "M n= OFF P17 MODE = STANDARD Set INTERFACE inthe Sst seem fo MODE*TRIG MIDI. #0" P. 125 “To pt them frm the THT awe seme npr wbeneter posse 13 (Chapter 1 Playing the TD-7l= When using a sequencer (such as the Roland MC-50): Set MIDI inthe System sree Mi In = ON. 117 Set MIDI inthe System screen Mid Ot = ONT. L17 Set MD in thet serum otal Ce = OFF 120 “Tum the sequencers Sol Th fancsion ON, ‘To getthe most fom the TD-7, use ster output whenever passe, + The dofaut satngs are 4 Be sure to set the sound setting of the pert: lance data on the sequ- lencertomatchthe sound seting onthe TO-7. P49, 146 'TheTD-7 contains Drum Sets that conform fo the GM System (General MIDI System Level 1) and the GS Format, Pat (Chapter Playing the TO-7 480): iw OO 2990994 O Set Mn the Sytem serven "Man ON PTT Ses Mi nthe System sree Mi On ONT. PL Set Mn the Sistem sereen "Mil Mig * ON" PTT louhiw he MDL sigan he esteral cei athe the TD arene and tp hong MDL OCT “athe fm he TD se servo whenees pale Note on playing the TD-7 from an external MIDI keyboard recive amnesic TD. ane peered tthe aon Sn ick Inarungnt Seton Channel 10 Peformance Seton 1 Channel 11 viomance Section 2 Channa 12 Peformance Seton $5 Channel 1S Yo pl the TD sing MIDE keys he tant channel of he keyboard 10 the anst channel ofthe keybwantisnct any ofthe aoe chanel, nosound wil be ear =P 10) + Tho default settings are as flows: Mid in = ON Midi Out = ON Mid Mix = OFF ++ When the TD-7 is set to the detauts, no sounds ‘output from IND rN 2 (the INDIVIDUAL outputs) 18 (Chapter 1 Playing he TD-7About the Pad Setup When psi; sonnet he speed pas PD-7s poate tgs aps the TD ‘The Tigger Iau jaks tell re shan sgt kin Shtsgnandesser pal sil ‘Sngsther dean pastes ta mnincabis wiot cause any pes Na Rime sous sul prt hone PD-7 Chapter 1 Playing the TO-7 162. Power ON / Power OFF He se al devices anesthe Fine aking ny coasts, When sa hive mal the necessary tunnel vn ae tie inthe ning ce @ twnenthe me The dpa will espa fllnes, Tisisthe Patch Play sereen for Pach 1 + The Patch Play screen wil dlr depending on Patch Name the selected Patch ‘# When using an FO-7, execute Hi-nat Control Patch Number Program Change Number Pedal Intiaization =P. 192 @ switch onthe extra devices connected othe TD @® Topower chon fi sich ofthe extemal devices nd then the TD. (@ The TD-7 containsa cir seconds after power up. ‘© When power's turned on, you should never attempt to hit the pads until after the Patch Play screen has appeared. rotection feature which mutes the output orafew 7 ‘Chapter 1 Playing the TD-73. Adjusting the LCD Contrast —_—— Tecoma gh he LP can be cand blige 41 “:°L00" stands for Lass Crt Oispiay @ Pres [SYSTEM inthe Pach ay seen [€SV5MIDIPIFLINI Feu DEMOULCDESET @ Nove tect to LCD wing Et) nd «The characters et the | ears potion with @ Ps fENTER] LCD Contrast @® Toads the cons of he LD, change te valve wih ihe [DATA i. @ Pros [EXIM] rv to tun othe Ph Py seen Chapter 1 Playing the TO-7 184. Playing the Demo Songs ‘You can play any ofthe demain songs stdin the TH @ Press [SYSTEM] ome axe sl DINIFEL Fsull DEMOULCOLSET ® wrethecsnor DEMO wing [Daal] ], then press ENTER) CPAI7ITRIGIFXIPGM HOTEIPDLINAMELPE ® Nowe ihe curse NOTE using (4) and (I. shen press ENTER] Note Number HOTE<#38>Sound1 + One of the following Inst=126:Frozn.5 ‘screens may be shown instead of the Sound 1 ‘sereen. It this happens, rmuse ihe cusorw NOTE and seer #33 withthe [DATA] dl ‘move the cursor to the farrightonthefirstin in the screen, then select the Sound 1 screen change the Note number 038 by iting the in fe pad eanected to the 2 SNARE pick Inte factory preset eng. “12rozn.sasigned to NoteNumber 38, Change histo“ ® ove te canar te samen unter A 26 hing (and (Sound) using the [DATA] at © nse [DATA] dln sel 1529S RaTECsevsaarae Insts512t of AE Now it the pd connected othe 2/SNARE ik fe tha “125 Fron chan “12h S NOTEGWEED Laser OFF Foradil explain abo Ise im ro ae TR 7 sanihie a NOTEC#S8>JeTria JUMP to TRIS? + Two different instru: ments can be assigned to each Note Number, but only one Instrument thas been pre-assigned to Patch 17. ‘Chapter 1 Playing the TD-7 28[6] The Patch Chain "he Patch Chain into llosyotn mange the 2 Paces inany oder you ike. You cathe sel ther hy prsingat fest or sing Et aa Ssh in heii ig, the fist Ph wil selec alter thelist Path you dance ‘tough clean eae a ine. umm 1 oan 2 ceAN 9 mn 8 Nom, HH ah ine the Stoic presse the Patch Chin wil adkance hone namber.CU'sing he cursor Futons, yo can maine detion.)Thenunbera step scale he Step Number, The lst Step Snherts Patch Chain iscalelthe Step End Number. the SepEnd Nunber canary re 9 ad respective frm 21h nthe reins Figo the Sep End Numbers of Chis Yan You canst anno Pach Chains¢CHAIN 1-81 When et oNORMAL, Patches Ln eanhe_ | # The Patch Chain default sel in onder sting is NORMAL. 28 ‘Chapter 1 Playing the TO-7Using the Patch Chain Function D res [ENTER] fom the Pach Pay screen, NORMAL issttomatly selec —————e CHAIN SELECT) | MORMAL = -- STEP] ® setae the [DATA] bal sche Chin Nbr BH eke CHS | CHAIN SELE! CHAINI = 9 STEP Nie aa chanbiumber Stoptnaumber D res [EXIT] o sumo te Patch Pay sere. Patch Number | August. [PB Chnt Ste 1 : chan uber Sp Ramee ® changePacherusing (4 und (P] ora footswitch, Parties willeseectedi the sequence tin HA The preproramme Pach Chain (CHAIND ord 17-FI8-F19-+20-¥21 22 025-024-032 (Chapter Playing the 10-7 26‘Changing the order of the Patch Chain @ Aeophinatatoe, et the Pach Ouin tae tad ® Pres [EXIT] w tum tothe Pah Pla secen ri August i Chni Stet @® ess (4) and DD ont sep Sumer you wishtoeatsselsta Seat Np Nur Mororesiige (fc Bo chni @ Wuseine DATA] baltosetine Patch Numberyounishtonsgrtotte NepNaber, Het. tsi a Si 9 Sep Nbr ieee ni Honstr dab Chni Ste 3 ‘Chain Number Step Number Now CHAIN 1 saranged as alos CHAIN 1 The step changed here a 4 The Patch order in NORMAL cannot be edited, Chapter 1 Playing the TO-728fer yelcg Basic Operation/Inside the TD-7 1 .Basic Operation 30 inside the TO-7 361. Basic Operation [1] Setting Parameters Bosal. the pase he Tae aos “The ling example hos on to ste MI chs |@ Be se thatthe Patch Pay steen is sete se he display does rot ieee show the Patch Play ri Mor sereen,pross{EXIT} ntl tot PGM# 65 itis selected. ® Pres [SYSTEM wth Semsciam Ans vile doy 11 or a dotalled expla ration of the System Q sas aoe ee Ci ar SIMIDIEIFEINI FswiDEMOILCDIESET @ Move the cure w the tery who wet wing (ok) a (O] The characters at the ‘cursor pasion wish To change MIDI channds more the cus oN DT 4 The TO-7 contains four @ bes [ENTER] ‘main screens: The Edit — screen is selected by essing the EDIT] [Trig Tx Ch = 18 nation The, Sequence screen is selected by pressing the (SE. QUENCER} button. The System screen is selected by pressing the [SYSTEM] button The Patch Piay screen's the defauit.« P.94 Chapter 2 Basic Operationfnside the TD-7 30© sneteaworipentinedaTPAS THe Ch, ww eanseletthepumterohealia bw otaingte [DATA] di IBI Inst. Tr Ch @® Mrs (] tometer dhe vale ek + SaThi9 Tx Chand Inst Tr Ch to the © eve (OATA) hana cm sore chal ber (That channelnumberis oe MDH can as hese aenaraly seta 0) Tid Tc Chand Inst Tr ® woswen the pesos seven psfEXIT] ce ena tactorypresettocanne ‘Tshtchiepmestcirhingngpirinwtes Mehimphintintptiontiwtcanbewed | 9 vospee up he perce, "61 you keep pressing [2] The Jump Function (EXT, the Paton Pray sereen wi utatey be “The ump Foto alms vo aay ump nan see mayer sen seced, How to jump @ Pres (JUMP] + ltyoupress [JUMP]. and thon depress he fot [SYSTEM] [SEQUENCER] [EDIT] svt, you can jump 12 the footswitch display. JSPLAYINOTEL INST TREE FREPDLIMIDI ieee [—) (ENTERT [EXIT] @® Presse bane which thedesinaion srenasigned Rwrexarple, pressing EDIT] wil take yaa te een frei nse nd T29N#3895191138 Changing the sound of an Mame SLAF at. S >] insnmnes p78 “ircance she Jump pres [JUMP] agin 31 (Chapter 2 Basic Operationinside the TD-7“The destination wren for ech hut spreassigne athe fey. Yuan weve: han this (© Peston ere eke by pressing [SYSTEM] Monster rid [LJ BF PGMH 65 © Destination sven seks presing [SEQUENCER] NOTES #92 >Sound1 Inst=a75. Tight. | * © Destination srcen stay pesing [EDIT] T2SN8389S 191158 Hane (© Destination seen sekte by pressing 4) TRIGPATCHE INST id Pend 65) |P-CPvEI-CPYIGPFM 1] Paten Ptay Screen [2] Eat Screen (SEQ) PTNETEMPO CS¥VSIMIDIEIFEINT SYNCIEAVAILEMETRO) | Fswi DEMOELCDESET ‘Sequencer Screen Gi] System Screen ‘These foursreensrpesent the TD-sTourmades. Ea sin secen sa menu seer vious emsareited.Foresampe.theEdescrn ones PATCH, INST, P-CPY.I-CPY and PFN (71 The Patch Play screen is used for playing dats. This isthe TD-7' default screen, [2] Tet sensor changes parmesan ath ine Pressing [EDIT] from the Patch Play screea will select the Edt serven, The: menu includes the tare PATCH eaiy [Yaron re P-CPY “You can copy the data in a Patch to another Patch or exchange data I-cP¥ ‘You can copy the sound of an Instrument t1 another Instrument or Cal You can set reters in the: Section FE pane [Wonton *A*Pateh is a caletion ‘ofsound stings (stored ‘at a numbered memory location, "Eating isthe process whereby sound para meters or Paich settings ‘are changed, (Chapter 2 Basic Operationtnside the TO-7 34[3] the Sequencer eons ya te pean ata ie Pe een Pres FQUNER fone ath Ma cree Sacer, Teen ofthis scum ncadste flowing PTH tinernt You can wate ad ply perenne pate =P TEMPO sequen Tempe ‘Yo ca tein he temp or data playback wo Pas SYNC (Sorbian When the Tis smchaine_ sith other MIDE. dees, yo an lsermine whaher works as Mave device ora Maser deve. er Ps AVAIL sable Meson “heaneuatofnemesy allel srngperfomance daisy PU, METRO ‘anne Yeu can dein the etna onl sou ang ei ail pista. ee Pas oom the Patch Pay Li) the System oaths he pn te sha AND LCD Cost tp De song ae. Pew SYSTEM] coe sem he Ds serene te Site crv, The mins the folly MIDI You can set MIDE parameters, such as MIDI channel err TF tithe | an emetic oT? AP INT ttnitaies ‘Yow can retrieve the factony preset dat Settings. eer se F's (Foutswitehy | You can determine the function of the fookswitch, ere DEMG rhea sings) | You can play the demonstration songs, Py Lop Yoon aati LO ao an SET (sound seu ‘This dseines how to curpu ina dog the ear panel opt acs PD + A'sequencer isadovice hich cords and plays back performance data. 35 CChapter2 Basic Operationtnside the TO-72. Inside the TD-7 ‘he TD is vide into 7 sections son elo Oy +~ | Tatscen Lock The Trigger Block convents the rigger sal ceed hy hitinthe pas ne AD The Instrument Block determnesthe sound an nssument. The TD nine 51 samen sounds which ae made fom the 8 i wef ‘The Note Map Block signs an lnm Wo each MIDI Note Number. tha i jou ean detemine the Insument whe phy y hating palo paying a compel keyond, The | Instrument section an pruvideo Nu MapanuielneePerformance sectionsin nie | te Nate Map cach, Thiet tl fou Note Maps ‘The Pedal Block determines hw wool the soa mule withthe Hit Cant eI ‘The Effect Block paxesssthe sound wih he n-baudelTetssatas ever an cons). The fet seton contains two independent es presen ihe Sequencer Block rec Ua ofc Phrave Sequencer nd pays ithack. ADI sa sent FromanextemaldeviecanberesmnkviatheNote Map Blick Taeescanbe wel simultane The MIDI Input / Output Block ets the praesent and eeving MID messes (Chapter 2 Basic Operationinside the TO-7 36 "LACNote Number is the ‘umberassignedioeach key ofa keyboard. «A “Sequencer” is a device that records and plays back performance data, < °MIDF stands for Musical Instrument Digital Inter face, an international standard for communi cating pertormanceinfor- mation of sound selec | ton messages, et[1] Parameters in a Patch | Patch coston of nnd etingstore atanubere memo ation femory’ is the place (memory) where data ‘us sings et dtermine hn he sound oul hepayeare ore ina Patch. APatchisin | can be stored and huinsoredintheiniemsimemory the TD.~ \Pachincaks-amongeaerthings.Iosrumentsnd | reieved. etc ctng, The TD ca stone up 52 lee Pach, By sing fete whe a Pai Iaing pie ow can instanton set anew Pate. The nes Pach may have completely iho sos al fess sting for ach pad PATOH 32 co INSTRUMENT SECTION As jncanse inten abne ay dlr aameerscanbe we nloa Pach, Tefeowing plans se inant Pate pease ofthe TT ‘hdres rigger signals ae cut deping on ho you sik the PDT. sgl ereted In hitting the head ofthe padanda Rim Shot signa. Rem. Rin shtsgnasaecrestd I iting the head and in sexton of hepa tthe met) Up one PDs he connected tote TD soa masinun of 1 rigger signal an be pu ; #4 Rim Shot is a per formance technique in Ina Patch, yo can also st the Isrumet asignment tha determines which nsrunent should be | whichboththe actual pad layed hy iting par paying connestedhesbuand, How the tsrumentsoundsdffersinthe | ang the rim of the pad Inetrument section antic Performancesection Thelnsnmenisesionasigasininarumert | are truck simultane- ‘each Note Nomberai therfore each pad hey wil sound deren. Inthe Perfomance section, | guy. you only hit the Ione. the same ind is ase o cach paces, nahe Peformance section. ane Insrunest | — fm othe pad the proper sual payed with diferent pices. effect will not be obtaine. 