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Analysing Popular Music - Theory, Method and Practice by Phi
Analysing Popular Music - Theory, Method and Practice by Phi
music
A O
I MC
PMFA
PMP
PPMP
IOCM
I MC
PMFA
PMP
PPMP
Hypo-
thetical
Substi-
tution
verbalisation
comments on aims
music analysed
in explicit terms
comments on reactions
AO as expression of re-
lationships
Emitter - Receiver
Emitter - SCFS
Receiver - SCFS
AO - SCFS
SCFS
Emitter interests,
needs and functions
Receiver interests,
needs and functions
I
D
E
O
L
O
G
I
C
A
L
H
E
R
M
E
N
E
U
T
I
C
S
E
M
I
O
T
I
C
AO = analysis object
IOCM = interobjective comparison material
HS = hypothetical substitution
IMC = item of musical code
PMFA =paramusical fields of association
PMP = patterns of musical process
PPMP = patterns of paramusical process
SCFS =sociocultural field of study
music
)
have already been presented. Music as perceived by listeners (music
) and as conceived
by the composer and/ or musician before actual performance (music