THE MODERN SOCIOCULTURAL
SIGNIFICANCE OF THE JORDANIAN BEDOUIN
TENT
Mahmoud Na’amneh, Mohammed Shunnagq and Aysegul Tasbasi
Abstract
This paper seeks primarily to investigate the spatial features of the
Bedouin tent (known as bay al-sha‘r) and their sociocultural
implications among the Huwaitat Bedouin community in southern
Jordan, It employs an anthro-architectural framework of analysis, and
demonstrates that the relationship between the physical and sociocultural
realms is highly dynamic and intertwined. The tent is conceived of as
more than a place but rather a social arena where social values and norms
are constantly produced and reproduced. Furthermore, the paper
examines some of the major transformations, particularly in terms of
structure and function, that the tent has lately undergone.
Keywords: Jordan, Bedouin, tent, spatial-social, national signifier
Introduction
The study of Bedouin communities in the Middle East has over the years drawn
the attention of many scholars and researchers. However, to be or to become
Bedouin seems to mean different things for different people, as well as for
scholars. Several scholars (Abu-Lughod 1988; Alon 2005; Bocco 2006; Cole
2003; Eickelman 1998; Lancaster and Lancaster 1998; Lavie 1990; Tapper 1997),
have examined how both the applications and implications of the term ‘Bedouin’
are used broadly and loosely. This new body of scholarship introduces new tools
and frameworks for studying nomadic communities in modern nation states. As
William and Fidelity Lancaster note, ‘the common equation of “nomad =
pastoralist = tribal” comes from a confusion of categories and does not stand up
to scrutiny ...; the three factors of movement, economic pursuit and socio-
political system may coincide, but equally they may not ~ and they do not in the
Arab World where the term “bedu” complicates the issue further’ (1998: 24).
Similarly, Layne (1994) points out that several terms such as ‘tribe’, ‘Bedouin’,
‘nomad’, ‘pastoralist’ and ‘desert Arab’ are often used interchangeably. She adds
that in Jordanian nationalist discourse and tourist-directed rhetoric, the ‘Bedouin’
represent the archetypical Arab ‘tribe’ and frequently stand for Arab or Jordanian
tribes in general. Within the same context, Bocco (2006) argues that the term
‘bedouin’, in Jordan in particular, once a synonym for pastoral nomad, now
indicates a political identity of a tribal nature.
NOMADIC PEOPLES Volume 12, Issue 1, 2008: 149-103
doi:10.3167/np.2008.120109 ISSN 0822-7942 (Print), ISSN 1752-2366 (Online)Mahmoud Na‘amneh, Mohammed Shunnaq and Avsegul Tasbasi
Among the main topics which have recently been placed high on scholars’
agenda of interest and research are the sociocultural values and meanings that
Bedouins construct and attach to place. In the midst of the major transformations
that are taking place in Bedouin communities in response to intensifying waves
of sedentarization and modernization, Bedouins find it necessary to maintain
social and economic balances between the modern and traditional lifestyles.
The Bedouin tent lies at the heart of the Bedouin lifestyle. Indeed, it is more
than a simple shelter and place to sleep or meet guests. It is a whole sphere where
sociocultural values are constantly produced and reproduced. As will be shown in
this paper, the physical features of the tent reflect many aspects of the Bedouin
socioeconomic realms and reveal many elements of the Bedouin culture in
general.
Rethinking Place
Anthropology has always been interested in the concepts of space and place
interrelationships. Terms such as ‘space’, ‘place’ and ‘landscape’ denote a spatial
praxis in an ongoing process, rather than fixed and static objects. In the
anthropological literature, a distinction is usually made between space (physical
space) and place (social construction). However, anthropologists have recently
become much preoccupied with the ‘placelessness’ of culture. The global
circulation of capital, people, ideas, commodities and technologies has greatly
contributed to questioning the taken-for-granted spatial narratives and
arrangements. Cultures are no longer conceived of as bounded and closed
entities. Thus, conventional dichotomies of ‘inside vs. outside’, ‘here vs. the!
‘centre vs. periphery’ and ‘near vs. far away’ have lost much of their validity and
credibility. As Gupta and Ferguson note, ‘we must turn away from the
commonsense idea that such things as locality and community are simply given
or natural and turn toward a focus on social and political process of place making”
(1997: 6). Within the same context, Lefebvre (1991) argues that space is neither
subject nor an object, but rather a social reality (a set of relations and forms) or a
complex social product based on values and the social production of meanings.
