Yin{in fryG

ARRe,r,{cgN4ENTs BY IeN Munpnv

:
18 DEcARrsrMo
20 DrnNtsn IAMENTo
24 ExrASls 60 REcuERro.
38 L.t c.tnE 92 : 74 .Tr
qutrno .ienco
.
40 I a rt r DLL \ 4t NDo 76 Tooo rur
4 ) I ^ q F r r Dr a \
4.4 Lwrw. soBRE BRoADWAY
,
.
-
.78
-
Yo cANTo uN TANGo
80 About Astor Pazzolla
r sBN 0- Ll q- 03br 1- ?
'
For all works conlained hereini
_
..ran.ln. a.ir^iind r..nr.linn or nrhlic nariorm.n.e rs en nlrinoemenl of coovrlohi.
ADIOS NONINO
fv=
I
fr?
I
> ' >
copriight O 1958 Erlitions Udrverselles
7777
t t l
t t l
i#-r
t-=
>
=
=
i ==i r i =
= = =
-
r-r
By YVES PAUL MARTIAL
= n=i f = a=
' t t l
-
F#-f#t r r
(
F
mf
:-)
-J
+J
f
'r
I
r\--'f
ir
r
"
' a-r---.-__---
l >=t <
^' .1'
"-l
1)
3
l l
|JJJ TJfr
1JJJfrrt'
TJfrUJJ
=rr==:=J
al
- - ' f i l J'
ht
/
..J
sr :
- -'fr b
*t'
/
!
_.r _
"tr
M.D.
M, D
+
P=, . -
T T T T
"f
i > >
a
!t'
\ 1[
t r
,
1 + + C
l ' l
2 e
i
I i
rr
r
r
rr
I
tr
u7' i
\ l
l t
^++^4. +
v-
Jl o
-rt
-lt
J
f
N
-.t . ,-l _l
fr
r
r r
a
=+
t - r J) J L\
\ r
\ - r l \ \
O' a
rr
trr r
,r
or
^- l - l
\
- 1
=r
i e - e
r i
11
oll
tr=r
Marcato
, +
"tr
br
>-
= i l ;
>'
; i t;
> ; ;
f
R"T
V]
= i l =? l ' '
" t t l
t-
K-f . r-p 7'
v " t | |
'
l-
\J
= i l =i f'
I
l-
= n7r f'
l--
v-f f r f-rl
t)
yt"-
;
Arr -f ,)
-.J -
f =
\b.J \l .l . J
rt *)
)le
ffi)
+
Pesante
(Piu lento)
t.)
\-l
/ r u r I L
,!f
l-
I
t ??
I
t l
??==
crr
u
-'---/
^l ) )
J
tl
rrl'
???
l'
:-*--..
A tempo lentamente
r
/''::
r tr tf rr r
t l
r f r f f f f r r r r r
By ASTOR
( (
tr
f
#il
l-
r
??
r ==
t l
O l95t Erlitions Universelles
ReseNed UsdbyPermission
r
+
( ?==P?
LJ( ( t _J
??
t l
Ir.
-r
rii r
l
_lt;
, | - .
By ASTOR
Copldeht @ 1963 Editio.s Univeselles
Copynght Renewed
All Rights Rcseilcd Usedbt Permission
(C'est
fini)
l'i
r
pp
t l
( (
i t
r
-
+
i
+
f
To Coda$
Copynghl
q
I964 Editions Unilenelles
Coplnght Re.ewed
l ' ?
"f
+ha
.
1_T
[.l l
S UA V IIJAIJ
By ASTOR PIAZZOLLA
Vi ol i n
Guitar
6a=D
+
tr
=t
-r
t l
?
?
I
77
I
?
1>l
1 l
Copyight O l 95T Edino.s Uni!rselles
Copynghl Renewe!
Al1 Righls RcscNcd Used bf Penni\snJn
?
t r
t t
=t
I
=f
I
?
t l
I
?
