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15

1. ., . :
. ., 1991.
2. . . ., 1959.
3. .. . ., 1940.
4. .. :
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5. . . .;., 1952.
6. Frenzei . Stoffe der Weltliteratur: Ein Lexikon dichtungsgeschichtlicher
. Lngsschnitte. Stuttgart, 1983.
7. Nikolskij S. Z rodokmenu Josefa Svejka // Ceska literatura. 1988. c.4.
S.358-369.
10.11.93
Summary
Theory of traditional plots and characters constitutes an important branch of
comparative literature. There is an urgent need for a correct terminology in this
sphere. Traditional plots and characters can be classified on the bans of
geneological principle into mythological, folk, historical and literary. They reflect
general as well as recurrent socio-historical and psychological situation. Most
traditional plots and characters have real analogues and protagonists. Certain
traditional structures are plot dominated others are character dominated. In the
process of historico-literary functioning all traditional plots and characters
undergo reinterpretation, acquiring, semantico-evaluative variants so that
idealization at times gives way do negative assessment and presentation. >

16

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17

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27

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28

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.

1 TPICTAHA

29

1. . . ., 1974.
2. . ., 1976.
3. . // . .
.: 10 . . : . ., 1961. . 102-173.
4. .. //
. ., 1976. .623-697.
5. . . ., 1974.
6. .. // : 5 .
.4. ., 1968. .86-106.
7. ..
// .. . .-.,
1965. . 49-64.
8. Frenzei . Stoffe der Weltliteratur: Ein Lexikon dichtungsgeschichtlicher
Lngsschnitte. Stuttgart, 1983.
9. GehrkeA. Isolde. Berlin, 1869.
. Geiger A. Tristan: Ein Minnedrama in 2 Teilen. Karlsruhe: , 1906.
11 .Gottfried von Straburg. Tristan und Isolde / Aus dem Mittelhoch
deutschen bertragen und erlutert von Gnter Kramer.Berlin, 1976.
12. Hardt E. Tantris der Narr. Leipzig, 1907.
13. Huder W. Nachwort // Kaiser G. Werke: Dritter Band. Frankfurt/M.
Berlin Wien, 1971.
14. Jones W. Lewis. King Arthur in History and Legend. Cambridge, 1914.
15. Ka/ser G. Knig Hahnrei: Tragdie // Kaiser G. Werke: Erster Band:
Stcke 1895-1917. Frankfurt/M. Berlin Wien, 1971.
16. Ka/ser G. Eine Aufsatzsammlng nach einem Symposium in Edmonton /
Kanada. Hrsg, von Holger Pausch u. Ernest Reinhold. Berlin
Darmstadt, 1980.
17. Kruse G .-. Vorwort//Wagner R. Tristan und Isolde. Leipzig: Philipp
Reclam jun., o.J.
18. Robert C. Tristan und Isolde. Berlin, 1871.
19. RoeberF. Tristan und Isolde: Eine Tragdie: In zwei nach Inhalt und
Form verschiedenen Bearbeitungen. Leipzig, 1898.
20. Htzel M. Isolde: Tragdie in 5 Aufzgen. Leipzig, 1893.
21. Sachs H. Tragedia mit 23 personen, von der strengen lieb herr Tristant
mit der schnen Knigin Isalden, und hat 7 actus v. Hans Sachs.
Stuttgart, 1879.
22.Schneegans L. Tiistan: Trauerspiel in 5 Aufzgen mit Vorspiel. Leipzig,
1865.
23. Schuster L Neuere Tristandichtungen: Tantris der Narr: Dissertation.
Darmstadt, 1912.
24. The Arthurian Encyclopedia / Editor Norris J. Lacy, 1988.
25. Wagner R. Tristan und Isolde: Tragdie v. Richard Wagner. // Wagner R.
Gesammelte Schriften. Band VII. Leipzig, 1907.
26. Weilen J. Tristan: Romantische Tragdie in 5 Aufzgen. Breslau, 1860.
13.02.92.