He also notes that there are different levels of space, from very abstract, crude,
natural space to more complex spatialities (social space). Moreover, Turton
(2004) demonstrates how people experience place and how it becomes
inextricably bound up with their social and personal identity. He adds that place
should be treated as a product of social activity rather than a product upon which
social activity is carried out.
Conventional meanings attributed to place have undergone major
transformations. This implies that perceptions of place are discursively and
historically constructed and that their representation is always understood in
relation to cultural codes. To study spatial arrangements and architectural forms,
150 NOMADIC PEOPLES (2008) VOLUME 12 ISSUE 1Sociocultural Significance of the Jordanian Bedouin Tent
it is essential to explore cultural values. Spatial arrangements make important
symbolic statements about social groupings and social relationships. On the other
hand, the ways in which people use social space reflect their social relationships
and collective identity. Thus, space is not merely an arena in which social life
unfolds but a medium through which social life is produced and reproduced.
Architectural anthropology is an anthropological research of building
activities and processes of construction that produce human settlements,
dwellings and built environments. It primarily examines the reciprocal nature of
the relationship between architecture and culture. In this regard, it investigates
how people imbued with cultural significance at all levels (material, symbolic,
social) shape buildings while being in turn shaped by them.
It can be argued that research in the area of architectural anthropology has
usually been done exclusively by architects rather than anthropologists, and the
main focus is on the building form. Though anthropologists have traditionally
studied many different cultural products, they have not shown adequate interest in
residential buildings in different cultures. The study by Andrews (1999) in
Central Asia represents one of the interesting attempts made by anthropologists
to study nomadic dwellings. In this work, Andrews traces chronologically the
development of the tent through analysing different models of the tent culture
such as the Mughals, Turks and Mongols.
Culture and Place Making
The relationship between culture and place is dynamic and reflexive. Each of
them shapes, and is shaped by, the other. Soja points out that space has been
misrecognized by contemporary social theory as it does not emphasize enough
‘the deeper social origins of spatiality, its problematic production and
reproduction, its contextualization of politics, power, and ideology’ (1989: 124).
On the other hand, Bourdieu examines the special importance of the house in
the reproduction of ‘habitus’, which can be defined as a system of distinction
(lasting, acquired schemes of perception, thought and action). As he notes in
describing the Kabyle house of Algeria, ‘inhabited space — and above all the
house — is the principal locus for the objectification of the generative schemes’
(1977: 89).
Similarly, Rapoport (1969, 1977) relates home and community design to
cultural factors and argues that housing and community design are a complex
result of many factors: cultural, physical, economic and religious. He rejects a
single variable causation approach, but indicates that cultural variables are
central, and that physical factors such as climate and available technology are
modifiers of cultural influences. Social life and its social space are seen as
dialectical; each accommodates and recreates the other. For instance, Rapaport
(1969) describes how sex roles are reflected in home designs of Tuareg nomads
NOMADIC PEOPLES (2008) VOLUME 12 ISSUE! ISIMahmoud Na ‘amneh, Mohammed Shunnaq and Aysegul Tasbasi
of northern Africa. The entry to their tent is on the south, with men located on the
cast and women on the west. In socictics with extended kinship systems, people
in the same kin group often live under the same roof or in separate but proximate
quarters.
Research Site
The main subject of this paper is the Bedouin black tent, which is an
indispensable part of the Arabic and Jordanian culture. Ethnographic data
presented throughout the paper were collected through carrying out fieldwork
research among some Bedouin communities, particularly the Huwairar tribe, in
Jordan’s southern regions of Wadi Rum! and Petra.
There is little information written on the Huwaitat tribe to date. The tribe and
its subsections constitute a large segment of the Bedouin population of Jordan
(almost 70 per cent) and its existence extends to neighbouring countries such as
Palestine, Egypt and Saudi Arabia. The tribe claims descent both from the
Prophet Mohammed and from the Nabataeans who built Petra. Its members were
among the first people who welcomed and actively supported the Arab Army,
under the leadership of Sharif Hussein, and enlisted in its ranks.
