Lollipops and Knives

Lollipops and Knives
The Ragdoll Architect

q = 180
b 4
&b 4
Voice
Trumpet in B b
Electric Guitar
Electric Bass
B b Tpt.
8
T. Sx.
b
& b 44
b
& b 44
E b maj7
Gm
? b b 44
? b b 44
b
&b
tale
of
mine,
of
mad
ness
far
D7
Gm
be - yond your wild - est
dre
# .
w
-
b . . . . . .
. . . . . . . . . . . .
. . . . . . . . . . . .
. . . . . . . . . . . .
& b . . . . . .
. . . .
. . . .
&
&
&b
? b
b
E.B.
&b
you
E.Gtr.
with
lit - tle
Vln.
share
4
4
&
Tenor Sax.
b 4
. . . . . . . . . . .
. . . . . . . . . . .
. . . . . . . . . . .
. . .
& b 4 . . . . .
. . . . .
. . . . .
. . . . .
F
4
& 4
Violin
will
? bb
D7
E b maj7
Gm
#.
D7
Gm
# .
D7
E b maj7
#.
#
#
Gm
D7
# .
2
15
&b
.
. .
b
. . . . . . . . . . . .
. . . . . . . . . . . .
. . . . . . . . . . . . . . . . # .
b
& . . . .
. . . .
. . . .

f
15
&
ms!
it
all starts with
15
Vln.
B b Tpt.
15
T. Sx.
&
b
&b
15
E.Gtr.
15
&b
? b
b
&b
Gm
? b
b
22
15
E.B.
D7
E b maj7
#
#
D7
Gm
Gm
#.
D7
# .
Gm
#.
fal - ling in - to
the wrong hands.
Taught with vio - lence how this world
suf - fer - ing their daily a - bu
. . . . .works,
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
. . . . . # . . .
.
.
.
.
.
. . #
. # . . . . . . . #
. . #
. #
.
#
b
.
.
. . .

&b
. .
. .
fra - gile bo - y,
22
Vln.
B b Tpt.
T. Sx.
22
22
&
&

bb #
&
22
E.Gtr.
22
&b
b
E b maj7
? bb
Gm
C 7
Gm
Gm
E b maj7
D7
Gm
C 7
Gm

? b #
b
22
E.B.
D7

29
&b
b w
se!
29
Vln.
&b
29
B b Tpt.
&
29
T. Sx.
&
29
E.Gtr.
&b
Vln.
B b Tpt.
T. Sx.
Gm
Gm
Cm
Gm
36
b
&b
36
E.Gtr.
b
& b #
36
? bb
? b
b
36
E.B.
Gm
Gm
Cm
Gm
Gm
Cm
Gm
. # .

j

# .
Ne - ver loved and
ne - ver cared
not e - ven
by
clo - sest kin, ex - cept in ways
he should not have
. . . . . for,
. . . . .been,
.
.
.
.
.
.
.
.
.
.
.
.
.
. .
.
.
.
.
#
. #
.
. #
. #
. #
. . .
. . .
. . # . . . . . .

36
&
&
. . .

? b
b
&b
29
36
? b
b
&b
#
F
29
bb
&
36
Cm
E.B.
Gm
E b maj7
D7
Gm
C 7
# ## #
Gm
Gm
E b maj7
D7

b
&b
43
.
.
b . . . . . # . . . . # . . . . .
b
&
F
43

&
by
his own
dad - dy
first
ha
nd!
43
Vln.
B b Tpt.
43
T. Sx.
&

bb
&

F
43
bb
&
? b
b
Gm
C 7
Cm
Gm
&b
#
#
Gm
Vln.
. .
. .
. .
. .
b
&b
&
b . .
& b
49
Cm
E.B.
. .
. .
&
49
E.Gtr.
. .
49
T. Sx.
. .
49
B b Tpt.
. .