37 ‘Chapter 2 Basic Operation/inside tho TD-7Inuhensument ston. astnenisate assign oun pach Thesewo sounds ‘Sound 1 an Sound 2, The parmetreled Layer can he usta theses shouidhe play, You campy two suds simulans of chang th tone quali depenaigon Jno ard you ply tbe pas tke ‘Suna can he sel fom the Sod Group call "trament, The TD contin 12 dient Insert sores [2] Other Parameters ‘Thepurametesthateanbesiten i einer meno ofthe TD“areInstrument Sequencer and System parame Aninsrinent sunset one ft 2S0Wavetorms, You cance yourown Inseunnt sou eng arate uch the ich, Decay o Panning) fs par wefor, The wy Effects ter, Cesc ean ews furher dang the on INSTRUMENT 512 ‘The Sequencer parameters forecnnganpiyinghackihe daft Phrase Sequencer. ‘The System parneters ate elated osetings othe ene sem fhe TD. such as MIDI, Capa Assn LED. ee ‘SEQUENCER SYSTEM PATTERN 1 Oo or (Chapter 2 Basic Operaton/nside the TD-7 38fer) cg Patch Setting 1.Setting A Patch 40 2.Patch Copy ” 3.Grobal Performance Parameters 731. Setting a Patch ‘The flaming chapter expire ptr that ci be in Path 821 hese putamen the the Pate Name. the 9 Trigun the Is ‘Cn oul, th et he Prorat a Prog Change Numbers [1] Namirig a Patch Youn name sPachsgup i tscetrs.the cm sev Pacis nh Py ede (@, Sekt th Pah Py sve. hen es EDIT] | +: For dotaed case ton of the Patch Play Patch Edit Instrument Edit | screen, see page 17 + + CEDIT PATCHI INST POCPYEI-CPVEGPFM f | t Patch Copy Global Performance Instrument Copy ® Monee cnt Ed) and (Ho PATCH shen pros (ENTER). CPSZ] TRIGIFREPGM HOTEEPOLINAMELPE @ At this stage, you can change Patch Numbers by rotating the [DATA] dial. @ Nore becuse cusng [4] sod] Ho HAME, den pes ENTER] Patch Number Patch Name. + P23] Hane x @® Noveinecusortasing (A) and [1 othe Pt Number eld henselae Noes ‘you wish 1 mame using the [DATA] cl © Nowe he curso tusing. (4) and (HY 10 the Pach Name fella sm etn te Pach © ‘Sele ihe fst chasaterin he new ame wineine [DATA lal @ res (1 wo oore oie next carter spe Sethe eon hacer @® Preceedin ss manner une sane seomplee © Pres [EXIT] ve nes to ern eathe Patch pay seen Chapter 3 Patch Satting 40[2] Assigning a Note Number to a Trigger Signal | | The THhogippstvah Faggerloput ack, U'ingtbe spi pahtPD- “spon. IsTrigger | «A Trigger Signa” is an Signals canbe im Each PP can opts Ki Shot il nada ste sada electric impulse gen sil na whine on and ead he palaneplaedsnalinets. These, when 9PD- | erated by hing a pad ewe. A Trigger Signals rin ach pa ae ps The TD-7 can detect the timing and strength (velocity) of the Trigger ‘Signal via high speed signal processing. The ftlosing describes a to ans a MID Note Naber ea Tiger Sigal ‘he syn Tsuneo epee the Tg Silber when de head od ish RI -R2 pase she Trigger inal pt wen ya ply Ri Sas MID Nets Naber 5 950 sel Tre Signal. The und nl of the TD willbe A -Nte Number ie the pljedacunling eased Sie Ninber: Thesendorichdatcrogmmibtrke sid | nunberassgnadioeach SiteSudecibebeanependngonsithertcnsmniormancescnistangse. | — key ona Keyboard Ine Instrument Seotion hic sn lnsrunxt signed each MIDI Noe Niner nlthrcieret sans heard hyping fen pax Ine Performance section. Insert set nn le played athe pc the MDI Note Nunber hats tpt othe syng pad wi unpatthemosage sf theset MIDI Note Numberthghthe MIDIOUTeonnetor | For a detailed expla- RTE) | = 93 Note Number 21 -—~ 35 ————— 60 108 4“ ‘Chapter 3 Patch SettingSetting a Note Number @ Seine Pah ty sr hn pos EDIT] @ Moetbecose PATCH, dhe pos [ENTER [CPS2]TRIGIFXIPGN| HOTEDPOL.EHAMEE PE (@ Atthis stage, you can change Patch Numbers by rotating the [DATA] dial, @ dererhe sont TRL. then press [ENTER] When the cursor is Tigger Sone! Number Lave! Meter costae nal oe, we youcen pee ume TRIG¢T1 aananane eho eee Hote # Pe DS PerhewNane | Now Name Note Number @ Mowe the cue TREGST >. You cam change the Trig Sigal Numbers usa the {DATA} a extemal padh are connect paying pa wil hang the Teg Sal Numb tht pad Th Level Meter ets your plang enh, © Soveshecanvewsing [4] snd WH. dn press[ENTER] the Level Nerindstion wall change, ressng(ENTER seat setsieLivelmeteroe¥ yale indica TRIGET1L3 Hote # TRIG Hote # © MvethecuscewihePamaeronethen wketaNote #hyratinthe[DATA] dal |» 95(81)-89(A6) are valid you sel ie parame oan ai Tg pss MIDI Note Numbers (ote Names) ® ‘ovethe curwew the Nace Number thn st the Ne Number sng the [DATA The Note Name is shown other with the Note Number. Chapter 3 Patch Setting 42[3] Setting Various Trigger Parameters The ftlosng parame can st dhe Trgger Spec pa. Yo cn tthe n'a Sar neh ss a2, Asgings ote Number toa Tiga pat” ; © Gate Time : Gate Time (0.1- 4.0 sec) Tet Tine ernest tal omen in wi sn whens pai payed Gate Time iscyilen othe time nmNote On Note Off when vou playa MDI keybrant —em ——q : y z Prot tee YY Noon t Y Noe oF 1 forsale, dhe Gate Tin st oe padi sev). every ie yun ste pa, oo wi ce he preva sno and ger ne one co aT Y v . uo 1 ra Piney toon 3 + Y honor Son dumnatinssmipscisimsaninahkscanansige Scotia The, |The TO-T's deta isa TD." wee ena setting is “Note OM Receive Switch OFF, Wm sett "Nite ON Reve Sat LYON IP. HT the TD ea eerie Note OMT mesa ‘Whee Gate Tne rat on Novena Nee OF the T-7eceives isnt the Gate Time ‘The Gate Time of the sevrtheintemal sundae, chewed ilsiopevenbineNoeotTnessigesareneeied See | intemal sound module fue a Delon). When the ceived Gate Tine ss. the Note Mf messes mille exgrized |} ganbesetwiththe Decay when eed. Segue bes) cof the Instrument in the Exit screen.» P. 82 ie A Pon A Meo Fig.a Fig. b 43 Chapter 8 Patch Seuing© Cross Talk Cancel Group : CrsTIkGrp (1-4 / OFF) TRIG< TI >a CrsT1lkGre: OFF ‘When several pacha ache tt the irons abe by king om payee he sas erp. The Gs Talk Cane Gypsum Assign he pointe pat papa an theft yt atone seme at "i Tal Caml Group» ON, Tota ff tis fuetin set OF (© Velocity Sense Curve : VelCurve (NORMAL 1/2/3/4/FIX32/64/96/127) TRIGST1>m VelCurve = ‘Horm | The Velocity Sense Curve repesentsihe stem with whidcach pais pes. When sett ‘NORMAL 1°14 the vuln wii ping hae. Thre ate NORMAL cubes. 0 fares elon.) When “FI Fi.) select. the vane wi abe aft y plying enh ‘ie the woumeenains cons Tse ae 1 FX cues wih rent velo als Se figure in Gregnanageapan wae MN Sigh caingam end WA Fig. a Fig.b © Sequence Pattern Number : SeqPtn # (OFF / 1-48) TRIG MIN 2 more > MIN 1 more MAX Stimes MB 2 more + MAX 1 more + SET OK ! TRIGm Max Oyna = TRIGST1 >ame Min Oyna Pyingdymamieay feonplayertaptaerathelevell rgarsabvaertrampananittins | *Dynamic range” is the to pad manutatacr The Sax Dynami’ ard Minium Dynasc stings compensate fr such | ference between the slierences std muintina maxim dynamic range. maximum and minimum volume levels, “Tose he Maal Minin Dyan, spi the gues Sgnl evel ofthe pst commends to hein an min sles ofthe MID xi ‘when snr playing velay fo eye ply Jost the Mand Minium Dynamic sof or the Trigger Sigal evel othe pas Any hig Sina sow the eel et with te Nas Dynamic wl eg as Velty 12 Any Trigger Sina wer than che kvl ihe Minimum Dynamic wilheregardedasibe Velo | The volume of the TD- ‘alc ith the iim Vela ert inde acing raramees 7's intemal sound maduleisdetermined by {© Minimum Velocity: Min Velo (1- 64) the Velocity value set here, TRIG< Ti ameeeoe Min Velo 64 ‘Yeu maya times ish to tintin me ve even hen playin very sly nina Velo this ou ee Any Trigger Sigal han the vel et wth he Min Dynes ase Vel ale et here, Neo val eset omer Lo stp, The igre sa athe iy presets the MD ey vale ce ia: Oye 1 Movmum vey t 1 1 1 1 1 1 1 pt Tage Sin Lave ‘Chapter 3 Patch Setting 48sepa tht end wocrste double triggers sc asthe ick pel Fens than ome Trig Salsa within the ines wl ign “This parameter sud hese Inf elo. Tiga signals D an D wi causes sean a be pes while st it toa. Theme canst ns eps ‘on: Sion ‘@ Threshold Lovet : Threshold (1-16) TRIGCT 1 >ammm Threshold: ‘When he hve ofthe Trg Sigal see rma pa slower than the et tres ve. no sur bean. Sighs, om can preset ibis onthe pad ring elo eneating “Tog inate pact igeelow Tiger Sel wills hese play Dand B wile sie sa Tine| Troshld Lovet + ArDoubletigger occurs when two (or more) Trigger Signals are ‘generatedwhenoniyone was intended a7 Chapter 3 Patch Setting[Useful Functions for setting Trigger Parameters] Telling espa Janp ant tases Key, Thsclantions wl speupte pass sunning nin hn a tthe Tags Panes Jump To Note When you are seting Tig patunet you can use the amp Ty Nowe futon to change the Instrument assigns Noe Ne. Us fnt,ratcan quiche Neen soa ow cree the ase screw pressing [EIT @ ‘esther Panter stig ten. then pos [ENTER The disphiy respond wih YOU Sure?, Are you sure ? JUMP ti NOTE # ® Pros [ENTER] wok the wen jing net Nee Nab Tecan he mp To Ste ma es fEXIT] Preview Key When yo at int Tigger Parte sting eres, [11(SYSTEMD, [2] (SEQUENCER) and{3]((EDIT) wathecome Preview keys. Tharis evens ado MDI sce eumneutoe TO presingthsehep rg TD 7ssounds (1](SYSTEMD rigersasotsnundiveleiy sale $2 [2](SEQUENCER)), » medi ve sod elit value 01. anl(9](EDITD. bad wa soy sae 12. When the cursor is positonadalLevelMet {orVetocity Value), Jump ToNotecannatbe used, Chapter 3 Patch Settng 48[4] Instrument Section The Instrument Section sms jrat signa Indrameti each Nowe Numb, Ta ch Trigger Sl pa ent srt sa wean ater sunt pase th nim Seen ‘uote number INSTRUMENT SECTION Pap oun a. Setting Sounds 1 and 2 ‘You canon denn Tnsrumias ane Nete Numero cree vans miingeess Tiss cola-Layer, The two lnsmmntsare calle! Sound 1 and Sound 2 Aer: Le canbe fran Lansound 2. The ph searahein smn 1m cot po 84 4H ce Setting the Instrument and Pitch @ sels Pat iy enon th res EDIT] ® dhwe he sinoew PATCH. hn pss [ENTER] CP32]TRI MEPGM MOTEEPDLEMAME DPF ‘@ At this stage, you can change Patch Numbers by rotating the [DATA] dial +The Instument Section is similar 1 the “Drum Part (or Bhythm Par} in MIDI multi-timbrat sound module. tis also similar in that a sitferent soundisheardtromeach key on a MIDI keyboard “For a detailed expla nation of sting Layers, refer to page 52. ACen isa unitot pitch, 4 cont is 100th of @ semitone, 49 Chapter 3 Patch Setting® swerhecunor wHOTE. hen pss ENTER Select Sound, Layer or Jump Note Number NOTES #36 >Sound1 Inst=@75! Tight.K 4 One of the following screens may be shown instead of the Sound 1 Instrument Group sereen. it this happens, Instrument Name move the cursor to the Instrument Number farrightonthe ist inein ‘Select Instrument or Pitch the soreen, then select the Sound 1 screen sovethecunartothe ote Rune then set NteNumberwingthe DATA} pS | Ge oeimest) using the IENTER tess isnt Na Ne, PesiegfENTERBi9 | Oana “will earneve the Note Numher dpb. TETE CASE) Sound Note Name In Huge. K = HOTECHTO Laver HoteSoundi ES Inst=875! Tight. K HOTECHSEDJeTrig JUMP to TRIG? Chapter 3 Patch Setting 50@ sos ihetnenment tote may in he [DATA| dl When you move the cuner with (4) and (FD. Nete Number SOUL. Inst. BPS, THSHE andK willsh, Tochangetheuahoes sme the cosertothe ween penta te the [DATA] da peng on the cure potion. diferent prams can be eid HED The Ne Number can be sel Sound... Youcansetihefllywingpamesby ming cusrttisposton and ating the [DATA] dl Sound | SUAMEHT » You emaahus he satiny or Sad | Sind 2 SOUMCAL ; Yocom ads he seine fn Sune 2 Leyer LEM You canadog the sting fr Laver #2 P82 hom ToTriger JETS. Youn mp whe soeen fein Ts Pareles #2 P38 Tmt... Yarcanset the sn lsiament Vt cnchnge th pic fhe le by sckstngichusingthe [DATA] dl Thesarialerange ofl pchis-80- 88 cen, The pth can he chang in etn ce lp HOTE< #36 2Sound1 Pitel 4808 B75... vw emselotan ium wih the eurespnding punber ram 1512 Tight ._..vi cinseletan frrument wih he eomesponig ame kK Yo cn seen Isami wih ures up rae (© Hitting 2 pad will automatically select the MIDI Note Number assigned to the ‘Trigger signal of that pad. @ As the TD-7 receives the MIDI Note messages, the received MIDI Note Number will be automatically selected. ‘@ Ifyou select Son? in step ®, you can set the parameters for Sound 2. ‘Thenameandthe oun ‘name of the Instrument canbeseteasily «P22 *: Besurtosetiherecowve and ansmit MIDI ehan- nelstothe samenumber 51 ‘Chapter $ Patch Settingb. Layer Layeratos yn play eet ments, Sona al Sound 2 sinus Water sets OFF ny Son Ul be pe There ae ve spe of Lines Velocity Mics) elo Mix ‘het snrdinied waplareniin dierent po pmaandepemingn ts anda py Wiha ow seine Ha 2 nly Sou sea whe om ph ve wy, Both sama Fl chem jo pat marae ghee. igh sein se 98S 2 sae ‘thsi Foy whey py ve Rl Thal apt ves tein ee ar yo lathe pa Sound | Sound 2 + > Ta qe cine ary Velocity Switch 1490 elo Sut {Wah hs Layering. only one snd ic ata te hal you play pds Arka eng val 1 or example. ony Soa ised when yu ph “The wand tt besten en sofly the ane etn issn emp atneaksateurighleves young the sting to forename. Sn 2st nly path pas very a VA: ~ | les fl. Lafl. ny Velocity Switch 214) elo Si " With histayr sting as with dhe Vly Sich eting. nly onc ofthetwasends ished tine Harwever, het the veil volun caput ised aniseed your ping Ta laying sen detemincs which sound shea tthe velume ad, Whee ale a et say Lor2) only Said {shard hen ya play soll: Atahigher ating!” or), Sond Jian ‘ty when oa ply ery at. ep in tind dat de actual ede ee ead il Ke const eae aha yeuplay—plvingsteng determines sna opts Sound | Sound 2 + + Chapter Patch Setting 52 + When the Layer tunetion Is being used, wo sounds are played by cone Note ON message. Athough the TD-7 can play up 10 14 notes at ‘once hisnumber willbe reduced when using the Layer function. this causes prcblomstoryou. ‘set the Layer parameter ‘of some intruments to OFFVelocity Crosstade 1118) Uela Crass 1 thie sting ct wasn iain dew proposing aye nh rset 2) ise ny Sash when wo pa very. Asn pi lie hae