It should be mentioned that the Hiwairar, like other tribes in Jordan, have
given up many aspects of their nomadic ways of life during the last decades, and
have adopted many aspects of the modern lifestyle. In this regard, Bocco (2006)
demonstrates that sedentarization policies in Jordan passed through different
stages and continued from the Mandate period up to the 1970s. The nature and
scope of these policies were largely shaped by interconnected local, regional and
international socioeconomic and political circumstances.
Nonetheless, one could state that Bedouin culture still survives in Jordan, and
that there is a growing appreciation of its values and fragility. Alon (2005) points
out that despite the process of state formation and modernization which had been
launched in Jordan, tribal identities had not disappeared. Tribes remained
important social and cultural categories, and have adapted to new realities and
transformed in the face of them. Tribal identities and loyalties continue to play a
major role in Jordanian politics.
Today, the Huwaitat’s economy is based on multiple resources, with various
combinations of wage labour, army pension, livestock herdin;
in addition to
some tourism-related activities. Bocco,? who studied the Huwaitat tribe, argues
that the mixed economy, which combines pastoralism, agriculture, trade and wage
labour, has always been a common aspect of tribal lifestyles. He adds that camel-
herding Bedouin communities were never exclusively pastoralists but relied on a
multi-resource economy,
The so-called ‘desert tourism’ has recently become a major source of income
for many Bedouins of Wadi Rum area, which is considered one of the main tourist
182 NOMADIC PEOPLES (2008) VOLUME 12. ISSUE 1Sociocultural Significance of the Jordanian Bedouin Tent
attractions in southern Jordan. Following the fast pace of tourism development in
Jordan, the number of tourists visiting Wadi Rum rose remarkably. It has been
advertised as ‘the Jordanian desert’ inhabited by nomadic Bedouin. From a region
where activities related to adventure tourism could be undertaken, Wadi Rum was
made into a heritage and folklore site, and finally declared a nature reserve under
a World Bank-assisted tourism development plan (Chatelard 2005). Some of the
Huwaitat men work as guides for tourists while others run their own tourist
camps.
The two brothers Awda and Ribhi represent an interesting case study in this
regard. They run their own tourist camp in the middle of Wadi Rum. The main
part of the camp is a big black tent furnished with cushions and rugs, where
tourists can sit and enjoy music and drinks. In addition, the camp includes a
dining section and small overnight sleeping tents. The camp provides tourists with
a unique opportunity to experience the Bedouin traditions, hospitality and
lifestyle through dance, food and the tent. In sum, the tourist experience of
Bedouin culture is not considered complete without staying, or at least sitting, in
the tent.
It should be noted that the way these Bedouin camps and rest houses are
designed and arranged, and the ways the Bedouin culture is presented to tourists,
conform in various ways to the Orientalist vision Westerners have of the Bedouin.
Bedouins are still largely represented as exotic and primitive and unaffected by
social change or technological modernity. Such modes of popular representation
are usually produced and reinforced by literary, cinematic and pictorial works.
Thus, in coming to a Bedouin area, supposedly a desert, the tourist seeks to find
and experience a lost paradise unspoiled by Western industrial and technological
civilisation.
Moreover, the touristic image Bedouins give of their own culture and ident
are in line with what tourists expect before coming. This can be clearly noticed in
aspects such as dress, food, music, as well as the tent. As Chatelard points out:
Most probably, for obvious economic reasons, Bedouin will have to keep
submitting to the dominant Orientalist representations of themselves and
of the desert to the point of reproducing them. But they will feel they
have some degree of control, and they might even have more than a
feeling if they discover that Internet is not just a business tool but can be
turned into 2 global networking engine. (Ibid.: 36)
The Black Tent
Scholars interested in studying nomadic cultures and societies have provided us
with a detailed description of the black tent (Manderscheid 2001; Raswan 1998).
Faegre (1979) assumes that the black tent originated in Mesopotamia, and as it
spread it was adapted to fit cach particular environment it entered.
NOMADIC PEOPLES (2008) VOLUME 12 ISSUE1 153Mahmoud Na‘amneh, Mohammed Shunnag and ¢ ul Tasbasi
As a dwelling, the black tent is particularly suitable for the desert environment
and nomadic lifestyle. As has been argued by many scholars, the black tent of the
Middle East is possibly the best-recognized form of nomadic architecture to this
day,
Bedouins refer to the black tent as (a/-bay) or (bayt al-sha‘r), or house of hair.
