Professional Documents
Culture Documents
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77 .................................................................................. (E)
87 ................................................................................... (F)
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129 ................................................................................ (L)
139 ............................................................................... (M)
161 ................................................................................ (N)
169 ................................................................................ (O)
177 ................................................................................. (P)
203 ................................................................................ (Q)
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Safadelali@yahoo.com
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MP3 .
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A/B ing
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Absolute threshold
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Absorption Coefficient
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Accent Microphone
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Alignment Tape
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16
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17
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21
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23
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24
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Bass Reflex
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Bass tip- up
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25
Bass Trap
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Bass woofer
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BCD
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Alexander Graham Bell
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27
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Bidirectional microphone
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28
29
Bit rate
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bit rate CD MHZ 4/3218 106
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Boundary microphone
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33
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Bus
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Bus in
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34
Bus master
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Bus out
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Bus trim
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Busy Background
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Buzz
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Bulk tape eraser
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Byte
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Capacitor
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38
Capacitor Microphone
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39
.
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Cavity Resonance
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ITU
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CD .
. CD
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CD CD )( CD .
0 1 CD .
CD .
40
CD changer
CD CD .
CD-R
CD ) .(CD Recordable
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CD-ROM
CD-ROM
. CD
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CD-RW
CD ) .(CD Rewritable
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Center frequency
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fader
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Clip clipping level.
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44
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Cocktail-Party Effect
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Coincident-pair
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Coloration
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.
45
Comb filter
Comb-filter effect
.
Combining amplifier
.
Combining network
.
Commag
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Commentary
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Narration Narration off- screen
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Comopt
46
.
.
Compander
) (compressor
) Compander .(Expander
) (Encoding
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Composite sound
)(
Compression
.1
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. )
( AAC MLP MP3 ATRAC .
Real Audio Microsoft Media
.
47
Compressor
.
.
Complex wave
.
Comping
.
Composite tracks
.
Compression Ratio Slope
) (dB )
(dB . 2 1
2 1
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Compressor
.
48
.
Consonant
Constructive interference
) (
Condenser mic
Condenser capacitor .
condenser mic
.
.
Constricted
.
. ) . pinched (.
Contact microphone
.
49
Control Room
:
.
) (monitoring
.
Connector
.
.
Consol
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Contact pickup
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Controller surface
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.
.
controller surface USB
50
MIDI.
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Cottage loaf Response
.
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.
Crest factor
) (peak )(rms
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. 4 10
12 20 dB
. Headroom
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Critical band
)(
.
51
Crossfade
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Crossover
) (20HZ-20KHZ
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50
(20HZ-
) 20KHZ .
.
Woofer 800HZ
800HZ
Midrange & Tweeter .
800HZ 800HZ
. Crossover (linkwitz-
(Butterworth Bessel Riely .
crossover
DB
DB
octave
decade
crossover.
Crosstalk
.
52
Crosstalk .
Db .
Crisp
. .
Crossover frequency
-3 .
Crossover passive
) (
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Crystal microphone
.
.
.
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.1
53
Sono Aux .
.2
.
Cue List
) Edit decision list (.
Cue mixer
cue
.
) (Auxiliary cue mixer
.
Cue sheet
. ABS
.
Cue system
.
Current
.
54
.
i I .
Cut off frequency
3db
3db )frequency
(corner .
Cut- only equalizer
. notch equalizer band- reject
equalizer . odb
.
C- weighting
) weighting filter (.
Cycle
)(D
DAB
Digital Audio Broadcast
. DAB
. DAB
CD ) (Meta Data
) (Audio Data .
DAC
Digital- to- Analog converter
D/A
DAC .
.
Damping factor
back emf
.
56
Dark
) (bright
)DASH (Digital Audio stationary Head
2
48 ) (Track DASH .
12 76 . DASH
Sony studer
) (multitrack .
Data compression
data reduction ) . ATRAC Compression
MP3 (.
)DAT (Digital Audio Tape
DAT
) (Video recorder .
DAT 93
32 44/1 48 .
1985 AES .
)DAW (Digital Audio Workstion
.
DAW
57
.
)dB (decibel
Db .
. ) (v
) (power ) (pressure
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.
. :
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:
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-50db -60db
line 10db +4db.
)DCC (Digital compact cassette
. DCC
DCC .
58
.
Dead
) (Reverberation .
.
Dead
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Decay
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De- Esser
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) (compressor 5
10 .
Delay line
.
59
Delay
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. 330
.
.2
. Delay
echo Reverb
flaning Phaseshift ... .
Delay
.
) (Delayer
. Delay
) (Delay .
Delta- sigma modulation
1984
1974 James c. Candy .
Delta- sigma A/D
.
Depth
.
. depth
60
.
Demagnetizer
.
)Device under test (dut
Diatonic
Diffraction
) (
Diffuser
) (
Directionality
Diphtongue
Dissyllabic
Distributed spectrum
61
Dialogue tracks
)( .
.
: .
Dialogue
.
Diffraction
.
Digital audio
.
Digital audio data compression
.
62
.
Digital filter
.
........
Digital audio broadcasting
)Digital Signal Processor (DSP
Digitization
.
Dim
.Talk back
Direct box
.
.
Direct box .
.
63
Direct sound
.1
) .
(.
.2 .
.3
(Multi Media Extersions) MME.
Directional pattern
.
Directional mic
.
super cardioid Stereo hyper cardioid :
directional.
