TTDROfflineMeterSoftware(Windows)

TTDYNAMICRANGEMETERVSTPlugin(Windows)
ManualVersion1.1 24February2009
DearUser,
Congratulationsoncommittingyourselftomoredynamicmusic!
SimplyallowingforpeakheadroomduringCDmasteringwillleadtoasignificantimprovement
ofsoundqualitywith"normal"consumerplaybackdevices,MP3datacompressionformats,
andwithradiobroadcasts.
MeasurementanddisplayoftheDynamicRangeaswellassplittingthedynamicsintowhole
numbervaluesisnotwithoutcomplexity,aswehavediscoveredthroughtheresearchand
developmentstagesoffindingthissolution.
Pleasereadthismanualcarefullysothattheaimofobtainingbettersoundcanbereached.
Wearehappytoshareourknowledgewithyou.
Installation
Toinstall,simplyclickonthe"TTDRInstall.exe"file.Inthe"Programs"folder,afoldercalled
"TTDynamicRange"willbecreatedwithinthe"Algorithmix"subfolder.YoucanstarttheTTDR
OfflineMeterwithaliaswhichiscreatedautomaticallyonyourdesktop.
NowopenthefolderC:\Programs\Algorithmix\TTDynamicRange)anddropthe"DRMeter"
folderinyourpreferredVSTfolder(forexample:C:\Programs\Steinberg\VST).Nowthepluginis
readytobeusedthenexttimeyoustartyourhostapplication.IMPORTANT:Pleasecopythe
entire"DRMeter"folderintoyourVSTfolder,andnotjustthedllfile!
Logos
TheDRlogos(DR_logo.zip)canbefoundwiththespecifications(DR_Logo_Guide.pdf)inthe
folderentitled"TTDynamicRange"(C:\Programs\Algorithmix\TTDynamicRange).
Generaluseandlimitationsofplugins
PluginformatsregardlessofwhethertheyareVST,RTAS,orAUarenotfullysuitedfor
graphicrepresentationandarebuiltonaseriesofcompromises.EachDAWandeachplugin
interfaceputsaudiocalculationonahigherlevelprioritythangraphicrepresentation,whichis
understandable.Thisiswhytrulyprofessionalmetersareeitherhardwaredevices,native
runningsoftwarewhichusestheCPUresourcesdirectly,orhostintegratedsolutions.Theseall
allowforaccesstographicandmeasurementinformationinawaywhichalsomakesitpossible
tocontrolameter'ssocalledballistics.
Inaddition,pluginscannotsavevaluesandcreatehistograms,whichweneedforobtainingour
objectives.
ThisiswhytheTTDROfflineMeterservestomeasurethe"official"DRvalueswiththe
advantageofbeingabletomeasureanalbumwithinafewseconds.TherealtimepluginTT
DynamicRangeMeterhowever,providesaccuratenumericalvaluesasaTRUEPEAKmeterand
servesasaguidefortheavailabledynamicrangeandtheapproximateDRValuethatyou
shouldexpect.Forthis,theplugincanbeusedtoloudpassagesofsongs.Thetimingofthe
meteringcanvary,dependingsystemlatencyandthemodeofoperationofthehost
application.
Wehavetestedandoptimizedthemeterpluginonanumberofdifferenthostapplications.
Despitesystemdependentlimitations,wehaveobtainedverygoodgraphicresultsinmost
cases.
Ourgoal
Outclearlydefinedgoalistodiscoverandcategorizeovercompressionandtopreventovers
withgoodtruepeakmetering.Inordertoachievethisgoal,wehaveconductedextensive
experimentationandhavedecidedtoobtainthe"official"DRValuefromtheTTDROffline
Meter.Arealtimemeasurementwouldhavecertainlytaxedthepatienceofusersin
determiningtheofficialandcorrectDRvalue.
MeasuringwiththeTTDROfflineMeter
InordertodeterminetheofficialDRvalue,asongorentire
album(16bit,44.1kHzwaveformat)isscanned.A
histogram(loudnessdistributiondiagram)iscreatedwitha
resolutionof0.01dB.TheRMSanestablishedloudness
measurementstandardisdeterminedbygathering
approximately10,000piecesofloudnessinformationwithin
atimespanof3seconds(dB/RMS).Fromthisresult,only
theloudest20%isusedfordeterminingtheaverage
loudnessoftheloudpassages.
Atthesametime,theloudestpeakisdetermined.
TheDRValueisthedifferencebetweenthepeakandthetop
20averageRMSmeasurements(top20RMSminusPeak=
DR).
Thetop20RMSvalueisnotdisplayedseparately.Itcanbe
easilycalculatedintheheadbyaddingthedisplayedstereo
(plusdecimalplace)DYNAMICRANGEvaluewiththepeak
headroom.
Tomakethisclear,thefollowingisanexampleofthe
measurementprocess.

