V3

pstme
2010-5-4

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Charlie Parker ............................................................................................................................................ 3
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Bebop() ............................................................................................................................4
Guide Tones ....................................................................................................................5
Bebop...........................................................................................................................................6
Mixolydian Bebop ..................................................................................................................................... 6
Dorian Bebop............................................................................................................................................. 7
BebopMajor Bebop.................................................................................................................... 8

3 to b9 ........................................................................................................................10
the Upper structure of chord ..................................................................13
Targeting ...........................................................................................................................................15
.......................................................................................................................18
V.........................................................................................................................22
ii-Vii-VShort ii-V..........................................................................................25
ii-Vii-VLong ii-V ..........................................................................................29
I..............................................................................................................32
ii-V .....................................................................................................................................35
Turnaround.......................................................................................................................38
CD......................................................................................................................40
ii-V-I ............................................................................................................................................................ 40
ii-V-I ............................................................................................................................................................ 41
ii-V-I ........................................................................................................................................................ 43
Byrd Blues ................................................................................................................................... 44
Pent Up House ......................................................................................................................................... 45
Confirmation............................................................................................................................................ 45

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Charlie Parker
Charlie Parker Bebop

Bebop
20 40 J.S.BachCharlie Parker

Charlie Parker
CD
12 CD

12
Charlie Parker

Bebop

- Corey

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Bebop()
Bebop -Tension and Release

26 AEIOUY

ABCDEFG

C7 CEG
Bb Dm7 DAFC
Guides

Charlie Parker
Charlie Parker

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Guide Tones

ii-V-I251
ii-V-IDm7-G7-Cmaj7Dm7 CG7 B
V-IG7 FCmaj7 E

Charlie Parkerii-V-Isolo
soloii-V-I

Guide tones are the nots in a chord which lead or give harmonic pull toward the next chord.harmonic
pull

a soloist is able to enhance the harmonic pull generated by the ii-V-I progression. 1
harmonic
pull
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Bebop
Charlie Parker Bebop
Mixolydian Bebop Dominant
seventh chordsDorian Bebop Minor seventh chords Bebop
Major sixth chordsMajor seventh chords
Bebop 8 Charlie Parker
Bebop

Mixolydian Bebop
Mixolydian Bebop Mixolydian Mixolydian
Mixolydian Bebop

*
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downbeat Bebop 8

Dorian Bebop
Dorian Bebop Dorian Dorian
Dorian Bebop

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Dorian bebop
Mixolydian Bebop
downbeat
Charlie Parker Dm7
G FCharlie Parker

G7 Dm7

BebopMajor Bebop
Bebop
Bebop

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 Bebop Bebop 8
maj6
downbeat

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3 to b9
Charlie Parker
G7 B
AAb
skip

Diminished chords
Diminished senventh chords
G7 G7 B D
F AAb

G7-Cmaj7
G7 C b9 AAb C G

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 V-I

12

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the Upper structure of chord

Secondary arpeggios
Charlie Parker Arpeggiating the
upper-structure of chords

Cmaj7 C
E G B C Cmaj7
C D F A

Charlie Parker Dm7

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FACE Fmaj7
Secondary arpeggios

ii-V-I

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Targeting
Charlie Parker TargetingTargeting
/target
Chromatic Approach
C
minordim downbeat

*Approach Tone
Optional Fingering
IVIII

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TargetingEnclosure
Scale TonesChromatic Tones

*.

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Targeting

solo Bebop

CD 12 Charlie Parker

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CD
CD 12
ii-V-Iii-V-I
12
soloFEbBbAb
BBb

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V
*Vii-V-IV

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 ii-V ii-VShort ii-V

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 ii-V ii-VLong ii-V

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I
*Iii-V-II

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 ii-V

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* ii-V
ii-V

Charlie Parker ii-V ii

Dm7b5-G7alt C

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Turnaround
ii-V ii-V
ii-V Tonic major chordTurnaround

Dm7b5-G7alt-Cm7-F7 BBb
ii-V ii-V solo
solo ii-V

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 ii-V solo
CD

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 CD
ii-V-I
ii-V ii-V

ii-V-I

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 ii-V-I

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 ii-V-I

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Byrd Blues
solo

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 CD Pent Up House
Confirmation
ii-V-I Confirmation ii-V

Pent Up House

Confirmation

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