CINOBOZAH BOrYHOBUA Toduuoax ipada Beotpava Kx. XLVII-XLVIII, 2000-2001. TEOPUJA TOKPEHYTOCTH MIPOCTOPA KAO ®ULOCO®CKH OCHOB 3FPAJIE TEHEPAJIMUTABA BOJCKE JYTOCIABHJE Y BEOTPATY He camo y Kopmycy nomahe apxnrex- Type i y HeHOM MjejHO-ecTeTHIKOM OK- pyxXelby, Teopija noxpenyrocrn mpoctopa mpencrampa jenunicrrenm KoNMenTyamHH HompHKoc caspemexoj Teopujit apxureKry- pe ypOanuawa, Hbexe ocopHe mpuntume, Kao CBOjeBpeHy ajleHay cBOMe eny y 13- rpamut- Kosmuexcy Casearior munncrap- cra onGpane m Tenepamurra6a Bojcke Jy- rocnapyje! na ponupy Hemarune m Kies Muzomese yauue, na1oxno je apxwrexr Huxora JloGpopith 1960. y cryauju "Tlox- peiyrocr mpocropa - Beprconione "una- MMUKe CXeMe” - HOBa JIMKOBHa cpemmHa"? ToM cHDKHOM I YOeiUbHBOM excrLTHKa- uujox teoperazaunjom BnacruTor ocrBa- peta, ayTop je ceOu, Moxa # He xoTebH, oGes6enno Bpery ayroTpajHOr Moxoriona na werono tyMayeme. Haxkazocr, weKa- JAULISe 4EPCTO jeqUHCTBO HoyMeHAanHOr 1 cbenomeramtHor, Teopiijckor 1 tlojaptior ac- hexra oora lesa, pacroueHo je y HATO GomGapronary 1999, Te ce JaHac u3a The- "Y ueaomTexery kao: TenepasurraG BI. * Dobrovié N., Pokrenutost prostora ~ Bergsonove "Di- namitke sheme" ~ nova likovna sredina", Covjek i rostor, br. 100, Zagreb 1960, 10-11 * Kosauesuh B, Apxirrextypa srpane Teepamurra- rose yssemmpyjyhe pymiesne peasnocra TOMayba TeK OHTHMKH CIO} Teopuje Koja je aypxupesia cBoje onpeameheree. Tipemma je ancrpaxrne Kopene Teo- puje noxpenyrocrs npocropa moryhe mpo- wahit m y riojemmmmne "ommrrit MectaMta" eBPONICKHX aBaHrapmu,’ a TAKO HY Hej Mpomere, pacta 4 "quHaMusma" Mabape~ KNX APXHTEKTOHCKUX abaHrapmucra - "aK. TupacTa",! HeHO acousjatHeHo nona- sume je, KaKO caM ayTop weTH4e, cBeT "aHCTe MHCaOHOCTH", sampao, ¢pun0co- cbuja, 1 noceGHo, nojequne Tese Teopuie casuara cbpaiityckor mucmmona Aupit Beprcoxa. ¥ siesivo-MapKcitcr#4KoM Hi ‘TesIeKTYAMHOM MitIHeY Me/leCeTUX Ht Ie3Ie- cerux rogiwa mpommor croneha, Jlo6po- suheBo Moaupate Ha Beprcona yenesu10 je nocne japne "pexaSummramurje® opor, xo Taga "jleKaeHTHOr", MATYMTUBHCTHIKOr, wjeamicrwyKor H "TpabaxcKor” Mucmuo1a Kojy je o6aBHo q0Gap noswaBasay Beprco- Hone (unocoduje, yranajan mapKeuc- 6a, Moworpadexa cryanja nena Haxone Jlospo- sitha, Beorpax 2001, 128. “Tleposith M., Creapaaurio Hixone HoSpositha: Mucaoxe mpirroxe, y: Huxoaa Hobpoauh. Eceju, tpojexia, xpuitiune, Beorpan 1998, erp. 62.CHOBOMAH BOrYHOBMA ‘THK cpusIOCOM H nporbecop Beorpastckor yuusepsurera jp Hyuian HegemKosuh, PexaGumranuja, cpakaxo, nije Moria GH ‘Tu noTnyHa, jep Bepreox, Kao Hajiicraxy- Tuju