Soo Tans ser unit disperser wile Souder cnt, Wn fener ting ahi, Soa ines inoue a9 pa Dudes Atakrae pling kel Son Ins eben an Sm Kc in The en ‘sham fhe ine wad i change pening hw ha ew pla ld lel - Velocity Crossfade 2118) UBlo Cross 2 Th sf alae of he oe nn anges in velvet ping rth, With mike ctingtan-tr playing illest Suna Ibingunorhkusksthan sind? Asrwinerene ‘eae playing tenth Sot ad 2s be ain aos apt peppy pve Sema 2 bcm ch wk than Sota sound 1 A:| ‘sound 2 - kd heb Setting the Layer Parameters @ Schoener Pl cron then prs [EDIT] Patch Play Screen QD Wowethecunocu PATCH, then pres [ENTER] PA? __ 4 One of the following PSZ]TRIGIFREPGM screens may be shown HOTEIPOLINAMEE PE instead of the Layer - screen. I! this happens, rave the cursor to the farrightonthefistiine in the screen, then select the Layer screen (© 1Fyou rotate the [DATA] dial here, you can change Patch Numbers. @ MowtheanwewNCITE using CD and ann prssfENTER] @ Seles Lanersosen ign (DATA dl £50 © sw he ewe ayer Tope tel shen sel Lane Type wane [DATA NOTE<#92>L aver 0H (Lever 1) using the Velo Mix (DATA a i t TeTECB2 Sound Layer Type Value eee © yori compete Note Nm me socctunerethany Eth ant | [POTEMBD SounaT change Ne Nut meteor Nite Namba) ad | | OTE Sour? (© then nate [DATA @® ‘wwe heures eld. ener the ae whe (DATA le NOTEHS2) Je Tris JUMP to TRIG 2 53 Chapter 3 Patch Setting[Useful Functions for Editing the Instrument Section] ‘The filling explains heap To lastamann™ fun io Trg and "Preview fantions. Tse Functions sped up the paces eng suns cca he Tiger Sigua nd iting inthe ts @ Jump To Instrument Whey te sing romeo Sounds and 2 ys can useistneton edits «angngte praestsuhas ea. singh foneton. can quik ethene scien itn hag wo reine the Base ren by posing [EXIT Frnt Sound 1 Sour fsa sting eres. the Pah eng sr @ Mes ENTER} ThesnenespondswihAre sou sure ? @ Pros [ENTER] pint wdc sun ingen or snc Bit i To camel the np To suet ene press (EXIT] Chapter 3 Patch Setting 54Jump To Trigger Lnelsramest Seen youassignanastunicotios Nae Numb Haeses ya enot tells hd shoul he it er the desing! rumen! ues ya wate the Teg Parameter seven (P32) {Sige Jumpto Trigger function, you canintantncsy movetothe egg Parameersree em 1h lsc Seton ses, @ Serine Pach Play nen hen es EDIT). «Palen Play screen PT ® Monee ewsoenPATCH Using (8) and I. shen res [ENTER CPS2]TRIGIFXIPGH| HOTEDPDLENAME EPE © ou oxnethe cavern theHOtS Number using Ct) ane BT. ye can change the Note umber asin the [DATA] ds @ Severe qnorwHOTE wing [4 and]. then pess[ENTER). @ See FPTPAS wine [OATA] hal «0.50 HOTES #92 oJeTria JUMP oto TRIG ? © res ENTER} ThesremesponkeihAre You sure 2 © PesfENTER] ginwsekoiicTrigerPaemcersceen Hyouwshwo cael To Tigger oc pes EXIT] sea f[ENTER We Nine Number cure selected nat asin a Trg. te alli message appears. ‘The prviowslaphiy then ri Hot assigned ! Preview Key ‘When he Instrument Seton seen selected the 1 [SYSTEM], 2 [SEQUENCER] snd 3 [EDIT] batons ill wrk as Preview Keys Thats even no pa or MIDI devices vonnetetothe ‘TH prssingaseheyswiluigaertheTD-7ssounds. 1 [SYSTEM] iggrsasof sound veoy ‘ale 32), 2 SEQUENCER}, sox vel oud voy ele 6, nd 3 [EDIT]. foul seuna eloity value 12, 55 Chapter 3 Patch Setting[5] Performance Sections (va Perse Sect, ne sre sessile pa ih each papain ice pick Wh his angen ya can play elas. Abo. sing Mb herd san playlist Permanvesecton Thats Peformance ction sss WS Pa ina UDI nuk ounulv able, Nhe" contanttac Pamaneseuinnsandibendecan an co Sound Settings in the Performance Sections ‘heresreinee Pevomange Sets PAS PAM, PPUDinthe TD, Yous sign any en othe S12Insramentsto each Pfexnace Nae @D sect ay sre thn prs [EDIT] Q Neve neuro PAUTCH isn Ft] and (MT then pos [ENTER] P32] TRIGEFXEPGM HOTEDPDLUHAMEL PF @ i you wish to change Patch Numbers, rotate the [DATA al Chapter 3 Patch Setting 56 “ Ingome soundmaduies, a "Standard Part’ is called a "Normal Part For a detailed expla nation of parameter settings in the Per: formance Sections, reer to page 73. Parametersiolatediothe entire Performance ‘Section should be set in Global Periormance Parameter (page 73)‘@ Sound Setting in Performance Section 1 @® ovethe care PF oodgg Ck) art (HD hen pres ENTER] Instrument Group Instrument Name Instrument Number Performance Section @ Shove snes te svn ie DATA} Menthe cuits PMA SEP, 1222 or Band change the vl yan wih ‘© Sound Setting in Performance Section 2 © dvctnecweetsPEML oh (And (OT vind PFM2 whe DATA] sl [P25] FFM SOUND PFM2=434:MariL.M © Woe shecurve wih Ce) and (] then ee ane wih she [DATA da ‘@ Sound Setting in Performance Section 3 @ Worcester [P25] PEM SOUND PEM3=431:Maril.M ioc Penance Sain 3. sas PPS in sep ® 87 * Depending on the patch selected, what appears in the screen will be different. The ltt screen wilve shown, when you select the Paich 25 (Standard kit), Chapter 3 Patch Sotting[Useful Functions for Editing a Performance Section} “The flew explains “Ian Te Insiune” al Preview Keys". Ths functions spect up the pxessafediing the sound in Peace Seton, Jump To Instrument When youre sing rst Pefirmance Secon, yo can we the np Trt Fumi for eg su y changing praneters sh as eva Cigna can incamancony net he Sound Hing sr Select the Isrument Sting sre fora Peinmance Seton and hen @ Press{ENTER] Thesman ill mspund wIhAPS YOU Are you su JUMP oto INST ‘res ENTER] into selec the eee frInsrument xing hen eit th sine, ¥ To eave the made, prss [EXIT] m Preview Keys ‘When yuan the Pesfomance Section aren the 1 [SYSTEM], 2[SEQUENCER]} nl 3 10. [EDIT] hats orcas Pacsiew Keys Tati even fn por MI devices connec 7 psig ese keys wil rigger eTD-"s sounds. 1 [SYSTEM] iggy ol suede ‘ale 3).2 [SEQUENCER], 2 xin vel snd (velocity al and 3 [EDIT onal sound (ety ave 127), Chapter 3 Patch Setting 58[6] Effects ‘he TH inne ies Effact 1 and Effect singthie Fes you cmenhanwetheTD- sera. spi tap ve ets mn san ate tne Fourie ease pain Bis a2 These ane the Elst Types (© Fever suse the extn (ad lets ge enclose pace accent all foxesample, Thscretessihandmsial sounds, Yaocanchangethe quai reverse wih verb Type steszeatthespace with Rees Timandibe kel fibereeertion sour th put Lee (© Delay cnctesan Echo ttvellvthy dekxingthesond por, Yurcansetdilferent sy times Tur the right ar channels tshn sing se capa. (© Chorusis neti ha makesthe seni anne. canal erste doin orb ths y changing sohameund ptchothesound. Ye canada sped of te ean hte aa se dpe with Depth (© Flanger ian fi tht ake the snd ar al igh. maki it ever more wom han wih Chis Etfect Types Available for Effect 1 Te le Peston Tevesh | ALL | Thising simulates the eration na ge space ke a conc ul. ROON | Thissating simulates the reverberation in sal face. PLATE | ‘Thisscting aes a Plate Eaho eft 3 bgt tale sound Dey [DELAY [This cing generis dcr refine hme a cha, Effect Types Available for Etfect 2 Tope Est Destino CHORES | Tice mabes sound far and wane. FLANGER | Thiele makessundsfaterandhriger—moreunalthanthoweoltbe Chon fie eo ‘blaine when using the Individual Outputs, Please read “Sound Setup" on page 128 cearetlly. cts will be ‘Pla Eoho"isadevice that creates its effect {rom the vibrations of a ‘suspended metal pate 59 Chapter 3 Patch SettingSelecting an Effect Type and Setting Parameters @ sere Pah Pr sce. then pres [EDIT] Q Mone tec PATCH shen pos ENTER CP32]TRIGIFXEPGM HOTEGPOLENAMED PF | ‘@:11you wish to change Patch Numbers, rotate the [DATA] dal @ soci con oF, then pos [ENTER Effect 1 or Etfect 2 | Hall 15, Parameter Value Effect Parameter ® Newethe cursos |B hea scksEPFECEA wah ibe[DATA] dd © Sbwe the cursor to the Effect Type fickd, then selevt the Ele Type MEF Rect L, © ewcihecuvethe et nett mses Bt Per inEF Pete @ sketch paar abel nt he with DATA Chapter 3 Pateh Setting 60© To set Elfect 2, select EF Fect2 instep # ius, Effect v4 of Effect 2 2 Fy Chapter 3 Patch Seting‘Thereane many Es Parmeter ol which cn heed ia sep @-Dépage a. Parameters for Effect 1 et nels Reeth a Dy (© Output Level : Out Level (0-15) Effect1 Hall Qut Leve 15 Thi of amine, Higheraluswillinenssthevulane ofthe tun, Wn atte. send parte ass the vdumc of te eft sud, This the exit ofthe et Ret Le ‘soup ‘@ Reverb Time : Rv Time (0-5) (Available only for Reverb) Effecti = Hall Rue Time 13 Thisiheweetberation des tn, Hier lus sl ke the reve eration ne gest larger spaces (@ Pre Low Pass Filter: Pre LPF (0- 15) Effect. Hall Pen UREiac 15, Thisithelon-pasites forcast the higher request lie! sand fe into Ff. You amcor tal agency elope ang he vals arte Pr tPF, her wales wi howe he ctl Feuer. craig ar sun | Avaliabie parameters citer depending on which Etfect Type (Reverb or Delay) is selected. + IHINDIVIDUAL 1 or OFF is solocted (for Send 1) in "Sound Setup" (oage 129), Elflect 1 (Reverb, Delay) cannot be used. Chapter 3 Patch Setting 62© Delay Aight TimeDelay Left Time : RightTime / Lett Time (2 - 450ms) (Availabe only for Delay) Effecti = Delay RightTime= 45Gms Effect. Delay Left Time= 450nms This sein dermis the dey ise for gah channel in 2 ep, (@ Foadback : Feedback (0-15) (Available only for Delay) Effectt Delay Feedback = 15, ‘Thispuraneerdeerninetheanoumofdca swundto be eumedionhe Bextinput. Higher wines the mer fda eps 63 Chapter 3 Patch Sotingb. Parameters for Effect 2 Ps 2c Cho ange (© Output Level: Out Level (0-15) Effect2 Out Level= This parameter ad the ame ete ain. Tissue othe He Rerum eve Aamiver Higher slush loth feta, When sew metet sais @ Rate : Rate (0-31) Effect? Rate Chorus: 31 ‘Thisparameter ads the Chis Hage ‘© Depth : Depth (0- 15) Effect? Berth horus on st pee Hight vals internet spl “This paraesthesia pth, High Salas ners mala dep (@ Feedback : Feedback (0 - 18) (Avaliable only for the Flanger) Effect? “This parame ses the ams =Flange 15. Feedback of Hanger feck (© Delay Time : DelayTime (1 - 30ms) (A\ Effect2 DelasTim =F lange Bens. Higher sacra te Fi wines vailable only for the Flanger) ‘Taisparumeteraljnste dey tine ofthe et sd, Higher vals wl nea the Uline ‘omg ely ine wi anomaly bnserthe ener eaqune ete aging et, wes Sater ey tine wl ae # Available parameters differ depending on which Etlect Type (Chorus oF Flange) is selects. + INDIVIDUAL 2 or OFF 's select (lor Send 2) In “Sound Setup” (nage 129), Etfeet 2 (Chows, Flange) cannotbe used, " Insome devices, Feed back” is called "Reso- ance’ "In some deviees, "Delay Time" iscalled "Manual" Chapter 8 Patch Setting 64[7] Hi-hat Control Pedal he 1 alls yo wc svon parameters ewig DH ex Conte el, For example oan mv he Deva ih pl Ngun of sua nga FD Them Make Patch Ninbor 28) UP sen eo Ha Fate fy len soar comin Fat dhe Open al Ch Hat und Uy asning Note Numb the lly can ply the sin samen pressing he Pel Theda isco hy fr ya prssthe Peal Youcan abo wet Pal ges Sequence lM How to Set the Pedal Parameters @ Scart Ph Pano pres [EDIT ® dete wove PATCH. then pros ENTER) {© ‘tyou wish to change Paich Numbers, rotate the [DATA] dial @ deve the sieves POL. thn pros ENTER] CP2S5]HiHat PEDAL Assign = TRIG 3 Parameter Value field @® ewe thecurort he parameter nani ans the parser yo wih eva withthe [DATA] du © wets th ae fl. ten ete val withthe [DATA FD7 ‘When using an FO-7, execute Hihat Control Pedal intaizaton, P1392 65 Chapter 3 Patch SettingPedal Parameters inlet ibn © contro! Mode : CtiMode TP25]HiHat PEDAL| CtrlMode= HiHst2) | ‘he Cano Mexk-detemines ho the Hi at Coir Pel werks ora sound parame wile | How tar you depress the cet Hat Control Podal i output asa MIDI onto! {the Contol Medes eto FF, he sound wil cchesfleeby any pedal ation, MIDI Canim | Change message. Change messages wil nt be cup eer. cep 12t Hihat 1 :HiHatt # Wen Hiatt is se. BothtayerandDecay dthetsolnsiunestasignedtoone Nowe Nomberiathelnsrumnsecion! | — igcted, the Layering of ‘ane con at the same tne. Depending a ho far on depres the Heb Gato Pet. the | Sounds tand2assigned ‘olume alae of thet Tasruneras changes thus changing dy to the Note Number For example iOpen Hanged oS 1 and Closed Hat Sound 2 ofa paicuar Note | eannot be controled by Number, seletng Hit nk [will uence Heat sounds rom Open t» Che in | Velocity sexquence cross thereby cetnga elie Hat performance. For a detailed expla- Hihat 2: HIHat2 nation of Note Numbers “The ramen asigne to WO Nog Nunes the Insane Seti can beswiched by sng | assigned to Trigger the Hit Ps Signals, see page 41. Hyoudepeesthe Heft Contnd Pad litle sndhithe pal sheswandseleted wth Assi withe | For a detailed expia- Played. fyou depress the Heft ContolPedl fanerandhitthe pau the swundafihe Note Numer | nation of “Assign”, eter ‘hich s4mumbers estan the NekeNubrslectain “Asan willbe pled. Forinsanc, @Nue | 10 page 41 Nur said tote Trigg Signal selectins” Note Nurnbr 2 whe played mde, wHiHat2 may be et @ nthe Hiatt or Hiblat.2 mode, the TD-7 canbe payed simply by Tectively uted when pressing the Hina! Conve Pedal even wihout iting the Pads. Youcan | OpenHrhatandlsed feloct what sound tobe played by assigning the Note Number hat core- | Hihat are assigned o sponds to the Instrument you wish to play. =P 68 two ifloren Note Num ver. (© Generally speaking, when using FD-7, select the HiHat.1 mode for playing the TD-7's internal sound source and select the HiHat-2 mode for | «:HiHst2 may be usetul playing an extemal sound module. when youngedtwo MIDI ‘Notes, Open Hihat and Closed Hi-hat, Chapter 3 Patch Setting 66Pitch : Pitch ‘he Pach of ase can be conte ha ayn pas the Hat Contd Ph PLTCH#-vaishlermg ofthe pitchiswide The fanber