30

n.B.PMXno

Summary
The love story of Tristan and Isolde based on an old Celtic legend is one or
the most popular traditional plots of the world literature. Its classical
embodiment has been found in the genre of medieval knight novel (Beroul,
Thomas, Gottfried von Straburg). In the German drama the Nuremberg
meistersinger Hans Sachs (1553) was first who addressed the legend about
Tristan knd Isolde and who continued the epic line of its development.
R.Wagner has given it a real dramatic form in his famous opera (1857). The
further dramatic versions of the XIXth century (F.Roeber, LSchneegans,
J.Weilen, A.Gehrke, K.Robert, M.Rtzel, A.Geiger) tried to enlarge the range of
the interpretations, but with no particular success. Only in the XXth century in
the German drama original and artistically perfect versions about Tristan and
isolde have appeared and realized marginal (not magistral) potentions of the
legend, such as E.Hardt*s drama Tantris der Narr (1907) based on subtle
psychologism and G.Kaiser's expressionistic tragedy Knig Hahnrei (1913).

31

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. . , 1993

32

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[16, .26-38; .95-109; 19, .42-56],
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[8, . 17-29; 22, . 141-144]. , .
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34

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. [20], . [3], . [12], . [11] .
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35

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36

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38

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40

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1. . . . ., 1960. .1-2.
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1986:
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//
. , 1979.
4. ..
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5. ' . //
: . . . ., 1956.
6. .. . ., 1968.
7. . - XX . ., 1973.
8. .. // .
. . . ., 1973.
9. .. -
XIX XX .: . . ... . . .
, 1989.
10. /7.0. // :
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1. . . .. ( - ,
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12. . . ,
1982.
13. . // . . ., 1927. .8.
14. .. //
-1974. ., 1975.
15. .. . ., 1970.
16. . . I. //
. 1959. N 5.
. . .
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18. .. //
: . 1960. 36. 8.
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. 1965. 36. 12.
20. . . ., 1978.
21 . . . . ., 1982.
22. : . 1956 1984 (.
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23. . // (. .
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" ,
2. . . 1: (.
..). ; , 1988,
30.07.92

41

Summary
. The present problem has been actualized in the context of Ukrainian spiritual
revival. But there have been no generalizing workes so far. Further study
demands the complex approach and the application of various data
(philosophical, psychological, theosophical etc.). It is necessary to deepen the
pure philological aspect: namely to establish the basic biblical-receptive types
and their phases in the national literary process; to correlate the national and
the biblical maintenance and form etc. The article is based on the wide
spectrum of Ukrainian Poetry from its roots to our time with the account of the
(European analogues.

42

..

.. '

XX

,
. ,
,
, , , - (
), ,
, , ,
, ,
.
, .


. ,
,
, ,
, .
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-
[4, .272].
. : *
,
.
. ,
, , , ,
- .

' ... 1993

43

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., .
,
-
[5, .7]. , ,
: .
.
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,
.
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IX XX . ,
( XVI XVIII .),
XIX . XIX
XX .
,
,
.
.
,

. :
'

44

..'

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;
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, .[8, .41, .54-64].
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XVII .. (1669),
, -
.
. , , ., XVII ,
, ,
.

.. (
, 1968; , 1971), . .,
.. ( XVI *XVIII '
, 1983), .. (-
,-1987) .


, ,
- ,
.
.
N -., -

 41

^^*^~' '

11

I -I -

45

XVII . [7, .5-11, 78].

. ,
, .
(1620-1693) .

( -).
XVI XVIII .
, .
,
. [3, . 150-185]
, "
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.

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1688) . ' ,
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(1676) .

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.. (1722
1794).
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46

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( 1837 .)
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,
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XIX .
. .. (), .. ( ) .,
. ..
(1833).
,
.
.
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- XIX . (1979),
:

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,
.
1
XIX . ..-, ..-,
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, .
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 _________________________

47

- , ,
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) !.. !..
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, .
-
, , ,
.
XIX .
.., - -
.
.
..
. (1983), ..
(1984), .. (
1985, 3).
.

48

..

XVIII XIX
.

,
,
.
, , , (1762) .
,
-.
,
,
, . -

,
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, ,' , ; ..- , , ; ; .. , ;
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.
: ,

[2, .163].
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(-
, ), ,

,
, .
, XIX XX .
,
.
-
, ' , ,
, .
;
. , -

49

,
. , ,
,
,
, ,
, .

.. (, , . XIV. (), , , ..., , , , ...,
.) . ,
,
.
( XIX XX .)
.
, .. ( ,
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, ,
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.
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.
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.
: , XVIII, 23-35.

