Source: The Kenyon Review, New Series, Vol. 14, No. 3 (Summer, 1992), p. 47 Published by: Kenyon College Stable URL: http://www.jstor.org/stable/4336708 . Accessed: 06/04/2014 06:54 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. . Kenyon College is collaborating with JSTOR to digitize, preserve and extend access to The Kenyon Review. http://www.jstor.org This content downloaded from 192.167.204.6 on Sun, 6 Apr 2014 06:54:27 AM All use subject to JSTOR Terms and Conditions SHERMAN ALEXIE 47 CITIZEN KANE How we are hungry for the word to rise from our dark belly past the throat and teeth, one word to change or not change the world. It doesn't matter which as long as our failures are spectacular: Big Mom lay on her cancer bed and cried out Frybread; Lester slapped his drunk arms and legs and whispered Snakes; Junior sold his blood for the 100th time and asked Forgiveness. Believe me, nothing is forgotten for history. Rosebud. Believe me, nothing is innocent when the camera rolls, our sins are black and white. Rosebud. Listen: when the sun falls audibly on the reservation each of us chooses the word that determines our dreams: whiskey salmon absence. This content downloaded from 192.167.204.6 on Sun, 6 Apr 2014 06:54:27 AM All use subject to JSTOR Terms and Conditions