Disc
:
) (compact disc ) CD-ROM (Laser dise
DVD .
64
65
Dolby A
.
.
) (Compressor ) (fxpander
.
) (Audio mosking
. :
. .
Dolby B
.
) (
19
:
.
.
66
.
Dobly B Dolby A .
.
Dolby Digital
.
DVD DTV HDTV .
AC-
3
.
) (Decoder AC-3 .
) (Encoder )AC-3 (Decoder
. 5/1
)Enhansment
(Low frequency LFE.
Doppler effect
.
.
.
(1803- dohann
67
68
69
.
Dubbing
.1
.2
.
Ducker
)(Dynamic processor
.
) (paging .
.
Duplex sound track
.
.
DVD- Audio
DVD 8
. 18
192 .
146 ) ( .
70
DVD
DVD Digital Video Disc
Digital Disc
versatile . DVD
CD 10 .
DVD .
Dynamic controller
.
) (compressors ) (limiters (noise
) Gate ) (Expander
.
Dynamic microphone
.
) (Diaphram
.
.
30 .
200
.
71
Dynamic range
. db
) (s/n .
.
db .
Delicate
15 20 .
.
Depth
.
) (Transient Responsel
.
Detailed
.
.
Dry
. .
72
Dull
) dark (.
Decay
) (Envelope
.
decay.
Decay time
) reverberation time (.
Decoded tape
. .
De-esser
)
( . 5
10 .
)Demagnetizer (degausser
)
( ) (Head .
Design center
)
73
( 10 15 .
.
design center .
Designation strip
)
.(.
Desk
) . (. .
Destructive editing
. .
Diffusion
.
Digital recording
.
74
Direct X
.
Dolby tone
. .
Doubling
15
35 .
. doubling
.
Drop-frame
SMPTE
00 01 .
Drop-out
.
Drum machine
75
.
Dual channel sound-in-syncs
Dynamic range compressor
D- weighting
) weighting filter (.
)(E
Eardrum
EAI rating
) (matched load
dBm . dBm
). SPL+dB (EIA rating
Early sound
) 50(
) (Direct sound .
Earth ground
.
.
78
EASI
Enhanced Audio Streaming Interface
Emagic EASI .
.
)EBU (European Broadcasting union
.
Echo
50
.
.
Echo canceller
(Digital signal processor) Dsp
) (Echo .
.
.
) (Echo canceller .
.
Echo chamber
79
) (Reverberation .
Echo plate
. ) (Transducer
) (contact microphone
.
.
Echo wave form
.
.
Eedgy
.
.
.
edge
.
Edital
80
.
Editing block
) Edital (.
Editing
)( .
:
.
)EDL (edit Decision list
.
Effects
. ) (Reverbration )(Echo
Flanging ) (doubling
.
81
Effects bus
)( )
( .
Effects loop
.
Effects mixer
.
)Effects return (aux return
.
.
bus in .
.
)Effects send (aux send
.
82
83
Electrostatic field
.
Electrostatic interference
.
Emberhard effect
) (effect
.
.
Encoded tape
.
End-addressed
.
84
.
.
Environmental sound
: .
)Equalization (EQ
.
Equalizer
.
.
.
.
.
) (Delay .
Equal temperament
85
Erase
.
.
Erase Head
.
.
Erasing
.1
.
.2
.
Etched
.edgy
10 .
Exciter lamp
) (optic
.
.
86
Expander
)(Dynamic Range
.
Expander
.
.
.
Eustachian tube
) (
Extinction frequency
) (Gap .
.
.
6
.
10 .
)(F
Fat
full warm .
.
Fading
Far field
)FFT (Fast Fourier Transform
.
FFT . Cormelus
Lanczos 1940 .
.
)FIR Filter (Finite Impulse Response
88
.
. FIR
.
Fade- Out
) (Level .
Fade- In
) (Level
).(0dB
Fader
Fader .
.
Fast forward
.
Feed Reel
Supply Reel .
89
Feed
.1 .
.2 .
)Feedback (Acoustic Feedback
.
.
) (Loop
. .
Feedback Suppressor
.
)Feedback (Electronic Feedback
.
.
. 180
.
90
.
Fiber Optic
.
. ) 50(
.
Figure-Eight Response
) 8 (
.
Filter
.1
.
.
) (High Pass ) (Low Pass (Band
) Pass ) (Notch filter
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Fishpole boom
91
.
5.1Surround Sound
MPEG
.
) (LD DVD DVT .
" "5 " "5.1 )
( . .1
) (Optional . Subwoffer
.
5.1 Surround Sound Dolby Digital
DTS.
Flanging
0 20 . .
flanging
. flanging
) (comb filter . flanging
.
Fletcher Munson Effect
.
.
92
.
Fletcher-Munson Curves
Fletcher Munson 1930
.
3KHZ 4 KHZ
.
3
4 .
) (
.
.
Phon Son .
Floor Mixer
.
Float
.
93
Flux
.
Fluxivity
.
)Fly-in (lay-in
)
( .
DAW
) (fly-in
.
.
Flat
Flutter
Flutter Echo
.
Foldback
94
.
Multitrack
.
Foley
.
Foley.
Formant
) (
Foreground music
) (background music .
Focused
.
Focused
.
95
Forward
2 5
.
Four-Channel Stereophonic Film
.
.
Surround Sound
.
Fourier theory
.
.
Frame Noise
.
.
Frequency
.
. ) 100(
) 10000(.