.
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:
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[8, .39, . 169].

.
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50

..'

- ,
, , , , ,
, , ,
, - () ..

XIX XX . ^
.
* - :
, ..,
, ,
,
.
, . .
.

,
-
.
- ..
(1897),
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.
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,
.
,

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.

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51

.
.

, , ,
.
, -, -
.
XIX XIX
XX .
,
. .., ,
, ,
, , ,
, , ,
, , ,
[6, .49].
, ' .
, , ,
;
, , , ,
.
,
.

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52

..'

, , ,
,
, ?
.
, , .
,
,
,
. .
, , '
. ,
, .
1. 0.1 -. . ., 1969.
2. .. ., 1984.
3. .. XVII .
// . . .,
1962.
4. . // , 1978, N 1.
. : .. . ., 1976.
5. . . ., 1976.
6. . . : , , . ., 1985.
7. ..
XVI XVIII . //
. ., 1926.
8. L : 50- . ., 1983. .39.
04.02.92
Summary
The given article dwells on the four periods of the existence of parable in
Ukrainian literature. The first and second periods coincide with the ancient
literature, namely that of Kyiv Rus and the period from the second half of the
XVI up to XVIII century. The third relates to new Ukrainian literature of the XIX
century. Finally, the fourth belongs to the end of the XIX century the
beginning of the XX century. The characterization of each of these periods is
closely connected with the specification of the role of parable in the formation
of the aesthetic system in Ukrainian literature.

53

..
-

1900-30
.

XX .
.
, XX .
.
,
.

[10,. 124] ,
[30,. 145]
, .
,
[30, 99]
,
,
,
. ,

XX .
(20- .).
* , ,
[9,.22]. ..
, , , ,
[34,.261]. , 20- .
,

..,

1994

54

..

; ,
, .
,
XX .
, , , ,
. ,
, (,
),
.


, : 1900-1930 .
:
XX .
,
1928,1929 .
, .

, -
,
.

. -
[.6;20].
.
(1908) (1909). -

3 . () (1902).
,
22 23 ,
,
, ;

.
[19,.3-10].
1900-30 .

, , , - .

, .
. -
. .
[24]. ,
- . ,
- ,

55

^ , ,
.

14

, ,
: ,
,
, . .
: , ! ...
, , ,
, , , [17,.5,.305]
(, 1925). ,
,

, . ...
.
, ... ,
... , : , ,
, ,
, - . ,
. . ,
[17,.3,.409] (,1911).
. ,
.
- (1910).
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, ,
, ,
.
.
, ,
,
,

. , ,
, ,
, -. ... ,
, .
, ,
, [4,.2,.294],
.
,
,
,
.

. ( ) (1914)
:

56

..

.
, , ; ,
; , ;
, , .
:
, , ,
. , ,
, , :
, ! !
. . . [27,.2,.757].
,
:
, ,
, ,
, ,
, , .
(1913-1914)
,
, , - .



, [13,
.462]. , ,
:
, .
, ,
, , , :
_ ... (' . ..) ,
;
. . . ,
, :
.
[ 13, .480].
,
, . (1906).
,
,
.
(
)
, .
, , ,
, [19, . 313],

/, :
. *

57

...
...
... ,
...
, , , .
........., , ...
, , ...
, ... , .
...
... ...
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, :
.
! !
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...* [ 19,.312-314].
< ,
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),
1 , ,

.
, . (1907)

.
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[5,.2,.238]) (
, , , ,
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[5,.2,.239]).
.
,
; ... ,-
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, & , ,
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... [5,.2,.228]. ,
) , ,
[3,.2,.230].
^ ,

58

..

[5,.2,.230].
, , [5,.2,.244].
1917 .
- .
,
:
[., 21,
. 185],
[., 12],

(
. 1937 . [14]; -

(1918-22), ,

(, 1919-24),
.. ,

( , 1922 .
, 20- .
..). ,
,
: -

. ,
: ,
, ,
; -
.


(., .),

(.).
(1926)


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, . *,

.
,
.
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.
- , ,
.

59

, , ...
, .
,
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, ,
[7,.41,43].

,
,, .
-
.
:

[7,.44].
(
),
.
, , ,' :
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,
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[12, . 23].
* , , (
) (1930). , ,

.
. (
:
, ... [7,.393], )
, , , %
.
:

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;< .
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60

..