Gm
? bb
. . . .
.
49
? b
b
b . .
b
&
49
Cm
Cm
Gm
Cm
Gm
. .
? b
b
49
43
E.B.
43
E.Gtr.
Gm
Gm
Gm
Cm
. . . .
# .
Gm

55
&b
B b Tpt.
T. Sx.
but
55
55
&
&
&b
&b
b
b
? b
b
? b
b
55
61
&b
b .
wait,
b w
b
&
61
Vln.
55
E.B.
&b
55
E.Gtr.
55
Vln.
it's
not
all
. .
J
tra - ge-dy,
'cos once the vic
#w
tim,
.
this small boy
.
was to meet
his
61
B b Tpt.
&
61
T. Sx.
E.Gtr.
&
61
&b
61
w
b w
w
& b ww
w
? bb
Gm
Gm
Cm

#w
w
ww
# ww
D7
F# 7
www
www
Cm
Cm
? b
b
61
E.B.

Cm
&b
des - ti - ny
quick,
67
67
Vln.
&b
b w
67
B b Tpt.
E.Gtr.
&b
ww
w
Gm
Gm
? b
b
soon
Vln.
Cm
be
&b
b
& b b www
73
? bb
on
ww
w
E b 7/B
A bm
all you

p
www
w
ww
Cm
w
w
w
? b #
b
w
girls may want to
w
w
w
73
E.B.
top!
E b 7/B
the one
# n www
F m7
www
&
was his
ww
w
it
73
E.Gtr.
knew
73
T. Sx.
. b
&
he
#w
to
ner
time
b .
73
B b Tpt.
mea
b
& b bw
and
n.
nw
73
b
& b b.
73
Cm
? b
b
big - ger
ww
w
Cm
got
67
E.B.
he
b w
& b ww
67
for as
&
67
&
67
T. Sx.
real
b
& b .
79
leave
b
&b w
now...
79
Vln.
B b Tpt.
T. Sx.
'cos
now
my
lit - tle sto
ry
goes
to
79
&
b
&b
b
& b ww
w
w
? b
b w
? b
b w
&b
85
&b
w
w
w
w
# ww
Eb
f
.
. . . . . # . . . . . . . . . . . . # . #
.
.
. .
. . . .
. . . . . . . .
.
&
b
b
&
85
Gm
Cm
Gm
. . . .
#
. .
85

? b
#
b
? bb
E.B.
85
&b
&
85
85
E.Gtr.
85
T. Sx.
back!
79
B b Tpt.
and
&
Gm
Vln.
79
79
E.B.
hell
79
E.Gtr.
Gm

.. .

Cm

..

. . # . . . . . #
. . .
.
. . .
. . .
##
.
. . . . . . .
. . . . .
Gm
Cm
Gm
# . . . . #
. .
. . . . .
#
#

..
8
91
&b
91
Vln.
&b
b
b
&
91
T. Sx.
&
&b
91
&b
Cm
b
&b
&b
&
97
T. Sx.
All
fal - ling prey
&
&b

to a weak - nes in - he - ri - ted:

in its
form!
But how

. # . . .

#

. .

##
#
#

. # . . .
#
could he
ver

P
. . . . . . .

Gm
A dim
#
. . . ..
#

. . .
.

ba - sest
. . . .
# .
.
#
po - wer lust
. . . . . . . . . . .
.
. . . . . . . # # #
. . . .
. . . . . . .

. . . . .
97

? b
b
? bb
E.B.
b
&b
97
#
#
97
E.Gtr.
.
. . . . . # . . . . . . . . . . . . # . # . .
.
.
. . J
. . . . . . . . . . . .
. .
97
B b Tpt.
a-ny size and age and the occa-sional young man too,should he fall in - to his ruse.

.
. # . . .
#
97
Vln.
wo-men, boys and girls of
? b
b . .
.
91
? b
b
97
Gm
E.B.
91
E.Gtr.
f
.
.
.
. . . # . # . J . . . . . # . . .
. .
.
.
. . . .
.
. . . .
. .
91
B b Tpt.
A 7
#
#
b
&b
103
103
Vln.
B b Tpt.
T. Sx.
&b
lure them in - to
his
trap?
With
all those
pry - ing
eyes
103
103
&
&
b
& b #
103
b . . . . # . . . . . . .
b

&

? b
b
#
#
Gm
A 7

. .
.
.