ya depresthe pea he igi the ch wall even PITCHEN vara inge ofthe pach isaan The fier you depress pel. th higher hepa willbe PITCH=W vari ng he pts wide, The aera eps pel, he we the PITCH-N.arileraneet he pitchisnaro, The fase ya dopreste px the lower the ich willaxne Decay : Decay ‘The Day Tae an omni f aryon press the hat Con Pal DECAY +H Vriahe range forthe Daca Tone kde, The far yu apres the psa. the lene the Desay Tine hc, DECAY Varah ange forthe Decay Tie scar. Th lenge the Decay Time bec, rer you depress pel. the DECAY =U varie range for he Decay Tine is we, The farther you depres the pede sie Decay Tie Dees DECAY MN Variable ange forthe Decay Time sma, The faery pes the ped the Sher the Decay Time beens NUANCE :Nuance ‘The mance nf sural an conse hy Conta Ps ‘The ar you depress the pe the higher the Nuance fe anes OFF OFF The sou wll nthe afte hy depressing the Hehat Cont Peal and MK Caml Change messages wll ot he tp "Refer to Prich on page 6, "eles to Decay on page 83, * RefertoNuanceonpage a, '# You ean control the Nu- ‘ance value only forthe ‘sounds marked with *0" atthe Nuance sectionin “Wavetorn List” (e P. 144) 67 Chapter 3 Patch Seting(@ Assign : Assign (TRIG! - 9/ALL) CP25]HiHat PEDAL Assign = TRIG 3 The and ol he Trg gna etd evan conte y the Ht Ca eal ake HiHat Zee Pon a rigger snail iy T and Wht va Tig ols canbe candid Snuanaosy. For example it TRIG 3 inset T3and Sar bath un tnt. To conte all the Tage Signa ee ILL, ‘@ Pedal Curve : PdiCurve (1-4) CP25]HiHat PEDAL PdlCurve= 4 MD Conta Change messages will evap in espe ta hw a ye pes the Hit Ce pra, Ya ca ek ome of four Pail Cas ht dei the Cond Cane vale wl change CconuoCharge Vale Deptt dressing te pos! (@ Note Number: Note # (95 - S9/0FF} CP25]HiHat PEDAL Hote # 44: GH: Yow can play a Ivrunent sty dpe the Hist Cont Rab. Sekt the Nate Suber which he tne you wish o pay sasigned. When tise OF ny sounds ea ‘Chapter 3 Patch Setting 68(© Gate Time : GateTime (0.1 - 4.0 sec) P25]HiHat PEDAL GateTim 4.03 Ths parame sth Gite Tine of te Hit Conte Pala This segue ro ang, the bey cna exes hel nn tn Nate ON Nae OFF. © Volocity Sense Curve : VelCurve (NORMAL 1/2/3/4/FIX32/64/96/127) CP2S5]HiHat PEDAL Mel Cur Fixi2? bite messenger ety pressing Heat Cnt Ped Heseyiacanselec noth ales ange accotigohowhardsou depress pal, Theale changes athe ss othe Tig rameters Pa ‘@ Sequence Pattern Number : SeqPtn # (1-48/0FF) EP25]HiHst PEDAL SeaFtn # 43 Yow cam gut t Soqueace Pate hy cpresing the Hat Corl Peal. Here yo cam select the Syne Pater Number tobe payed, 124 ane User Pate and 258 ae Preset Paes, When the parameters set to FF, no pater dai pave 69 Chapter 3 Patch Setting[8] Program Change Numbers Changing Paces on te 1 wil a MD Progen Changs mosses to snycommec MDL | OFEA=128 are valid ese: Reig gam hinge mss the Tl cag: Pad Program Change Nur However, when OFF is selected, no messiges will be sent or received. You can assiga & Pragrann bers. cong Numerex Pat @ Select she Patch Play screen. then press [EDIT]. @® Shwe he cove ws PTCH, the prss ENTER], (618 you wish to change Patch Numbers, rotate the [DATA] dah @ Nine the cunweroFGH. then pew ENTER] CF25] PGM CHANGE PGM Nuriber 128 @ Mowe the curse tothe wick den tte vn wath the [DATA] al You cam set Param Nur by speiying aur ram 1-128 ry asin the ep, hank. an 18N) tha. When a kes iconete tthe TD the GN tea il he ene aber ras ‘When ja sete GBN thd speci he group. hanks then ae, Foresampe fyouspecy “ASS, Program Change 3 willbe waste < Group a> Number Number Era ee En teases Tes we a es we 7077 [rea see alam em) [ale one BM alae ons nee| slalyww aa za x fafeo o0 01 se soo 25 95/ § la les a a7 om mor Slap on an too or or wore] 5/55 Sy a5 on a7 9 30 0 shes 0s torswe ve noi] |s|s1 a ee a eat fies aa tas oe ios te wriaa] [olor ot os woo ot © MwetheeusieoPGM Hunber ® Seles che method, Program Number or GBY, with the [DATA cl CP25] PGM CHANGE PGM GEN =B-8-9 Number Group Bank ® Movethe cursor thee ek thn eth vies tthe [DATA] di Chapter 3 Patch Setting 702. Patch Copy The Hallas yo tocepy Pate alent kastion ah nes). The Path Cae anon aye leave use whe yor wan rst 0 Cor nevis Fase nd. «Factory Preset Patches F1-F32 have been Forder ype copying aaah copied to User Palchos 132 atthe factory @ Patch Copy : COPY .... Thiscopesthe emi Patch nadllerent Patch number tion, t Source Patch Number Destination Patch Number (@ Patch Exchange : EXCHANGE ....Thsexhngste cotentsofome Fach with thatof ance PATCH HENGE PohSl ¢-3 Pch25? Patch o be exchanged. (© Patch Trigger Copy : TRIG COPY .... This copes Tiga Parameter data (P43) in Patch oa diferent, ATCH TRIG COPY FSi -> iF (@ Patch Pedal Copy : PDL COPY .... Thiscopies Pe Pasmeer data (661 ina Pach odie Patch PATCH PDL COPY S=F31-> D=25? n Chapter 3 Patch Setting™ Patch Copy Procedure @D seer he Ph ay sen. then pos [EDIT] ® sere the cose FCP Y. hen pres ENTER] COPY Type Patch Number Select Factory Preset or User Patches @ skrethecurortacopy Typeusing Ct] an (F] then eke OP's EXCHANGE, | + Whenyounavesslected TRIG COPY. or PDL COPY wing he [DATA] dl COPY, TRIE COPY. or POL COPY, youcan @ eset canoe then sla F cai Pee Pace el er Paes select a Factory Preset Patch F1-F32}oraUser © Neveinecuovrwihesouce Pach Numbered scehetauhnusberwithlle[DATADIaL | Pateh (U1-U32) as the source Patch. Only @ Ay wish torso Cer Pah dua wo Fast Pests sek FPA 1 wingthe(DATAIUlsl. | User Patch can be uses a8 a destination © sovethesurtothe Desinson Pach Nunber fe anlseketihedestnton Fach wots. |g Wrenyounaveselectes ih dhe [DATA al Coreen Oe Patches (1-32) can be © WwsIENTER} assigned toPch Thesoven willespond winFlr= SOU Sur lyouselecIFFRI step @® Pres [ENTER] w cp ‘.thedestination Patcn ‘Toamedt Pach Copy res (EXIT. Number is selected Ur@lL. (You cannot select the destination Patch Number) ‘Chapter 3 Patch Setting R3. Global Performance Parameters he ftlsng des the oa Pefommane Papas nh Hee Penman Sins For a detailed expla ‘nation of sound settings Inthe Petormance Sec- lM How to Set the Global Performance Parameters tons, refer to page 56. @ Seb the sch Pa een then pss [EDIT] ® sowethe sera BPFH, sn pos ENTER] Performance Section Number PEM Se: Low Note (eee @® Smet etn seks he Romance Seton Ne whe 0 ws Hoste (bt Prams sng DATA a @® deve theese tthe praee mane eld tem sek the parame om wish ee ® dowerecsor the rater fll. he ste ae wth ihe DATA 3 Chapter 3 Patch SettingGa Performance Parameter inva (@ Key Range Low Note / High Nate : Low Note / Hi Note (35(8 1) -93(A 6)) PFM Secti Low Note= Note Number PEM Section = 1) Hi StA 6 | f Note Name Note Number ‘Thispuramncterdetenninethe range Nee Numer cach efoamanee Setioncaneceie Any ‘Note message einen Key Rage Ln he loves note and Key Range Hie highest ne) canbe reseed, Far example. syst the cece hnnet ofthe PefomanceSextionsto the sme umber and divide the sound an of each section with the Rey Range 9 cn pha deen Inserting td dead oon ao = vi sen (© Control Change Mode : Ctrl Mode (OFF/Decay/Pitch/Nuance) PFM Section = 1 CtrlMode= OFF Select the parameter (Decay Ph Nuance to he coma y MIDE Col Change messes The ‘onan Change Numb on tht ectason isthe ner set withthe “Cond Changin the Stem Parameters (8°P 121) yu do ae wis to cont any parameter, eit OFF @ Level : Level (0-15) PFM Section Level 15) ‘Thispramte sth vem of ach Perfarmance Section. Hier values wl acest volume ‘When set 4000 snd wl be ead (Chapter 3 Patch Setting 74 HW Key Range Low and Key Range Hi are set to the same Note Number, only that Note Number wil be received. Then it wil be sound, You cannot set Key Range Low to @ higher value than Key Range Hi, or vce versa W you sot the MIDI channel of the Trigger ‘Section andthe Perform ance Seciontothe same ‘umber, you can contrat the parameter you have selected here with the Hishat Control Pedal Control Change Mes- ‘sages can be used only 1 type in TD-7. It is selected in “System’ (page 121),Key Follow Parameters Go Poem artery ellos Paar ey Follow PrameencanbetnedtochangethesiuneParameestPick Decay Nuance Pan spo rea fonts Rfennce tema. Forexampl, can dens he Det Time srt 9 yom pha aera omelet Reece net. dy vest th ey all Decay ey Fall Parmer ca he et foreach Perna Sen. (© Koy Follow Reference Note Number : KIw Note (35 :B 1-93: A8) Thispuranter deine the has or Reference? Nite Nuk, Ulli se 0 Note Number PEM Section = 1 KPuMobe = BBC 4 Note Name Note Number (© Key Follow Pitch : Kiw Pitch (-990 - +990) “hispametr she pitch foreach Nok Numberinonecen steps. When set0 +100, jou PY | we AACeRt'isaunitofpitch. see npn Dreamtime PEM Section = 1 : KfuPitch= -998 | @ Key Follow Decay : Ktw Decay (-7 - +7) ‘he 12+one tuning eye- ee eee remuseativeughouthe PEN Section = 1 ‘Westem wor Kfubecay= -? (© Key Follow Nuance : Kiw Nuance (-2- +2) PFM Section = 1 Kfwhuanc= 2 (© Key Foliow Pan : Klw Pan (-2- +2) PEM Section = 1 Kfu Pan -2 5 Chapter 3 Patch SettingAbout Key Follow Parameters “The vale st for ech Key Flow parameter sas to tsa i desouee ale nthe Note Sumberinccsestr dese ete Reon Nate Number thaeset The ight ey al vale the moet fe change trv et tthe ele Nite alusilbdbl bi iba hib hth be Value Key Fotow) Parameters ‘ates ~_* Yate ey Fol decroas0 Fetoronce Note Number ‘whem Key Fillo Parameter sel a pve (+a thesource val wlinrase the ‘ete Numbers nee. Hameser, hen is se. pega vale the sure ale will deers asthe Note Numbers increase, For example, when ss 10-+1.78, dhe ve ofthe Porat ines yl whenthe Ntenunberinceaseshy Whenitissetto=2. thle decreases y 2 when the Nee Numbeinereases by oe yandhont sh cte ony ngs ina source parame, se tisparameter oF ‘Chapter 3 Patch Sating 76foiacis Editing Instrument Sounds ‘Linstrument Parameters 78 2ulnstrument Copy 891. Instrument Parameters “| hese a Pah Sein (page 40 allows rt change th pie an Inrument i seine eps twa Note Number. homer id ner aii. sachs aki pushed nsoument Printer antalya the sno sn i How to Set the Instrument Parameters @ Pes (€or @ Wovetie coro INST iosng (A and I th pss ENTER) Trigger Note Number ‘Sound inthe Instrument Section Instrument Number T2eN#383S 191159 Hane SLAF at. 5% ® Sees hetnsm. Nanber mw tit sige [DATA] Move dhe cot he Tig, Ne Naber Sod, 4a al et he re Numb. (@11 the selected Instrument has only been assigned to the Performance ‘Section, the screen will respond with: Performance Section Number is shown See se SPL SSB Hame < Jazz.B> (©: the selected Instrument has not been assigned to either the Instrument or Performance Section, the scraen will respond with: vegee sede oidid Name ® Mowe the carer ta he paramere fell hn see Panne ing she [DATA al Instrument Number T23N#384514i1138 Pitch +28 Parameter Name Parameter Value © Mowe the corse whe purer vale fel hens the sake wing te [DATA] il (Chapter 4 Eating instrument Sounds 78 + Depending onthe paton selected, what appears in the screen wil be ilfrent. The elt screen wilbe shown, when you select the Patch 25 (Standard kt)How to view the Instrument Parameter Screen ‘© When theblavef orm parameterhas been selected, move the cursor tothe Number and Extension, then change the value with the [DATA] dial | T23H#3845141138 Waveform = 25.5 * Extension Number © you move the cursor to the Note Number and press [ENTER], the Note Number indication will change to Note Name. Pressing [ENTER] will altemately salact Note Number and Note Name. Note Number [T2SHESS3S15i [Name ‘© H1an Instrumentis usedin more than one place (Trigger/Note NumberiSound ‘V/Sound 2 or Performance Section) a(*) mark will appear tothe right of the Instrument Number, ‘A mark is shown TSN#4895141 2654 Name 7° Chapter 4 Editing instrument Sounds1, jo cam mito wha Ps or Note Nombre srament i ssgned Monetheurortthelnsran Number 512 thea pes[ENTER],Pesing(ENTER] wll selec ie olin plas sequence: RLSN#354524i5124 Pate eee ENTER] T1SN#S69529i15 12" Hame eae renter] | = SNHS7 952215126 Name < OFF.E> | [ENTER] | T23N#389523151 Name < Off. ENTER] RSSNHS99S29 15124 Hane <_OFF.E> ‘© Htyou hit pad while the Instrument Parameter setting screen is displayed, it will change tothe screen ofthe pad you hit. For example, even the Trigger Signal "TS" screen Is currently displayed, hitting the “T2" pad will select the “T2" screen. Similarly, the MIDI Note message of a certain Note Numbers received, the corresponding Note Number screen will be displayed. TS3N#489519 12654 Hane T29N#38951311 38+ Hane ‘whenthecusorispostineyoucanmoneto the Tres Parmeter Pel Parameters. ‘witht casorat poston @, yon monet rune San Perfomance Son sen. @® Wren the casos pont pres [ENTER], T24H#384514i1138 JUMP to TRIG When the coor psnel at @®, ps ENTER] T2sH#3835191138 JUMP to SOUND @® Pes [ENTER] sain io juno. Tcoce ne Jump ne: press [EXIT] at Chapter 4 Editing Instument Sounds‘The flloingporaneters can be et fox ech ofthe TDs 512 Insoment sounds @ Instrument Name : Name T22N#S89S191138 Name LAF 3 Eich instrament can be named ing upto charters Sleers and une extension. exis pt 2 (alksop betwen Sletersand he extension, Theestenson va carats tht epresentsthe Cateye estrument (© Waveform : Waveform T2sN#SSeS121138_ Waveform = 25.5 Selethe waveform thatthe Insrumentismade from. There are 256 diferent wavefoms. P14 B1.K - G1.5 - @1.T - B1.H - @1.c - @1.P - G1i.M - @1.E - @1.B - (Chapter 4 Eating instrument Sounds 43.K S5a.S 36.7 @8.H 68.0 52.P 11.4 S4.E 65.6 Wavefoas for kick Drums ‘Wavefgs for Sure Deum ‘Wovens or TomTom ‘Waveloms or ht Cymbals ‘Waveforms for ide Crash Cymbals Wavefons for Percussion sound ‘Waveforms for Males struments. ‘Wovelos for flet Sounds Wavefos oe Has Guitars.