EVOLUTION

OF
INDIAN CINEMA
PRESENTED BY: AHMED ASIF ANKITA SUMAN
ANKUR RAJ DIBYA DHAR
KALLOL BALA RONIT BANERJEE
MENTOR: POULOMI ROY CHOUDHURY(BHATTACHARJEE)







INDIAN CINEMA-THE BEGINNING
THIS IS A THOUSAND TIMES BETTER THAN THE LIVE CIRCUSES
PERFORMED BY REAL PERSONS.
MOREOVER IT IS NOT VERY COSTLY. EVERYBODY SHOULD VIEW THIS
STRANGE PHENOMENON.
A LOCAL INDIAN NEWSPAPER ,19
TH
CENTURY.
BIRTH OF INDIAN CINEMA
JULY 7
TH
, 1896, LUMIERE BROTHERS SCREENED THEIR SHOT FILMS IN MUMBAI - A VERY
SMALL CONTRIBUTION TOWARDS THE BIRTH OF INDIAN CINEMA .
SOON AFTER HIRALAL SEN, WITH BRITISH ASSISTANCE, MADE HIS FIRST FILM A DANCING
SCENE. PERHAPS BHATAVDEKAR TOO SHOT A DOCUMENTARY FILM THE WRESTLERS,
1899, REELS BEING PROCESSED IN UK.
FOLLOWING YEAR HIRALAL SEN FORMED THE ROYAL BIOSCOPE COMPANY FIRST FILM
PRODUCTION HOUSE IN BENGAL AS WELL AS IN INDIA IN THE YEAR 1898.
FAMOUS FILMS UNDER THE BIOSCOPE COMPANY WERE ALI BABA AND FORTY
THIEVES(1903) , ANTI PARTITION DEMONSTRATION(1905), SWADESHI
MOVEMENT(1905) AND MANY OTHERS .

FIRST INDIAN MOVIE RELEASED WAS A SILENT MARATHI MOVIE SHREE PUNDALIK
MAY1912. HOWEVER IT WAS NOT CONSIDERED AS AN INDIAN MOVIE.
REASON: FOREIGN INTERFERENCE.


WHICH WAS THE FIRST INDIAN MOVIE ????
RAJA HARISCHANDRA ,A SILENT MARATHI MOVIE WAS THEREFORE CONSIDERED AS
THE FIRST FULL LENGTH INDIAN MOTION PICTURE, PRODUCED BY DADASAHEB
PHALKE IN 1913.

ARDESHIR IRANI RELEASED THE FIRST INDIAN TALKIE FILM THAT WAS KNOWN AS
ALAM ARA , 14 MARCH,1931.

PRODUCTION HOUSE BOMBAY TALKIES CAME UP IN 1934. FILMMAKER R.S.D
CHOUDHARY PRODUCED THE WORTH , 1930, WAS BANNED BY THE BRITISHERS.
WHAT IS PARALLEL CINEMA ???

PARALLEL CINEMA
PARALLEL CINEMA, AN ALTERNATIVE
TO THE MAIN STREAM INDIAN CINEMA.
ORIGINATED IN BENGAL IN THE 1950S.
IT IS KNOWN FOR ITS SERIOUS CONTENT
REALISM AND NATURALISM.

SOME OF THE PIONEERS WERE SATYAJIT
RAY, GURUDUTT,RITWIK GHATAK &
MANY OTHERS .
SATYAJIT RAY
FAMOUS FILMS WERE DO BIGHA ZAMIN
(1953), PATHER PANCHALI(1955), PYAASA
(1957) , APU TRIOLOGY(1959) ETC.
GOLDEN AGE OF INDIAN CINEMA
FOLLOWING INDIAS INDEPENDENCE, THE PERIOD FROM LATE 1944 -60 IS REGARDED BY THE FILM
HISTORIANS AS THE GOLDEN AGE OF INDIA CINEMA.

FILMS SUCH AS MEHBOOB KHANS MOTHER INDIA WAS NOMINATED FOR THE FOR THE BEST FOREIGN
LANGUAGE FILM. CHETAN ANANDS NEECHA NAGAR WON THE GRAND PRIZE AT THE FIRST CANNES FILM
FESTIVAL.

TELUGU FILM MAYABAZAR AND NARTHANASALA WAS LISTED BY IBN LIVES 2013 POLL AS THE GREATEST
FILM OF ALL TIMES. TAMIL MOVIE CHANDRALEKHA ALSO CAME UP DURING THIS PERIOD.

SOUND AND CRITICS POLL RANKED SATYAJIT RAYS APU TRIOLOGY 4
TH
, THE MUSIC ROOM AS 27
TH
&
CHARULATA AS 31
ST
IN THE YEAR 1992.