2.
3.
4.
1.
Intheaboveillustration,youcanseethesong"BackontheBlock"byQuincyJones.
1) TheRMSvalueisthestandardaveragevalueindBFSmeasuredovertheentiresong.
"FS"standsforfullscale.
2) ThePEAKvalueisthehighestmeasuredpeakvalueindBFS.Becausethisisatruepeak
measurement,valuesabove0dBFSareshownas"overs."Westronglyrecommend
keepingaheadroomof0.3dBandavoidingreleaseswith"over"peakvalues.According
tothelatesttechnicalinformationavailable,suchrecordingscouldbelabelleddefective.
Theprecisebasisofmeasurementandtheexplanationwillbedescribedunder"True
PeakDisplay"andWhy0.3dBheadroom?below.
3) TheDYNAMICRANGEstereovalue(includingdecimalplaces)showsthetop20RMS
value,minuspeakheadroom(thetop20RMSvalueisDR+Peak).
4) TheofficialDRvalueisaroundedoffwholenumbervalueofbothstereochannels.
PleaseonlyusethisvalueastheofficialDRValue!

Correctmeasurementandlabelingofrecordings
Afundamentalpartoftheconceptisbeingabletoreproducethemeasurement.Herethereare
twofactorstoobserve:
1) Pleasemeasuretheentirerecording(whenthepeakheadroomoftheindividualsongs
doesntvarymorethanplus/minus0,3dB.Readmoreaboutthisunterexceptions).
Resultsmayvaryornotbe100%reproduciblewhenyoumeasureeachsongseparately
andthencalculateavalueonyourown.Ifyoudonothaveacompletewavefileofthe
entirerecording,youwillfindtipsforcreatingyourownfiles,makingiteasytoperform
ameasurement.
2) Therealtimepluginisonlymeanttobeusedasorientation,NOTfordeterminingthe
officialDRValue.FordeterminingofficialDRValues,useonlytheTTDROfflineMeter
picturedabove.
Westronglyrecommendkeepingwithinapeakheadroomof0.3dB!Foranexplanationwhy,
pleasereadthesection"TruePeakDisplayandWhy0.3dBheadroom?.

DRValuecalculationexamplesusingtheTTDROfflineMeter
Thesong"WhyDoYouLoveMe"fromtheGarbagealbum
"BleedLikeMe"(2005)hasanaverageRMSloudnessof5.1dB
onbothstereochannels.
Standardpeakmetersshowapeakheadroomof0dB.Byusing
"TruePeak"technology,overscanclearlyberecognized,
makingareleasestronglyunadvisable.
Thetop20loudnessmeasurementsareveryeasytocalculate,
sincethereisnoheadroom:3.3+0=3.3fortheleftchannel
and3.2+0=3.2fortherightchannel.Theroundedoffvalue
resultsinanofficialDRvalueof3.
Forthis,wewillgiveitthelabel"unfitforconsumption."
Toobad!

Herewehavemeasuredthesong"TheBoyisMine"from
Brandy(NeverSayNever1998).
TheaverageRMSvalueofthewholesongis9.1fortheleft
channeland8.7fortherightchannel.
Thepeakvaluescanbeclearlyseenasovers.Distortionis
guaranteedhere:

AReleaseofsuchamasterisstronglyinadvisable,accordingtowhatweknowtoday.
Becauseofthelackofheadroom,theDRvalueisthesameasthetop20value.
TherecordinghasaDRof7(DR7).

Thesong"Landscape"byjazzguitaristChristophOedingisa
naturalsoundingsongwithhardlyanycompression,madewith
acousticinstruments.
Youcanseeherethatthetop20RMSvaluehereis16.91dBfor
theleftchanneland17.95fortherightone.
Oncewesubtractthepeakheadroom,weobtainaDRValueof
13.Ifthissonghadbeennormalizedto0.3dBheadroom,the
DRValuewouldbethesame.