MeTadusniap onora BpeMeHa, no ouen Henemxosutha y aHeBHom ancty "Toauruxa", Ha Mneao Mapxcosy, pan- nuke Knace u Tlapiicke KoMyHe, Huje YMeo oAroBopHTH Apyrauitie Hero cBOjIM ByATapHIM MeTacu3HuKHM omujyMom MICTHKe H MpHcajaiseM U3BECHUX Hepas- BujeHHX nlormapma ynpaso jujaneKTir4Ke, MaTepHjamucTuuKe H counjanHerHuKe Hay- Ke H MUCH MapxcoBeKe. Cre To a Git se Toba Teopllja HOGUNA KONUKO-TOAUKO M3 rueg jledaTHe jaBe u crBapHoctu.’ Y Toj rpaharickoj Mucrauu, npustao je unax He- nemKosuh, ua H Hever JOGpor, H TO HO- po ountyje ce y HeHOM gompsHocy "neuxonorujn". Hane, Bepreon je ucra- Kao j{a JbysIcKa Mitcao Hje TIpocTo HH3aKe WM HeKakBa wenosesana "cny¥ajHa Mpauiuna” oj nojenMHayHUX cumMKa HM mpes- cTapa, Beh "MOCTYMHH TOK cBeCTH y KojeM ce caNKe u mpencrase jabmajy yBeK Kao He- PasqBOjHH cacTaBHH AenOBH H3BECHHX "H- HaMUMKUX cxema’ KojuMa ce opijeHTuute 1 OcBeTIABA CaM XKUBI KHBOT Y CBOME He- MPeKWJHOM HampeyoBalby Ht pasBuTKy", Cunrarma —"quamuuKe — cxeme", MebyTuM, Kojom ce HeslexKosuth canyon na YKaKE Ha MapKcHCTHMKH Kapakrep Bepr- couone "neuxostoruje", a Kojy oSposith HcTHYe y HacHoBY cBora eceja, upe cKpuBa HeTONM OTKPHBA KOHKPeTHO lopeK0 lo- Gposuhesor Hajaxayha y Beprconosom onycy. Camas Tu 1 Bpery Hoptore 2a Teo Pijy cappemene apxirrextype Kojy ayrop SHexeskoouh IL, Aupw Bepreon, Moauitiuxa, 11.7.1957, erp. 16. * Loceit. ” Bergson H., Ocusres. L’Energie spirituelle, Pais 1959, 930-959, 254 Ha THN TeMesbuMa 2kestH Hoshi. Tose Ha PYKY ie 1 stanupapHoct [loSposuhenor Oitica yore OBHX exeMa y CasHajHOM Mpo- uecy. Tlowmisyhit ux y Maisoj erymuju L'EF- fort intellectuel w3 1902, Kackuje mpu- KmyveHoj Kist3H eceja Mm mpeqanara L'Energie spirituelle’ uu cam Beprcon, 3a- nmpaso, y "LWHaMMuKUM cxeMama" Huje Mpentostianao KmYYHE OmpenHUME cBoje rHoceonoruje uit "NicHXOoTHje", KAKO jy je uexonao, [Ipunepa pani, y BoM raan- HOM Hf CRETCKH YyBeHOM Jey 13 1907. - LEvolution creatrice, Taj caswajnm Mexani- 3aM It He TloMHtibe, ITO je aac MpoBepsbH- BO | MpOCTHM eeKTPOHCKUM pasmucra- BaIbeM Te KIHTe;* Yak H TOjMOBE Koji CHH- TarMy uve - "{uHaMHuKe" m "cxeme", Bepreou he y ToM neay, y pasmuuran KoHTeKcTIMa, HieTIIcaTit caMo “eTHpH My- a, Tloemarpano ca uspecom 3nypa- southy, orya, JLoGpositheso nosnparse Ha "qHMaMHYKe cxeme", Morno GH ce Ty- MaNuTH Kao Os1aKO, "MpesMteKitujcKo"” Mpey3uMarse — jeqHor —-HeOBOMHO pasjaLurbeHOr, CTOTa H HeOBOZHO MINTS Bor HOeTHUKOr curHasa 1 exo HesemKo- auhenor Texcta, ca KojuM je, 3acayrom MapKeweTH4Kor ayTopHTera, caja Ona ynoswara 1 mupa KynTypHa