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Seconds

Audio

0:10

Visual

Other

Diegetic
sound ToniAnn putting her
key through
the keyhole in
her door and
turning it to
unlock her
house.
Pleonastic
sound foot
steps as she
walks into the
house and in
her room.

Mid shot,
zoom, low
lighting
Key in hand
putting in it to
unlock the
door.

The film will


begin with a
close up shot of
her putting her
key through
her door as she
comes home
from school.

Close up shot
onto her feet
as she walks
into her room,
then mid shot
of her room as
she flings her
bag onto the
bed

0:30

Voice over
begins
(monologue)
she is fed up,
sighs, and
reflects on her
lonely life

0:40

Voice over
continued
She becomes
more frustrated
realises how
little friends
she has (well
none at all)

High angle
shot, high
lighting,
shadowy Lies
face down onto
her bed, head
in her pillow,
full body shot
but audience
not yet seen
her face.
Camera
comes down
Slow zoom
onto her,
lighting
becomes
dimmer
begins to kick
her feet, still no
idea from the
audience point
of view of what
she looks like
but they begin
to get an idea
from her

The camera will


follow her
movements but
focus on
specific parts of
her body; the
audience do
not yet know
what she looks
like.
The camera will
be held still
focused on her
on her bed. The
audience then
can
concentrate on
her and her
thoughts
through the
voice over.

0:20

Textual

monologue

0:50

0:60

0:70

Voice over
continued
Has a heart
throb for a boy
that never
even notices
her
Voice over
continued
Doesnt want
to live this way
any longer
time to put her
foot down
Background
music:
Azealia Banks
- 212

0:80

Background
music:
Azealia Banks
- 212

0:90

Background
music:
Azealia Banks
- 212

1:00

Background
music:
Azealia Banks
- 212

Freeze frame

Freeze frame

Black screen,
opening credits
slide in from
the side
(Rastaproductio
ns)

Tracking shot
as she gets up
and enters the
bath room, the
camera follows
behind her
Over the
shoulder
shot, arc her
face in the
mirror as she
stares at her
self
Close up
shot, zoom in
her face

Big close up
onto her
eyebrows

Camera begins
to show her
flaws that she
then tampers
with e.g. begins
to use the
tweezers

1:10

Background
music:
Azealia Banks
- 212

1:20/ 2:00

Background
music:
Azealia Banks
- 212
Music speeds
up

Black screen,
opening credits
slide in from
the side
(staring )

Black screen

Fast-forward
she changes
puts makeup
on

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