TheillustrationontherightisthemeasurementofNorahJones'
hit"Don'tKnowWhy"fromtheyear2002.
Mostadvancedusersknowthatvocalsareparticularlythick,and
thereforeloud.Ifyoulookatawaveforminyourmastering
applicationfromaloud,shortpassagewherethevocalsarevery
intensive,valuesofupto6dB/RMScanoccur,whereasthe
wholesongmighthaveavalueof13dB/RMS.Becausethe
refrainasopposedtomostpopularstylesdoesnothavea
homogenousloudnessupswing,therealtimeplugindoesnot
alwaysdisplaythesamevalues.Inthiscase,theTTDynamic
RangeMeterpluginshowsvaryingvaluesthatmaybebrieflytoo
highortoolow.Bewareofdifferencesbetweenthepluginand
theofflinemeterwithvocals,acousticinstruments,andsimilar
musicstyles.
DR9ishoweverarepresentativevalue.Theproducershavefoundamarketoriented
compromisebetweenloudness,peakheadroom,andcompression.ForapostDRrelease,
valuesbetweenDR12andDR14arehowevermoredesirable.
DR9showsthatasongwithDR9doesnotsoundquieterontheradiothanatitlehavingDR3to
DR8.Ordidyoumissthissongontheradio?
MeasuringDRValuesofrecordings
WiththeLOADbutton,awindowopensforselectingthewave
filetobemeasured.
Afterdoubleclicking,theactualmeasurementprocessbegins,
shownbythegreenprogressbar.
TheCANCELbuttonstopstheprocess,incasetheincorrectfile
hadbeenchosen,forexample.
IfyouworkwithSteinberg'sWaveLab,itiseasiesttochoosethe
filefromthefinal16bitMontage.Thiswavefilecontainsthe
entirealbum.
IfyouareusedtowritingthemasterdirectlyfromtheMontage
(consistingofsinglesongs),thenitisagoodideatocreatea
single,continuouswavefilefortheentirealbum.Youcando
thisbyrenderingyourfinalMontagedirectlyfromthemaster
dialogandautomaticallycreatinga16bitmontage.Thisonly
lastsafewminutesandincludesallsingletracksintoonesingle
file.

PicturedhereistheRenderdialogbox
inWaveLabwiththenecessary
settingsformakingacontinuouswave
filefromsingletracksintheMontage.

Nearlyeverymasteringapplicationhastheabilitytomakeasocalledimageortoreadfroma
CD.Forlegallicensingreasons,theTTDROfflineMeterdoesnothavethedriversupportfor
readingaCDfromaCDdrive,butthisfeatureisusefulformeasuringCDsthathavealready
beenburnedorduplicated.
UsingWaveLabasanexample:
PlaceaCDyouwishtomeasureintotheCDdriveofyourcomputer.
Openthe"ImportDialog"inWaveLab(CommandI).

Thefunction"ConverttoCDImage"/Cue
sheet"createsacontinuouswavefilewith
theappropriateCDmarkers.Makesure
thattheprocessissetforthe16bit/44.1kHz
format.

UsethiscontinuouswavefileforcalculatingtheofficialDRValue.

Whyarethetop20RMSvaluesusedfordeterminingtheDRValue?
Amasteringengineercomparesloudpassagesofasongand,alongwithspectraladjustments
andvarioussonicenhancements,ensuresthatthereisanevenloudnessovertheentire
recording.Thisonlyworkswhentheloudpassagesareusedasabasisforcomparison.Asong
havingaquiet,longintroductionandafinalrefraincompresseddowntoDR2mighthaveaRMS
valueofDR10orDR12.TheDRValuewouldthereforenotreflecttheamountofloudnessinthe
passageswhereloudnessiscritical.
TheDRValuethereforerepresentstheamountofdensity/thickness(loudness)morethanthe
dynamicrangeoftheentiresong!