japHocr. He- cyMibuiBo je, y3 TO, 2a je TaKo merWTHMHca- Ha, Wjeja o "MHaMHuKHM cxeMama" Mora NOCAY:KUTH Kao LOGap 3as1eT HOBO] TeO- pujit apxwrextype, 1 jha ce Ha wy, cacBIM. nonyeTupo, jeqaH apxnText-crpapaman MeO HaflonesarHt ca slasteKo BehOM CK 3imBHOM pasOapyiteHOUthy 1 c10G0n0M He- To ItTro Gu To Gwo Kagap fa YAHHH HeKH dp sroco¢), cny Tal KpyTHM aKasleMcKHM O63K- "Ve Ibid, Creative Evolution, New York 1911, URL= Intp:/paradigm soc. brocku.cal%7Elward/Berg— sowBerg0l_toc.himlTEOPHJA MOKPEHYTOCTH MIPOCTOPA KAO @UJIOCO®CKH OCHOB... puMa HanH TasHHje, TaRANHM yaTpamaps- cHCTHTKUM Tj. qujaneKTw4Ko-MaTepHja- SINCTHMIKHM 3a0panluMa cBoje eTpyKe. Mebyrum, Ges osupa Ha mpejaxo 10- eHTHpathe TOMeHyTe cHHTarMe, a UME ce BpemHocr HoRe Teopuje noKpeHyTocTH mpocropa He Gu Morita yMarbuTH, MurTaKe Ho6posmhesor eceja yxasyje na je meron ‘Teopuijckn Hanop unak uMao ynopuurTe y opuocHo, npHcTymarsa mpemMeTHOM, nojan- Hom crety. [pn Hayunn Hasmi crosHaje jemutax je oOus1axery OKo mpenmeTa, mume Bepreou y cao "Ysony y metacbusnxy”, Apyri, MeradusW4KH WIM HHTyHTHBEN, mpetmocrapiba ja ce y mera nponpe.’ pu- pORHO-Hay4HE MYT caaHarba, eMaTpa (pun0- comp, BOM caMo HeKoM mpenoherby Heno3- HaTor y TO3HaTO, PauiarMBary 2uBe Ca. 1, lospoothena “exesta osnytentocra” srpane Tewepamurrada Fig, 1 Dobrovi's "scheme of vertical sonorty” for the Army Headquarters Buiding BarbaHom pasyMepary cyuirHHe Beprco- none dpitocodpuje. M2 janaunse wero pujeke epenexrupe rieqario, sano je BaokHO UrTO je Ty cymmTHE u cam JoGposuh Mopao TpaxxHTH ynpABO y OHHM ¢binTOCOR)- CKHM rlacaxkHMa KOjH cy ce OMMpasH MapK- CHCTHIKUM TOKyuIajHMa penmrepnpera- nuje. Onxyayjyhi noxeriuaj, mpe ceux, ‘umn ce na cy ane Beprcorore mpoo3x- uuje 0 mBojakom KapakTepy casHapara, leHHe Ha MpTae H BaHBpeMencKe mojeyH- HasHocra (ysacrormocra, HeToxoGuocr#), MIpH Yemy ce caer mojammyje Kao jacta 1 pasroneTHa anu Herlommena, yKo'werHa Mpo- TexHOCT, 4HMe y HOTHyHOCTH Gia sama TubeH cyLITHHCKH MpoGuem eunocodpaje ~ mpo6emt ppemenia. Ja On ce Hay'4HO cHos- Hao, cheT Gima Tlowemen Ha craTHuHe exe- MeHTe, H3 Hera ce emunuumte Tpajame, MOK Ce FeTOR PaInojHH TOK TYMANH Kao Bergson A., Uvod u metafiziku, u: Vladimir Filipovié, Novija filozofija zapada i odabrani tekstovi, Zagreb 1979,241 255CIOBOJIAH BOrYHOBA s6pajatse, 3061p HeNOMMHMX, cTaTHHHX, 1 oryna, nojMsbuBux cmmka, JleTitscTRo, ape- nloct, cTapocr, mpuMepule, 1 TO cy TeK pocrH mlornest AyXa Kojut HX cxBaTa KAO aacroje Ha NYTY pasBiTKa H Koji cTaBsbeHtt jeaax xpaj mpyror susie a ce murTaMo Kako je passirrax