Cm
#
. .
.
#
#
#
109
109
&b
109
&b
&
&
109
E.Gtr.
109
T. Sx.
him!
103
B b Tpt.
des - troy
? b
b
Vln.
to
Cm
E.B.
wan - ting
103
E.Gtr.
&b
b

& b # # . .
. . . . A dim . . A o 7 . . C m . . . . D . . . . G m . . . . A dim . . C m
Gm
? bb
109
? b
b
109
E.B.
10
115
&b
115
Vln.
B b Tpt.
T. Sx.
&b
He
115
115
&
b
&b
&
115
E.Gtr.
? b
b
121
&b
#

#
Gm
E b maj7
D7
Gm
C 7
T. Sx.
&

b
b
&
121
E.Gtr.
121
&b
? bb
Gm
E b maj7
D7
Gm
Gm
C 7
? b
b
121
E.B.
and
can - dy
in the other one!
. . . in. . one. . hand, and . a. knife
.
.
.
.
.
.
. . # . . . .
. #
.
.
#
bb . . .
. #
.
.
.
.
&
F
f
121

&
121
lol - li - pops
B b Tpt.
121
Vln.
most
fien - dish
plan,
paint his face white,
red his mouth!
. . . # . . . . . . . # . . .
. . # . . . . # . .
.
.
. .
.
.
. .
. .
.
b

& b #
. . . D . . . .
Cm .
? b
E.B.
fi - gured the
115
115
Gm
#
F
#
Cm
Gm
Gm
. .

127
&b
b
&b
127
Vln.
B b Tpt.
T. Sx.
127
&
b
#
127
#
b
& b
&b
Gm
? b
b
b
&b
133
133
how
Gm
&b
133
&b
. .
you not see,
Gm
Cm
Gm
. .
#. . .
the
i - ro - ny
Gm
. . .
my sto - ry.
. #.
. .
in
. .
w
. #. .
This boy
in need of
love,
he
ww
? bb w
www
www
Gm
Cm
Gm
? b w
b
133
Gm
&
133
can
Cm
&
133
E.B.
b .
& b . .
E.Gtr.
but
133
T. Sx.
127
B b Tpt.
? b
b
Vln.
&
Cm
E.B.
127
127
E.Gtr.
11
ww
w
ww
w
www
ww
w
Cm
Gm
Cm
Gm
www
Cm
ww
w
www
www
Gm
Cm
Gm
12
144
&b
. .
b #. . .
b
&
could not get,
could
144
Vln.
B b Tpt.
T. Sx.
kill...
. .
# w
144
&
&b
ww
w
ww
? b w
b
? b
b
144
152
&b
www
Cm
Gm
ww
w
Cm
ww
w
ww
w
Gm
www
Gm
b
&b w
ww
w
Cm
Gm
152
&
when
the
152
&
For
152
T. Sx.
his urge to
Cm
B b Tpt.
&b
Vln.
. #.
&
144
E.B.
not con - trol
144
144
E.Gtr.
. . w
#. .
b
&b

152
E.Gtr.
152
&b
w
? b b ww
Cm
www
Cm
www
Gm
ww
w
Cm
ww
w
Cm
? b
b

152
E.B.
ww
w
Gm
b
& b .
ge
took
158
ra
b
&b w
158
Vln.
158
B b Tpt.
&
158
T. Sx.
b
&b
? b
b
b
&b
164
B b Tpt.
&
164
T. Sx.
&
? b . .
b
#
164
E.B.
ww
w
A bm
b ww
w
ww
w
D dim
www
D dim
Cm
Slash, slit and stab, man -gle, but -cher, hack and crush, are this clown's main acts, and his own
Cm
Gm
. . . . . . # .

#
Gm
Cm
trade marks!
fueled by a rage, and a
f
.
. . . . . # . . . . . . . . . . . . # . #
.
.
. .
.
. . .
.
.
. .
. . . .
.
Gm
him!
b . .
& b . . #
#
164
b
& b
? bb
stop - ping
#w
164
E.Gtr.
no
164
Vln.
was
b.
bw
? b
b
&b
there
bw
158
164
ver
# n www
Ab
Cm
nw
b
& b www
158
E.B.
&
158
E.Gtr.
n.
13
. . # . . . . . #
. ..
.
. . .
. . .
##
. . . . # . . .
.
Gm
Cm
. .
. ..