IstheremusicwhichisnotsuitablefortheDRsystem?[Exceptions!]
Yesandno.Generally,theDRmeasurementindicatesthedegreeofdensity(insenseof
compression)foreverymusicstyle.
Sincethemeasurementdoesnottakepsychoacousticelementsintoconsideration,very
dynamicmusic(suchasclassicalmusic)islesssuitableforDRscaling.Thelargedynamicrange
ofaclassicalmusicalbumwhichhaslittleornocompressionis(withperhapsDR14)not
representedinapsychoacousticperceptedrelationtoaDR10popmusicsong,forexample.
Thisequivalencewouldonlybepossibleifpsychoacousticparameterswereincorporated
whichwouldnecessitatelongandcostlyresearchanddevelopment.
Weseethissituationonapragmaticlevel:TheproblemthatwewillsolvewithDRmeteringis
exorbitantovercompressionofcurrentmiddleoftheroad,popandrockmusicreleases.The
goalistoindicatedensity(inotherwords,thelossofdynamics)inwholenumbervalues.Thisis
whywehaveoptimizedthemeasurementofthis"problemgroup."Labelingandcategorizing
classicalmusicisnottheprimaryobjectiveofthisinitiative.Dependingonthemeansavailable
tous,wewillhoweverexpandourresearchactivitiesinordertofurtheroptimizetheprocess.

Measurementdifferencesbetweenreleaseswithtitleswithdifferentpeakheadroom
[Exceptions!]
Fortechnicalreasons,inthecurrentversion1.1,thehighestpeakvalueoftheentirerecording
isdeterminedandthensubtractedfromthetop20RMSvaluesinordertocalculatetheDR
value.
Today'salbumsintheMOR/Pop/Rockstylesusuallyhavealowpeakheadroomthatremains
constant.Thisisnotasignificantfactor.However,ifsomeofthesongsonthealbumhavea
higherpeakheadroomandatleastoneofthesongsaverylowpeakheadroom,thenthelow
valuewillbeusedinthecalculationinvolvingthesubtractionofthetop20RMSvaluesfrom
peakheadroom.ThiscanoccurinthecaseofcompilationsandleadtotoohighDRValues.
OnlyinthiscasetheDRValueistobecalculatedonasongbysongbasisandnotoverthe
wholealbuminordertohaveafairandmeaningfulDRlabel.
Proceedasfollows:

1.)MeasureeachsongindividuallywiththeTTDROfflinemeterandnotetheDRValuesfor
LeftandRightinalist:
DynamicRange Left Right
Song1: 11.2 12.3
Song2: 12.6 12.8
Song3: 10.9 11.2
Song4: 8.1 7.9
etc.

2.)AddLandRforeachsong
Song1: 11.2+12.3=23.5
Song2: 12.6+12.8=25.4
Song3: 10.9+11.2=22.1
Song4: 8.1+7.9=16
etc.

3.)Addallresults
23.5+25.4+22.1+16=87

4.)Dividetheresultsbytwoandbythenumberofsongs(4)
87/2=43.5 43.5/4=10.875

5.)Roundofftheresults(Valuesof.500ormore:roundup;valuesupto.499rounddown)
YourDRValueisDR11

TTDynamicRangeMeterPlugin(VST)
Opentheplugininyourhostapplicationinthelastslotofthemasterbus,aftertheoutput
fader.ThisvariesfromDAWtoDAW.Ifyouarenotsure,pleasecheckinthemanualofthe
softwareorsettheoutputfadersto0dB.
Hereyoucanseetheshockingresultswhen"Garbage"isplayed.
ThisisNOThowthingsshouldlook.
1.)Stereocorrelationmeter:Displayofthephasedifferences
betweentheleftandrightstereochannels.Forinformationon
interpretingthis,pleaserefertotechnicalliterature.
2.)TruePeakDisplaywithonedecimalpointandthecorresponding
peaklevelbarontheouterside.Intheareaclosetofullscale,peak
measurementisparticularlycomplexandcritical.Firstofall,fixed
pointresolutioncanonlyshowvaluesuptofullscale,sinceonthe
digitallevel,nooversarepossible.However,contiguousfullscale
wordscreateaudibleoversandsocalledinterleavedsampleovers*.
Secondly,floatingpointcalculationmakesitpossibletorepresent
valueswellover0dB.Themeasurementanddisplayofpeakvaluesin
4xoversampling**leadstoadisplayofoverssofrequentlythatwe
havefoundamiddleoftheroadsolution.Thepeakvaluesare
measured"normally"andprovidednumerically.Inthecasethattwo
contiguousbitwordsshowfullscale(all16bitsat1withoutany
oversampling)andatthesametimeavalueofover0dBisdetected
viaoversamplingmetering(runasaparallelprocess),thenthepeak
displayshows"OVER."
PeakBar:Thedisplayarearangesfrom48to0dB.
Apeakholdfunctionwithaslowreleasetime(ballistics)makesit
easytoreadandfollowthevaluesvisually.
(*4xoversampling=Quadruplingofthesamplingrate).
(**InterleavedSampleOvers(also:intersamplepeaks)areovers
whichcanbedetectedonlyaftermultiplyingthesamplingrate(over
samplingbyafactorof2to4).Thevaluesarenotdetectedonthe
digitallevelbecausevaluesonlyupto0dBcanberepresented
(fixpoint).Aninterleavedsampleovercanalsooccurwhenthepeak
headroomis0.1dBormoreandcreatesdistortiononlyafterleaving
thedigitaldomain.
Stoppingandrestartingplaybackalsoresultsinanresettingofthe
numericalpeakdisplay,inthesamewaythatclickingtheRESET
buttondoes.
Thenumericaldisplayshowsthehighestvaluereachedsincethelast
reset.