yonurre Moryh. Tu mpemaan on HeTHHSCTBA Ka MiTaUhKOM JOGy, Of Mita- muhkor 70Ga Ka spemoctu Hof spenocTH Ka crapocri, Bune cy Hamm jesmKiM xiMe- Pama y KOHTHHYYMY HenOHOBMUBOT 2KUBO- Ta jenuuke. Y avanwrw4Koj moana pannaisuBawa cpeta (kpeTaiba) Ha Her10- MIHOCTH, KOja OTKPHBa H caMy [HCTO3H- uujy Wane Hejaxe miTenurenuisje, Yak 1 camo Bpeme, nomsnaui Beprcor, Ona H3- MepeHO MpocTopHHM pa3Mamuma (Kao Ha “acOBHUKY), a jeNMHCTBEHO 2KMBOTHO Tpa- jarse moplesexo Ha kpyre mperpagte HIM Hy- Mepika MHOUITBa: mpoulmoct - ca- jaunboct - Gynyhiocr. Brau narnen m pa- ayMepawe cBeTa W3MWe mHTemurenUrtit Koja o6m1asH OKO mpeyMera ocehajyhu ce YFORHO caMo y HeMOMHHOM, MPTBOM, [HC- KOHTHHYpaHOM a HenaroxHo y mOMMary enonyuuje, nocrajatba, KOHTHHYHTeTa MpO- MeHe, HOBMHe H HoBor, Tia TaKO 1 caMor 2KuROTA, eMarpa dbaoco*p."” A.:xmBOT Kao ‘une conquéte sur le néant’ - ocnojeme, Haneaqazame HUUITaBHTa - locke Mopuve cratwuHocr, oH je Hempe- KHNHO MocTajakbe M GuBarbe (cpp. devenir, exr. becoming). Ox je Hamoraparse HIITH Ha KAYMKO, CTRApATaYKH, BpeMeHCKH KOHTH- "Bergson H., Oeuvres. L’ Evolution creatrice, Paris 1959, 633-5; "Yepenepebera ta ono urro ce rionas- za, o6ysera jeautHo fa cmojn Hero ¢a WeTHM,HFTe- -aurentija ce Tako OKpehe on onaxatsa Bpenena Onfa ce nporupit onoM mrTo Teve H crapatbapa coe urTo gonupie. Mit ne Mitem#MO crBapHO Bpeme, ach ra xKHBHMO, jep KHBOT mpepasiinasH wren renujy", mane Beprcox y onost neny. (Bepreon A., Citieapaaayka eaoayuuja, Cpemext Kapnonit 1991, 33). 256 HyyMy KoMe Hac mpoummocr eeu, Hempec- avo ce mopehanajyhit onmm canamsunt urro Ham croju Ha nyry."* Hi cam Mexanir3am Maier onaxatba 1 yMoBatba Huje Mo- sawuke, neh KuHeMaTorpacpcKe Bpcre jep raegajyhu bun Mu ce He GasHMo mpoctum pebaibem ciuka, Beh HanBajaibem H3 CBHX CYKUIeCHBHIX, rOTORO jenHAKUX caHKa OHOT pagmmuntor Meby uma a To je Kpetaibe yomurre, 1 TO HeTO “HHMMO ca3Hiajyhu." TIpomewa je, sanpapo, Hemro moro Behe mpocror 36upa crarba, ckyma mojenH- HavHux MoMenara." [Ipouec casHaparsa ‘TaKROT NPOMEHIbHBOT Ht TOKPeTMHBOT CBE- Ta Moryh je caMo Kao 2XUBIbaBalbe, HC- ‘Tue ¢ppaxuyckn Mutcmmiau, yocehaBarse y MpoMeny # Tpajatse, Kao TpenyTaK y KoMe ce Mame ja mperryurra 2xMBIeHy He pas- neajajyh cagaunse om mpeTxonHux crarsa." Jla 6m ce mmo sajenHo ca Kpe- ‘ajyhom crapHomthy (realité mouvant), ca MeHOM, 1a Ou ce On! HlojMutna, HoTpeGHo je YOCeTHTH ce, CTABHTH ce y Hy caMy jep Y YHYTpAnNbOCT KUBOTA He YBOMM Hac HIITe~ aurenuuja seh camo mHTyHNuja Hq HH- cTHHKT."