96
Frequency Response
.1
.
.2 )
( .
Frequency analyzer
Frequency shift
)Frequency modulation (FM
.
Fret buzz
) (
Free field
) (
Free- field room
. .
Full
.thin .
97
100 300.
Full Track
.
Fundamental
)(
.
)(G
Gain
. 20
2 Gain 10.
Galvanometer
.
.
. 7u
.
Gap
Gap . 40
Gap 20 .
Gate
) Noise Gate (.
100
Gated reverb
.
)General MIDI File (GM file
MIDI
. general MIDI
MIDI ) GM (.
Geometric theory
) (
Generator
Generation
.
generation generation
) generation ( .
Generation loss
) (
.
Gentle
.edgy
.
101
Clere Glassy
edgy . bright
GOBO
GOBO . go-between.
Granulation Noise
quantization
.
Graphic equalizer
.
20 20000
.
Group Delay
.
) (Group Delay
.
Groups
Group fader
102
. group fader
.
Grainy
. )(Inter Modulation
I.M .
grainy
.
Grungy
.I.M
Ground
.
Group velocity
Ground bus
.
Grounding
.
) (grounding
103
.
.
Ground loop
.1 .
.2
) ( .
) (ground loop .
GSIF
. Giga Sampler InterFace
Nemesys windows
) (low latency.
Guard Band
) (Crosstalk
.
Guide Track
.
)(H
Harmonica
Harmonium
Harpsichord
) (
Harmonic series
Harmony
Haas Effect
.
106
:
.1
.
.2
) .
(
.3
.
.4
.
) (Hass Effect
) (Muhichanrel Surround Sound
.
Half-Track
. Half-Track
) . (.
Hamster Switch
.
107
. PanPot
) (Left ) (Right .
Hard disk Recorder
) (digital Audio Workstation) DAW (.
Hard disk
.
Hardware
.
Harmonic Distortion
.
.
.
.
.
(Total Harmonic Distortion)TDH
.
108
Harmonic Series
.
1KHZ 2KHZ
8KHZ 4KHZ 16KHZ 1KHZ
.
Harmonizer
.
Hammond organ
HDCD
) .(High Definition Compatible digital
Pacific Microsonics ) (encoding
) (decoding 88.2KHZ
24bit CD DAT
.
HDTV
) .(High Definition Television
16 9
Pixels
.
109
Headroom extension
) hx (
Helicotrema
Head Set
) (HeadPhone
. Headset
.
Headroom
) (Dynamic Ranse
dB headroom .
.
+4dBu
) (clipping +20dBu (20-4) 16dB headroom
. headroom
.
Headroom (0
) VU TDH = %3
.
110
Helmholtz Resonator
.
) (Resonanse .
Hertz
Hertz .1 (1857-1894) Heinrich Rudolf Hertz
.
.2
.
Hexadecimal
16 0 16
. 9 A F
.
) (binary .
High-Pass Filter
.
.
High-Speed duplication
.
Holophonic
111
) (Holography .
Howlround
.
) .
Acoustic Feedback) Feedback (.
Hybrid Telephone
.
.
Hypercardioid Microphone
12dB
6dB
110
.
Hypercardiodid Response
.
112
Hard
3
.
Harsh
.
2 6 .
Heavy
50 .
.
Hollow
Honky . .
.
Honky
. 500 700.
Harmonic
.
HD
) Hard-disk drive (.
Head
113
.
Head Gap
) Gap (.
Hearing level
Hearing threshold
Headphones
.
Hiss
.
.
Hot
.1
.
.2 .
114
.3
.
Hum
) 50 (
.
AC .
.
Hi-fi system
)
(.
Hiss
Homogeneity
Horn
Horn loudspeaker
115
Hydrophone
Hypersonics
)
(
Hybrid
) (.
Hypersound
Hysteresis
Hysteresis loss
)(I
)IC (Integrated Circuit
:
... .
) (chip
.
)IEC (International Electrotechnical Commission
.
IEEE (Institute of Electrical and Electronic
)Engineers
.
)IIR filter (Infinite Impulse-Response
.
118
Image
][
.
) (
.
Impedance
.
ac
) (Impedance .
Z
) X C
R + (X
2
=Z
. R XL
XC .
.
Impedance tube
Impulse
Impulse response
IMD (Intermodulation Distortion)IM
.
. : f2 f1
119
f3=f1-f2 f4=f1+f2
-f5=f1-2f2 f6=f1+2f2 .
) (Intermodulation Distortion.
In phase
Inhomogeneous
Incidence
Incident Sounds
...
.
Incus
) (
Indigenous Sound
.
(Direct
) Sound .
120
Indirect Sound
) (...
.
Infrasonic
.
.
Inline console
Input
. .
input
.
Input Module
. ) (Input Module
) (PEL
)(Aux
.
Input Section
) (Input Module
.
121
Insert Jacks
) Access jacks (.
Intensity of Sound
.
I
I
Io
10 Log
dB
. Io
210-4 I .
Intensity stereo
)
(
Inter aural delay
Inter- aural intensity difference
Interference
Interference Tube
)(
.
122
.
.
Interleaving
) (rearranging
.
Inverse Square law
.
.
(Sound SPL 6dB Pressure
) Level Inverse squre law.
Interpolation
)I/O (Input-Output
. I/O
.
)ISO (International Standards Organization
1947
123
90 ISO .
.
)(J
Jack
).(plug
Jitter
.
Jitter .