Attherightyoucanseea"good"digitalsignal
whichwillnotcreatedistortionwhengoing
throughaD/Aconverter:
Thereisonlyonesamplewhichapproachesfull
scaleandthehighestpeakvaluedoesnotexceed
0.3dB.
Distortiononadigitallevelisnotpossible.

Ontheleft,severaldozensamplesinaroware
fullscale.TheD/Aconverter,havingthejobof
turningthedigitalstepsintoroundanalog
waveforms,needsabout6dBheadroom,in
ordertoallowthewaveformtoswingupwards
initsfull,normalrange.Butthisheadroomis
notavailable.Theresultisundesirable
distortion.Withdatacompression(MP3,etc.),
another6dBcanbeaddedtothepeaksasa
resultofenergyredistribution,dependingon
theresolutionused.Theresultsarenot
acceptable.

Despiteheadroomuseabrickwalllimiter
Pleasealwaysuseaprofessionalbrickwalllimiterformastering.Therearemanygoodbrickwall
limitersonthemarket,butalsomanylessgoodones,whichdon'tdeliverwhattheypromise.
Bewaryandverifyyourbrickwalllimiter.
Abrickwalllimiter'sjobistomakesurethatnointerleavedsampleoversareproduced,using
theoversamplingprocessdescribedabove.Abrickwalllimitershouldprocessthesoundinsuch
awaythattheactuallevelreductionisinaudible.
Why0,3dBHeadroom?
Inordertopreventanydiscussionsamongexperts:Yes,thisheadroomvalueof0,3dBis
somewhatarbitrary.Itcouldjustaswellbe0.253dB,0.378dB,or0.5dBheadroom.

Despiteusingagoodbrickwalllimiter,therearetworeasonsforleavingsomeheadroom:
1. ModernD/AconvertersuselinearphaseFIRreconstructionfilterswhicharenotalways
designedtoprocessfullscalesignalswithoutdistortion.Thisisparticularlytrueofsteep
slopingsignalswhichareoftenproducedbyhardlimitingorovercompressedmusic.
Extraheadroomsignificantlyreducesthisriskwhilemakinganylossofloudnesstobe
practicallyimperceptible(seeGibbsphenomenon).
2. Additionalheadroomreducesartifactsusedbyalldatacompressionformatswhichuse
themaskingeffect.Thelowerthedatarateofthetargetformat,themoreheadroomis
necessary.Forhighlycompressedmusic,0.3dBheadroomisnotsufficientinorderto
avoiddistortion.Inthiscase,aheadroomof5dBwouldbetheoreticallynecessary.
RecordingswhichhavetheDRlogoarefortunatelynotsostronglycompressed;a
headroomof0.3dBpreventsunwantedartifactsinmostcases!
FurtherdescriptionoftheTTDynamicRangeMeter:
NumericalDYNAMICRANGEDisplay:
Inlinkmode,theleftrightDRValueisshowntoonedecimalplace.Usingthemeter
ontheloudestpassagesproducesvalueswhichareveryclosetothoseoftheOffline
Meter.Ifthe"Link"buttonisdeactivated,thentwoseparateDRbarsareshownwith
correspondingnumericaldisplaysabovethebars(seethefirstillustrationoftheTT
DynamicRangeMeterPlugin).Thismodeisappropriateforthemixingprocessin
ordertohaveseparate,detailedinformationconcerningtheinnerdynamicsofthe
twostereochannels.
DRDisplayBar:Colorcodeddisplayofthedynamicrangewhichisused.
ValuesoflessthanDR8aredisplayedwiththecolorred.ValuesofDR14ormoreare
green.Valuesbetweenthetwoaredisplayedinvariousshadesofyellow.
TheDRbarshowstheaveragedifferencebetweenpeakandRMSandcorrespondsto
thesocalledcrestfactor.
Sincethebarsdonotdisplayanystaticinformationinordertoindicatethetop20
RMSvalues,inspecificsituationstheindicationsdonotalwayscompletelyreflectthe
officialvaluesgivenbytheOfflineMeter.Keepinmindthattheobjectiveisto
standardizethe"thickness"ofarecordingandnottomeasuretheoveralldynamics.
Thevariationbetweenthetwomeasurementdevicesincreasesasthedynamicrange
ofthematerialmeasuredisincreased.Thebarsservetovisualizethecrestfactor.
Ifyouworkwithmoreheadroomduringmixing,adecreasingbarthatmoves
downwardswillwarnyouoftoomuchcompression,becausethedisplayofthecrest
factorisindependentonthepeakroomwhichisused.