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[28,.61], 1920 .
. ,
(
), 1921. (1920) : ,

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[28,.51].
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. (.
. .).
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. ,
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. '
.
gor _ ,
[28,.84],
(1920).
.
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. ..,
,
,
[16, . 1-20].
. (.1,2 19<-6; . 192)

.

61

.
(.2 )
,
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: ,
,
:

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...
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:
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! [1 1,.361-362].

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(),

62

, (), .
(.), -
()
( ),
(),

() ,
().

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, ...,
, , ,
[2,.371],
,
(
) .


. .
-
.
, , ..
., ., ., . [33,. 164-186;
35, .225-261]. - ,
,

[32, .235,237; 3, . 17] [25,
.310-311].
. .
(1922) [31].
,

[23].
, ,
, ,

. ., ( .
- ...
.503]) _
, ,
,
. :
(
, .. *
). :
[29, .9], ,
,

53

. , ,
, ... , .
,
[29, .69]. , ,
[29, . 193], .
,
, .
, ( , )
' ,,,
-

. ,
,
.
,
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,
( ),
.
.

, ,
.
,

,
[8, .52].
,
,
, .
.

, :
(
),
(). ,
(. , 1751-73). '

. - , ..
, , , [22].
*,
XX .
^
, ^ . .
^ .
^ , ,

64

..

(
),
. - ^
( ),
( ),
(
, )

,
.
,
.
-.

.
- .
.
, ,
-.
, ,
,
.
. ,
, ,
.
, , *
, .
, hoi .
, ,
,
.
. , , ,
, ,
.
1. .. // :
. .1, ., 1987. .490-504.
2. .. //
. , 19S0. .369-3/ /
3. .. .
//
. , 19/9.
. 16-40
4. .. . ., 1911.
5. . . : 6 ., ., 1990.
6. .. . . 1, ., 1912.
7. . . ., 19S0.
8. .. - . , 1986.

65

9. . .
., 1977.
10. .. :
20- //
. ., 1974. . 122-177.
11. . ., 1989.
12. . III. . ., 1920.
13. . ., 1990.
14. .. . ., 1990.
15. .. .,1989.
16. .. .., 1906.
17. .. : 9 . ., 1965-67.
18. . . ., 1959.
19. 3. : . ., 1906.
20. : . ., 1913.
21 . . . ., 1918.
22. . . ., 1839.
23. .
// . , 1980, N
18. . 108-123.
24. .. XX . ., 1975.
. 25. .. . ., 1987.
26. . // . .74, ., 1903. .700-708.
27. . . : 4 . ., 1990.
28. . ., 1990.
29. . . .,1906.
30. XIX XX : . .,
1968.
31 . . .
// . . . . ., ., 1981, .40, .6.
.532-537.
32. .. , ...: //
. ., 1986. .219-248.
33. .. // :
. ., 1980, . 40. . 164-185.
34. .. .
// , 1990, N 4. .242-262.
35. . . . ., 1983.
14.02.92.
Summary
The analysis of the prose of the 1900-1930 gives the right to the author of the
given article to cbnclude that the character of Jesus in the analysed works has
not been shown to capacity. It's noted by richness of signs nature.
In Bulgakovs character of Jeshwa the sign is organically connected with the
subject matter. We consider here the lyrical nature of Jeshwas character, his
attitude towards truthful and tragedical aspects of life.

66

..^

. .

-
..

, ; ,
,
. ,
, ;
, .
(1,9-11)

.
,
[3, .304-306].


,
.
.. .

-
. , . .
, , .
,

. *
: (
) -
. *'

..,.1993

67

, ^
. ,
, ,
, ,
, .

. " .

.
.
-,

.
.
,

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,
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,
.
,
1
.

. , . .
| , (
,
), , , (

). ,
,
, -

.

, . .

, .
.
,
>. ,
: .

68

..

,
. . ..
[7, . 53]. .
-, [7, .25]. ., .. .
, , .
.. ..
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., .
,
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, . . [4, . 182]. ,
. ,
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,

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180 ,
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.
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.
30- .,
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). ,

69

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- [4, . 179].
-.
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70

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[2, .214].
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71

)! ,
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,-
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.
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72

. .

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73

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.,
[4, .114]. : (
), (), . ,

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[4, . 115].
,
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.
.

