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Berklee College of Music


The Songwriters Workshop:
Melody
Jimmy Kachulis
Lesson 36
Major Blues over Progressions
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Major pentatonic blues melodies can be sung over any chord progression in a major
key. The major blues scale is particularly useful when the chords change quickly
much easier than matching all those chord tones. But its also used over any chords
that have a blues color in them (see the Appendix for blues scales and chords).
Hit songs that use the major blues scale over a progression are very common. These
songs use the scale over the following types of chord progressions:
One Chord: Hold On, Im Comin, Great Balls of Fire, Midnight Hour
Chords in a Major Key: Heart of Gold, Man in the Mirror, September,
Desperado, Crocodile Rock, When a Man Loves a Woman, Beast of
Burden
Fast Chords: Hit Me With Your Best Shot, And When I Die, Soul Man,
Believe Me Baby (I Lied), The Way You Do the Things You Do, In the
Midnight Hour, Gimme Some Lovin
Blues Chords: Hold On, Im Comin, Boogie On Reggae Woman, Purple
Haze, In a NY Minute (Ronnie McDowell), Bird Dog
Listen
Listen to the rst part of Major Blues Over Progressions: Five-Foot-Two (CD 63). As
you listen, notice that the same C major blues pentatonic melody works over a one-
chord groove, various chords in the key of C, blues-colored chords, and a fast chord
progression.
A. Melody Over One Chord
97
LESSON 36
Major Blues Over Progressions
& 4
4
b



C
Five - foot two in her
j

j
b

high- heeled shoes

j

j


j
b
We all stop and stare



But
&
w
she

struts right on by


63
LESSON 36 Major Blues Over Progressions 98
B. Melody Over Major-Key Chords
C. Melody Over Blues-Colored Chords
D. Melody Over Fast Progression
& 4
4
b



C
Five - foot two in her
j

j
b

Amin
high- heeled shoes

j

j


j
b
F
We all stop and stare



G
But
&
w
F
she

G
struts right on by

& 4
4
b



C 7(
#
9) F 7
Five - foot two in her
j

j
b

C7(
#
9) F 7
high- heeled shoes

j

j


j
b
C7(
#
9) F 7
We all stop and stare



C7(
#
9)
But
&
w
F 7
she

G7
struts right on by


C7(
#
9) F 7

C7(
#
9) F 7
& 4
4
b



C F C F
Five - foot two in her
j

j
b

C C
high-heeled shoes
F

j

j


j
b
C F C F
We all stop and stare



C C
But
F
&
w
Amin G
she

F G
struts right on by



C F C F

C F C
Listen again, and sing along with the recording. Did you hear how the melody seems
to float above the chords? When you compose a melody by using this scale, youll
use the reverse process. Youll use the scale over any of these types of chord progres-
sions.
Writing Exercises
Sing the following exercises along with Rhythm Track 26: Five-Foot-Two (CD 64) or
to your original rhythm track using any chords in a major key.
Practice
Reset the lyrics to Five-Foot-Two in three different way using only the notes of the
major pentatonic blues scale.
Five-foot-two in her high-heeled shoes
We all stop and stare
But she struts right on by
Set Your Own Lyric
Create an original lyric, and set it using notes from the major blues scale.
Rewrite the Hits
From the songs you know, find an example of a melody that uses the major blues
scale over chords in a major key. Then create your own major blues setting of that
songs lyrics over the same chords.
Write a Song
Create a song where the verse uses a chord-tone melody (see units II and III) and the
chorus uses a major pentatonic blues melody over a chord progression.
LESSON 36 Major Blues Over Progressions 99
64

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