?l
t l
T- TT
l f t l
t l
To Coda$
D,C, al Coda
a
i r- ) h
F--
,!f
- * #
l
r
rt-z
CODA
p
+
(Doudou)
Copyrigbt O 1964 Editions Unive$elles
CoptnghtRenewed
By ASTOR
" ,
h4
- \-/-
.
fi+
+ta Na
7-==.-
- 1. +t
. ) Q -
?-* ?
v' l
=7- 7?
f)!
a)
e'
n\t
By ASTOR
Copyrignt @ 1958 Editions Universelles
Copyright Renewed
All Rights Re*ned Us.d by Pmission
O
a)
Au
: i a =i : .
? r
D.C. al Fine
By ASTOR
r
Lr
t-r
?- ?-
I 7 7
L I
-J -,1
77
I f -(f -
t_
r._,t
r
t t
I
hr
rr
r
r
Copynght O 1958 E litions Universelles
Copyright Rene{ed
All Risbts ReseNed Used by Pmission
f
t-r
U
rf
By DIANA
and ASTOR
r lf
copynght @ 1962 Editiohs Universeiles
Copyrjghr Renwed
Atl Rights Resered Used by Pemission
l 7 ==
t l
/--.\
I r r r
YO CANTO UN TANGO
By ASTOR PIAZZOLLA
v
c.plrishl O l958 Edilions Univerelles
Copr,rghr Rcic$ed
Al l Rr chr \ Rer e^ed l l \ e. l h! Pe" ni sl . r
a+'
tnf
f
r\
-r
-
r
Asour Asron Ptnzzot-te
Astor Piazzolla
(1921-1992)
was the
foremost composer and ambassador oI tango
music, who carried the slgnature sound of
Argentina to clubs and concert halls around
the world.
Piazzolla was born in 1921 in Mar del
Plata, on the coast south of Buenos Aires, but
lived in New York City from 1924 to 1937 .ln
New York the young Ptazzolla tuned into the
vlbrant
jazz
scene and bandleaders such as
Duke Elllngton and Cab Calloway. At age 12,
he received his first bandoneon, a type of
button accordion that is the principal vorce
of tango, and began playing music from the
classical repertoire. Soon after his family
returned to Argentina in 1937, Piazzolla
joined the popular tango orchestra of Anibal
Tioilo and-while sti1l a teenager-estab-
lished himself as a talented bandoneon player
and arranger.
In Argentina, Piazzolla continued to
study classical music, too, wlth the composer
Alberto Ginastera and others. In 1954,
Piazzolla's composition
"Buenos
Aires" won
him a scholarship ro study in Paris with
Nadia Boulanger, who encouraged him to
find his own voice by tapping into his
passion for tango. Back in Argentina in the
late 1950s, Piazzolrla did just
that, laying the
groundwork for what become known as
tango nuelo-r.ew tango.
In 1960 he formed his seminal group
Quinteto
Tango Nuevo, Ieaturing bandoneon
alongside violin, guitar, piano, and bass. In
l he ensui ng years Pi azzol l a' ' musi c i ncreas-
ingly used dissonance, metrical shifts,
counterpolnt, and other techniques inspired
by modern classical composition and jazz
orchestras. In Argentina, where tango is a
source of national pride and rdentity, some
tango purists were incensed by these radical
departures from tradition, and ln the late
1960s even Argentinas military government
criticized Piazzolla lbr being too avant-garde.
Piazzolla left behind a huge body of
mu: i c-more t han 750 works-and cl assi c
recordings such as Adiris Nonino and Tango:
Zero Hour, as well as collaborations with
artists as diverse as poet/author
Jorge
Luis
Borges
(El
Tango), jazz vlbraphonist Gary
Burton
(The
New Tango), and the Kronos
Quartet
(Five
Tango Sensations). In 1986,
Piazzolla's music was featured in the
Broadway hit Tango Argentino. In 2001
Amadeus Press published Astor Piazzolla: A
Memoir, the remarkable life story
(as
told to
journalist
Natalio Gorin) of one of the 20th
century's true musical iconoclasts.
rT
4rl qrr
-ENE:TT
TTE'I\g
By ASTOR
, +q
' x) ' l
l
p
7r
l --'-\
"!f
Copynghr @ 1960 Ednions UnivcBcllcs
Copydght ReneBed
AU Righrs Resoflcd Uscd by Pcrmission
7T
I
* +
l 7 | l ==
l l
/ l
To Coda S
'j-
IJI1UAI(I5ilVTL'
By ASTOR PIAZZOLLI
x
7bt7;v
Guitar
Capo I
l-
l' r
l-
> A A ) A , , ^
= z _ - i t .