‘Bayt represents not only the home, but also the people who inhabit them’ (Layne
1994: 56). The tent is traditionally woven from goats’ hair. Though nowadays the
woven strips can be bought, many women still weave their own tents. This
material protects them from cold and hot desert air. The goat hair is good
insulation and once wet with the first rain, it becomes waterproof as the hair
fibres swell and the natural oils help to repel moisture (Keohane 1999). Moreover,
Weir (1976) points out that the main components of the tent are the roof, walls,
poles and guy ropes. The roof is a rectangular cloth supported in the centre and
at the edges on poles and anchored by guy ropes. The tent is normally divided into
two sections by a woven curtain (sah), which is suspended from the tent poles.
Tents are differentiated by the number of centre poles (wasar) they have, and vary
in size according to the size and wealth of the family. A one-poled tent is called
gatha, two-poled, faza or wasatayn, three-poled, mthowlath, four-poled, mruba
and five-poled, makhumas. Among the Huwaitat tribe, the tents are mostly two-
or three-poled.
In the same context, Young (1995) argues that the Rashaayda tent is more than
just a shelter, It is an organized living space in which a whole series of meaningful
distinctions and oppositions are made visible. He also explains how the ground
outside is not the same as the ground inside: the right foot is not the same as the
left foot: the front of the tent is opposed to its back, and many other oppositions
(pure/impure, male/female, east/west) are implied by people's behaviour.
In regard to the colour of the tent, the black tent can be considered as an
archetype of subversive anti-architecture: its blackness is menacing to
Westerners, like the blackness of barbarians or ‘foreigners’. The specified
‘blackness’ of the ‘black tent’ of the Middle East serves to underline the
‘otherness’ of this nomadic tent in Western literature, which apparently assumes.
at least in twentieth-century modernist attitudes to architecture, that ‘whiteness’
is superior and progressive. This implies that the generalization of blackness is
symbolic of the detachment of Western interest in the black tent.
It should be mentioned that Bedouins pay close attention to the choice of the
camp and the location of the tent. The factors that determine locations for tent
pitching include environment, climate and vegetation, and geography (Lancaster
and Lancaster 1991). The size and the direction of the tent, as well as the whole
camp, are highly determined by factors such as the weather and natural landscape.
This may in turn determine whether the built camp, or tent, is mobile or
stationary. For example, to avoid the direct rays of the sun, tents are usually
pitched in the east-west line. In addition, the tent is well adapted to desert life in
the sense that it can be packed up and moved easily and quickly. In summer time,
1S4 NOMADIC PEOPLES (2008) VOLUME 12 ISSUE 1Sociocultural Significance of the Jordanian Bedouin Tent
when all that is required is shade from the sun, shelter from any wind and privacy
from passers-by, the older, poorer-quality tents will come out of storage. Many
are patched with cardboard boxes, bits of sacking or sheets of wood or metal. This
means that the better-quality tents are saved for the harsher winter months.
Physical Features of the Black Tent
Bedouins have two main spheres of everyday life, the public and the private,
which should be separated. The physical features of the Bedouin tent reflect these
two spheres. The tent is divided into two main sections. The relative size of the
two sections depends on the size of the tent and the needs of the inhabitants. The
first section is the men’s section (al-shigg or al-mag‘d), where they receive
Visitors, entertain guests and meet them; it is usually left open during the day. The
focal point of the men’s section is the fireplace. The various utensils used for
making tea and coffee, such as coffee pots (dill /, sing.: dalla), an enamel jug
(ibrig) for coffee grounds, a kettle for tea, glasses, coffee cups, tongs for tending
the fire, and a tripod are usually kept around the fireplace, The rugs and
mattresses are brought from the women’s section where they are stored, and laid
out on the three sides of the men’s section, and cushions are piled up at intervals
for guests to recline on.
The other section is the women’s section (al-mahram), where they prepare
food, take care of children and entertain their friends. It is usually kept closed
when any strangers are likely to be around. This section is also where the whole
family sleeps. Most of the utensils, bedding, food, cooking pots and personal
belongings of the family are kept in the women’s section. The bedding rugs
(mafrash and bis 1), mattresses (fr sh or jan by) and quilts (Jih _f) are usually
stacked up in a pile against the dividing wall of the tent
In Canter’s theory, places are defined as a combination of their physical
characteristics, the activities performed and the significance (meanings) that
places have for people. In Canter’s words, ‘a place is the result of relationships
between actions, conceptions and physical attributes’ (1977: 158). The physical
features of the tent can be summarized according to Canter’s model of place, as
shown in Figure |.