IN 2005 , THE APU TRIOLOGY AND PYAASA WERE FEATURED IN TIME MAGAZINES ALL TIMES 100 BEST
MOVIES LIST.

SOON AFTER CAME UP MODERN INDIAN CINEMA WITH THE RISE OF AMITABH BACHHAN, DHARMENDRA
& MANY OTHERS.
DIVERSITY OF INDIAN CINEMA
MULTILINGUALS WERE THE QUEER KIND OF MOVIES THAT WERE DEVELOPED IN THE
1930S ERA. IN THIS CATEGORY A SINGLE MOVIE WAS SHOT IN DIFFERENT
LANGUAGES WITH DIFFERENT LEADING ACTRESS.

THERE ARE ABOUT APPROXIMATELY 16 DIFFERENT FILM INDUSTRIES IN INDIA,
DEPENDING UPON THE LANGUAGE USED BY AN INDIVIDUAL INDUSTRY.

WE HAVE CATEGORISED THE INDIAN FILM INDUSTRY INTO THREE MAIN HEAD:

HINDI
BENGALI
SOUTH INDIAN


MODERN INDIAN CINEMA

THE 1970S DID NEVERTHELESS, SEE THE RISE OF COMMERCIAL INDIAN CINEMA WITH ENDURING
FILMS SUCH AS SHOLAY., STARRED BY BIG B & DHARMENDRA..

ANOTHER IMPORTANT FILM WAS DEEWAR DIRECTED BY YASH CHOPRA, BASED ON REAL LIFE
SMUGGLER HAJI MASTAN

TELUGU FILM SANKARABHARANAM CAME UP WITH THE REVIVAL OF INDIAN CLASSICAL MUSIC.

KANNADA FILM TABARANA KATHE DEALT WITH INADEQUATE GOVERNANCE WAS SCREENED AT
VARIOUS FILM FESTIVALS INCLUDING TOKYO AND RUSSIA.

COMMERCIAL HINDI CINEMAS FURTHER GREW UP FILMS SUCH AS MR. INDIA(1987), QAUAMAT SE
QAUAMAT TAK(1988),BAAZIGAR(1993), DILWALE DULHANIYA(1995), KUCH KUCH HOTA HAI(1998),
LAAGAN(2001).

NEAR WERE THE DAYS OF RAMGOPAL VERMA ,ANURAG KASHYAP,SANJAY BHANSALI WHO CAME UP
WITH FILMS WHICH WERE FAMOUS WORLWIDE.
GLOBAL IMPACT OF INDIAN CINEMA

INDIAN FILMS HITTING THE OSCAR.

ENCOURAGEMENT OF INDIAN CINEMA THROUGH INTERNATIONAL
AWARDS. (IIFA)

APPEARANCE OF INDIAN FILMS AT INTERNATIONAL FILM FESTIVALS.

LUCRATIVE BUISNESS OVER THE GLOBE.



SOME WORLDWIDE FAMOUS INDIAN MOVIES
MOTHER INDIA AN OSCAR NOMINEE, PORTRAYED THE PICTURE OF AN
INDIAN MOTHER WHICH WAS DIFFERENT FROM MINDSET OF PEOPLE OF
THAT PERIOD.

AAMIR KHAN STARER 3-IDIOTS GOT A OVERWHELMING RESPONSE IN
CHINA WHERE IT WAS RELEASED A COUPLE OF WEEKS AGO.

INDIAN MOVIES RA.ONE AND ROBOT PROVED THAT INDIAN CINEMA
COULD ALSO MATCH WITH THE STANDARDS OF HOLLYWOOD MOVIE IN
TERMS OF TECHNOLOGY.




NEGATIVE IMPACTS OF INDIAN CINEMA
BIASING OF YOUTH TOWARDS CIGARRETE, ALCOHOL AND
DRUGS ETC.

AFFAIRS AND UNSOCIAL RELATIONSHIPS.

VULGARITY

MURDER,SHOOTOUTS AND OTHER FORMS OF VIOLENCE.

INDIAN FILM AWARDS
NATIONAL FILM AWARDS INTRODUCED IN 1954 ,HOLDS EVERY YEAR AT DELHI & AWARDED BY PRESIDENT OF
INDIA.ITS THE MOST PRESTIGIOUS AWARD AND CONSIDERED EQUIVALENT TO AMERICAN ACADEMY AWARD.
AWARDWINNING FLIMS ARE ALSO SCREENED DURING THE EVENT .

THE FLIMFARE AWARD INTRODUCED IN THE SAME YEAR ARE PRESENTED ANUALLY BY THE TIMES GROUP OF
INDIA TO HONOUR EXCELLENCE IN CINEMATIC ACHIEVEMENTS.ALSO REFERRED AS CLARE AWARDS AFTER
THE CHIEF EDITOR OF TIMES OF INDIA ,CLARE MENDOCA ,THE FIRST OF ITS KIND TO COUNT PUBLIC VOTE
FOR EVALUATION OF THE AWARD.