I
\ i
J) ' \
i >
,
L'4'J r
/\
A
F T I I I
A u a l )
r rff
Lr[I
r
- 7-
r
rr
7-bi=
i-#- f
l l
-l
coda +)
cont''ln
r
r
L , , l i l f
! l
t D I ' h L r L l i i n \ L r r \ r . e L
c , p t i t h r P .
( r e
Al l Ri ghtt Rescrv.. t\e,i hi _ Pcnna!.d
CODA
D.S. al Coda
?
I
r
I-.'IjI\I_ITEIS-E]'TA-YILI
-l
I V
7t
By ROGER AUGUSTE, CHARLES DE
ALBERT ABRAHAM, BEN SO
a-
......"....-\
r
-.---trf r
copyrighr o 1958 Ednions unive*ellcs
Cop, right Rencqed
AllRigh* ReseNed UsedbyPermksion
T-
lr
r
Ll-r*-)-. t:-\
To Coda$
r-._-\
i:--._=-..
- =- -
t_f
I
z-.._-=_
l bt )
r--.........---..
CODA
+
l'i
r
f -
a)
\
A t
- f
LL |
-i-
D.S. al Coda
DETRESSE
7-
By ASTOR PIAZZOLLAI
f
a
n
f
.
ffi")_
E
7#f#r
(
r
C.ty,i !hl O Lr)57 Udi l i orr I-r.,rcN.!Lc!
Copyr i S! Rencqcd
77
- -
l T7
l
----.........-__'.-_...
To Coda$
btt;:::--.- D.S. al Coda
r
ODA
Sn
r
r=r
#r
_ft
<l
ffi*(-
D.1\ I f1JI\)
By ASTOR
ri
(r
r(
^+
rr
??
t l
ir r i
Copyrigb! @ 1962 Ednions Univeselles
Copyright Rencwcd
All RightlReeNed Usedby Pemission
FIEVRE
(Fiebre de tango)
By ALBERT ABRAHAM, BEN SOUSSAN
and ALBERT NOEL DE MARIGNY ENGEURRAND
Guitar
Capo I
7==7
t l
cqry.i ght Cl l !5S !!i r:oDs Uni vcri cl L.r
Cofyri sht RcnB\rcd
l \l l Ri eh6 Rcs.rvcd Ui cd by PennrsroD
f
"tr
f-t b
\__:
2E
a-
FRACANAPA
Vi ol i n
Guitar
-J
ffi
t
t-t
re
a
By ASTOR PTAZZOLLA
a)
Au
=
t . L, - l +
-
t
p
:- j + >-
t+
>-
i
>-
t <L: > t e
>-
t
>- ++>
t +- t
J
ft
E
a
J
ft
K
e
=a-t= te -t -t
e--e,
t -t'-
!-
--
--
a-?--T I
f
tV,
f f
tV,
V f
tV,
V V
/V'
V
7
lr. l o n e x f \ e c t l o l t l l !
a
p
n,
--i
=.
=l
=: * -
-
l t
_
ffiffiz
> >
=- =. 3
t t
f f i ##
> >
Au
= -
> >
T'
J>ntt'
F
R
7
<t
Cop\ri !h1 O 1963 l -di ti on\Uni ve^el l e\
--{
&
ft
a
l l
Fine
a
hu
ff
r-'1 N
J a a a a '
r
--r-1-l
N
D.C. al Fine
By ALBERT ABRAHAM, BEN
ANDRE PSIETO and ASTOR
=b7^
??