Sociocultural Values and Meanings
The above-mentioned physical features of the tent reflect in various ways the
Bedouin sociocultural system. Among the social meanings revealed by the tent
are the following: privacy, gender relations, the tent as a national significr.
NOMADIC PEOPLES (2008) VOLUME 12 ISSUE] — 155Mahmoud Na ‘amneh, Mohammed Shunnag and Aysegul Tasbasi
Male Section Female Section
Physical Characteristics ie place Bahia te ean
of the Tent
Bi ma & food
. Coffee preparation Preparation:
Activities of tent ‘Weldérning guess ~ Sleeping
~ Bathing
Child care
5 Public space ~ Private space
canes Social imeraction Domesticity
Figure 1: Schema of the Tent
Privacy
Archea (1977) argues that we should examine the properties of physical settings
in order to fully understand the concept of privacy. In Bedouin tents, privacy is
not an individual-based concept, but a collective one. The curtain protects women
from unwanted interaction with men. The curtain is the common physical
boundary inside the tent dividing it into two spaces, which are used for separate
functions by different genders. This dividing curtain is supposed to control the
social contact and interaction between men and women. Moreover, the curtain
prevents the free flow of information between men and women, However, the
flow of information is unidirectional, from the male side to the female side.
According to Altman, ‘privacy is selective control of access to the self or to
one’s group’ (1975: 18). In the Bedouin case, it is the latter. Patterns of interaction
within the household or tent, and throughout the tribe, are influenced by
considerations of age, sex and genealogical relationship. Bedouins live in tents in
which physical partitions of space are based on gender and gender-specific
acti s. Although some Bedouins no longer live in tents, the spatial
organization of their modern houses is still based on gender-related functions.
Gender Relations
The way the Bedouin tent is divided reflects the social value of male and female.
Generally speaking, the Huwaitar tribe, like other tribal communities, is male
oriented. As Abu-Lughod (1988) notes, male and female are symbolically
opposed in Bedouin thought. The two domains of men and women are to be kept
separated. Male and female roles are different but complementary, Women are
protected in the code of honour (rid). The honour and reputation of the whole
family and tribe depends on women’s honour. Children can move within the tent
freely, but girls at the age of adolescence should observe the same rules that apply
156 NOMADIC PEOPLES (2008) VOLUME 12. ISSUE ISociocultural Significance of the Jordanian Bedouin Tent
to the mature women of the tent. When a male guest comes to the tent, many
women have to spend their time in the women’s section, whereas older women can
participate in the men’s section for welcoming the guest. Women’s participation
in the men’s section depends on the degree of relationship with the visitor and the
duration of the visit. Younger women spend less time in the men’s section. Female
guests often go directly to the women’s section and spend their time there.
In the evening, both women and men share the same place and spend time
together in the men’s long as there is no male guest present in the tent.
Around the fire, they often discuss local, national as well as international events
while listening to music from a battery-powered radio.
Except for sleeping together at night, men and women spend very little time
together. If there is a guest present in the tent, the husband and wife sleep
separately from each other. If the guest is a man, his bed is prepared in the men’s
section. Married couples can sleep together if there are no guests in the tent, but
because of the lack of privacy, they perform sexual intercourse at night with a
minimum of foreplay.
The coffee ceremony always takes place in the men’s section. The preparation
of coffee is very important for Bedouins as a way of showing their hospitality and
generosity to the guests. Bedouins are famous for their hospitality: even at the
poorest tent, offering tea or coffee is the first symbol of welcome and hospitality
to the guest or guests. Bedouins usually use the saying: ‘he makes coffee from
morning until night’, to describe a generous man, and thus coffee becomes a
symbol for hospitality, honour and respect. Serving coffee to visitors in the tent
is an age-old custom, which has also become a common practice among rural
people. Coffee (or gahwa) is often prepared personally by the master of the tent.