‘© Pitch : Pitch (-4800 ~ +4800 cents; in 10 cont steps) T24N#3825141138 Pitch +28 Thisparameteradjaststhe pichof the Irsrment The aluecanbe changed in cent steps Higher | # For some Instruments, sales sth pie, (@ Decay : Decay (-31 - +31) T23N#289514i1 Decay “Thisparimete ads the Decay Tio he astument Higher vhs intease the Decay Tine @ Panning : Pan (L7 - C - R7/RND) T23H#3535191138. Pan = R? ‘This parameter sets the panning stereo positioning he Fsruent 15 poston are availabe ‘When set 10 RND, stereo postoning wl change every sounds et spear the pitch cannot be changed beyond a certain pont. (Chapter 4 Eating Instrument Sounds‘@ Nuance : Nuance (-? - +7) T23H#3845191138 Nuance: = +7 For Insruments Nance marked with “One “Waveform Ls (page 1), the sound wil be subly altered by the Nuance seting ‘With rare sounds dic harmonic content willbe emphasized by oer Nuance ales snubting the sounds create by ska cum nerthe ia). When the Nuance parameter ise toa higher ‘ae the und il silt hat com ing srac inthe enter fue ead wih cymbal ype sounds wer Nance ales wil smolae the sounds create by sing yma rarthe edge (a. while higher alas wilsinulte the oundsof a cybaleing ruck nearthe center : * fo > = Soi Ta ‘With malt type sounds, lower Nuance vals will simulate the sounds cee! by plying tle | + "Male arespeciastcks Insrument with hard ued ruber) malls, whieigher ales il simulate he sourdsertesd | used for playing vibra by playin the nsrument with sf (wool Fe alt ‘phones, marimbas, ec (Chapter 4 Eating Instrument Sounds a4ilkance : Biliance (0 - 15) T2eN#3945141135 Brillisnes i5, “Thisporameter emphasis the amon conn osu. When sto higher ae the higher Iraqis wil he emphsin, hen 1 104 they ane me mpi tal @ Attack Damp : AtlackDamp (0 - 15) T2SN#3835191138 Att. Dam 15, “Ths prameer changes the atk othe sound, Higher aes en he tack, Level decrease ‘Attack Damp Value increase ‘@ Dynamic Pitch Bend : DynaPtBend (-7 - +7) T29N#3895141138, CunaPtBerc ae ‘Thisparaneter dctermines the arnt of pc change pitch end rane) caused ying the pads ‘The pie nceases when Dyna Pic Bens postive ale, ut decreases When the valve isn. Higher tales wil casemone dastiepich change. When seo sheptchdoesmtchange al, 85 Chapter 4 Editing Instrument Sounds@ Dynamic Pitch Bend Time : Bend Time (0 - 31) T2eN#3895191158 Bend Tine 31 Bed Tint dtm the Danis Ph. Highrise BT @ Polyphony : (Poly / Mono} T29N#3835141139 (Polyehorns Poly ‘This selects ithe Poly or Mono mee for paving ne sumer Poly Inthe poly mde, he sounds fone Insrument ovsap wih one anther Fo example i yu play ‘ide cymbal sound, which as fong deay,the decay fv stokes orecap wth one ane, coeting reali eect Volume Time ‘Sounds are mixed ‘MONO Inthe mono mod, the sound ofan Instrument is cul whenever anather sounds paye Volume Time Sounds are not mixed CChaptor 4 Eiting Instrument Sounds 86(@ Assign Group : Asign@roup (Exe! - S1/FF) $19i139 31 ‘The Ines ange the sane Asn Gro canna play athe seine, Forexaple, when T2sH#S Asi gnGrour: do ae playing an aco am st he open Hit and ced Hat sous cane Oca simluneasy, Thais, you can assign ntrumens tht dome aly und lotto the same Asian Grp, Inaruments that Sil ease tothe same Assign Group ae Sh White an Long While, Sint GuirwandLng Gui Mt Cuca ands, Mute rangle and Open Tangle MuteSurdo and Open Suk, Mate Panes nd Open Pano, te yo wi o play an rstrumen atthe sete wh the thers, sete Asin Group to OFF Exct Exct Exc2 Volume Time ‘Sounds are not mixed Sounds are mixed a (Chapter 4 Edting Instrument Sounds{© Output Level : Out Level (0-15) T23N#3545141138 Out Level= 15 ‘Thisparametesetsthe vole ofan ase oputthagh the Sterso Outs Higheraencesse the volume. At no scnd is orp © Send 1 Love! : SendiLevel (0 - 15) # Signals to be sent to Send 1 should be se T23H#3895131138 ected from: SendiLeve 15 ® Input to Effect 1 2 Output trom Indi- ‘Thispatumeter sets the kel oan instrument gel sent to Bec and individ Opt. igh vidual Output 1 ‘ales increase the sgl evel At, sila : Ethercan be selectedin Sound Setup. «» P. 129, ‘@Send 2 Level : Send2Level (0- 15) Signals to be sent 10 Send 2 should be se: lected from ‘Thisparumeter sas the kel fan Instroment signal sent o Bet 2and Individual Quit 2 Higher | 6 Input to EMfect 2 ‘sles increase te signal evel A¢ 0, no signal ouput @ Output trom Indi- vidual 2 Ethercanbe selectedin ‘Sound Setup. ++ P, 129, CChapter 4 Eating instrument Sounds 282. Instrument Copy Te tngroment Cap nation aon yo cy teas Parameter stings an saat 0 iret sunt Wy ish ve a snes ft ta dhe ong dat. you eo is Lupita diferent place Fein ein There anes apo py a nse © Copy : COPY... Thsfonioncopicl hed ef anInsnamentiosnederlnsrumest Nu be INSTRUMENT COPY F511 ~+ D=512?| ‘The destination Instrument Number The source Instrument Number (@ Exchange : EXCHANGE... Thsfintion exchanges dats foe ngruent th hat of aneher Insure IS EXCHANGE | InsSii¢-+InsS12? Instrument Numbers to be exchanged 89 CChapter4 Eating Instrument SoundslM Instrument Copy Procedure @ Seest see May see. the pes EDIT]. PATCHI INST P-CPYILI-CPVEGPFM ® ‘ove he easortm T-CPY. then pas [ENTER] Select COPY or EXCHANGE INSTRUMENT COPY | S=FS11 -9 D=S127 7 ronment ater ‘Select Preset or User Instruments, ++ When youhave selected @ Mowe the carsorto “COPY or EXCHANGE" shen selec eer wih the [OATA] COPY, you can select & Factory Preset Instr @ Move te casos, then sete F (Factory Preset iramerts or seins) iment F1-F512) or User Instuments (U1-US12) © Movie curcr wth souce nunber fel theses the source Insrument Nun whihe | —_asthesourcensvument [DATA] cs. Only @ Usor instrument you witho resol User nsrument dato Factry Prost eit PALL usngihe(DATA] | can be used as a a destination © Move ie csr the desinaton unre tense the desnation ment Nunier | # When youhave solected ithe DATA] da EXCHRWDE, ony User Instruments can be @ Pres ENTER} assigned Ins Thessen responds wihAiPe you sure 7 ‘i you soact FFA in © res ENTER} cony step , the destination Toca oping, pess{EXIT Instt-ment Number is selected: Url. (You cannot slat the dest ration Instrument Num ben, Chapter 4 Eelting Instrument Sounds 20ore Phrase Sequencer 1.How to Record Sequence Data 92 2.Phrase Sequencer 95 Tempo, Metronome, Available Memory and Synchonized Playback 1031. How to Record Sequence Data The 1-7 mas Ln Reon Real, Tha yp new daa ale tw yur sequen which player and over yan, owl iad i very yt Lefora, psi the Sequence Pater Numeral uber omens te erate, » Specifying the Sequence Pattern Number and the number of | measures: | @ setae Pach ay deter pes SEQUENCER] «atch Pay Seroen site pigs lence mon oP? [¢SEQ> PTNI TEMPO SYNCTLAVATLIMETRO ® sing (4) and (91, move the cus 1oP'TH and then press [ENTER]. [PTW REC?PLAY CLEARL TYPEECOPY @ Move the cunor ww CLEAR, then press [ENTER]. ‘Sequence Pattern Number CLEAR PTNCG1] @ | 4: Pease note that poss ic All= OK ?] ing {ENTER} in this | screen will erase the @ twingshe [DATA] i, spi the Sequence Pate Number he wove | sequence data ‘© Sequence Patiem Num- bers 25 - 48 are Proset Patterns and cannot be uses for recording, Chapler S The Phrase Sequencer 92© sneitecursewC Lear ALL themstteas ture wsinghe[OATA] ia, Move the usortieMeasine Naber changes thedstedumber ash the[ DATA dl and hen pss ENTER, LEAR PTNE23] Measure [ENTER] Are vou sure Measure Thedeplyroqundsvih IPE YOU Sune Zilyonish tener neal pss [ENTER). Pros [EXIT] came Begin recording: @ Press [ENTER] ise ern @ in the pros pede PTH REC/PLAY TVPELCOPY CLEAR! MovethecinortoREC/PLANY. tien pes [ENTER], @ ‘Sequence Pattern Number for recording Measure number Tempo Quantize [PTNGI-B1s 1202016 OBREC SPLAVERESET Return tothe first measure Start playback. Start recording ‘i any data exists in the Sequence Pater you have selected, i will be played back here you change the meas- ure number or beat previously set, ? willbe Gispayed to the right of the now value, I screen @ does not ‘appear when you press ENTER} folow steps ‘and 2) in the previous procedure"m Spectying the Sequence Pattern Number andthe number of measures”. Chapter The Ptrase Sequencer© Movethecusorto LEMIFO, ten set the tempo with he [DATA] dl ® MorettecuorioQuartiZe.shen sete Quinine wihedefDATAI il, | «e"Quantizer means cor resingtiinginaccuracy © Pres {1} SYSTEM! 1 sete the el say mode in pedormance RECC@i-81] J=128 64 BERASEBSTOP “The LED ofthe SEQUENCER] huton fshesat he curenttempo, Pay the pads (ora keyboard inte wih the Rushing ED othe unis mmnome. What yu pay wl be recorded in resin. During Loop escorting the measures in your sequence oe Lop wl pa overand exer again.For | To change tempo or example, ifyou ae recnding 3 twoir sence those we bus wil be ply repeatedly. Dung | quantize values. during recorting, what you pay is immediatly as 1 what you payed peeviouly. this wy, yo an fording, move the ll up your sequence ult complet: cursor to the relevant parameter then change © When yu finish ress (3) (EDIT co sop recording the value using the [DATA] dal. However, "To playback the sequence da, press [2] SEQUENCER, when the Syne Mode (P. 105) is set to ‘You canals play hack the sequence data by playing the pad, The panwtersforthisfuncionre | HID, you cannot shown on page 44 change tempovalues. In this mode, the splay wil ‘When the T-7 ceive MIDI Nate On mesg rom an external die tsar pyng ack he | show/=niandthe TO- sequence dita, The Note On messige sent the MDI channel set inthe Tagger ThagerTansmit | 7 starts recording only (Chane P15 wien it receives MIDI timing clocks from an ‘You cans playing sequence pate by pressing the Hit Cnt Pel (FD-7ption). Howto | external MIDI device. set the sequence Pater o he pyeis explained page 6. Chapter § The Phrase Sequencer 942. Phrase Sequencer ‘The TDs expipp wth. sequencer hallows you to cree eign hts and bas pater The Sequencer isthe ni tht neonspad oxkeybared performance dt si playsitack, The Sexqence cam ao e gntvonigg to ate MID dei © The TD-7 contains 24 aifferent Preset Patterns and can store up to 24 User Patterns. Original Sequence Patterns are stored in User Patterns; the contents of the Preset Patterns cannot be changed. © Pattern Numbers 1 -24 are User Pattems, and Pattern Numbers 25 - 48 are Preset Patterns, The TDS four Setions can he phye. Te four sexton are die Instrument. Section, Performance Section 1, Performance Section 2 nl Performance Section 3. Eichofthe 4Sactomssassand ison MDI cone. Therefore, what cine recorded payed hack must he dtathat uses one ofthese sme ices. and itil be recorded payed hack ashelonging ‘oth Secon thats asgnedthe same channel asthe chanel he pesformance dats waveleon, This isruewheteritispertinmance data generated hy hinge pa onhtaingones MIDI omer Is isingished by the ‘The MIDI channel sot rece inthe Phrase Sequence. Sequence di (Ga) "seenon ‘© Only Note On and Control Change (of the Hi-hat Control Pedal), messages are recorded in the Phrase Sequencer. No other messages are recorded. Thatis,onlythedata set wih the"SYSTEM" parameters * P. 121}isrecorded. {© Though the MIDI channels not recorded in the Phrase Sequencer, sequence data can be distinguished by the section name. MID! messages are output toexternal devices on the MIDI channel setin the Instrument or Performance section. For example, if channel is set in Performance section 1, sequence data of Performance section 1 will be tranmitted on channel 2 4 The amount of data that can be recorded in the TD-7's sequencer is lerited.Thatis, when you have created Sequence Pattoms withalototdats, you may not have room tor 24 aiterent patterns. Chock the amount of memory remahingusing ‘Avallable Memory (+ P. 105) For a detailed expla nation about MIDI chan nelsetings,referiopage 118, 116 + The Phrase Sequencer does not record Note Of! messages (@P. 111) ‘When the sequencer Is playingbackdata,aNote Off message is output Immediately atera Note On. 95 (Chapter 5 The Phrase Sequencer[1] Recording and playback of Sequence Patterns To gor play bk Sequence Pate se PTA in the Seeger en iizeencesecuIaENnl SEQ PTHE TEMP! [SYNCH AURILEMETR! \WhenP TH issct the fllosingmie ihe dspyed This alee Pattern Creating TH REC“PLAY CLEARE TVPEECOPY To recur orplay hack sled REC PLAY inahe Pater Geting ten, Sequence Pattern Number PTNGI-G1d 121 OREC BPLAY & ESET Measure number in the Sequence Pattern Tempo Quantize souls times Start playback Start recording Presi [1] (SYSTEM ll ket the revur standy mde Pres [2] SEQUENCER) wl sta payback Preing [3] EDIT will ese othe ist mesure of da Move the cursor tothe appropri para, then change the ave withthe [ATA di ‘@ Sequence Pattem Number (1 -24) Selet the Patera Nonher tobe recorded x played @ Measure Number (1 - 18) ‘This the measure numer ina Sequence Pen. You can sect the measure number fom ‘which at eon or plasbck ‘@ Tempo (24 - 260 bpm) ‘This st the tempo ofthe sagen Chapter § The Phrase Sequencer 96 « Sequencer Screen oP + For recording, Preset Pattern (25-48) cannot be used.