Just
) (
)(K
Keyboard
Key Sounds
.
Keyboard workstation
)
MIDI (
Kettle drum or tympanum
)KHZ (Kilo Hertz
1000 ) (.
Killo
k .
128
Kick drum
) (
)(L
Lw
W
W0
M2
12
Wo = 10
= 10 log .
P
Pe
5
) ( Pe = 2 10 N 2
M
Lp
20 log .
Lape microphone
.
.
130
131
.
Laying Track
.
Leader
.
Leakage
Leakage .
Lay-In
) Fly-in (.
)LCD (Liquid Crystal Display
.
) (Labtop LCD
.
Leslie loudspeaker
132
LED indicator
.
LEDE
Live-End/Dead-End
.
:
.
.
Level Setting
133
. vu PPM
.
Level
.dB
dB .
Leveler
.
.
)( .
Longitudinal wave
) (.
Loop gain
Loss
Localization
.
134
Location Sound
Live Recording .
Loop
.
Loop
Loop .
Lossy
) digital audio data Compression (.
Loudness Curves
) (Phone .
1KHZ 40SPL ) (Loudness 40
40SPL
. )(Loudness
.
:
.
.
135
.
) . Fletcher-
Munson curves (.
Low-pass filter
DC .
) (Low pass filter
) (cut off
. Anti-aliasing .
)Low-fi- (low fidelity
. .
Loudspeaker
)( )
( .
Lobe
) (
Liquid
.grainy .
.
Live
.1 .
.2
136
Line array
Line spectrum
Line Level
) (Balance (+4dBm) 1/23V
(-10dBV) 0/316V.
Line echo Canceller
) Echo Canceller (.
)Linear PCM (Linear Pulse Pide Modulation
) (Compressing
) (Processing .
Linkwitz-Riley Crossover
Crossover
(4th-Order) 4
24dB/Octave .
Limiter
10 1 . ) (Limiter
137
)(threshold pont
.
+16dBu 20 1
10dB +36dB 1dB
+17dBu .
) (over load
.
.
Lip Sync
.
.
Lip-ribbon Microphone
.
Live Recording
.
.
138
Live Studio
-2
) (mixing
.
Live room
)LSB (Least significant bit
) (Digital Word
.
)(M
M
Mega ) (.
)MADI (Multichannel Audio Digital Interconnect
AES3-1993 MADI
) (Multitrack .
routing
. MADI
AES/EBU .
MDI 56 . 56
.
)( 50 50 .
32 48 .
40 ) (bit rate 125
Mega bit per second.
140
Major tone
Masking level
Master
Magnetic head
Malleus
Maximum operating level
)Mage-Opt (Magnetic-Optical
) (Optical ) (Magnetic
.
.
Magnetic Film
35 16
.
141
.
Magnetic Recording Tape
.
Magnetic Sound
.
Magnetic Stripe Attachment
.
Magnetic Stripe
.
Magnetic Tape
:
PVC
.
.
Magnitude
.
142
Mask
. ) (masking
.
Master Fader
. Master Fader
.
Master Tape
.
Matrix-Mixer
Router ) (processing
. Matrix-Mixer
... .
Matrix-Mixer 32 8 .
)Magneto-optical drive (MO drive
) ( - )(MO
3/5 .
143
)( )(
.
)MD (Mini Disc
MD .
CD 2/5 .
MD ATRAC .
)MDM (Modular Digital Multitrack
.
. Alesis :
ADAT-XT .Tascam DA-88 MDM
) (Multitrack .
Mellow
. . edgy
Mean amplitude
Mega
) (bit )(Hertz
144
Mean tone
Mechanical reactance
Mel
)
145
(.
)Meridian Lossless Packing (MLP
) 20 20000( 24 96
. DVD-Audio
.
Microphone sensitivity
Mid-range speaker
Minor tone
Missing fundamental
Minor
146
MIDI channel
MIDI
. MIDI 16 .
.
Micro
) .(11000000 :
= 11000000 Micro . )( .
Microprocessor
) Microprocessor (.
Microprocessor
. Microprocessor
.
Midlift
.
Mike man
) (Boom .
Boom man .
147
Mix down
. :
) 16 (Multichannel 24
.
Mix-Minus
Mixer ) (Mixing
. Mix-Minus
. :
. 1 2 8
2 1 3 8 3
12 4 8 .
.
Milli
1
1
)
( 1 : =
1000
1000
Mixer
.
148
) . Audio
Mixer (.
Mic level
2 .
Mic Preamp
) Preamplifier (.
Microphone
) (
.
Microphone techniques
.
MIDI controller
) breath controller (
MIDI .
.
MIDI/Digital audio software
MIDI /
.
149
MIDI in
MIDI )( MIDI
.
MIDI interface
MIDI
MIDI interface .
) (MIDI MIDI .
MIDI out
MIDI MIDI .
MIDI THRU
MIDI MIDI in
MIDI .
)MIDI Time Code (MTC
MIDI
MIDI . MTC SMPTE
.
Mid-side
)(coincident-pair
.
150
.
Milli
m .
Mike
.
Mix
.
) (dry
) (delayed .
Mixing console
.
)MIDI Machine Control (MMC
MIDI
. stop start :
MMC .locate MTC .
Mic
. Microphone
151
152
.
.2 )
(.
Mono-compatible
. )(mono-compatible
.
Moving-coil microphone
.
. )
( )
..(.
Mother disc
Motional impedance
Modal
) ( . ) ( .