Along these lines, Layne (1994) states that the fireplace is symbolically
associated with manhood
The Tent as a National Signifier
National identity in Jordan has always been intermingled with other forms of
collective identity such as Pan-Arabism, Pan-Islamism and Tribalism. Thus, local
patriotism has competed against other local, regional and transregional identities,
whether national, religious or otherwise. The existence of such myriad forms of
identification is not peculiar to Jordan; it is indeed common to many other
countries in the Middle East. These constituent elements are not mutually
exclusive, for they often overlap and complement one another. They inform one
another through a ‘dialogic’ relationship where ‘everything means, is understood,
as a part of a greater whole — there is a constant interaction between meanings,
all of which have the potential of conditioning others’ (Bakhtin 1981: 426). The
priority and significance given to each of these forms of identity by individuals
or movements can be understood in relation to the historical and political climate
dominant at a particular time and place. In sum, Jordanian national identity is
problematic, contested and constantly in flux. As Massad (2001) observes, the
NOMADIC PEOPLES (2008) VOLUME12 ISSUE! — 157Mahmoud Na‘amneh, Mohammed Shunnaq and Aysegul Tasbasi
elements that constitute today’s Jordanian national identity vary geographically,
ethnically and religiously. This implies that ‘national identity is one among
several ways in which people may experience a sense of cultural belonging, but it
has a special political and ideological significance’ (Tomlinson 1991: 69).
Layne (1994) demonstrates how some critics have argued that ‘tribalism’ is
incompatible with full participation in a modern nation state and that loyalty to a
tribe is automatically rather pragmatic. Amayrah, a columnist, wrote in a/-Ra‘i
daily newspaper that ‘tribalism was appropriate and good at the time of no state.
But today tribalism is a kind of illness and affliction which eats the fortunes and
sustenance of the people’ (ibid.: 99).
Much of the Bedouin culture is expressed in material elements. Tribal motifs
are central to Jordanian national identity. Motifs such as the tent, the coffee pot,
the camel, in addition to the Bedouin dress and folklore, are the main logos that
represent Jordan and display its identity in both national and international
contexts. Such motifs can be seen on postage stamps, postcards, tourist
brochures, paper currency and others.
For example, tourist brochures and guidebooks on Jordan seek to attract
tourists by presenting Jordan as a young and energetic society with historical and
geographical diversity and hospitable people. They usually include several
photographs of the typical Bedouin tent as an important cultural marker. It should
be noted that these Bedouin images and representations are produced by the
various operators in the tourism industry rather than by the Bedouin communities
themselves,
A case in point here is that UNESCO (United Nations Educational, Scientific,
and Cultural Organization) initiated in 1998 an international distinction entitled
‘Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity’.
Over the course of three proclamations (2001, 2003 and 2005), different forms of
cultural expression and cultural spaces from different countries received the
distinction. In 2005, the cultural space of the Bedu in Petra and Wadi Rum in
Jordan received the distinction for their preserved specific knowledge related to
the flora and fauna of the area, traditional medicine, camel husbandry, tent-
making craftsmanship, and tracking and climbing skills. Their extensive
knowledge of their environment and the complex moral and social codes are
expressed and transmitted orally.>
Several scholars have noted that the official interest in presenting the Bedouin
simulacrum as the exotic part of Jordan helps meet the goals of a political
campaign or agenda. For example, Massad (2001) argues that the promotion of
Jordan’s Bedouin image attests to the official inclusive project of ‘Bedouinizing’
all Jordanians as a form of nationalizing them against Palestinians. This explains
why the interest in Bedouin motifs has soared after the 1970s military clashes
between the Jordanian army and the Palestinian Resistance Movement (known
back then as feda'vin). The 1970s tragic events* represent a turning point in the
history and politics of Jordan and have had far-reaching implications for the
158 NOMADIC PEOPLES (2008) VOLUME 12 ISSUE ISociocultural Significance of the Jordanian Bedouin Tent
construction of the state and the means by which visions of statehood are
transmitted to local populations. Following the clashes, the tribal heritage became
essential to “highlight the distinctiveness of Jordan vis-a-vis its most significant
other, Palestine’ (Layne 1994: 103). Jordanians in general and Bedouins in
particular began to stress their tribal roots, insinuating that ‘true Jordanians can
only be of tribal (as opposed to Palestinian) descent’ (Shryock 1997: 38).
Adapting the Tent to a Modern Lifestyle
As has been noted before, the Huwaitat, like many Bedouin communities, have
adopted many aspects of the settled lifestyle, particularly in terms of residence,
as a direct response to social modernization, urbanization and sedentarization.