@Quantize (118, 1/12, 1116, 1124, 1/92, 1/48, 1/64, HIGH(1/96)) Me quanirchistancureretininginussacesthal ordain, Fonte. mse ico 116. alle sie ntesin your sequence wil al prc on the seudh notes inca messne Nitsa dation wilillonthsr respecte dsisons au] Nom this set shold eet he sls ve vale in your sen. ‘When sel HSH. ro gusnization xl heap what yu ply: Example:1/16 resolution Quantize et sixteenth rote resolution Note date after y y y ) To edit the recorded data HY you ash yo cam cra yur work ad renee the sequence. iwc ako erase ini Instruments Note Numbers instead of escort enie sequence REC (@1-@114=126 G=16 BERASEBSTOP In sbwe eon screen. pressing 2] (SEQUENCER) wi cause ERASE ro Mash, sou pay pad fra men the heya while ERASE is ashing, the sequence dita of the Insane signed ote eleva Pad ex NateNuben wil be eae Wyo pres [2] (SEQUENCER) agin wile ERASE is Mashing. de sequencer il run 1 the seco ute 97 Chapter § The Phrase Sequencer[2] Setting Beat and Number of Measure and Erasing Sequence Data @ nie seguncersren, move the cusortoP'TH and ihen pes [ENTER ¥: Sequencer Sereen “This ees the Pate Crating eee oP.94 PTH REC“PLAY [CLEARI TYPELCOPY | @ Mowe the cursor w CLEAR, then press [ENTER]. ‘Sequence Pattern Number to be edited | Whether sequence data exists or not ‘iF data oxists in the ee ‘Sequence Pattern Num- CLEAR PTNC23] @ ber, is displayed. ito Clear All= OK _? data exists, © is dis- t played. Name ofthe function to be used @ Movethecrsorusng [and [>]. then tthe Sequence Patten Name tobe ed td the funtion we wed ‘The following functions re ava [Clear ALL | trsesthe cate Sequence Pater Measure | sesihe mum of measures in the Saquence Pate 1-1) Beat Sa the beat of he Sequence Pate (213474. 544008, 74) CChaptor 5 The Phrase Sequencer 98To erase Sequence Data @ sksLear ALL usnedbe[DATA] ihn pes [ENTER] TieunenropombuihAire You sure? ‘The sete Sequence Pte payee that you can her itone more ime © Press [ENTER] jin erase de Sexaance Pate, To eave this mode, pos [EXIT] Af data exis nthe Syvnce Pater you have sete the following sree ill appa When no sequence data exists, CLEAR PTHI23] 0 | Clear All OK ? When the sequen das esd the mse aural het set inthe filling ton wile ‘he mew values, (Te fey fal seting fe Measure number °° and the default for Beat is“ a To set Measure Number and Beat @ sdeateasure u Best. wing ihe [DATA] dal CLEAR PTN(23] Measure = 2 CLEAR PTNC23) Beat = 4. ® = ® Nowethe curve usng (¢) and [Hl she etthe valve wih he [DATA] dil ‘When he prepmigramaed msasie number ore vale eed? will appear tthe ght of the CLEAR PTHC23] @ Measure = 167 © Pres [ENTER]. The wren topondewihAPe You sure? gene eene number of measures or the best, the extra data {is erased. Ht you have ‘made themlongeralthe ‘The sete Sequence Pater ply sofa yo cana it one ore ie, ® PresfENTERJ.n emer ihe vale. To cance he procedure, pres [EXIT] previous data will be retained. 99 Chapter 5: The Phrase Sequencer[3] Selecting a Performance Type The Sogn contains sere life Pema Typ 4 Al Sequence Patterns are created with the Set the eel of Sg Patera tril pn mow ard ply the pa. Loop" recording meth Set sequen aterm willy the acukalerl ogress ofthese yw pay the gal, | 0d, the Playback made, however, data is Lie A bap B.... itings pall pyhack. Te pate wl pay peated untyohit | played with the salectes the pa asi, Performance Type. Son garter telqunsta iran tamseapagene | Seesney ranean trigger the pattem fom the beginning jel eee ol tebe simuttaneousl Paying fant bgining, The ier ilemgee sen the Tap aur ishigher!2- (© You can control a Sequencer Pattern by playing a note on an external MIDI keyboard (in the same way as hitting a pad). To do so, play the key (Note Number) assigned to the pad (1 P. 42) How to set the Sequencer Performance Type | Inthe Soqueccrseen, mene the caer oP TH and he press (ENTER, + Sequencer Screen ‘The Palen Creting Seems see. P34 PTN_REC/PLAY] [CLEARY TVPELCOPY @® divethe unc to TYPE, shen pes [ENTER ‘Sequence Pattem Number to be played PATTERNE 231 Ptn Tyre =Loor A Performance Type @ Howe the cursor using [sf] nd (then eet the Sequene Panern Nuner he payed ing the [DATA ® Hovetnecusor using []and hens PedomanceTopetsngthe[DATA} | (Chapter S The Phrase Sequencer 100[4] Copying Sequence Pattern You cam copy a aes Pa 9 llvet Suara Pern Numb, ya wis 9 the Pear athe Fasngticongial scopy itt dierent Sequence Pater number ie ing 1. Thecups intone ts ph of datain sete sepsto maketrnspston Yow can use neo ping metas: (© COPY... Tisneshalcopissequeae da while changing pit hathesnetine sn Ivan be fete ase for changing de hey of mac sequenced Chass sears oretample, 2k ram 1240612 awash A seingot #2nies the piteh by Louse, 10th ite dt unchanged PTH TRANS COPY Ss14 £0 4 D=237 Destination Sequence Pattern Number ‘The amount of pitch shit ‘Source Sequence Pattern Number (@ EXCHANGE .... Thsmathed ewitnges data one Sequence Pate wi a of athe, PATTERN EXCHANGE PTHIS ¢-+ PTH23? t ‘Sequence Pattern Numbers to be exchanged 101 (Chapter § The Phrase SequencerProcedure for copying Sequence Pattern @D owe he esse t'TH, then pres [ENTER] "Sequencer Seroon The Pater retin Seren is see PM REC/PLAY| TYPELCOPY | @ swe thecarwew COPY, thn pres [ENTER] COPY or EXCHANGE PTH TRANS COPY S=14 +4 + D=237 \ @ Novethecwsue COPY, there COPY ow EXCHANGE wing [DATA] ul. | + WhenCOPy is selected, Sequence Pattems 1 @ wethecnsrwsng (]and [eT .tenscthePatemNunberandPchwsgthe(DATA] | 48 are available as al source pattern, while ony User Patterns 1-24 © rw ENTER] aro available a8 TresieenrepnswihFire YOU sure ? destination patos {© The Sequence Pattern that i ashing in the screen is played back When EXCHANGE ie selected, only User © Pes{ENTER| py Patterns 1 - 24 are Press [EXIT] once avalabe as both source anddestinationpatters, Chapter 5 The Phrase Sequencer 1023. Tempo, Metronome, Available Memory and Synchronized Playback [1] Tempo Setting @ inthe seqvencer screen. move she cunor to TEMPO and den pros [ENTER]. Th sn changes othe Patera Great en, (SEaL @ Sten ing the DATA] [2] Setting the Metronome ‘This how the metronome sould sound during recog playhack. @ tnthesequencer aren. move the cure wHETRO and then press ENTER], Parameter Value Parameter Name ® Sects pranterby tating he [OATAY @ Nowe the cursor asing (4 and DD the set ihe value withthe [DATA dil 103 "Tempo" is the speed at which performance data 's played. The value shown in the screen represents the number cof quarter notes played in one minute + Sequencer Screen Pas + When the Syne Mode is settolIIDT,youcannot ‘change tempovalues.n this made, he aisplay wil showJ=nid. +The TD-7 can play 14 notes at once — in- ‘luding the metronome sound, Chapter 5 The Phrase Sequenceretronome parameters te @ interval (1/4, 1/8, 1/12) ‘Thisprameter ethene a orthemstmname: Whenthe FYPFis cst ec any MIDI messes ute ensng messes trier MIDI messages! within unm FTD-7 ile that the MDT cle islstl cage. The wn wi et of all ‘ox and ike exatlythe smi aston ay when reeing Reet All Contr mess. Active | 4: When the TD-7 receives Sern mess will longer he moniens The TD canal tanamt Atiesensngmasins. | a Reset All Contotors message, it will reset © Exclusive Messages ‘some ofthe parameters fsclisiemessarewniguetospuricirmva andmanufatureCeg Pacha Foradil! | 1 the power ON values, 129. pitch bend, atter- touch, ete. Foradetaiod ‘About MIDI implementation Chart explanation about the ‘explanation see MIDI epeenttion Mibtusmadeipasihiekranidewunayoldeicestoedungeintamuton huisnaahwas | | Reset All Controtiers tn arallypeso MIDI messages canbe exchange heweenal ype deviees Forename, message, seepage 159, if wea smear 8 maser diet ono dt piano, he phe he lever wheel tt ees pth fhe smth wile vile iSound fhe pian ‘pont sing Bex in mad een using MID i at he slave device mse ae wo ‘undrstan what he maser yng Ine wor she MIDI meses mes he conan 9 Foth master ase Tol yom qc determine what pes MID messages canbe ethane beta ster al Save, the Operation Mal ofeach MIDI desi nckkesa MIDI kplementaton char 14 rokingatthisch. yea can quickly see whatassgeste device isleoteansnitand ravens, The kf side ofthe chat Bits the names of 3 sey of MIDE messy, a he “ramsnissinn a Repo cols nse “oa “Sma ta nde whe o¢ ae cach of se mesg can transmit rcv, This mis haa specific MIDT mesa cs he exchanged onipifthereisanoinbththe Transmission columnehemsterandtvekeception ‘von ofthe save device MIDL plementation ca re snd ye ean fol the churn to aru tert sea nce he the dees Wl come For a dies expinton othe TS MIDI impmentation reer page 156 13 Chapter 6 System Setting[3] Setting MIDI Parameters Te falling describe fo tet th HDT paces auch strani rece channel nnd lM How to set MIDI Parameters @ sees Ph May eu then pros [SYSTEM) The yen So mer wipe MIDI | MIDI Interface | Initiaize | (SYS IMIDIPIFEINT Fswi DEMOILCDESET | ] Teese | LCD Contrast Demo Song Footswitch ®© done the curve w MID T. shen pres [ENTER] —— MIDI ] Trig Tx Ch = 16} Parameter Value Name @ See ihe prance eed wing the [DATA] Sh. ® swethe cone wsing ard (PT, henset the eal ofthe parr sing tbe [DATA] Chapter 6 System Setting 114 Patch Play Seroen ePaT‘rants inl the kings (© Trigger Transmit Channel : Trig Tx Ch (1 - 18) MIDI ace eee ecee eee ete Serta mth tse int nse Performances Hating i py the “snd ssi that sel tothe sme chanel ui ashe Trigger Tina Chanel When he chan set a eileen amber, sh item sud sure the FI lt play oe messes ae sent xt MIDE OF Po the cnn et here. Messe creasing the HE ‘oni Pel and Fees ih wi a be sen the sme canne Foren pstmanes soo may setthe Trigger tans ChanntandberomentSectin Transit snd Receive Chant explained in the Fong ecto 1. @ instrument Section Transmit and Receive Channel : Inst Tr Ch (1 - 16) MIDI Inst Tr Ch 1g Toph the TD sine sound source, seth chonel whe same number the Ter Tn on. Tp the TH asi ante MD sie st This the ne er she as ene hadi The Irn sens segue dts eect the Phase Sequence is utp through MIDI OUT on he canal he, InthoLCD represents the Transmiter + When Mic Out is set 10 OFF, no messages are transmitte. Trinthe LCD represents the Transceiver. 118 Chapter 8 System Setting‘@ Performance Section Transmit and Receive Channel : PFM1 Tr Ch / PEM2 Tr Ch / PFMS Tr Ch (OFF/t - 16) MIDI PRMt Tr Ch = 11 MIDI PFMZ Tr Ch 12 MIDI PFMS Tr Ch 13 Toplytheinteralsmndsurce by hiring ps. set thischannetehesmenumbeeasih Trgeet Transti Chan Toplay'the TD esnganeter MD desi serio tessmenumber ashe rani channd of tht device. At OFF the Pfornnce Seton ot wns ‘The Peformance section’ sequen daa reo inthe Pre aque sup daygh MIDE OUT onthe channel ether ‘@ Patch Control Transmit and Receive Channel : Ctl Tr Ch (1 - 16) MIDI Ctrl Tr Ch 18 “To change Paces se Program Change messes. When the TD-7 receives a Pram Change esuage onthe channel set ered cespuning Path willbe eect On dhecaer ad whe sochange achesomtheTD.7wsingpanel cons the comeing Pog Change message wil these the external device onthe hanna st hee {@ Device 1D : Device ID (1-32) MIDI Device ID = 17 Thisssthe Device ID for Roland Frchive messes. Eecsivemessyscan iexntornsesina 10 mater what channel curently elected along asthe Desc [ao devices ate these '# When Prg Chg Pris set {0 OFF, the TO-T does ‘not respond to Program Change messages (Patches donot change), The relationship be- tween Patch Numbers ‘and Program Change Numbers Is shown on page 70. ‘Chapter § Systom Setting 116Cee Tee [nibr \Midi I OW ‘@ Midi Out Switch : Midi Out (ONOFF) MIDI Midi Out = ON {When his params in st OF, BID messes areas. To send MIDI messages fom the TD. hesinelose10ON. (© Midi Mix Switch : Midi Mi (ON/OFF) When 1008 aeopr ef ae sxe yh MIDI we sen fem MIDI OUT. This ‘sald fi Tr, Messer the TD ne mised with he reeedmessaesanthen sent thigh MIDI OUT, When st OFF, the Sl Th fet does nt unin. | © Note Off Receive Switch : NoteOff Rx (ON / OFF) ‘When his parimeteris st OFF, Note Of messages ate not giz When Nek Of messgesate rece. the wand cute ing hye wile cut lf, Noval. th ater sould be et oF Bulk Dump data is ‘wansmitedregardiessot the Midi ut Switeh setting ‘oRecintheLCDrepresents, the Receiver, Chapter 6 Systom Setting‘© Aftertouch Transmit and Raecaive Switch : Aftertouch (ON/OFF) MIDI Aftertouch OM when this paranerisetto ON the TD sends Poko Key Presure meses we the im 1 PD pa ineldsn kasd. WhentheTD-aceives Polyphonic key Presremesps thes comer ingly ithe sake uta When eto OFF. the TD.7 doesnt sent reire Polyphonic Key Presse misses © system Exclusive Receive Switch : Sys Exc Rx (ON/OFF) MIDI Sys Exc Rx = OM ‘When hisparuneterisst0ON she TD cancecive Face Seti ON otranser Bat Damp hua froma TD oc change Pach da. WhensetwoOF- Elusive menses willed (© Program Change Transmit Switch : Prg Chg Tx (ON/OFF) Program Change Receive Switch : Prg Chg Rx (ON/OFF) MIDI Pra Cha Tx = ON +2 Txcinthe LCD represents the Tranemitr. MIDI Pra Cha R: OH + RocintheL CD represents, the Receiver. Set hah parameters to ON ta send ie Program Change mess, @ Hold Receive Switch : Hold Fx (ON/OFF) MIDI Hold Rx = OFF When set ON, Hold meses in Corl Change Conn Nar 4 whe enna. The TD: “eancoiolthe decay tine of anlnsnument by changing ale fhe Cl Change, When OF, the TD7ignes old messes Chapter 6 System Seting 118@ Pan Receive Switch : Pan Rx (ON/OFF) [MIDI Pan Rx OFF ‘When se OX. Pan mosagesin and anges Cool Number ae ecg, When set19 OFF the TD ages Pn mss © Volume Receive Switch : Volume Rx (ON/OFF) IDI Volume Rx = OFF ‘When ot DN, dhe TD recive the Nisin Volume (Cnt Number 7) in Contd Change nesses, Tha the voi te ston tha sew the sme NID nel nue en he oni ya MDH, When sw OFF, the TD nus Wome mesa. @ instrument Section Level: Inst Level (0 - 15) MIDI Inst Level 15 Thisporamcterststhe kyle tosinment Section. cnterdne be se foadstingthe volume Ful wih he Perea Sections 