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74

..

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75

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[6, . 94]. ,
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76

. .

. -. . .

, -
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,
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,
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.
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.
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77

., , .
. , 8 ,
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,
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.


-. ()
, ,
,
, ,
.
( )
, .

.
, ,
, ,
,
.
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, .
,
, -
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78

. .

, ,
, ,
,
, ,
, ,
, ,
. , ,
: , , !
1. . .: 2 . , 1991. .1.
2. .. . // . .,
1978. . 179-187.
3. .. //
. ., 1973. .303-314.
4. . . : //
, 1984, N 11. .179-182.
5. . .
- // . , . . .,
1983, .42, N 2 . . 106-115.
6. . . //
- . , 1988. . 9299.
7. .. // . , . . .,
1979, .38, N 1. .53-67.
8. : .
, 1968, N 6. .24-71.
9. . XX .:
, . .: , 1988.
17.03.92.

Summary
The article analyses the dependence of the the material functioning upon the
writer's individual creative conception.
Analysing the artistic integrity of the novel, its form and content, philosophic
and aesthetic conception, space and time relations, we trace the transformation
of the literary and canonical subject models and characters.
The novel is regarded as a negative of a negative-novel, the structure oi
which subordinates all the levels of narration. The authors of this article rely
upon the literary investigation materials of the last decade.

79

. .

"
.

I .
( , , , , .). ,

,
-
! . (. 1970),
, (1970),
19 .

,

.
,
.
( ,
8 ) . -
,
,
. , , ~
,

.
- - I . -

, .., 1993

80

..

: (. 10:36) ...
, , , ,
, (. 12:25).

;
( )
:
. - , [7, .63].
:
, ... , . .
, ... [6, .78].
,

,
, ,

. ,
( ,
)
: , - ? [7, . 64], ,
, ... [7, .64], ,
[7, .64], , ?.. ,
... [7, .78] ..

,
.
, (
: , ,
, , ,
),
[1, .111-116, 11, 20, .465-470].
,
, ,
.
,

.

,
.
, ,
, .

.
-
. :
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, - .

81

? ,
,
...
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... [13, . 114].
XX . -
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: ...
? [. 12:48].
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,


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82

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. . [7, .63].
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, [7, .63],
.
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.
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83

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), . (1907),
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84

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86

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87

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88

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, - -
,
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89

, .
, .
.

, , . ,
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[14, .309].

XX .
. ,
,

, .

,

.
1. . . // : . 2 .
., 1988. .2.
2. . // . 1989. N 7.
3. .. // .. : .
. ., 1989.
4. .. : . . ., 1968.
5. . //
1989. 22 .
6. . . ., 1972.
7. . // . 1989. 1.
8. . . ., 1988.
9. .

// . : 2 . ., 1978. . 2.
. . // .
1989. 11 .
11 . . ., 1929.
12. ., . : //
. 1989. N 9.
13. . : . ., 1986.
14. .. : . . ., 1986.
] 5. . //
. 1989. N 3.
16. .. . . .,
1987.
17. . 1- // ..
..: 20 . ., 1964. .12
18. . //
. 1988. N 12.
. // . . . ., 1968.

90

..
20.Frenzei . Stoffe der Weltliteratur: Ein Lexikon dichtungsgeschichtlicher
Lngsschnitte. Stuttgart, 1983.
31.01.90.

Summary
The peculiarity of the transformation of Evangelical plot of the psyhologic
drama by A.Volodin Mother of Jesus, completing the fate of the crucified man
is analyzed in the article. The action is focused on the research of the
mythmaking process and canonization of Christs preaching, which is distorted
by the characters of the play to cater for political ambitions. Godifyng of Jesus
is viewed in the context of evolution of evangelical image in the world literature,
the humanistic contents of Jesus philosophy asserting the self-value of moral
being of a man being emphasized by the playwright.

 ..

91

..

. .:

.. XX
.
, ' ,
1911 . ,
, .
'
.

,
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, ..
.
,
, ..
, , . ,
'

.
..
. ? ,
, 1975 . [7]. ,
.. ,
.. -
. ,
, .. ,
,
.., , -

.., 1993

92

..

.
..
.

..


[. . , 12].
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, ,
,
.. [6, .209-210]. ,

..
, , ..,
. [9, .149] .. [3, .97].
..
.
..
.