I
?t
I
??
t l
77
I
r
rr ?i
t l
-/
?T
t l
r l
rr 7.
I
_t
r
r rFi
Coptright O 195 8 Editions Un i versellcs
Copynghl Renewed
All RiohrcResNed lhedb! Permission
= 77t
(=
L-!J
r
!l
,------.--=-_-
E
' at ' "' ": ----J
Ce++
r Tt t ?
---l r-J
#=_:!
=-'-
=
Copyrieht O 1958 Editions Univcrelles
CoDtrieht Redewcd
^ n D: - l h r " i ; ^ , ; i
t-J' f-f
L,_iLr
@r
rrl
D.C. al Coda
ro Coda$
IMAGINES 676
copyight O 1962 Editions Unirerselles
Coprrighl Rene$ed
By ASTOR
?t
I
(7
7rr7
L.--
.--l
Coptright O 1963 Editions Univc6elles
Copyijght Renewed
=T=?- t
7 r l rl
t""
''-/
- t - t
1- l ?l
t)
l-)
Lento
(Key
change is for repeat only)
:>
71.>-
'
=
>-
1
T
/ T'
T
=
? ? ?f
t t
??
rr
t ?
f r P711
er
' : 41
7
-t
Coptrieht O i960 Editions Universclles
CopynghtRenewcd
??
I
??
rci - i i
=
?
T=T=
l rl r
D,C. al Fine
By OSCAR NICOLAS
and ASTOR
+
r
.-f
lrt
=?
* f
"l
I
=?==
t I
hrl
t""
l-)
r
?r
I
=?==
r tua
1-)
Copyngh O 1962 &lilions Univeselles
Copyrisht Renewed
All Righh RcseNcd Used by Pnnission
brJ
a)
Al I J tl
r
t
f
> >
: 2
; r ;
' >'
-J
=q-)
=
By ASTOR
Guitare
Capo 3
r
f
(#rrr
-
.
, _r Ll
7?t =
t-)l r
Copynght O 1960 Ednions Unlverselles
Copyigbt Rene*ed
All Righls Reserved Used by Pemi$ion
r r
r
=7t =
l t T
_-J
1- r#?r7 i
^r.;:---->-.
.:;:i'brll)
-z----...--.
f
a.)
f
nl
-
J
l-'i
i-
J
J
-l
l f r _lr
By RAOIJL
and ASTOR
f ) zf
t i l .
r
=I e
rc
( r =l
t cL.
=) z) f
r . e
I
=) zl t }
r . l cl
I
4e
r
Copyright @ 1958 Editions U.iveselles
Copynsht Renewed
All Rights Rsened Usod by Pernnsion
|
|
r
I
f
r
I
rl
D.C. al Coda
To Coda
$
l'
Ti
l '
f
r
-l
=)
r'
- ,
=:
Tt l
ae
f
r
fr
qrf
rr
f
E
r' t
r
3
3
3
By Y\.ES PAUL MARTIAL
ANd ASTOR
t f l' t
l,--------
.\.-l
-Io
Coda$
=7t =
l t t f
_l
Copyright @ 1961 Editions Univeselles
Copyright Renewcd
,r!f
f p
.t
-_-
'-)
:--.--.
MADE IN USA
=
--t
T
=
C-C
T
T- \ T- \
t--
,'.-
- C= ' - CT T
r---'-\
fp
I
1
By ASTOR
7=V
TT _
=7F=T f f
??
I
==- r t(
| |
'-
Copynght @ 1957 Editio.s Universelles
Copynghl Renewed
AII Rishts Resefled Used bt Pennission
f-r'
_lE
A _ ir-\
a
ht \ \
- - . #n6
f -
IVIIS IbI(IU5A VIDA
",,0,^1i3H""X1If'tl
+
,-- l -
-
' Tr.
=
.,
\ i n f i n
l
"
l l
tiltlt
r , r = i \ r = I r i
: i
- r 7 -
: " ' *:
- T T
f ' |
/
Ct . , . .