41, sous pat 119 Chapter § System Seting(© Local Control : Local Ctl (ON/OFF) | MIDI Local Ctrl ON (On the TD. the MIDI canna the Tiger Block and Sou Block ave et tothe sume nuriber_ | # When Midi Out and Mic ‘aes tha einer sods can play, “Local Cone (ON OFF determines | tn are OFF, no MIDI ‘shee the Tigger Block al Sound xk Box areconneteor nt When “Lil Canton | messages willbe sentor set w OFF the Soqvencr Blick snd Sn Blk ane dscunnected reovived. «= P. 117 When ON the Sound Male cacti aa te tral send sac can be pel sing the ptsor peal. When OF, no sound proce Normally, set this to ON Regal of he sein theta rnd nc i pa y sag eve MIDE. reframe information of hep sl pals see through ADL OUT 1D-7 ‘Set the Local Control to OFF in the folowing situations: To connect u MIDI device sequencer personal vp.) thal usally wv the Sl Ta wade, st he “Lal Conta OFF AMID Jee tht wy works inthe Sof Th mde wl turn he MID sages Fr the TD. Local Conta is OX. the messes generate in the Tigger ick, anos tat haven retenat ro the ema vie, wil cause pres ‘Oirer MIDI Device Chapter § System Seting 120(© Pitch Bend : Pitch Bend (OFF/1 12) MIDI Pitch Bend = OFF ‘This prumaserscshe mann amt of ph une caus by eee Pach Bend messin emit hersahx il causes gating: WhensetoOFF.the TD walignech nd mes ‘ontrol Change : Ctrl Chg (FOOTIMODU/HOLD/GNL1/GNL2) MIDI Ctrl Cha =FOOT The TD tans Control hungemessstatdecib i the Ha Contn Pedal FD) seg wet FOOT | contol Sumber st Fons Conn istansied, MODUL | convo! Number 1 Modis amie HOLD. | contol Number 61 Holds tani BNL | contol Suir 11Generl Payne Conteris tinned BNL2_ | conwol Number (General Pups Conall 2) rami, Foresample, #FIOIDT islet the TI aos Cont Change ale that indicates ar ‘he it Conta Al has een preset {ithe Th reviestbeContrChange messes staan willrespondsfve Ht Cr Pedal vworebaing ws ‘When DU iced a Heat peroonancecanbe simulates plying keyboard. Pathe key sete ote Numb sansgne doth at Cnt Pl 68nd uth Motion Whel cove keying. ca ain an eat inaro fat when using Hea mo Pe «iF or a detalles expla- ‘ation abouthow the TD- “Tresponds when the Hi hat ContelPedalis used, refer to page 65. + Contro! Change mes- sages that the TO-7 can transmit and receive are limited 10 one of those shown above 121 Chapter 6 System Setting(© Bulk Dump : Buk Dump A Bak Dap the warsering Peach oc Phe Sayuri at an exes devia MDL | The amount of Bulk OFT) Thismkes passion tint TDS daa Wa sayanir ot petsonal copes yon | Dump datas tage. Be wihorsetivoTD-7stoexaalythesimesetings sascmdosassnplhyahukdumpofiisinn | sure to check the oe tthe ee avaiable memory inthe rocelving MIDI device hn you see BULK BLUM the ssn wl espn wh: botore you proceed. it there Is insutticiont memory space in the receiving device, the transter of data cannot Data to be transferred take place. MIDI Bulk Dum =ALL? Sete SystemExcusive Receive Switch on the receiving device to ON. itis sotto OFF, the unit AigreiosingBUATK DURE, fll dhe pawl ter ep Dom ge 1 @® deve the user ws lan I, the sel oe of te daa ype tobe tans wing the (DATA da wil pot receive the Buk FLL tine 70-75 hes will he wane peaimately Kinet Dump date P18 PCH | rach asi? 9s tens approximately $2 Kbyte TNS | tnsrment dats tP.78 Véstandemad tsppeximstely Ikinte ‘SEQ | a inne Phe Sequencer tP. 92 rs tans (appoint 18 Kt ‘SVS | sysemd 5), Glad Pesiomsce Parmetes (P73 and Pach Cain (P25) transite approimately 0.5 Kote © Pros [ENTER]. ThexnenrapindswihAre you sure? @ Pres {ENTER} ThesreendiplisihemenyeHow Sending ‘When de Bulk Dump is compete tbe sexeun wll spy themes COMP Leted (© When the transiting device stuns transfering dats, che esp’ of dhe TD repo wih. | # Donothitine Padorplay Receiving SusEx. the Sequencer while the 0-7 is eoeiving data, Chapter 6 System Setting 1222. Setting the Interface Mode The TH pants ctoiceof Soperamal mes These the Sian. Tega MDH rad DE Sa Male os, Ordinary th nica he st a he Salad me How to Set the Interface Mode @D frome a Pay sere, pees [SYSTEM]. coin ha vou haere sem sre ae MIDIEIFEIME | Fswi DEMOLLCDESET Q ting (54) (1. none ihe coset» TF. then ps [ENTER] @ Wenmnshc[DATA} ln -kathnsetieesnedonel hnmaking a INTERFACE AMD Sand Mee Mee MODE= MIDI-SOUND| [ INTERFACE MODE= TRIG-MIDI “eatin ms am hats poeta in Standard Mode: STANDARD ‘Only the nit ae this mae, When gests the pas he nt sound ores Trigger SD Isfae She vl proche Ath same tine MID messi inh poate Hewes in ths. privet ive athe pas ig is and the sun they pce MIDI Sound Module Mode - HID1-SOUNO When st unhismod,sawll be prchced hen the pdanestack. Home, sd wl be rode wth nspectoal MIDI Nate On nessapesthatare neve Sine tbe TD doesnt perorm hecomversnolngae salto MIDI mesagesintismode,thereikaninceaseintbespeear sich it preset notte they have ave as MID messages. Tis mode can be connie wed shen ou wiht se the TD-7 a BD sed mae ‘Trigger MIDI Interface Mode: TRIG-HIDI since the Tica of ramon MDI messages that comes with he ge Sana hat regenerate the pad ian tynght asa device which contig signals MIs sinha csioeis alta Trigger MIDI Interface This wae shuld be selected hen you sh wo use te Uni 2 Trigger MID Ie, when compestd wih MDI sn generating suchas sampler When thstogk tbe TD'siwera seural ounces are dette, the sped at which gt Salsa cme to MID gras inenates Ayre the MID sun snerating uni can proxhxe the sua mc faster, ith vii of dey ccurig afer the instant a pa isch Hersever. the TD-"sinteral sun sues ll std At the factory default settings, the units sett use the Standard mode, «Patch Play screen ep.a7 ‘Note that while in the ‘rigger MIDI Interface Mode, theT0-7's internat ‘ound sources wil no longer generate any sound 128 Chapter 6 Systom Setting3. Using the Footswitch and Sound-on-Sound the TD iequipped with ak fr connection ofthe, This sero fckalls connection oF 190 fotowitees whe wing pelea CPCS-Lspton Use BONS FS SU fossils esi “Thefetssithsideofthecunnestion cable sw nuauta ply. The fotswicheonperedo ihe lig th the white ies Foss Tana theaters Fatsiteh 2 ens DP-2hntvitdh opin sconce thc Foxit fc Foyt when [1] How to set the Footswitch Mode @ Sebec the Patch Pay server, then press [SYSTEM] sec these serene HI) ET eSVSOMIDIET Fsul DEMOILC! @ Woe the canara FSU the pes ENTER] Foot Sw = Mode 1] #1UP #2D0IH | @ Son ofthe re aden ning the [DATA] Mode 1 Mode 1 This moe alls ty chunge Patches using the fontstee Mode 2 Male2 “This mad allwsyarto use the sniches to asin | sound nd change Patches. Son 5 Soundomsaund Made | This mode allows yo 9 ose the Soul Sound futon | | | Chapter 8 System Setting 124fe Mode 1 Foot Sw Mode 1 #iUP #2D0WN WheaModke 1 pswhew. thee onasicheare st Mie Male slorhangng adhe wdhcheouiches, Prosinghoaseich Herssesthe Patch Numb ‘si fonts 2 detrei yom depres and kl dn eer Foasihthe Pach Numbers ssillcharge contain Ine the fntsitees fant nthe sm se asthe (nd [batons th Patch Py serve Fats] espns the [>] but, whi Factsvich 2emsponds othe (=) at @ Mode 2 Foot Su Mode 2 #1UP/DOWN #2HOLD when Mode 2 isch the mi fess re eo Mee 2 Jn Neue 2 fic # changes tees and fonssitch 2 won the und Exch tie yn pres fens she Patch Numer wines, Presi foatswich Twice quickly ws dere the rumba ya press al fst 1 the Pach Numbers il increase sont you deprssandholntaich ie ynupa scurry selected cand wil bested This isc he Held fe. When Hode 1 is ‘selected, the Souns-on- ‘Sound function cannot bbe used, To use that function, select $ on, Patch Play Screens» P. v7 When Node 2 is selected, the Sound-on- ‘Soundfunetioncannotbe sed, To use that func- tion, select S on 5. + Touse the Holdtunetion, ‘et the Hold Receive Switch (P.118)100N, If Its OFF, he Hols etfect ‘cannot be obianed. ‘When Mode 2 is selected, pressing footswitch 2 wil send a Hold message (Control Number 64), 125 Chapter 6 System Setting[2] Using the Sound-on-Sound Function Sswu undsaanton satlnsgouny emi asec ing pean py ‘thuckimmedtely, Huse agp Revonah stereo soundas man is asyuake lve then, Bec Tutsi can Bw Fr ck recording an pluck ering reali pesomanees. oe psn can pay seve past nee How to use Sound-on-Sound D secs Pac Play sce then press [SYSTEM «1 Pateh Play sereen ee MIDE Trigger MIO! Interface i Initialize + eS¥SOMIDIEIFEINI Fsui DEMOILCDISET [ sdeasae retateh @ Novete carr oF, hn pos ENTER Foot Su = Mode 1 #1UP #2D00IH @ soot OF 5 wsing te [DATA Foot Sh = 5 on 5 #1SP/UP/DW #2REC Chapter 6 System Setting 126® Po bewnich 2 ane Tis vexh fr oath abimoncinentin, Thsistke | ¢ The Sound-on-Sound vind om ne {unction cannot record.a ong phrase (refer to © Movapadwostateowonting hen path phere var waren, When seu have nid | page 128). sng. prssexessitch tpn Thonn bined plae back teas ee : 4 Pressing footswitch 1 (while the phrase is rosin toi 2dingpstank wlan ngs. Yen eve Reo ® ' * i stopped) wilchange the Patch Number. Each lime youpresstoctswitch nosing tsi Hvis phe xing pha fee op lay or © Previn | aha prec ind a ie 1 the Patch Number wil increase: twice quickly will decrease the worth eins may mes WM, roving) singe paesuny cre phe Setting the Interval and Quantize vin pee Morse @ aban ll thi prone + The Sound-on-Sound ‘and Phrase Sequencer (P.92}dataare recorded {nthe common memory ® Pros [ENTER © aetbecmorrnie Trt|roa hw senshi hefOATA da Se ares, the Phrase Se Foot Su ons cuencerdataeootage, Interval= iviz the Sound-on-Sound f datacannotbe recorded 7 W ths hap-pens, check the available memory with the Available Merny funtion. 105) ‘and reduce the amount of data you want to record. Parameter © Wwetheqnwew Interval henseker Masrrti Ze wie ihe [DATA dal Foot. Su Son 5 Quantize: 1-64 ® svcinecusern heart ize wdvetnookaintsben steve with [DATA] si ter Chapter 6 System Setting‘The flloing xpi heft ed Quant + lithe intervals too long, the phrase cannot be @ interval (1/4, 1/8, 112, OFF) recorded Thisparameter ets the payback emp ot Som Sound das Yo sat ecuting dren Few then biting pad. Theineints ewen heseraweventsctenninsthc act Yon canseet 14,18 1 L2orOFF. Thetiningvalieyusekethewisstasthetia othesekste! | # When OFF is selected, ate the basic tempos not set and no quantization 174 | rqumernene d 's applied. 178 | Anciahh ne > 1/12 | Qurmerinks — | UU OFF | Noquiniztin @ Quantize [1/8, 1/12, 1/16, 1724, 182, 1/48, 1/64, HIGH (1/96)] “The quantize fonction comes ining inacuracies thar cut during recording, Forinsanc: you se inresohaion)io 1 16 althesixteenbritesinyoursequenc wlll precisely onthe teeth ote Aivisons in each measur, [tes of lng drton wil fil on ther espective divisions well Normal, this seting should reflect the smal nce value in your sequence. When set io HT GH, ‘no quasztion willbe applied what you pa. Example:t/16 resolution Faction eee eee ee Pacem, ee tele eee eee ne eres cuastem a) woe jp} LiRecorded data ‘The maximum length of data that canbe reer when using Sound-on Sour i 112 eats th che quire ote sting). That i. 28 measures in 3. oF 37 meses 34. ‘The Sound on Soundand Phrase Soquencer(P 92 data ace ecordedinthe comma memory ares tf the Phrase Sequence dita sto lage, the SoundonSound data cannethercined this pens, check the wale memory aes withthe Atala Memory funcan( P. 105d reduce te aman cof data you wat oreo, Chapter 6 System Setting 1284. The Sound Setup The TPs Insineniscan bess wom etic spats: te Ont Send Le Send 2. (18 The So I signal can ese either Het Tr vc Ow ES th Sel 2 ‘Sl ces to ther Efe 2 Tih Outpt 2. Th sting th Sea ep tries ‘hich the leo vi Oupat il ened. Ty etn he Sn Setups nen al uanatstothe Bt | otptand ‘he nsrumants Farexampe;scksting is wil endl a | Individual Output 1 Stereo Outputs Individual Output 2 How to set the Sound Setup @ seein Pyne rs [SYSTEM] Moi “Trigger MIDI Interface Initiaize (SVS IMIDIFIFEINI wi DEMOLLCDISET | [ sctnasour von Sn ® wether SET. hen pros ENTER Satting Send 1 Sendl + EFFECT 1 [Send2 + INDIUL2 Setting of Send 2 128 + Patch Play Sereen, PAT ‘Chapter 6 System SettingSelout Sera using the [DATA] dl Sendt EFFECT 1. | Alliesramensassgnedio Send Iaresentn tet | mived anthem up ‘hah the Stereo Outs TNDIU_1 | allnsramens sre Send are upto Ii viet OFF Al srr sine to Sed Fe td @ Movetkecinortothetowertin wing CD snd Osh set Send 2¢Ser%e2) singe [DATA] Senda EFFECT 2 | aliasrumenssignadtosend 2aesen Elect 2 mind ardent hog the Seo Oupas. TNDIU_2 | Alinsumnsassedto Sed 2c opt hgh nih Opa OFF All Inserts assigned to Send 2 armed ‘Chapter 6 System Setting 130™ Audio Output and Effects Laser he paranetets canst the TDs samen, #8 pupa tesel Send level Send Zhen The Su Setup tems he oat men Serle 2, The sal of Sond | cm be ete aie @ typoe sting Hekevsh Debt B Cp fen nial Ove 1 @ Inpro 2eChers Fane @ up oon nv Oat 2 Tall : | PE 2 ‘© What is soln Send 1 and Send 2 is common to all the Instruments, that is if you select "Output through Individual Output 1", Effect 1 cannot be used. ‘Therefore. itis not possible to “apply reverb toa certain Instrument and output a diferent Instrument through Individual Output 1". ‘@ you wish to output a specific instrument through an Individual Output, set the Send Levels of the other Instruments to zero. (© The level of the Stereo Out for each Instrument can be set with the Output Level (P. 87) of each Instrument (© The Send Level (P. 88) of each Instrument works as an Individual Output Level, when Individual (IND TU) is selected in the Sound Setup. f, however, Effect (EFFECT) is selected. it works as an Effect Send Level 131 Chapter 6 System Sating5. Initialization ‘The TD features pes natin: sinking he pratense fc preset 150 an the hes pine Hi Cnn Pel anton wo the mt pprepr [1] Hi-hat Control Pedal Initialize This funn lksy you 1 set the FD Hat Cnt Pal Copional fer the est pose efomtnce els. Once ha inal the TD forthe FD. aes willbe ened ve ater ou sched eth TD, @ Conn F-Pt Hi Can Jack HH CONT an the TD ot deste ht Cnt Pe @® Stine Mayscreen then pres [SYSTEM]. P.123) 1 you ae going to play the Instrument Section, make sre thatthe lastrument Section Transmit and Receive channel is set o the same ‘number asthe Trigger Transmit channel. Or make sre that Instrument Section Level is nt Set 190, Set the Instrument Section Transmit and Receive channel othe same number a the Trigger Transmit chanel. (= P15) = Setihe Instrument Section Level oan appropriate level P. 119) you are going to play a Pesfarmance Section, make sure that the Performance Section Transmit and Receive channel is set tothe same ‘number ae te Trigger Transmit channel, Or make sure that the Global Performance Levels not se 0. Set the Performance Setion Transmit and Receive chanel othe same number asthe Trigger Transit channel. (=P 116) Set the Global Performance's Level 1 an appropriate level (=r P74) @ The sound level is too low. (Check ifthe volume of the amplifiers st to low If 0, aise the volume of the ample. Check the volume ofthe TD 7 se 00 fo. 1 1f50, aise the volume ofthe TD - 7, {© The sound ofan Instruments strange. ‘Check if the Instrument Parameters ae se propery + 1f ot, st he Instrument Parameters property. (=> P. 78) @ Playing 2 pad with the Choke function set to ON will produce the sound with a short decay. (Check ifa pad other than 2 PO. 7 is comneced toa Trigger Input ack 7 I 0, et the Choke funtion © OFF. (er P45) 198{@ The volume doesn't change with dtferent playing dynamics. [Check ithe Velciy Sense Curve fst 1 Fi If se change the Velocity Sense Curve to Nonna (=* P48) The volume you expect cannot be obtained ithe Max Dynanie and Minimum Dynamic are st impropesy = Change the setings ofthe Max Dynamic and Minimum Dynamic (27 P88) ‘@ Wnen you play the pads quickly in sequence, some pads do not sound. (Check ithe Mask Tie iS ong If so lower the Mask Time vale. (=P. 47) @ No sound is produced if you play soy (Chock ifthe Theshold Level is tte hgh 1 Ifs9, lower the Thesholé Level @ Effect 1 (or Etfect 2) does not work, (Check ifthe OFF or INDIV_1 (or INDIVID. 2) ein the Sound Setup. 4 1f+0, change the seins ofthe Soond Seup.(=" P. 128) Phrase Sequencer @ No sound is produced even by playing back a Sequence Pattern. Check ifyou are playing back a lank Sequence Patter (where no data exis), 1 If so selest a Sequence Pattern where datas recorded ‘Check if yow are paying hack a Sequence Patrn where nly the Control Change messages are recorded ifs, select ferent Sequence Pater @ Indicators flash in the Patch Play screen. (Check if you ae paying back blank Sequence Patem (where no data exis). Ifo top playback by playing the pad that caused the blank Sequence Palle to play or by moving tothe Patter Playin the Sequencer {@ None of the Pattern Numbers 25 ~ 48 can be selected in the Sequence Patter ereation mode. + Remember tht Pater Numbers 25 ~ 48 are preset ates and therefore cannot be recorded (=*P. 96) @ The Tempo cannot be edited while a Sequence Pattem is being recorded. Check if the Syne Mode se to MIDL 19 1fs0, change it to INTERNAL. (€r P. 105) @ When you start the Phrase Sequencer via MIDI, a pattern dtferent from what is selected is played, Check if the same Note Number is assigned to more than one Trigger Signal. When the same nurber is assigned to more than one Trigger ral, one Sequence Pttem Number is selected inthe privity sequence of TIGL, RIMI, TRIG2, RIM .. RIM9 and PEDAL. ifs change the Note Numbers. (= . 42) 139System (@ The sound is cut when the TD -7 is played in the Multi-timbral mode, ‘Check if the numberof voices used exceeds the maximum of 4 1 If so, lower the numberof voices tobe played simultaneously @ Patches on the unit are not changed even when it receives Program Change messages, Check if the Program Change Receive Switch nthe System screen is eto OFF. 19 If so, set he Progr Change Receive Switch to ON. (= P18) @ The unit does not receive System Exclusive Messages, Check if the System Exclusive Switch i set to OFF. ifs, change the System Exclusive Switch 0 ON. (=> P18) (© Bulk dump data cannot be transferred completely. (Check if the amount of avaiable memory i the eeeiving MIDI device i suficient Be sure tha thre sufficient memory available the receiving MIDI device (@ Sound - on - sound recording is not possible. Check if there i suficient memory available, (2 P. 127) 1 IFoo, erase some unnecessary data, then repeat the reconing. (= P.105) Desermine ifthe iaceral berween pressing footswitch 2 and hing a pad was oolong, + Ifso, epeat recording using shorcer intel © The screen on the TD - 7 is difficult to read, (Check if the LCD Contrasts et propery ‘If no, change the LCD Contrasts that you can ead the sere esl. @ You cannot hold{sustain) a sound. ‘When “CiMode” in the Pedal Parameters (= P.67) or Global Performance Parameters (= P74) is set to “Decsy”, the Hold funtion cannot be obtaine@ in that ection @ You cannot play back the H-hat Control Pedal information recorded in the Phrase Sequencer. ‘When the System Parmezer is set "Ciel Chg = HOLD" («P.121) and “Hold Rx = OFF" (=r P.118) the Hi-hat Contol Peds! operation information i converted lo Hold messages, and therefore cannot be sent othe intemal sound source, 4 Set the "Ctl Chg" toa status other than “HOLD, or set it to “Hold Rx = ON" (@ Unexpected sounds are heard when you play the TD-7 with an external MIDI sequencer. (Check ifthe TO.7's Phrase Sequencer is laying > Set the Sequence Patter Number sta the Trigger signal to“OFF”. ( Al Iiiaize . Asien Assign Group ‘stack Damp ‘Automatic Parameter Setting ‘Available Memory B Beat 98 Brilisnee +85 Buk Damp 1m c ‘Channel Message oan Choke 6 ‘Choke Effect, 2 Contrast 18 Control Change Mode a ‘Control Change 112, 121 Control Mose 66 Control Number uz ‘CrossTalk Cancel Group “4 Cursor 18,30 D DP-2- 14 Decay 3 Delay Left Time 6 Delay Righ: Time 8 Delay Time “ Po 19 6 us Drum Part 110 Dram Stand =++00>+ 10 ‘Oynamie Piteh Bend Time °~ % Dynamic Pitch Bend 85 Dynamic Range «6 E Echo ait Effect Types Effect Effect Erase Sequence Data Exclusive Message F FD-7 FS-su Feedback 63,66 Flanger 3 Flanging Effect Ea Foot svtch =~ 126 Foot switch ~ 14 Foot switeh2 v4 G GBN method Gate Time Global paformance Parameter ‘Group Bank Numer H Head 2 Hi hat Contol Pedal lnialize 12 Hi hat Cont Pedal 35 iting the head of hepa 37 Hold Receive Switch "7 Hol Bs ' Individual Outpt 9 Individos! Output 1 Individual Outpt 2 Initialization Instrument Instrument Copy Instrument Name Instrument Parameter Instrument Section BI CII Instrument Section Level Instrument Section TransmivReceive Channel is Interface Mode’ 13. Interval 18 J Jump to Inston» st Sump t0 Note « Samp 1 Tagger“ 5s Sump Function» a K Key Pollow Decay 5 Key Follow Nuance B Key Follow Pan 8 Key Follow Parameter % Key Follow Bich 8 Key Pollow Reference Note Number a” C co Layer evel Liquid Crystal Display Local Control Low Pass Filter M MC. 50. 4 MDs 7 . 0 MIDI e = ei foc 7 MIDI Channel a 108 MIDI Connector: 108 MIDLIN 108 MIDI Implementation 158 ‘MIDI Implementation Char 113,164 MIDI Message 108 MIDIOUT 108 MIDI Parameters, na MIDI THRU: 108. Main Screens ~ 3 Manual 64 Mask Time a Max Dynamic: 4s 168‘Maximum Polyphony 110 Memory vso002929 37,105 Menu 4 ‘Metronome 103 Midi In Switeh ut Midi Mix Switen Midi Ot Switch Minin Dynamic Minimam Veloity Malti Time => N Nocmal Par Note Message Note Name Note Number Note OFF Note Off Message Note OfF Receive Switch Note On v+erso Nosnoe Number of Measres ° Output Level Pp PAD- 80. Pes-31 0-7 Pad a Peformance Seton Ban Reeve Switch Panning Patch Patch Chain . Patch Cont TensmivRecive Chane Patch Copy . Patch Ply Sereen Pater Creating Sereen Pedal Pedal Curve Pedal Parameter ~ Performance Types Phrase Sequencer Pitch ich Bend Change Pitch Bend Pine Echo: . Polyphonic Key Pressure Polyphony(Maximum) Polyphony Power Pre Low Pate Fier Preset Pater Preview Key Program Change Program Change Message Program Change Number 108 56,110 m 50.79 36,41, 68 8 47 on 43,109 & 98,128 62,64, 88,131 9.83 i 21 39 18 +110 us. Program Change Receive Switch Program Change Transmit Switch is a Quantize 97, 128 R RIS RAD-50 Rack Moun Adipo. Rate Reaime : Realtime Message ~~ Recording ===> Reset All Conti Reverb Times Rhythm Par Rims Rim Shot Signal Rim Shots Roop Recording s Sampler Section Send! Level Send2 Level, Sequence Pater += Severe Pate Namber. Sequencer Sound Setup Sound on Sound Seundl Sound? ‘Stand Holder Standard Par Supe Step End Numer-- Step Number Steeo Jack ‘Synchronized Playback ‘System Exclusive Receive Switch ‘System Message System Ti Tempo" “Threshold Level “rigger Input Jack “Trigger MIDI Convener “rigger MIDI Interface ~ 18,122 “rigger Parameter ‘Trigger Sigal Teigger Tanai Chanel u User Patera 95 v Velociy um Velocity Cressfadel 3 Velocity Crssfade2 3 Velocity Mix » 32 Velocity Sense Curve 44,09 Velocity Swithi 32 Velocity Switeh? 82 Volume Receive Switch 19 w Waveform: 82 168Information When you need repair service, call your local Roland Service Station or the authorized Roland distributor in your country as shown below. U.S.A. Retend Copco US 7200 Doman Cie Los Angles, CA son 3647 USA Bensss. sia, CANADA, Roland Canada Musi Lt (Heid ottee) $480 Parcwond Richmond B.C. VaV 264 CANADA (6003270. 62 Roland Canad Music Lt 9425 Trasemadeane Service RAN. S Lave, Quebec HES 13 CANADA, Btass. 209 Rola Cand Mosc Ud 216 Watine venue, Mississauga, Onin Laz 1X2. CANADA 163890. 6488 AUSTRALIA Roland Corpecaion (usual) Py. Ld (Heed Ofhee) 38Canpbel Avenue Dee Wy West NSW 2098 AUSTRALIA (02962 #208 Roland Corporation (aust) Pry Ud (MetboumeOtrice) SoGarden Ser ‘South Yar, Victoria 141 AUSTRALIA ‘(oy 24-1254 UNITED KINGDOM Roland Ld Rye Coxe ‘Arells Busines Park Fe, Hampshire QUID ALY, UNITED KINGDOM sois2 svete) Rolanl(K La Swansea Ofice ‘Atari Clove, Sunes ruse Park, Suances, West Glamorgan SATS. UNITED KINGDOM (0782) 70- 199 ITALY Rela tay §.p A Viale die ndne 8 20020 ARESE MILANO. iTaLy. 02 "0581911 ‘SPAIN Roland letra despots. Cate Bla 299 (8020 Barco, SPAIN GERMANY Roland Eletroniche Mashinsrmente angetsgeslschatt mo nue 96,200 Norden, GERMANY 040152 6050 FRANCE Muskego 102 Avena ea-res ‘07 Lyon eden? FRANCE Est -s¢60 Muskeng Paris Fee) ence Reon Paine {rue Chaen Fourie, 54400 Vay See FRANCE. ‘Biyean 9662 BELGIUM/ HOLLAND LUXEMBOURG Roland Beet NV. Hosea 1.2260 Oevel-Wesero BELGIUM 2 (0002)14- 575801 DENMARK Rolend canon AS Limgsropne Box 837 1023 Copenhagen K DENMARK eut-2s301 SWEDEN Roland Seandinais AS DanciCener 26 A 2 S:131 30 eke ‘SWEDEN o8-7020029 NORWAY. Rolsn Seandinain ‘avd Nowe Uteatersen 2 Porboke #5 Lileakee Nazteo%02 NORWAY 02-7300 FINLAND Fazer Musi nc Lneulene FOB 168 ‘F-02101 Espoo FINLAND NEW ZEALAND Reiand Corporation oa) den, Aucoed 3 lone 15 SWITZERLAND Masonic AG Gerben §, 4410 Lesa SWITZERLAND Rind CK (Switzeand) a6 Petters 2, (CH.d4S6 Teor SWITZERLAND. Repair Service by Masse AG AUSTRIA, E Demat Ao. NewRun Siren Sean « ‘A462 nostro Box 51 AUSTRIA eosines si GREECE Dias & Co, Li 2 Pid Sie, GR 106 7 ‘ners, GREECE. 15820150 PORTUGAL ‘Cast Cat Inrumene usa Ls, Fede Set Corin Foro, PORTUGAL 02-3856 a1 HUNGARY Inertia Warehouse Ares EPO" “Torok. Badges HUNGARY By 6se0s ISRAEL, DIA. Iernions Ls. 2S Fnsar Se Tel Avi ISRAEL ‘2972-2-son015 cyprus Racer Sound Equipment us 1 Pana Kata Se POBox 6, Nose cyprus 8 s3126 45023 TURKEY Sessile Cou 86 Tati aul TURKEY 170 ecyer AL Fann Tealing Otice 9, Bm Hagar Asan Set, ArdEI Gal, Hepat Cs, EGYPT 1B 207805 85918 BRAZIL eld Bees Lids RAbvarenga 58 CCeP-ss0" Sao Pale BRAZIL 2 (010813.7957 Repair Sevice fr Roland nd Roce esis ver do Brasil Ines Marie ine Ces, No S74 Cer Barer SPCEP 06100 Brazit 0109-1267 Repair Service for BOSS roduc MEXICO Cee Veeramg,s2.dec Mesones No.2) Cal Cento CP, 06080 Mesice, DF MEXICO. 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Lunismtann —Eslosonve Provo as, 80 eis ‘Wo ushig eyes tate som ana fem ss topeatnnanes Ves pis neasaae wtenaan fut baer umes prendre ‘souttenan yap Has ay ‘atutaan eyed mance (aT YY rr rary Bescheinigung des Herstellers/Importeurs Hiermit wid bescheingt, dal decides in Obereinstmmrung mi den Bestmmungen der Roland PERCUSSION SO\ (Get Typ Bezecinans) funk-oistort it Der Deutschen Bundespos! wurde das Inverketrbrngen ceses Gees angezeigl und de Berechiigung zu: Oberprifung ‘et Serie aut Einhalung der Bestmmmungen eingerSomt, Roland Corporation Osaka/Japar ame des Hersteiinponers For the USA‘ RADIO AND TELEVISION INTERFERENCE LSet aera is a MAP Yc me re yg mf ay mens 7 gts geome anetaa tater oma nt V2 (alk ate rt te en on ert * SORENESS Sa ene ea eee ro teen passa ma eons fe oer gee Sony Secon Rane ree eae Te Co ‘Tes mts wa om he US Gover Pry Se Maen BE Hae SI Ba For Canada: CLASS B NOTICE his dilal apparatus does nol exceed the Class B tis lor radio noise emissions set out in the Rao Inerorence Regulations of the Canadian Department of Communications CLASSE B avis Gel apparel numérique ne dépasse pas ls mies de a classe B au niveau des émissons de brs raiodlectiques fxés dans le Féglement oes signatx parasites pa le msi canadien des Com*nieatone,Roland’ 70906378 f=Roland