Mode .
153
Mode .
.
Mode
) (
Mode of vibration
)MOR (Magneto-Optical Recording
-
.
Modulation
.
.
.
FM
AM AM FM
.
Modulometer
.
154
Monitor Mixer
) (Mixer
) ( foldback Mixer
.
Monitor
.
Montage
) (Editing .
Moving Coil Microphone
) . Dynamic
Microphone (.
MO Drive
) Magneto-Optical Drive (.
Modulation transfer function
Most significant bit
155
156
.
)MPGA (Music Producers Guild of the America
.
)MSB (Most Signification bit
.
Muddy
.
I.M .
.
Muffled
.
.
Multimedia
:
.
Multiple Sound Track
16 35 .
.
157
....
Multiplex
. .
.
)Multitrack Sound (Multichanel Sound
)(
. :
.
.
70 6
.
.
MUSICAM (Masking Pattern Adapted Integrated
Universal Subband Intergrated coding and
)multiplexing
CCETT IRT Philips
.
158
M-S Recording
) Mid-Side (.
Multieffects Processor
) Multi Processor (.
Multiple-D microphone
.
) (proximity effect .
Multi processor
.
Multi timbral
) (timbre
.
Multitrack
.
Multitrack recording
159
Multi track
) (
Musical
.
.edgy
Musical acoustics
Musical cent
Musical instruments
Mute
.
Mutes
) (
)(N
)N/M (Newtons Per Square Meter
.
) (dyne ) 10
= 1 ( 210-5
.
)NAB (National Association of Broadcasters
.
Nagra
. Nagra 4.2
.
. Nagra
162
ARES-P SN IS ARES-C
.
nano
.10-9 : =10-9
Narration
.
Narrow band
Narrow-Band Filter
) (5HZ
) (200
1
.
3
Narrow-band filter.
Nasal
.
300 1000.
& NARAS (National Academy of Recording Arts
)Science
) The Recording Academy (.
163
Near Coincident
.
Near field
Near Field Monitoring
.
.
Nerve- firing
) -(
Network
.1 .
.2
Neuron
164
NEUTRAL
.
Node
) (Standing Wave
.
Noise
.1 .
) (non-periodic
.
.
.2
Noise criteria (NC) curves
)( .
Noise Floor
.
) (noise floor
.
noise floor .
165
.
Noise Gate
.
.
) (Thershould Point
.
.
Noise Measurment Filter
) Weighting Filters (.
Noise Reduction System
.
) (S/N
.
Noise Shaping
Oversampling
166
(quantizing
) error .
.
Noise to marking ratio
Noise barrier
Noise criteria
Normalized
Notch Filter
.
.
.
Nominal Level
. :
167
168
Nyquist Frequency
) (Sampling .
. :
) (frequency sampking CD 44/1
Nyquist frequency 22/50 .
)(O
testing Objective
Oboe
Octal
8 0
7 . Octal )(binary
) (bit . : 3 011 7
111 .
Octave
:
.
Octave band
170
Off Axis
.
Off-axis coloration
)(on-axis
.
coloration ) (
) (off-axis
.
Off Microphone
.
Ohm
Ohm .
) George simon ohm (1789-1854
.
Omnidirectional microphone
.
171
Omnidirectional
One bit data Converter
)0 (1 .
One third octave
13
.
.
13
1
2 /3 =1/26
172
173
Oscilloscope
Oscillation
Oscillator
Outboard equipment
.
Output
.1
.2 .
Out Take
.
Out of sync
. :
.
Outboard Device
:
...
174
Overdubbing
.
Overs
.OdBFS
Overs .
Overdub
.
Overhang
ringing .
Overload
.
Oversampling
175
.
aliasing .
Overtones
.
Overblown
) (
Overflow
) (
Overloading
)(P
Papery
400 600
.
Passband
-3dB . -3dB
3 .
-3dB
.
3dB .
Passive Crossover
.
) (Passive :
.
178
Passive equalizer
.
.
) (
.
.
Patch
.1 .
.2
) (timber.
)Patch bay (patch panel
. patch bay
.
Patch cord
. patch bay
Pad
) Attenuator (.
179
Panpot
. Panoramic Potentiometer
. ) (panpot
.
Parametric equalizer
)(
.
Panning
Paramagenetic
Parity
) (
Peak-to-peak voltage
Parabolic microphone
Pattern
180
Periodic
Period
. T
) .(T=1F
.
Periodic Noise
.
Perspective
Sound Perspective .
Perspective
Perspective .
Peak
.
.
181
Peak Amplitude
) Peak Amplitude (.
Peaking equalizer
.
)Peak Program Meter (PPM
)( (peak
) levels .
Personal studio
.
personal studio .
Peak amplitude
:
Pentatonic
: ) (
Perception
182
Percussion
) (
Perfect fifth
) (
Periodic
Perfect fourth
) (
Perforated
) (
PFL
) . Prefader Listen Solo
(.
Phantom Power
DC
. IEC
268-15 +24V +12V +48V Phantom Power
.
) (Electeret .
183
Phase
. 360 .
Phasing
(phase
) shift
.
.
.
Phase shift
.
2FT . F =3/14
T .
Phase interferencePhase Cancelltion
. :
.
)180 (
) (peaks ) (dips
184
) (comb-filter .
Phase Linear
.
Phase Lock Loop
.
.
Phase delay
.
Phaser
flanging
) . Phasing (.
