Edmund Husserl sought to develop new method that would
bring certainty to a disintegrating civilization.
Objects could be regarded by consciousness.
everything not immanent to consciousness must be excluded and all realities must be treated as phenomena.
To grasp any phenomena is to grasp what is essential and unchanging in it.
Asked about the conditions which made knowledge possible.
Kants philosophy: A trascendental inquiry, individual consciousness= trascendental subject. It claimed to lay bare the very structures of consciousness itself and also the very phenomena.
A form of methodological idealism, exploring human consciousness.
Leavis mimetic theory: poetic language embodying the very stuff or reality itself.
Leavis and Husserl: what is intuittive is eidos and life.
It is an authoritharian theory (intuiton).
Phenomenology promised a science of subjectivity itself.
The subject was the source and origin of all meaning, it brought the world to be
Phenomenological criticism: Aims at a wholly immanent reading of the text, unaffected by the outside and also at complete objectivity.
The text is reduced to the embodiment of the authors consciousness, his mind is the unifying essence. Language is more than the expression of meanings and meaning pre-dates language.
Hermeneutics Meaning is produced in language.
Recognition that meaning is historical led Martin Heidegger to break with Husserls line of thought.
The world is not an object
Heidegger partially decentre the human subject from the position of dominance( imaginary)
Understanding does not depend only on cognition but it is a part of the very human existence.
Art as defamiliarization, through it, phenomenology is able to manifest the truth.
Heidegger fails to overturn the static, eternal truths of Husserl and the Western metaphysical tradition by historicizing it.
It provided one imaginary solution to the crisis of modern history.
Heidegger describes his philosophical enterprise as a hermeneutic of Being and the word Hermeneutic means the science or art of interpretation.
questions of historical interpretation rather than on transcendental consciousness.
Heideggers successor was Hans-George Gadamer (Truth and Method)
What is the meaning of a literary text?
Meaning was a kind of ideal object, it could be expressed in a number of different ways but still remain the same meaning.
E.D. Hirsch Jr :The meaning of a literary work is fixed: it is identical with whatever mental object the author had in mind or intended at the time of writing System of typical expectations and probabilities and the authors meaning.
Meanings are not as stable and determinate as Hirsch thinks, even authorial ones.
All he can do is reconstruct the authors probable intention. But he pays no attention to the ways in which such reconstructing can only go on within his own historically conditioned frames of meaning and perception Eagleton
Gadamer: The meaning of a literary work is never exhausted by the intentions of its author; as the work passes from one cultural or historical context to the another
All interpretation is situational
Creative prejudices are those which arise from the tradition and bring us into contact with it
Tradition holds an authority
Hermeneutics sees history as a living dialogue between past, present and future .
It refuses to recognize that discourse is always caught up with a power which may be by no means benign Reception Theory Examines the readers role in literature- Active process
Literary texts are processes of signification materialized only in the practice of reading.
Many questions can arise from reading only the first to sentences of a text The reader makes implicit connections The text gives cues.
Wolfgang Iser: Codes or rules that govern the way in which meaning is produced. One needs to know that the words belong to a code of reference.
Most effective literary work is one which forces the reader into a new critical awareness of his or her customary codes and expectations.
Reading brings us into deeper self-consciousness, catalyzes a more critical view of our own identities.
Roman Ingarden presumes that literary works form organic wholes, and the point of the readers filling in their indeterminancies is to complete this harmony
Jean Paul Sautre: Whom is it written for? Every work encodes what Iser calls animplied reader (language)
Stanley Fish -Reading is a process of experiencing what it does to you. This is also a matter of what we do to the text, a question of interpretation
Institutions affect the readers responses.
Any set of data can be explained by more theories than one. Culture affects interpretation
Phenomenology Hermeneutics Subjectivity and Objectivity in a nutshell
Levinson, S. (2006) - On The Human "Interaction Engine". en Roots of Human Sociality, Culture, Cognition and Interaction. J. Enfield y S. Levinson (Eds.)