:
t - } # !
l = f - f
J ?
"f
t-"1 h
"tr
--+ --+
t\
---+ ---+
v
. C. t
C.pl _ri l ht O l 95l Ldi ri ons Ui i ve^el l es
Copynght Renewed
r\l l RrehB Rcs.rl cd Us.dby Pennnsn)n
To Coda
S
T'"',j"j"
'wl
''=..------\
=lrr
G-H--
0+
l
- l
7',6,E
'fr ,rl
_ a
I t(f
By ASTOR
r
r rf r
??==
l t Q??
L-.,1
??
t-J
Copyright @ 1957 Editions UniveNlles
Copydehl Rnewed
All Righls Reserved Used by Pemission
.tT
-
a)
04 t
-I
FTT
"f
ffi
- = F J
t-=
- _ _
t-]-- L-
_ _ E - _ -
l i
_ - E- - -
-+r -
t
il
bt b-.
: - - t - -
-
U
_-
ht -F:ffi
-
4t L^
' l
_---lL
I
cr-
_ _-_L
TI \ . DJDI \ I AI \ I A
By ROBERT AUGUSTE EN
?
?l
I
i l 2.
J t - 7
i !i
'r-r
#-
frrt
?
Cl
I
(r
l l . 12.
= = .
=
. q =
l r?
'
7' l
f
l-J
Copyrieht O 1957 Editions Unive6elles
Copynght Renewed
Al1 Rights Rcscilcd Used by Penission
5'7
L t a r-] |)
r
lt
Y
r r
Dr--
a-
f
t L_
=. _ - i ' t N
L.,
.
: \
a-\ :-\
=
/ T= l f r t
t-,=
=
/ 7=
7f l t
l--= -Flr
+*--
i(rnr
a
a
"ufi
- | I N
[ \
nir
S ]
tfr
H(
+r."-
j-\
r-\
=
/
7=
7
f r t
t-J
0l
r' 7
-f 4
b
2.
<
??
?
-f Jr\-\_,rJr\)
By ASTOR
It
r t.
r rr
(
?
(r (
r
(
t- f
L_r_J-,r L_L__J-J l_)_J_)
Copynsht O 1962 EditioN Unile^elles
Coptright Rene*ed
All Rishts Resened Used bt Pcrmhsion
Accompagncnent tres
/:- -
-'
/ l
a
n- ' t
Fi+l
F-'r't
!--l
7
I
- ?
r l
t l
By ASTOR
Copyrigbt@ i960Edirions Unileselles
copyright Renewed
Al1 Rights ReseNed Used by Pemission
To next secti on l l
2.
/'--=>
------t----.
.'=.--=-
,-'1--l-;
/---l---,
t
a-\
2nd ti me D.C. al Fi ne
(Key
change is fbr D.C. only) ---:---.
/--=
By ASTOR
-rJ
Copyrighr @ 1963 Ediions Unile$elles
Copyright Renewed
All Riehts Reserved Used by Pemission
I
a
, 1 , , F I I
-
F-=
a
tt
a-
(Lu
.---:=-'
-"---LL=
F-..
F
hu =z=f, a=fr
4t -tFl
a
-:---\
To Coda$ D.C. al Coda
CODA
a
--+
-..--2
/ \ , 2
, J'
(Sans
ta prdsence)
By GUY FAVREAU, ALBERT AB
BEN SOUSSAN and ASTOR PIA
rr
---:-:-t'
?
TI
I
- - ?
- ?
TTTI TI
t t l
ffrf
T = T T = = T -
l r l pal
Copyrighl O 1957 Editions U.i!aolles
Copynght Re.ewed
AU tughtsRese(ed Uscd by Permission
-:______-....-..\..\
t - t *
t Tt l
ni l
#-t
,,r_
b_r_-
i- I I
I
" r)
=
r
, -
Al l - l
- l-r
ri:
-l-r
p
-- -ta
1
J-
J
- r- r -t-
t_=
L_-u
=t ==t
=T
EJJJ
..]
r
(i
r t
r
trl