* One MucaH 0 quHaMHHOM m nOKpeT- HOM, cTBapana4KoM Kapaktepy cBeTa, ompoctoperiom Bpemeny 1 kHemarorpady- ckoj mpuponi mepuemmuje 1 uiTenuren- uuije, na wax W yocehaparey, oxnpehe y Jlo- Oposthesoj Teopuju noKpenyrocra mpoc- Topa. Caoj HacraiaK mak, y Hajsehoj epi, owa he 2yropaTH mpuMeHit auanouiKor TH- "Ibid. op. cit, 1959, 728. Wid, YBOR 244, ' Bergson H., op. cit, 1959, 753-4. " Thid., 314. ' Bepreow A., OFae9 0 neilocpegnun wuroenuuasa ceeciliu, Beorpan 1978, 49. "Ibid. op. cit, 1959, 645; I 1 0p. cit, 1991, 104,TEOPMIA MOKPEHYTOCTH IIPOCTOPA KAO ®HJIOCOCKH OCHOB. na MUNUberba H YouABARY cmHMHOCTH 13- Meby Bepreowonor TyMaviersa castajsux mpoueca ¢ jeslHe crpaie # Mogepue apxi- ‘Tekrype M ecTeTWuKOr akTa Kojit TakBa apxntextypa moGybyje, ¢ apyre crpane. Hane, ynpano o#aKo Kako ce "mpouecra ebuxocodpuja" nocrajarba nv mpomene, mpo- TuBcTapiLIa TpamaMHOHaTHo| ¢unoco- cbuja, yrememenoj Ha mpommumary era ‘THsHor u jemHoM 2a cRarga gavor Burka, ‘ao ce « JloGportthena Teopuja rloxpeny- Tor MpocTopa i OGpasoBatha HOBE THKOBHE cpeyune cynporerapuaia HcTpomteHoj, Mo- To Om ce pehnt, akayeMckoj apxnrexrypH CTaTH4KH, KPyTO H YHHepopMHO cKpOjeHHX oOnuKa, Kao urro Hayka, Hanase, y pas- ROjHUM TOKOBHMA CBeTa BUI CAMO 36pa~ jae craruunux cHuka, TaKO 1 akageMCKA 1 eks1eKTHYKa apxHTeKTypa Hje crocoGHa na pasGnije coje KaHOHCKe OKORE H wspasHt MokpeHyTocr mpocropHe crpyktype OOuNKa, OjlBIjabe APXHTEKTYpe y BpeMe- HY, weHy JuuHammanocr. ApxireKTOHCKH mpoctop, crora, Rama caoOpasurH HeTHH- ckoj IpHpogH Muutbersa, OMHOCHO "KHHe- MarorpacpcKoM MexaHiaMy wHTemHTeH- unje’, emarpa Jo6posuh npeysumajyhu uspa3 ox Bepreona. Kao urro Kmiemaro- rpacp, Kao apparatus, noneayje nojequnastie HeMOKpeTHE CIKe, TaKO Ce H MOKpeHyTO cKpojenm o61mnH ebycoGHo npHxsarajy y My HoBor HocmaTpava, Te "jjpyurTBexe je~ jMHKe" Koja je yjenHo eTRapanan m KpHtc- HMK (mpuManam) HoRe apxuTeKToHUKe mpoctopa WI Goske, mpocropHo-npemex- ckux ocrpapersa.” Creaparsem moxpenyre 1 AIMKOBHO OGoraheHe cHHKe CBETA, MpoC- TopHa KoMno3uuMja fanannnye ua ¥ HoGponiih H., Hoxpenyroer mpocropa - Bepreo- one "I[anamraxe cxeMe" - KOBA aMKosita cpenit- xa", y: JoSponith, YpGanusan Beozpaga, 6p. 58, Beorpay 1980, 47. * Ibid, 38. enoxannit sagaraK ja mporsnene ono KuKe- MaTorpatpexo oGenexkje caaHalba CTRApH H peruicrpopatsa yrucaka, noyyana JoGpo- sh." To je Moryhe camo ysobersem ene- MenTa Tpajaiba y apxuTeKtypy, ynpaso onako Kako je Bepreon ncry Kareropujy RpaTHo rHoceonorsja - Tpajaiba y ecTe- THYKOM H TICHXOMOUIKOM - He y HCTO- piijekom emery. Vom onaKo Kako je "reo- MeTpija MomepHHx" (a ono je jenmua Jo~ Gposuthera napacppasa-uurar ua "Creapa- sake enomyunje"), yaema kperatbe y reHe- ay cburypa, Hacynpor crarHaKoj "Teome- ‘puja crapux".” 