Phone
) (
) (Loudness ) (dB
185
1KHZ .
1 KHZ .
Phonograph
.
Phone plug
) ( .
) (tip ) (sleeve
)(hot
) (ring ) (cold .
Phono plug
. RCA .
Phono
Phone
) (
Phoneme
) (
186
Phase difference
180
.
Pickup
.
Pico
) (10-12 : = 10-12
.
Piezo Elecvric Effect
.
Pinch Roller
Capstan
.
Pink noise
.
Pink noise .
187
188
Pitch control
) (pitch .
) (pitch control
.
Chipmunk voices
)
( .
Pitch shifter
.
Piccolo
) (
Pinna
. .
Playback
.1
.
.2
.
.3
189
.
.
Playback Equalization
.
Playback Head
. ) (playback head (sync
) head .
Playlist
) Edit Decision List (.
Plug
.
Plug-in
Plug-in
) (load Plug-in .
. plug-in
.
190
Place Theory
) (
Plosive
) (
Polar response Polar diagramPolar Characteristic
.
)
( .
Plate
Plane wave
Place of articulation
) (
Post Recording
Post Recording Post Synchronization.
191
.
Post Synchronization
) Post Recording (.
Power
) : p
V R (.
P=R 12
V2
R
P = V I
Polar pattern
) ( .
. :
) (omnidirectional ) (bedirectional
) .(unidirectional
.
Polarity
.
180 .
192
Polyphonic
.
Pop
.1 .
) (pop
.
.2
.
Pop filter
pop
.
pop .
Portable studio
.
Post-echo
.
Power amplifier
193
.
)Power ground (safety ground
U .
U
.
power ground
.
Power factor
Polar
Polar response
Polarization
)Polarized (to
Porous
194
Potential
Pre-Scoring
.
.
Pre-Mix
.
.
.
.
Pre-emphasis
. ) (de emphasis
.
.
195
Pre-hear
) PFL (.
Preamplifier
) (Line
.
Precedence effect
) Hass effect (.
Presence filter
3 7 -
-
.
Pressure gradient
.
.
.
Print- through
196
.
pre-echo Post-echo
Crosstalk . transfer .
Print
.
Prompt Cut
.
Present Presence
)( presence
.
.
.
5
.
)Preamplifier (preamp
) (mic-level )(line-level
. ) (preamplifier
197
.
Predelay
pre-reverberation delay
. ) 30 150(
. predelay
.
Pre-echo
.
Prefader/postfader switch
) (prefader
) . (post fader
.
Preproduction
.
)
(.
Pressure zone microphone
.
198
Preverb
. ) (preverb
.
Print
.
Production
.1 .
.2
.
) (production
.
Program bus
)(
.
Program mixer
program bus.
199
Protools
.
Protools
plug-in .
Proximity effect
) (proximity effect .
.
Predictive coding
Pressure gradient
Pressure Zone microphone
Propagation delay
Proximity effect or tip-up
) (
200
Pressure response
Pressure response
Processor
Propagation
Psychoacoustics
-
. Audio masking
)(Psychoacoustic
.
Punch in/out
. Punch
in/out .
Pure Tone
) (
.
201
Puffy
500 700.
Punchy
.
5 200.
Pulse Code Modulation
.
) (PCM
. (digital
) word .
) (bit resolution .
Pure waveform
. . (pure
) tone .
Pure tone
Public address
Pythagorean temperament
)(
)(Q
)Q (directivity factor
.
)Q (Quality factor
) (f
) (BW Q .
.
QuadraPhonic
.
.
.
: -
-
204
.
) (Surround Sound .
Quadrature
) ( ) (
Quadrature mirror filtering
Quantization error
.
.
Quantization
.
Quarter-track
.
)
(.
Quantized
Quantizing
205
Quartering
) (
)(R
Rack
19
.
)RCA jact (Radio Corporation of America
.
1930
.
RCA ) (line
.
DAT (Rotary Head Digital Audio Tape R-DAT
)recorder
R-DAT .
DAT.
208
Radio Microphone
.
.
Radio Frequency Interference
.
Radiant
Radiation
Random
209
Random access
. CD
) (random access.
Random access memory
Range
Rarefaction
.
) (rarefaction ) (compression.
Raspy
. 6
) .
(.
Rattling effect
Ray
210
Real Audio G2
.
real audio G2 ) ( MP3
. real audio
) .ra (rm
.
Real- Time Recording
.1
.
.2 ) (
.
Reactance
) (
Recordist
.
.
Recording Room
211
.
.
. ) (Control Room .
)Re+circulation (regeneration
.
.
Record
.
) (record .
CD-R MO
) (MD RAM .
Record Equalization
.
Recoder-mixer
.
Record head
212
.
Recording/reproduction chain
.
Recognition
noise Red
Reduction
Reed
) (
Reflected sound
.
Frequency Ferencere
: 1 .
Reflection
.
Reflective
213
Reflex port
Refraction
) (
Reflector
Register
Reinforcement
Reissner's membrane
) (
Regeneration
) Recirculation (.
Region
) (region.
Release
214
.
Release time
) (release time.
Relaxation
Relaxation time
Removable Hard Drive
(Digital Audio Worksation) DAW
.
Remix
.
.
Remote Recording
) On-Location Recording (.
Resonance
.
215
Resistance
.
.
Resistor
.
Resonant frequency
Resonator
Resonant
Reset
Residual current breaker
Return
216
Return-to-Zero
) Memory Rewind (.
