Tezuki ooao00 atoetes
Architecture
Catalogue
SIR IG + FR LL
2engo0FTakaharu + Yui
Tezuka
Architecture
Catalogue
SiR + FURL
| #8907
Photography: Katsuhisa Kida
PEE REECE EEE EEE EEE eeConstancy
Constancy is important for an architect. Recently, we are often asked what
kind of architecture we want to make next. We always answer that we do
not know. One style of being an architect is to declare a manifesto and then
undertake real work, but we want to be architects who talk via our real work.
If we were to include fantasies in our publications, then the fantasies
themselves would become real and begin to restiain us. We want to be able
to respond to demands and inputs. Even if we are unable to change, the
inputs that occur during real work are highly thought provoking. The world of
real projects is broad and deep. The demands and varied conditions of real
work are the motive power that impels our changes. We want to make
gradual progress by responding to inputs. We want to be original, but we
are not skilful enough to produce originality just through wild guesses,
Originality is painstaking accumulation. t emerges gradually as the real work
accumulates. Originality cannot be learned. The answer lies within each
individual person. The creative act is a personal quest. The answer will not
appear today or tomorrow. It existe fifty years or a hundred years in the
future. In our monographs we publish nothing except realized works, or
projects that will be soon completed, The sole exception is the Cherry
Blossom House, which was included in the first volume. Compared with the
previous book, this monograph includes many drawings of details. Details
comprise the history of our battles. Beyond the photographic images, we
now want to show what happens backstage,
Takaharu + Yui Tezuka
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