'pagutemu cy, Hacransa APXHTeKT, YBEK Ocrajamit Ha NBpCTOM Ty crpapHoctH, aim mpocrop ce BHMTe We MOXKE CXBATATH eYKIHJ[OBCKH, KAO XOMO- TeH, craTuiax, ykpyheHt, lav, Beh OGorahen HOBAM BeNMYMHaMa MonyT ce, Mace, euleprije, KOcMMuKOr spayera, mMKoBHE panujanuje u, Hajaay, onora ITO cBe ORE BeIHNIHe Okytuba - BpeMena.” [oxpenyra ApXHTeKTOHCKA copa, a TO je jemHO ON THaBHX MexommmTa [oGposihenor Ha- gaxHyha Beprconom, cpojom mioceGuouthy xojy joj je noqapuo apxwrexr, mposomupa ecreTHKH, MeuXonoMKH ak, HaroHehn mocmarpatia sla ce y cycpery ca oprowa- pajyhe oGnuKonanHM mpocTopom mpexece Y RUMeHHjy BpeMena, y OOs1acr nicHxHUKOr “rpouierba BpeMentcKux jequanna".” Ha ‘raj HaHH, OH ce Mpenyurra pearom Tpa- jaiby yayTpanmser xuBoT=a, la durée réelle y Bepreovionoj TepMusonorujm, 1 sampano, 3 xoMoreHocTHMpocTopa MpeHocH y XeTe- poretocr apemeria, u3 KRarTuTeTa y KBa- SUMTET, 13 (PHSHIKOT y NCHXHSKO, HS CHMY:I- ‘raHocTH y cykUecHBHOCT, Ha NpOTeKHOCTH, ™ Bergson H., op. cit., 1959, S21. ® flosponuth H., op. cit, 43. *! Loe. cit. 257CHOBOJAH BOrYHOBITA, y Tpajaise. Kperame 1 tpajatse, naxste, xe- ‘Teporenocr BpeMesa Ht MICHXOOUIKHX Ka- pakTepHCTHKa, IpUKIby4yjy ce apxHTeKTY- pitca Koje ce, Hajsaji, yjentio sGanyje Opeme 3HaMeHHTOr, a 13 OBe MepcreKTHBe, 1 HanHor mopebera ca cMpsHyToM - ykpyheriom My3itkom. Hagame, nosimajyhu mocmarpaya ya Gyge noxperatt ~ pastionpasiu ereaparar yMeTHH'KOF jlex1a, JloGpopith HenogezeHo veKasyje cRojy pimaguocr TpamujH wo- jepue yMetuocru. Kao wenormyHo W1H 10 Kpaja HejacHo, MoxepHHCTHIKO emo YeKa Ha Wonpuierse TeK y cycpery ca MpHMao- em, Koju je akrunum “una yweT- uiaKor mporeca, Besa yMeTHHKa H MpuMa- aaa je, m0 ysycuMa MoxepHe Teopije YMeTHOCTH, UHmeHHMA Koja MpeTXoNH [e- ay, weror ante factum, a npuMaman Taj Koj he ra ynorynnnit 1 Ha yMeTHHKOBY 3ar0- HeTKY OJOBOpHTH cROjHM BHacTHTHM occhaibem u cmucioM. JTes10 je cae camo He w30T0BaHa, HMOGHIHA H saTBOpeHA (jJ0- Koutanta) crBap y Kojy ce mpomupe ca Kpy- ‘romihy Kakpe sormuke umH Hay"He eKcTep- ‘THe He Ou 1H Ce MiTeMeKT OceTHO yroRHO. Y ogHoc ca MojlepioM yMeTHouthy H apxH- ‘TeKTYpOM, MojlepH penunujenT Mopa cTy- TMTH Ha MOTTYHO cynpoTal Ha‘tnH, MOKA Gall oHaKO KaKo YoReKa ome, no Bepr- Cony, HITYHUNja INH WHeTHHKT yaone "y mpany oOslacr xkuBOTA, y OGsacT ysajannror NMpOKUMarsa H GeckoHaNHOr Mpony>xKeHor crBapatba."" ‘Yurpano aGor opakBor expararsa yMer- HmuKor Jleila, Kao Gtha-y-cBeTy, Kao CTBA- pH MoctamsbeHe y Mponlece KHBOF Tpajalsa, Y cpepuurre mmTepaxnuje m yocehapaisa, ayTOpoBO TYMa‘leibe HORE APXHTEKTOHMKE ul ypOanuama Kpehe ce y crasHom ana- ™ Bergson H., op. cit, 1959, 646; Ibid., op. cit, 1991, 105. * [oGposith H., op. cit, 39. 