Defnition of Raag: presented by an artist using the following 4 things
in the rhythm chosen by the singer. 1) The kind of swars included in each Raag are uniue !e.g. "huddha# $omal# Tee%ra.) &) 'ow those swars are used in ascending structure which is called as (aroh and in descending structure which is called as (%aroh. )) The most prominent swar in the Raag is called *aadi !). "econd most prominent swar in the Raag is called "am%aadi ! ). 4) The +ukhada !face) or ,akad is a cluster of a few notes by which Raaga is recogni-able. .ndian notation "a Re!k) Re /a!k) /a +a +a!t) ,a Dha!k) Dha 0.!k) 0i "( 1 b& & b) ) 4 14 2 b3 3 b4 4 'igh1 Raag Bhoop (aroha: "a Re /a ,a Dha "( 1 & ) 2 3 5 (%aroha: "( Dha ,a /a Re "a 5 3 2 ) & 1 Dh a D hi n D hi n D ha D ha D hi n D hi n D ha D ha Ti n Ti n Ta a Ta a D hi n D hi n D ha 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Sa G a R e Sa -- dh a Sa Re Ga G a a G a D ha a G a R e G a G a a R e -- G a a D ha S! D ha -- R " S ! D ha a -- D ha S ! -- D ha a G a -- a Dh a a S ! D ha a G a R e Sa a G a -- a G a R e G a a Dh a S ! -- D ha S ! R " S ! -- D ha S ! -- D ha S ! R " G ! -- R" S ! G ! R " S ! D ha a -- G a a D ha a D ha S ! R " S ! Dh a G ! R " S ! D ha a G a R e Raag #a$an (aroh: ni Re /a +a!t) Dha 0i "( up 4 & ) 14 3 4 5 (%aroh: "( 0i Dha ,a +a!t) /a Re "a down 5 4 3 2 14 ) & 1 Dh D D D D D D D D Ti Ti Ta Ta D D D a hi n hi n ha ha hi n hi n ha ha n n a a hi n hi n ha 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Ni 7 D ha 6 a 5 % a& t' ( 4 a 5 G a 3 % a& t' ( 4 D ha 6 a 5 -- R e 2 -- G a 3 R e 2 Sa 1 -- ni 7 R e 2 G a 3 R e 2 ni 7 R e 2 Sa 1 -- %a &t' (4 D ha 6 Ni 7 D ha 6 % a ( 4 D ha 6 a 5 -- Ni 7 R " 2 G a 3 R " 2 Ni 7 R " 2 S ! 1 -- Dh a 6 Ni 7 D ha 6 a 5 % a& t' ( 4 R e 2 -- Sa 1 G a 3 % a ( 4 D ha 6 S ! 8 -- S ! 8 S ! 8 S ! 8 Ni 7 D ha 6 -- Ni 7 R " 2 -- S ! 1 -- Ni 7 R " 2 G ! 3 Ni 7 -- R " 2 D ha 6 -- Ni 7 % a& t' ( 4 -- D ha 6 Ni 7 D ha 6 a 5 -- G a 3 R e 2 -- G a 3 % a& t' ( 4 D ha 6 Ni 7 S ! 8 Ni 7 D ha 6 a 5 % a& t' ( G a 3 R e 2 Sa 1 -- 4