3.)
4.)
5.)Digital0Display
The"minusinfinity"displaylightsupassoasthereisdigital0atthe
input.
6.)NumericalRMSDisplay:Thedisplayshowsthecurrentaverage
loudnessveryslowly,makingitverypracticalforhavinganideaof
theamountofcurrentloudness.

RMSDisplayBars:(wideinteriorbars)
WedecidedtousethestandardcalculationofloudnessinRMS(rootmeansquare)becauseit
provedtobesuperiortomostothermeasuringmethodswithcomplexfrequencyweighting
modelswhenputthroughcomparativetesting.Thosemethodswhichwerebetterrequireda
greatdealofCPUresourcesandareverycontroversialamongspecialists.Theideabehindthe
DRMeterisasimplifiedwayofdeterminingthicknessandNOTapsychoacousticallyperfect
loudnessmeasurementtool.TheRMSvalueiscorrectedby+3dBsothatsinewaveshavethe
samepeakandRMSvalue.Thisisthecasewithmostmeters.
7.)MonoSwitch:Thisswitchesthestereosignaltomonoforcheckingthesignalandturnsred
whenactivated.Thisswitchcanbeusedasamonoswitchforcheckingstereocompatibility
whentheDRMeterinsertedintothestereosectionofyourDAW.Themonoswitchisa
practicaltool,sincemanyDAWsnolongerhaveone.
8.)ResetSwitch:Resetsthenumericalpeakheadroomdisplay.

Supportforotherformatsandplatforms
WehavealreadybegunworkonanRTASversionofthepluginforMacOSandPCaswellasan
AUversionforMacOS.AMacOSversionoftheTTDROfflineMeterisalsoplannedthank
youforyourpatience!OntheWebsitewww.PleasurizeMusic.comyoucanlearnaboutthe
latestreleases.

7.) 8.)
Updates
Pleasealwaysusethelatestversionofthesoftware.
Futureoptimizationofthemeasurementprocedurecouldleadtoslightlydifferentresults.
Infutureversions,thefollowingadditionalfeaturesareplanned:
Plugin:
numericpeakdisplaywithinterpolatedvalueindicationinthezoneabove0dB.
InterpolationcanuncoverpotentialoversoccurringinlaterD/Aconversioninplayback
devicesresultinginpeakvalueswhicharetoohigh(interleavedsampleovers).The
implementationinvolvessignificantresearchanddevelopmentefforts.
implementationofBobKatz'KSystem.ParticularlytheK12andK14areverywell
suitedforachievingmoredynamicmixes.
surroundversion
Software:
DirectreadinginfromDVD/CDdrives
Thisrequiresobtaininglicensesandthepaymentoflicensefeesfordriversfromthird
partymanufacturers.
Donation
UndertheheadingDonation/Spendeyoucanhelpsupportourwork.ThePleasurizeMusic
Foundationisanonprofitorganizationaimedatestablishingadynamicsoundstandardanda
surroundsoundqualitylabel,inordertogenerallyraisethequalityofrecordedmusicand
therebytohelprevitalizethemusicindustry.
Credits
DRideaandoverallconceptandrealization:FriedemannTischmeyer
Technicalconceptandprojectmanagement:Dr.ChristophMusialikfromAlgorithmix
Programming:Dr.UlrichHatjefromAlgorithmix
Supportsupport@PleasurizeMuic.com
C2009byPleasurizeMusicFoundation
c/oTischmeyerPublishingAmericaInc.
2400ChanticleerAve.SuiteD2SantaCruzCA95062USA
www.PleasurizeMusic.com