258 AOUIKOM JORMpHBAKY AYXOBHOr cpu suuKor myiata. Kao urro ce, mure JfoGpo- bith, Micao i caM mpoutec casHarba He MOry CBECTH Ha MIPOCTO, MexaHH'IKO HUSAKGE Cm- ka 1 MpetcTaBa, TAKO Ce HM HOBa, MORep- HMCTHYKa apXHTeKTOHHKA mpocropa He MOxe NOHCTOBeTHTIE ca KAKBOM "cnyyajHoM mpaumyom" pauirpKanux, craTw4HUXx H ocaMmeHHX OGjeKaTa y cio- GoHom upocropy."" Hacynpor crarwsKi OOMHKOBAHUM OGjeKTHMA, YraHYeHIM y HEMBHOBHOCT 3eMIbUHE TEC, ayTOP YKa- syje Ha mpucyrHocr Hone, [HaMH3MOM oGorahene "sHKOBHE cpeyuHe" oKpeHyTO expojenux o6aHKa, Ha usBecHOcT caBpeMe- He MaxpoapxurekTouuke. YkasaBinin ja ce sler10Ta apxUTeKTOHCKe opMe He cactojH TONMKO y MpocropxHM nponopuijama Kao TAKBIIM KONUKO y [WHAMHNKOM cMHCIY bop, cnnvan crap je Ha onurTHjen HHBOY uspasvo nt Hirxonaj XaprMairy cwojoj "Ec- ‘vermun’* Ha jyxosiom expaxy mocma- ‘Tpavia, Tor MoAepHOr YoBeKa aKiyuje, Kojit je raxobe y Henpecrariom noxpery,” opi BHTATHO H UHAMECKH OOMHKOBAHH BOSY- Menu, Hactama JloGposuh, crBapajy 110- ceOny ppery KuHeMavorpadexe crryampaje. Pacnpoctupyhit ce y caimM npabyuMa, OY cBeCTH IpHMaoua HHH MHOMITTBEHO CraHe (apemericko onsujaise) passes rmxac- ‘THUHUX MpHsopa: cBojeBpCTaH (KOOP) qb oxpenytor npocropa.” JKoBHo qhopampavia apxurexroucKa MarepHja, 10- jlaje apxuTeKT, ¥ TAKBOM KOHTeKCTY 1OK- pexyrocrit, Guna rpancipopsutcana y “CTY u coOoauy mpocropay eneprujy, Hemmope- UUBUX UKOBHUX payuijauuja. Tome y mpH- sor, Kao y culyajy eaor GeorpaycKor je- sumua, srpane Tewepanmra6a BJ, [o6po- bith HaBoji cpojeTRO juEANHKOT HOTeH- * Napruant H., Eeitietiuxa, Beorpag 1979, 253. * Tlobposuh H., op. cit. 51. * Ibid. 43,TEOPHJA TIOKPEHYTOCTH IIPOCTOPA KAO @MJIOCO®CKM OCHOB. unjaza apmupasor Gerona, Koje nounurra- Ba yrlicak craTwyHOCTH H OMTepeheHocTIt SeMIbUHOM TEXOM 1 HOBEM KOHCTpyXTHB- HUM = MoryhHocTHMa ——-gompuHocu Tpaxwery JMKOBHOr HamoHa yenocran- sbeHOT HSMeby BHIYeTHO 3aHeCeHMX apXH- ‘TeKTOHCKHX Maca OBOT O6jexa.” JIiHaMn- 24M CTPyKTYpasnwe H OGWKOBHE apxiTeK- ‘TOHNKe, NYHUX HmpaswMx mracTHKa, esa H Tepnperupa GecnpexnqHo",” To6posuh, Opo nopeberbe ca my3nKon onaje wa Mepy fla ce, IaMeby ocraror, yxaxe Ha TeMMOpasHM KapakTep apxuTeKType, a locpesHo, H Ha mHRepanjy Bepconosor crana 0 Hayust Koja "ompocropyje" BpeMte: y HoBoj MoKpeHyToj apxmTexToHuum, Kao