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More precisely, parrhesia is a verbal activity in which a speaker expresses his personal relationship to truth, and risks
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1900, , , , 1900.

HETEROTOPIA OF THE HOUSE OF MADMEN

IN THE COMEDY FRLEZIJA, WRITTEN BY IVAN STOJANOVIC FROM DUBROVNIK
The comedy of Ivan Stojanovic, the leader of the movement of Catholic Serbs in Dubrovnik in 19th century , is
percieved on the ground of social theory of Michel Foucault . Unusual place of play madhouse is understood as a
heterotopia of deviation , Foucaultian other place to the society which has established it, and populated by individuals
whose behavior deviates from the norm and threatens civil order. The specific functions performed by heterotopia are
observed - the coexistence of otherwise remote areas and disfigurement of real worlds illusions. A variety of therapeutic
practices - healing by theater, recognition in the mirror are monitored and interpreted, as well as the authority of doctor.
On the course of the new historicism, the thema of madness is taken out of the private sphere and associated with times
of crisis in Dubrovniks society . The rebellion against the order, expressed by two main characters, has been discussed:
the mesalliance of the one, and parrhesia (freedom of speech understood as a duty) of the second . The genre features of
comedy of intrigue , erudite comedy , comedy of character and nature , and so far unrecognized , features of tragicomedy,
are percieved . The self-fashioning of identity of the author , and the impact of this process on the main character, are the
subject of analysis.
Keywords: comedy , tragicomedy , Dubrovnik, Serb Catholics , heterotopia , parrhesia , madness, self-fashioning of
identity, new historicism.