Reverberation
) (reverberation
.
.
. )
( .
.
.
. )(
.
Reverberation Time
.
:
.
60dB RT60
.
217
Reverberant
)Reverberate (to
Reverberation room
Reverberation plate
) (
Reverberant field
.
Reverse echo
.
) (preverb .
Reverberator
Rewind
.
218
RFI
) Radio Frequency Interference (.
Rhythm tracks
)
(.
Ribbon Microphone
.
.
.
.
.
.
.
Rich
) full (.
) (Even-order Harmonics.
219
220
.
Round
.
Router
.
. Router
n m .
.
RT60
) (.
Reverberation Time
Rumble
.
)(S
Sabin
.
)SACD (Super Audio
SACD ) (Dise . High ) HD
(density (Standard density) SD
.
. SACD
.
SACD . SACD 74
SACD . DVD-Audio
SACD .
CD 5/1
Direct Stream Digital .
DSD 2/8224
. DC 100
120 .
222
Safety copy
)( ) (master
.
Safety Ground
) Power Ground (.
Sample
.1
.
.2 .
Sampling
.
.
Saturation
) (overload .
.
Safety Copy
) (Master
.
223
224
Scene automation
. ) (snapshot
.
) (dynamic automation
MIDI .
Scratch vocal
. scratch vocal .
.
SCSI
Small Computer System Interface
CD-ROM
CD-R SCSI . .
Screen
.
Scrub
.
225
Scala tympani
) (
Scala vestibule
) (
Scaling
Scattering
) (
)SDDS (Sony Dynamic Digital Sound
) (multichannel
Dolbly Digital DTS .
) (Optical
.
)SDIF (Sony Digital Interface Format
)(
44/1 48
. 20
9
226
. 32 .
) 75 (Coaxial
) (bit rate 1/54 .
.
BNC
.
Selectivity factor
) (
Sensation level
Semitone
Sector
227
228
.
.
Session
.1
.
.2 lead-out lead-in
.CD-R
Sensitivity
.
Separarion
.
)S/H (Sample and Hold
.
Shelving equalizer
.
229
Shield
.
Shelving Equalizer
.
Sharp
) strident tight (.
230
Signaling
.
Sizzly
sibilant .
.
Sibilance
5 10
.
Side-addressed
.
) end-addressed (.
Signal path
.
Signal processor
.
)Signal-to-Noise ratio (S/N
. S/N
231
S/N
.
Sine wave
y=sin x x y
. .
.
Side- band
Signal
.
.
Signal-ended
.1)(
.2 )
dbx (.
Signal-D microphone
. .
Single sound
232
Silencer
Speech synthesis
Sine wave
Slew rate
Slate
:
Slate .
Slate
talkback
.
slapbackSlap
50 200
.
Smeared
. .
.
.
233
Smooth
.
.
.
SMPTE
Society of Motion Picture and Television
) Engineers (
.
SMPTE Time Code
12000
SMPTE . and
Society of Motion Picture Television Engineers
SMPTE . ) HH:MM:SS:FF
(
.
Snake
.
.
Snapshot Automation
) Scene Automation (.
234
Snare
235
Son
log s=0/03
) (p-40 . p s
.
.
son
.
) (ISO
.
Sound
) (sound . 20
20000 .
.
Sound Card
.
.
FM Synthesis : Wavelable
Synthesis .
236
.
) 128( .
) (case
.
.
) (speaker ) (line in ) (lin out
CD.RAM.SPDIF .
Sound Effect
. :
...
Sound Pressure
.
) (Pascal ) (microbar
) (dyne
.
Sound Stage
.
)Sound module (sound generator
) (timbre
237
. MIDI
MIDI
. ).(oscillator
Sound Wave
.
Solid sound
Sound field
Sound reproduction
Sound localization
Sound Power Level
Solo
.
.
238
Sonograph
Sonar
Sonar transducer
Source
Spaciaus
.
.
.
.
Spatial interference
Spaced- pair
.
239
Spatial processor
) ( .
Speaker
) LoudSpeaker (.
Special Effects
) Effects (.
Spectrum
.
SPL
) Sound Pressure Level (.
Splicing Block
) Editing Block (.
Split console
) . In-line
console (.
Spot microphone
240
) (spot microphone.
Spill
Splice
.
splice.
Spotter
)
6 16( .
) (unbalance .
Spotting
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) (Coaxial RCA .
241
( . SPL
140 db .
Spacious effect
skewing -Spectral
Speaker
Spectral
242
Spectrograph
Spectrum level
Spectral inference
Spectrum
Spectrum analyzer
Speech
Squashed
.
Stand
Stationary WaveStanding Wave
.
243
.
.
.
Straight Orchestra
.
Steely
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.
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.
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Stem
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)
(.
244
Step-time recording
.
stereophonicStereo
)
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.
stereo microphone adapterStereo bar
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Stereo imaging
.
Stereo microphone
.
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Streaming audio
) .(real time
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.
245
.
.
.
Studio
.
Stereophonic illusion
Stereophonic techniques
Stiffness control
Static filter
Stave
) (
)STC (Sound transmission class
.
246
Steady state
Stiffness
)(
String
String instruments
Stylus
Subframe
Subjective test
Subcode
CD
. :
....
247
Subsonic
.
Super Cardioide
) (Cardioide.
Supersonic
.
Submaster
.1 .
.2 .
