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28

Alexander, Lily. Storytelling in time and space: studies in the chronotope and
narrative logic on screen. Journal of Narrative Theory. 37.1. Winter 2007
Anning, Nick and Auty, Chris. The confessions of Andrei Tarkovsky. Time Out 6
March 1981-12 March 1981. London: Time Out Publications, 1989.
Bakhtin, Mikhail. The Dialogic Imagination: Four Essays. Austin, University of
Texas Press, 1981
Johnson, Vida T., and Petrie, Graham. The Films of Andrei Tarkovsky: A Visual
Fugue, Indiana University Press, 1994.
Petric, Vlada. Tarkovskys Dream Imagery. Film Quarterly, Vol43, no2, 19891990
Sobchack, Vivian. Toward a Phenomenology of Non-fictional Film
Experience. Collecting Visible Evidence, ed. Jane M. Gaines and Michael Renov.
Minneapolis: University of Minnesota Press (p. 241-254), 1999.
Synessios, Natasha. Mirror. London, I.B. Tauris, 2001

29

Tarkovsky, Andrei. Sculpting in Time: Reflections on the Cinema (translated by

Kitty Hunter-Blair. Austin, University of Texas Press, 1986.
Turovskaya, Maya. Tarkovsky : cinema as poetry (translated by Natasha Ward).
edited and with an introduction by Ian Christie. London: Faber and Faber, 1989
LeFanu, Mark. The Cinema of Andrei Tarkovsky. London: BFIPublication, 1987
Zizek, Slavoj. The Thing From Inner Space: Titanic and Deep Impact.
International Journal of Psycho-Analysis, 80:1021-1024, 1999

:
Tarkovsky, Andrei. Solaris (1972)
Tarkovsky, Andrei. The Mirror (1978)
Tarkovsky, Andrei. Stalker (1979)
:

Daniels, Victor. Sartre Summary.

http://www.sonoma.edu/users/d/daniels/sartre%20sum.html
Polin, Greg: Stalker's meaning in terms of temporality and spatial relations
http://www.acs.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/Stalker_GP.html

30

31