14
b
&b
170
Vln.
&b
&
170
T. Sx.
lust un - matched,
&
b
b
&
170
&b
b
&b
176
Vln.
&
bb
176
B b Tpt.
kind
How can such crea - ture's
live
be al - lowed by
Gm
#
#
Cm
Gm
Gm
. . .
faith! roa - ming your neigh -bor - hood, stal -king your kids at school, al - ways sear - ching
for
. .
. # . . . .# .
.
.
. .
. .
# . . .
176
? b #
b
Gm
Cm
#
that next
big
.
. . . . . . . . . . . . # . # . J.
.
. .
. . . . . . . . . . .
Gm

. # . . .

#
of
Gm
. . . .
# .
. . .

#
Gm

. . . .

. # .

##
Cm

. . .

O!
.
. .
. . . # . .
f

. . . .
. .
.
.
Cm
of test
Cm

. . . # . .
.
.
#
some
god! This must be
. . . . . . .
? bb
.
. . . . . . . #
.. ..
##
b
& b
&b
wad!
. .
&
176
E.B.
176
E.Gtr.
own
# . .
. .
&
176
T. Sx.
? b
b . . # . . .
170

? b
#
176
his
Gm
E.B.
stai - ning his vic - tims in
170
E.Gtr.
f
.
...
.
.
.
.
. . . . . # . # . J . . . . . # . . .
. .
.
.
. . . . . . . .
. . . . .
. .

170
B b Tpt.
170
Gm
. . . . . .
.
#
b
&b
182
15
beast's is - sue must

be dealt
with!
May some - one please put a
. . . . . This
.
. . . . . . .
. . . . . . . . . . . .
.
.
.
.
.
.
.
. . . . # . .
#
b
.
.
.
.
.
.
.
.
.
.
b
&
182
Vln.
182
B b Tpt.
. .
&
.
.
182
T. Sx.
&
182
E.Gtr.
&b
182
&b
&b
D7
Gm
dead!
. . . .
b . # . . .
&b
F
F
188
& # . . . .
188
T. Sx.
&
188
E.Gtr.
&b
188
&b
E.B.
bul - let through his
B b Tpt.
.
.
188
Vln.
C 7
? b . .
b
. . . . . .
182
? b #
b
188

. . . . .
E b maj7
E.B.

. . . . . .
. . . . . . . . . . .
.
. .
. .
.
.
. .
.
.
.
.
.
. . .
Gm
Gm
E b maj7
Eb 7
Gm
Gm
C 7
. # . . . . . . . . . . . . .
. .
#
F
#
Cm
Gm
? b b # . . . .
. .
188
? b
b
Gm
Cm
Gm
Gm
Cm
Gm
16
194
&
bb
&
194
T. Sx.
&
E.Gtr.
&b
? b
b
? b
b
194
E.B.
b
&b
200
through, may
.
.
.
.
b
& b
.
200
b .
& b
.
.
? bb
.
#
200
? b
b

put
Gm
.
.
.
.

some - one
please
&
Cm
. .
. .
. .
.
.
.
.
.
.
Gm
he
.
.
.
.
Cm
.
#
through
Gm
.
.
some - one please put a
. .
. .
. .
. .
. .
. .
.
.
.
.
.
.
.
.
Gm
.
.
Cm
.
.
Gm
. . . .
. .
. .
.
.
his
Cm
bul - let
.
.
. . . .
.
.
.
.
.
.
Cm
Gm
. .
. .
&
. .
bul - let through, may
. .
Gm
Cm
E.B.
200
E.Gtr.
200
T. Sx.
Gm
b .
b
&
200
B b Tpt.
Cm
bul - let
200
Vln.
Gm
. .
. .
#

194
b #
&b
194
May some one please put a
194
B b Tpt.
b #
&b
194
Vln.
d!
Cm
Gm
.
.

Gm

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The Ragdoll Architect

be - yond your wild - est