Submix
. ) (cuemix )(monitor mix
submix.
Submixer
)
( ) (submix
) (.
Supercardioid microphone
248
8/7 11/4
125 .
Supply Reel
) Feed Reel (.
Surround sound
.
) 5/1 (surround sound :
.
Sustain
.
.
Supra- aural headphone
) (
Surround sound laudspeaker system
Superposition
249
Sustain
Supersonic
Sweet
.
. 15 20
.
.
Sweetening
.
Sweepble Equalizer
) .(Q
Q .
Syllable
synchronizationSync
.
250
synchronous recordingSync
.
.
Sync Tone
) Tape Sync (.
Sync track
FSK SMPTE
.
. ) (sync track
.
.
Synthesizer
) (
.
)(T
Tail-out
.
tail-out
.
Take sheet
.
:Take-up reel )(
.
Take up Reel
)(Supply Reel
.
252
Take
.
Talkback
.
Tape
) (Base )(Coting
.
.
.
Tape deck
Tape loop
.
Tape Recorder
.
253
.
Tape sync
FM
tape sync .
) . sync track (.
Tapping machine
Tension
254
THD = A12 + A22 + A23 + .....
THD+N . THD+N
.
3D Sound
.
.
: 5.1 DTS (3D
sound) 3 dimensional sound
) (Surround sound .
3 Pin Connector
) (Balance 3
. 1 2
. XLR -3 .
2 3 hot Cold .
255
256
.
.
Threshold
.
.
Threshold of audio ability
Threshold of discomfort
Threshold of pain
Threshold shift
Tie
.
257
Tight
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.
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.
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.
Timbre
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.
) (timbre .
)Time base error correvtion (TBC
Time- domain aliasing cancellation
Time code
1200
) . tape sync
258
= A3
Tonal balance
.
.
Tonal
Tonality
259
Tone
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(
)Tone color (timber
Tone complex
Tone Control
. Tone
Control .
Tonsil Test
.
.
)Toslink (Toshiba link
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SPDIFAES/EBU
Track
.
260
. )
CD (data stream MIDI
. .
Transaural stereo
Transducer
.
Transducer.
Transient
Transient state
Transient Response
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. :
.
Transparent
.
261
. .
Transport
.
.
Transformer
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) (
.
Transmission
Transmission Index
Transmission loss
Transversal equalizer
Transversal equalizer .
262
.
Transverse wave
Transient intermodulation distortion
Treble
Trim
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Trough
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Tubby
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.
Tube
263
.
) (Tube
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Tune
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Turntablist
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Tuning peg
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Tweeter
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Twisted-pair
.
264
Tympanic membrane
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20000
.
Ultrasound
Unbalanced Line
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Underwater acoustics
266
Unidirectional Response
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Unidirectional microphone
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Valve
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.
.
.
VCA :
) (Compressors ) (Limiters
) (Expanders ) (gates .
Veloctiy Microphone
(ribbon
) Microphone ) . ribbon
268
Microphone (.
Vector scope
Veiled
.
.
Vibrato
5 8
.
Vibraophone
Vibrating string
Virtual track
. (virtual
) track .
) (random access medium .
269
Virtual controls
.
Vocal tract
270
Voiceless
Voice Over
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Volt
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Volume unit
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20 20000 .
VU meter
db
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meter CBS NBC
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271
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.
) .
rich (.
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Wave
274
Waveform
. .
.
Wave acoustics
Wave front
Wave filters
Wave number
)(
Wave theory
Wave Length
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V F )( .
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Weber
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275
Weighted
.
Weighting filters
.
.
.
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.
:
A-Weighting .1 2/5
20dB 100 10dB
20 . 30
Fletcher-Munson.
B-Weighting .2 B
A 30 20dB
A . B
.
C-Weighting .3 C
31/5 8000 -3 dB .
D-Weighting .4 D
A.
276
White Noise
.
.
) 20( .
) . Pink noise
( . )
( .
Whisper
Whistle
Windscreen
. pop screen
.
Windshield
)
(
277
.
.
.
Windows Media
) WMA (.
Windscreen
) Pop Filter (.
)Windows Media Audio (WMA
) (streaming Windows media 8 .
48 ) MP3 pro (CD
64 CD.
Wind instruments
Wireless microphone
Woofer
.
) ( .
278
Wooly Blanketed
.
.
250 600 .
Word
. )16 (word
32 .
Word Clock
.
Word Length
).(Digital Word
Workstation
) . keyboard workstation
digital audio workstation (.
Wow
)(
5.
279
)(X
XLR
ITT
Cannon .
.
X-Y
) Coincident Pair (.
Xylophone
)(Y
Y
) (admittance
.
Y-adapter
.
)(Z
Z
) (Impedsnce .
Z = Y
Zenith
Zero Level Tone
.
600
0/755 . 1000
.
Zone
) Region (.
Z-transform
Z
286
.
.
.(1375) . . .:
.(1376) . . : .(1379) . . . :
.(1350) . . . : .(1361) . . : .(1368) . . . : .(1384) . .
- Povilin Michel. (2000) Digital Television Fundmental. London:
MC Graw Hill.
)- Profissional Audio Products. (2002
]- Http://www.Rane.com>.[July 2002
- R. Sinclair Ian (2002) Audio & Hifi Handbook: Newsnes
- Tolbot Micheal. (2001) Audio Engineer's Refrence Book.
London: focal press.
- The sience of sound by: Rossing
- www. Wikipedia.com