.., , .
,

.
.. 1952 1956 .
1961 . .
7 .
8 . .
,
, .
.
[5, .165], [9,
.146], [6, .66].

.

. ..
,
() .


,

 ..

93

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[8,..4].
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, [4, .23].

,
[10] .. [1].
,
, ..

, ,
. ,
. ..
:
. [8, .22].

94

..

..
()
() .
,
.
. , .,
, ,
, ,
:
I counted the tall of her feet
from turret to turret;
will the count even yesterday's?
will there be five over?
this was a game I played,
a game of prophecy;
if she turns and shields her eyes,
gazing over the plainyes ;
if she waits as she waited
day before yesterday,
for ten heart-beats
before the second gate no ;
what was the question
to which she gave the answer
with the measured fall of her feet,
or her pause over the rampart
that bridged the iron-gate? [8, c.53-54].
(.: 1).
.
, ,
. , ,
, ,
.
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,
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,
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95

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96

..

. .
.
-
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,
() , [8, . 15 17].
[8, . 142].
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.

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97

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.
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.
,
.
.
,
^ . .
will she reject me?
we will hide,
a hooded cloak was thrown over me,
now it is dark upon Leuke;
the same whisper had lured me from Sparta
we will hide among the apple-trees... [8, c.117].
(.: 2).
, ,
.

, .
, ,
, , ,
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, .

.
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.

98

..

.. ,
.
.


.

..
.
, ,
,
1.
,
?
?
, ,
;
, ,
;
,
,
,
;



,

2. ?

,


> ...
1. .. // . ., 1986.
2. Derrida J. Plato's Pharmacy. // Disseminations. Chicago, 1981.
3. Duplessis R.B. H.D.: The Career of that Struggle. Brighton, 1986.

 ..

99

4. . The Limits of Interpretation. Bloomington, 1990.

5. Freibert L.M. From Semblance to Selfhood: The Evolution of Woman in
H.D.s Neo-Epic Helen in Egypt //Arizona Quarterly, 1980. N 36 (2).
6. Freiman S.S. Psyche Reborn: The Emergence of H.D. Bloomington,
1981.
7. Freidman S.S. Who buried H.D.? A Poet, Her Critics, and Her Place in
The Literary Tradition.//College English 1975. N 36 (7).
8. H.D. [Hilda Doolittle]. Helen in Egypt. New York, 1974.
9. Hirsh E.Ai Imaginary Images: H.D., Modernism, and the Psychoanalysis
of Seeing. // Discontented Discourses: Feminism / Textual Intervention /
Psychoanalysis. Champaign-Urbana, 1989.
10. Kristeva J. The Novel as Poiylogue. // Desire in Language: A Semiotic
Approach to Literature and Art. New York, 1980.
11 .Mandel C. The Redirected Image: Cinematic Dynamics in the Style of
H.D. (Hilda Doolittle). // Literature / Film Quarterly. 1983. N11( 1) .
\2.0striker A. A Word Made Flesh: Bible and Revisionist Womans Poetry. //
Religion and Literature. 1991. N 23 (3).
18.01.94
Summary
H .D .s Helen in Egypt is a long poem structured as an interpretative quest for
meaning. Made up of the overlays of variant myths generated around the figure
of Helen of Troy, H.D.s poem examines the correlation between tradition and
its re-interpretation in the process of reproduction of literary discourse. It is
argued that Helen in Egypt is a self-reflexive text characterized by several layers
of meta-commentary. Its meta-aspect is revealed both on the thematic level
and on the structural level by means of various palimpsestic and polyglossic
tecniques. The application of these techniques produces the polyphonic text
which explores and reflects upon its status as an instant in the continuous
process of translation/interpretation of tradition.

100

..

.
8
XX '

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1. ;
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;
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[4; 5].
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.
, ' . '
(1923), . (1932), . .3
(1943), . (1953), 0'

..,

1993

101

: . (
) (1801),
'* (1730 1762), .
, (1893 1895).

. , .,
. [7], ., ., ., .. . [8],
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, .

102

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103

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* 1- 1429 ., , 2- 8 1429
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104

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. [9, .594].
.
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105

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106

..

