7
INI
ra
ke
Da
172)
=
rm
—_
—_
a
| |
\—]
[_—]
olin
—
—
—
ee
_— -
=
Cetra
eee ts
ete
of the world’s best
Tes ce
PCa
Martin Footitt is well-known for both his
sculpting skills and the awe-inspiring pieces
that he enters into the UK Golden Demon
Open Category. Here, he tells us of his
journey from bi-annual gamer to the top of
the hobby tree.
hen asked how he first got into
the hobby, Martin replies
enthusiastically that “It was all
down to HeroQuest. Before that I'd made
a few World War II kits, but it was
HeroQuest that really kicked things off,
saw the advert and got it for Christmas.”
Having played the game and enjoyed
painting the Citadel miniatures that were
supplied with it, Martin discovered that
Games Workshop had a chain of shops
where you could go to buy models, play
games and paint, including a place in his
home town of Nottingham! "I'd go in and
buy a few models; at that point | wasn’t
trying to build an army, | was just picking
‘models | wanted to paint.”
Martin continued to dabble in the
hobby but became more involved when his
cousin also started collecting and gaming,
with Citadel miniatures. *He was really
into Necromunda,” says Martin. “But we
also started playing Epic and Warhammer
40,000. However, we'd only see each
other twice a year. I'd go to his house for
the weekend and we'd play five or six
games. $o I'd be painting my
Even though Martin was a member of
‘Eavy Metal he remains very pragmatic
about his own abilities in the first few
‘months of employment. “I was at a high
enough standard to get the job, but,
looking back, | don’t believe | was as good
as | could be. However, when you're
painting figures for seven-and-a-half hours
a day, for five years, you get better at it!
I was also working with other, more
experienced ‘Eavy Metal painters and so |
picked up techniques and then had plenty
‘of opportunities to practice them.”
During his time in ‘Eavy Metal, Martin
developed his style which has been
described as a classic Games Workshop
look with clean colours, neatly done. “I've
become known for my metallics, which are
very smooth and realistic.”
(Of course, nowadays Martin is a key
‘member of the Citadel Design tearm with
such great miniature lines as the High
Elves, Eldar and Dark Angels under his
belt. How did he go from painter to
sculptor? “I tried sculpting early on during
my ‘avy Metal days but it was rubbish so |
force or gang during the six ¢ ¢ I was happy painting
‘months in-between visits.
‘As Martin got older he
carried on painting the
miniatures, becoming far less
of a gamer, but continuing to
refine his painting technique.
Meanwhile, Martin eft school and decided
to head into further education. “I went to
University but didn’t get on with the course
so | dropped out after a year. | came back
home to Nottingham, unsure what to do.
My Mum suggested painting figures was
the only thing | really enjoyed, but while |
was quite happy to carry on doing that at
home, my Dad told me | had to get a job!
As | happened to live in the same city as
the GW Studio, | applied for a position on
the ‘Eavy Metal team. I went to see the
Nottingham store manager, who was
impressed with my figures and rang up the
Studio for me. The 'Favy Metal boss agreed
to take a look, but | didn’t know where the
Studio was, so the manager sent a member
of the store staff with me as my guide! The
painting manager said my models were
good but there was room for improvement.
Nine months later | had a proper interview,
for which { had to paint a metal Saurus
Warrior. {thought I fluffed the interview,
but to my surprise I got the job!”
models at home, but Dad
told me to get a job! 99
packed it in, A year later | thought I'd give
it another go. Iwas taken on as a trainee
designer after a year of sculpting in my
own time. The figures | did were mainly
copies of existing ones - Space Marines,
Empire Soldiers, High Elf spearmen and
(Ore Warriors - t had to show the design
‘managers I could get the right shapes in the
correct anatomical proportions.”
Martin has also become well known for
his Open Category entries at Golden
Demon, some of which are featured on the
following pages. “I never entered when |
was in ‘Eavy Metal ~ it was only after |
stopped painting full ime and it had turned
into my hobby again that | considered
entering. | now paint two figures a year;
cone is my Golden Demon entry, the other
VII paint for pleasure. don’t think two
models is enough, though, so I’m going to
do far more in the years to come!” When
asked what his current painting project is
Martin refuses to comment, saying only
that al will be revealed in September ‘08,rerrorny
This fantastic Grey Knight won the Gold in the 2007 Open category. The model
is based on the Artemis miniature from the Inquisitor range, though it is heavily
converted. The winding stairs on the scenic base are made from MDF, although
the Daemon’s decapitated head is from the plastic Warhammer Giant kt (A).
The conversions on the actual model are down to Martin’s sculpting expertise.
OF note is the belt feed instead of an ammo drum on the storm bolter (B).
Martin didn't want the arm to look too large and unwieldy, and felt the belt
feed was a bit more elegant. When painting, he used a very tight palette of
black, white, silver, red and gold.
‘www:gamer-workshop.co.uk 91Ghazghkull Thraka and Nobz
This diorama came about as Martin was fast running out of time to get a figure ready for the 2004 Open category. So,
rather than creating something from scratch, he took Ghazghkul and some Ork Meganobz that he had already painted
and placed them on a cool-looking base. Although the Orks are
traditional 'Eavy Metal Goff colours. The piece ranked as a fin:
foreeeneunatad
t,as-yet-unreleased Chaos Champion was
by Martin during his tenure asa straight-line
designer. He wanted to do a more traditional figure to
keep his skills up to par. It’s painted in a dark green