IIFA , KNOWN AS INTERNATIONAL INDIAN FILM ACADEMY AWARD INSTITUTED IN 2000 IS FAMOUS FOR
ORGANIZING THE EVENT AROUND THE WORLD EVERY YEAR.THIS AWARD CEREMONY HAS BEEN ORGANIZED
BY WIZCRAFT INTERNATIONAL ENTERTAINMENT PVT .LTD. THE LARGEST EVENT ORGANIZER IN INDIA.

STARDUST AWARD ANOTHER FAMOUS AWARD EVENT IN INDIAN CINEMA CIRCUIT WAS STARTED IN THE
YEAR 2003.
INDIAN FILM INSTITUTES
REGIONAL GOVERNMENT FILM AND TELEVISION INSTITUTE (RGFTI), GUWAHATI.
CITY PULSE INSTITUTE OF FILM & TELEVISION, GANDHINAGAR, GUJARAT
FILM AND TELEVISION INSTITUTE OF INDIA, PUNE
INDIAN FILM AND TELEVISION INSTITUTE (IFTI), MEERUT
GOVT. FILM AND TELEVISION INSTITUTE, BANGALORE
ARYA FILM AND TELEVISION ACADEMY, JAIPUR
AJK MASS COMMUNICATION RESEARCH CENTRE, JAMIA MILLIA ISLAMIA, NEW DELHI
BIJU PATTANAIK FILM AND TELEVISION INSTITUTE, CUTTACK
CENTRE FOR ADVANCED MEDIA STUDIES, PATIALA
DEPARTMENT OF CULTURE & MEDIA STUDIES, CENTRAL UNIVERSITY OF RAJASTHAN
SRISHTI SCHOOL OF ART, DESIGN AND TECHNOLOGY, BENGALURU, KARNATAKA
MOTION CAPTURE
IT WAS WAY BACK IN 1986,WHEN MOTION TRACKING COMPANY & ASCENSION TECHNOLOGY ,TOGETHER
DEVLOPED THE MOTION CAPTURE TECHONOLOGY TO CREATE COMPUTER GENERATED ANIMATION.

IN SIMPLE LANGUAGE THERE CAN BE THREE STAGES IN THE DEVLOPEMENT OF COMPUTER GENERATED
OBJECT OR PERSON USING MOCAP

FACIAL MOTION CAPTURE - IN THIS SECTION ,SEVERAL MARKERS ARE PLACED AT SPECIFIC POSITION ON
ACTORS FACE CONSIDERING ITS SKELETON.AND A CAMERA IS FIXED ON THE ACTORS HEAD TO CAPTURE
ITS FACIAL GESTURES.

OPTICAL SYSTEM - THIS SECTION INCLUDES A FULL CUSTOMISED MAKER SUIT WORN BY AN ACTOR.

3D IMAGE PROCESSION - FINALLY AFTER CAPTURING EACH AND EVERY MOVEMENT OF AN ACTOR IT
THEN PROCESSED IN A 3D COMPUTER GENERATED ANIMATIONS.
MOTION CAPTURE IN INDIA
KOCHADAIIYAN(A TAMIL WORD MEANING A KING WITH A LONG HEAD & FACIAL HAIR) WILL BE THE
FIRST INDIAN MOVIE TO BE RELEASED,WAS A PRODUCT OF MOTION CAPTURE TECHNOLOGY.

THE MOVIE WAS DIRECTED BY SOUNDARYA R.ASHWIN(Daughter of Rajnikant)WHICH IS TO BE
RELEASED ON 11
TH
APRIL 2014.MOST PART OF FLIM-PRODUCTIOPN & DEVLOPMENT TOOK PLACE IN
U.K,U.S.A,HONG KONG & CHINA.

AVM STUDIOS IN VADAPALNI ,CHENNAI,CHITRA NJALI STUDIO & VISMAYAS MAX STUDIO IN
THIRUVANTHAPURAM ARE SOME OF THE INDIGENOUS FILM STUDIOS BASED ON ADVANCE
COMPUTER GENERATED ANIMATIONS AND SPECIAL EFFECTS.

MOBILITY ART PVT LTD IN JUBLIEE HILLS , HYDERABAD IS THE FIRST PROFESSIONAL MOTION CAPTURE
STUDIO IN INDIA HAS PURCHASED A VICON SOLUTION.
WE COME TO AN END OF THIS PRESENTATION WITH OUR TRIBUTE
TO SOME OF THE GREATEST PIONEERS OF INDIAN CINEMA
OUR SINCERE THANKS TO


MRS. POULOMI ROY CHOUDHURY MAM

TO ALL OUR VIEWERS