Interpretation of Cover #3609 From The New Yorker Magazine
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Issue #3609 of The New Yorker magazine was published on November 1 st of 2004. This cover depicts four faces set against a plain white background. The faces are arranged with two of them on top and two on the bottom. Each face is approximately the same size and occupies its own quadrant on the page. All of the images are the same general hue, which is a dull brown. It is clear the focus of the cover is simply the four images. When viewing all four images there is one clear outsider.
When reading the images as you would read a page, (left to right before moving to the next line) the first three images belong in one group and the last image by itself. The first three images all depict what is readily identified as a member of the military or a soldier. All of the soldiers are males. In each of the first three images the soldier is wearing a military style hat. The fourth image is the one in stark contrast to the other three.
Among the first three images there are subtle differences. The first image appears to be a young, healthy male, his face painted camouflage. Although his eyes are barely visible underneath the brim of his cap, they appear to be focused squarely forward. This matches the overall feel of this image, which is one of strength and determination. The second soldier has a more elongated face, which like the first, is also painted camouflage. However, unlike the first soldier, this soldiers eyes give an impression of weariness or despair. The expression of the eyes, drawn out face, and slight frown, gives the impression that the person is tired or apprehensive. The hat that this soldier is Wat deals you to say this? More explanation needed. Interpretation of Cover #3609 From The New Yorker Magazine
3 wearing is also a military style hat but unlike the first is adorned with a symbol. This symbol gives the appearance that this is a foreign military member.
The third soldier has a face that is the same general shape of the first. Unlike the first soldier, the camouflage pattern on the face has been replaced with white lines that appear to be bandages or scars. This soldiers eyes are clearly visible and they show white, constricted pupils that appear to be staring off into space. The hat this soldier is wearing is a slightly different style and is adorned with a symbol.
As mentioned above, the fourth person stands in stark contrast to the other three. This person has a fresh face with more defined facial features such as full lips, a more defined nose and ears. A pair of sunglasses conceals this persons eyes, and their face has no markings, only smooth unblemished skin. Based on the reflection in the sunglasses, the person appears to be looking down a long roadway that runs off into the distance.
This issue of The New Yorker (and cover) is notable because not only was it published in a presidential election year but it also came out just days before voters were to decide whether to re-elect President George W. Bush or choose his opponent, Senator John Kerry. I believe that the timing of the publication, the military imagery on the cover, and they fact that there are four images (explained later) indicate this cover should be taken in the context of the presidential election and the war in Iraq.
So is this an anomaly or a opposite? What leads gothic? Just the date of the cover? Nothing in the images? Interpretation of Cover #3609 From The New Yorker Magazine
4 In viewing the cover, I believe there is a great deal of significance in the fact there are four images and four years in a presidential term. I believe that each image represents a year in President George Bushs first term in relation to the situation in Iraq.
If each image were taken chronologically, the first image of the young, focused, fresh- faced soldier would represent the first year of Bushs presidency (2001). A strong military has always been a hallmark of the Republican Party and a common rally cry while on the campaign trail. With a Republican taking office for the first time in 8 years, the country could expect a focus on the military.
The events of 9/11 began the war on terrorism and in late 2001 that the United States Government began planning an invasion of Iraq and making a case that Iraq possessed weapons of mass destruction. With military action imminent, the soldier depicted in the first image would accurately represent this period in time.
The second image in the sequence is that of the weary foreign soldier, this would represent the year 2002. The shape of the face and the hat worn by this soldier differentiates him from that of the first and the third. It was in 2002 that military action was approved and that the war in Iraq began. Since the political debate at the time of The New Yorker cover circled around the Iraq War and its legitimacy, I believe the second image represents the Iraqi Military, or more broadly, the country of Iraq and Saddam Hussein.
Develop this connection more. What is it within the image that leads to this assertion? Is there anything else that might lead you to this conclusion besides the date? Interpretation of Cover #3609 From The New Yorker Magazine
5 The third and final military image is that of the scarred and steely-eyed soldier. This image would represent the year 2003. The third soldier has the same head shape and facial features as the first, but his face appears thinner. The general similarities of the first and third soldier make them appear to be the same person. The fact that the third image is scarred, thinner, and sporting a thousand yard stare lead me to believe he has been through a war and is showing the effects. This soldier is wearing a more elaborate hat than the first and this leads me to believe he has progressed through the ranks during his service in the war.
The year 2003 is the year in which Saddam Hussein was captured and that President Bush declared, mission accomplished. Although the United States involvement in Iraq was far from being over, this year could be seen as a turning point in public opinion. This was viewed by many as the year when the United States should have withdrawn from Iraq, hence the last appearance of a soldier in the sequence.
The fourth and final image is that of the civilian who appears to be a female. This image would represent the presidential election year of 2004. With the country in the midst of a presidential campaign, and more divided than ever, much of the country was looking forward. I think this sentiment is reflected in the stark difference from the militaristic theme of the first three images to the more informal appearance of the fourth.
This fourth image represents a desire for much of the country to distance itself from the war in Iraq and President Bush. I believe this point is hammered home by the difference Interpretation of Cover #3609 From The New Yorker Magazine
6 in which the eyes are portrayed in the fourth image. In the fourth image we are offered a reflection in the sunglasses worn by the person. In the glasses you can see an open road ahead. I believe this is a sign that the person in image four is looking ahead and looking forward to distancing themselves from the last four years.
A very good start. In the next draft give us more from the cover that contextualize your assertions. See my comments. Questions?