,
.
, , .
,
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[1, .216].
, , , ,
: , , , .
,

.
, ',
, ,
, , , ,
.
1. . . ., 1969, .2.
2. .. //
. ., 1973. * .303-314.
3. ..
[ // . , 1988, N 6 . . 11-19:
4. . XX .
., 1988.
*
.

107

5. .. . , ,
1992.
6. . '
. .. .8. .,1964. .5-398.
7. ..
( '
). , , 1963.
8. ..
- //. .> 1992. . 151-166.
9. . . ., 1960.
12.07.93.
Summary
Referring to the image of Jeanne d'Arc, authors of conceptual plays /
B.Shaw, B.Breght, J.Annoui / and M.Twain in his novels raise universal human
problems and at the same time present them as the opposition of two sociohistorical times. Discussion about man, his historical, heroic and tragic struggle
lor freedom of action and spirit, for what is natural and eternal, discussion
about humanity capable of both grandeur and meanness is central in the works
in question.

108

..-

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: ... , ,
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, , *
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. ', 20
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, .

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XIX . 4
?
. 1855 .
. ' ,
,
.

, - .., 1993

 _____________________

109

,
. .
, .
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,
, , , .
.. [7]
,
. , .
:
(1862), (1863),
(1868),
Opinion Nationale [10].

. 50- ,
, 1857 . (,
, ..),
, ,
, .
( )
( ) .

. (
), (1862).
1861 .
(1862, N 4) . 50- ,
,
. 185S . .
- 1863 .,
.
(, 1865),
Rodinne kronice (1864) Obrazech
ivota (1864).
. . ?
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. [2]. ,
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... [5, .196].
.
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110

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111

. , 200
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112

..-

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, , .
,
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.

[6, .416].
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,
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.
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, ,
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[8],
(1845).
1874 . . ,
, . ,

. , .
, , , . ,
? [5, .53]. :
, , . :
[5, .54]. ,
,
,
[5, .194].
[5]
[9,
.2]. : , (,
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,
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).
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113

1. . - //
- . , 1926.
2. .
// . ., 1993.
3. . . ., 1926. .4.
4. Frit J.V. At zije Ukrajina! // esti radikalni demokrate. Praha, 1953.
5. Frit J.V. Ivan Mazepa. Praha, 1865.
6. Frit J.V. Politick clanky z lat 1847-1864. Praha, 1956.
7. Frit J.V. a demokraticke proudy v eske politic a kulUtfe. Praha, 1956.
8. Literarni archiv na Strahove.
9. Neruda J. Referat o premiere Frktova Mazepy // Narodnilisty. 1874, 4
VIII.
. Nationale. 1867, 14 VII.
10.11.93
Summary
Josef Vaclav Fri6 is the famous Czech writer and journalist of the 19th century.
The Ukrainian theme is the main theme in his poetry, in dramatic works and
articles. His tragedy Ivan Mazepa is the objective history of the Ukrainian war
of Liberation; Frics Mazepa is one of the first realistic images of hetman in
literature.

114

..

..
...

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-

.

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.
.,
, [2; .87].

(.),
,
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,
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,
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?, ,
: 1} , 2)
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., 1994.

115

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116

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118

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120

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122

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129

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1. .. . .: , 1988.
2. .. ., 1979.
3. ., .. ., 1973.
4. . .
, . ., 1978.
5. . . ., 1976.
12.03.92.
Summary
In this article the plot realization of the ideologically directed high word
together with such speech genres as father's parting word, accusation, oath
etc. is for the fpst time analysed as a part of the so called traditional word
Analysed on the basis of comparison o f , Cervantes's Don Quixote and
^ Dostoevskys novel The Idiot

130

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[16; 21],
[23], [14; 18; 22],
[19], [15; 18].
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., 1993