Rowe (2006) indicates that the Jordanian government policies of integrating and
sedentarizing the Bedouin pastoralists have heavily impacted on their livestock
economy, He emphasized the inextricable linkages between the spheres of
economic activity and social organization in the Bedouin pastoral system. For
example, economic diversification was a major contributing factor to principal
changes in family and sociopolitical structure.
The transition from a nomadic/semi-nomadic lifestyle based upon herding and
seasonal agriculture was accompanied by rapid changes in diet, dress, levels of
physical activity, and overall lifestyle. Some of the Bedouin live now in concrete
houses. In some cases, the tent is constructed as an attachment to a modern house.
The design and the function of the tents have also undergone major
transformations. The tent is used primarily by males to they socialize and receive
guests, especially during summer.
Such trends can also be seen in some rural communities as a way of
romanticizing the Bedouin lifestyle. People construct a tent in their gardens as a
symbol of affection for their nomadic past. This search for exotica, and in
particular for experiencing the desert, attests to Cole’s argument that ‘Bedouin
has changed from denoting a way of life in the past to marking an identity today”
(2003: 235).
Today, most of the Huwaitat Bedouins have adopted some of the twentieth-
and twenty-first-century comforts. Trucks have replaced camels as the primary
form of transportation. Many camps enjoy the luxury of portable generators to
power small refrigerators and television sets. Gas stoves have replaced the
traditional hearth, and white canvas factory-made tents have begun to replace the
handmade goat-hair tents that the women laboured hours to make. Yet, it seems
only natural that the Bedouins should incorporate some of these modern
amenities into their traditional lifestyle, because, historically, they can adapt to
their environment and yet preserve their traditional customs and habits.
NOMADIC PEOPLES (2008) VOLUME 12 ISSUE1 159Mahmoud Na‘amneh, Mohammed Shunnaq and Aysegul Tasbasi
Conclusion
As has been noted, the architecture of the Bedouin tent is not an end product but
rather a creative process. It symbolizes the Bedouin culture in gencral and attests
to its distinctiveness. The design, structure and function of the black tent are
highly influenced not only by climate, geographic location and available materials
but also by sociocultural codes and norms.
The Bedouin black tent is universally accepted as the symbol of nomadic life.
It represents a sphere where sociocultural codes and values are constantly
produced and reproduced, and where tangible and intangible cultural elements
intersect. As the Bedouin proverb states: ‘a/-Maj_ lis Mad _ris’ (life is a school),
meaning that younger generations learn social and legal traditions from older
generations through interactions which take place in these places. Indeed, the tent
represents one these important maj_ lis.
Moreover, Bedouins have adapted the tent to modern uses and functions in
response to the intertwined factors of modernization and sedentarization. Along.
these lines, recent developments in the tourist sector have also brought forth
major changes to the tent as it has become a commercialized element of culture
and a vital tourist attraction.
Notes
1. Wadi Rum is located some 40 km to the northeast of the Jordanian Red Si
Aqaba.
2. Cited in Layne (1994: 46-47).
www.unesco.org
4, The 1970s clas th took place between the Jordanian army and the Palestinian
resistance movement inside Jordanian cities and towns are known as ‘black September’,
in which thousands of people from both sides were killed.
port of
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Mahmoud Na’amneh is a Jordanian assistant professor in sociocultural
anthropology in the Department of Anthropology at Yarmouk University,
Jordan, His research interests are: identity, globalization, collective memory
and Bedouin communities in the Middle East.
Email: mnaamneh@yu.edu.jo
162 NOMADIC PEOPI (2008) VOLUME 12 ISSUE |Sociocultural Significance of the Jordanian Bedouin Tent
Mohammed Shunnag is a Jordanian associate professor in Sociocultural
Anthropology in the Department of Anthropology at Yarmouk University,
Jordan. His research interests include: kinship, globalization, space and place
and Bedouin communities in the Middle East.
Email: mshunnaq@hotmail.com
Aysegul Tasbasi is a Turkish researcher in sociocultural anthropology. Her
research interests focus on social structure and Bedouin communities in the
Middle East. She can be contacted at:
Acibadem Cad. Tekin Sok. Besen Sitesi F Blok
No: 3 Acibadem
Kadikoy, Istabbul
Email: ayegltaba@yahoo.com
NOMADIC PEOPLES (2008) VOLUME 12 ISSUE1 — 163