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136

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142

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143

-
:
., ..
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(1894) ., ..
, : 1.
,
- . 2.
,
. 3.
.
1. A B . : -
., 1985.
2. . // . . ., 1935
3. . . ., 1957.
4. .. // .
. , 1984. .3-22.
5. . ,
// , 1986, N 39. .18-19.
6. . // , 1932, N 5-6
7. . ,1966.
8. . // . , 1964.
.2, .622-625. *
9. . , .. . ,
1971.
10. . , 1982.
11 . . ., ..
. ., 1974.
12. ., ., , ,
//. . . 1934, N
8. .11-18.
13 Brandi L Vordefoesche Robinsonaden in der Wertliteratur // Germanisch
romanische Monatschritt. Weimar, 1913. Nr 5.
1A.Bruggemann F. Utopie und Robinsonade. Weimar, 1914.
15. Dottin P. Daniel De Foe et ses romans. Paris, 1924. V.2.
16. Gove Ph. B. The imaginary Voyage in Prose Fiction. London, 1961.
U .H ettner H. Robinson und die Robinsonaden. Berlin, 1854.
18. Kayser W. Kleines literaturisches Lexikon. Mnchen, 1961.
19. Mann W. Robinson Crusoe en France. Paris, 1916.
20.Staverman W.H. Robinson und Robinsonaden in Nederland. Groningen,
1907.
21 .Ullrich H Robinson und Robinsonaden: Bibliographie. Weimar, 1898.

144

..

22. Ullrich . Defoes Robinson Crusoe: Die Geschichte eines Wettbuchs.

Leipzig, 1924.
23. Wagner H.F. Robinson in Oesterreich. Salzburg, 1886.
24. Wilpert Gero von. Saschwrterbuch der Literatur. Stuttgart, 1964.
25. Wrterbuch der Literaturwissenschaft. Herausgeber Claus Trger.
^

16.02.98

Summary
The article analyses different aspects of robinsonade as one of the most
wide-spread plots in the European literature. This plot is marked by a
remarkable universality, it puts various pedagogical, social, ethic, scientific
questions. Robinsonades include different forms of reception of Daniel De
Foes Robinson Crusoe (translation, adaptation, imitation, etc.).

145

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(1337-1453)
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. ., 1995

146____________________ _ _ _ __________________

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158

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. . . ., 1972.
. : 4 . ., 1968. .1.
.. . . , 1974.
. ' : . ., 1928.
. : . . , 1970.
. , .
., 1908.
7. 3 . . ., 1966.
1.
2.
3.
4.
5.
6.

159

8. . . ' / / .
1968. N 10.
9. . . . ., 1869.
10. .. . . .. ., 1907. .2.
11. . ' . ., 1920.
12. . . : 10 . ., 1976. .6.
13. .. ' : , , . ., 1982.
14. . . .: 8 . ., 1957. .1.
15. . : . .,
1980.
16. . / / , 1977, N 12.
17. . . . .: 8 . ., 1957. .1.
18. Delaporfe Jean. P^guy dans son temps et dans le notre. Paris,
1967.
19. Dru A . Peguye (Life and W o rk ). N ew York, 1956.
20. Mignon P.-L. Claude Verm orel / / L'A vant-Scene. Theatre. 1969,
N 314.
21. SenartPh. Goseph Delteil: Chemins critiques. Paris, 1966, p .8 9 -9 2 .
15.11.93

Sum m ary
The subject m atter of Functional specific fetures of the creative
interpretation of the historical personality (Jeanne d 'A rc in modern French
literary tradition)" is the functioning of tne historical personages which
b ecam e Traditional Im ages in the literary te x t, the correlation of
genuineness and fiction in the presentation of historical personalities,
shown either as an ideal, or a m odel, or a symbol, or an allegory, their
perception by French and non-French national tradition. The significance
of cultural context in the image modifications is judged on the basis of
analysis of modern French literature (Ch.Peguy, A .France, G.Delteil,
K .V erm orel, J.Anouilh).


1. .'
2. ,
' ( ) ,
, ( )
. .
, ,
,
.
3. ( ) (
) ;
( ) :

..,
-.
XX
4. 12
( );
, 60 . ,
, .
5.
.
, .
. .,

1. .. //
, 1988, 6. .11-19.
2. .. . ., 1978.
3. .. //
, 1992. . 151-166.
4. Frenzei . Stoffe der Weltliteratur: Ein Lexikon dichtungsgeschichtlicher Lngsschnitte. Stuttgart, 1993.

, .
.
6.

( ).
7.
0,5 , ,
.
^ : , ',
', , , ,
, . .
9.
, ,
.
'


..

Contents

3 Volkov A.R. Traditional Plots and Images

( )
(Some Theoretical Aspects)
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.. 42 Klymyuk Y.l. Functional meaning of

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.. 79 Niamtsu A.Y. Transformation of the

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Don Quixote and Dostoevskys The
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