To BAAUMO - npocrop je Taj Koj Oupa sappuiapa Fig, 2 The view of the B Building pavilion from Kneza Milosa Street, before the 1999 bombing of Belgrade myIbia, eManMpa w pare, wy (Popa HakHaqwor yrucka ynyhyje wa pannjaunjy pacrepekux MorHBa Ha dbacalit, Ha CBOje~ ppenly snysny meTpyMenTatujy siqHor mmrarHa arpaile, y Kojoj Gymacre KameHe nuioue ostasapajy CrpykTYpy Koja HocH,, a Gexe umarKe, ono urTo je HoMIexo.* Hosa ecteTHKa, Ha Taj HATHH, BOM KOHKPETHO} apxutTeKTypM HoKpenyror mpocropa, Koja je yiento "My3uka umja ce naprurypa MH * Ibid. 48. * Ibid., 50. oppemeren. Taj mpespatinraxn, "Konep- HUKaHCKH OOpT" y cxBaTalby apxwrextype Kao "YMeTHOCTH BpeMeHa" , a He Npocropa, ugreo je, Mebytum, npe JoGpositha apxu- text mt ecretuap MuayTan Bopricaps.e- buih - cppanuycKu hak wujm je pay, yarpen, peueHo, jenHOM MpHEIUKOM OxpaGpHO Hi caNt ‘Aupu Bepreox. Cranmajyhn saxmyuax 1a jenan on cBojmx rapHMx ormeya Ha TeMy "“KOHCEKYTHBHHX cHKa" Kao BpcTe mep- ™ Loc. cit 259)CHOBOSAH BOrYHOBUTR uentHBHe unepuuje:” Bopucarmesuh je aKIeHTOBaO HeUITO ca SUM Gu ce H TROpaLL Teopje NoKpenyroct mpoctopa Morao carnacT ‘wcra cpua: "ApxuTeKTYpa on- cay nije Buin 3a Hac craTIMMHa, npocropHa Wt uMoGiaHa yMeTHocT, Reh quHaMiuHa, MoGunHa 1 ppemencka. Hut wewte mportop- quje HHcy BHUIe 3a Hac MpTBH, reome- ‘Tpiijeknt omHOcH; OH Cy BPeMeHCKH, >HI, ys MoKpera; OHH mocTajy My3itaKu mH ‘TepBamlit, OH. PUTMOBI. ApXiTeKTOHCKE copme, ykparKo, renahemo oncan Kao My3uuke akopge, @ apxitreKToucKa jte1a kao My2HuKe KoMmosmmje"." Tlojanseu- Bale BpeMeHa, Ma KONIKO KpaTKor H KPXKOF, y TuIaCTITIHHM yMeTHOCTHMA (cal KapcTBy, BajapcTBy, apxuTeKTypi, utzajuy UTA.), HaHIMe, Kako je WeTO mITa¥be pestt- supao Erjen Cypio, ecrerckit je moro pakinje H jemMKaTiije of OHOT y MYSHLLE, mnecy wm cbumy, jep npencrasma Kmyst 3a Hajpehm yerlex y OBUM yMeTHOCTHMa Ht HajGosbit JoKa3 cnocoGHOCTH yMeTHHKa 1a erpopit pemex-gemo m 3aciyje "Koeoc" Aau, 2K Bopucasmesutha Taj yan 0 BPeMeHHTOCTH apxiTeKrype Bog 3a- Kuby KY 0 3acHORAHOCTH eMlor Ha MpaBiLt- HOM TlOpeTky WHeHTHGHUX mnt coHTHTIX chop (Saxon Mcror w 3aKoH Cantor), Hoposiha wera cnoswaja Bogu pas- SW4HTOM HexouuTy. Teopiija o apxuTeK- ‘TOHCKH eTIOM, Koja NOwHBa Ha 3aKoHTTTOC- TW Mojapmunarba UCTUX WIM CHUMHUX exte- MeHara, xapMoHituHom peay, MpaBHAHOCTHt ® Borissavlievitch M., Traité desthetique scientifique de architecture, Paris 1954, 182-3; Bopucanssestth M., OniiuKo-pusuoaoucxa iepciiestiuea, Beorpan 1948, erp. 88; Borynosuh C., Ecreruuxa teopija, kpitTiika JeaarHoct MH apxitrekToweka mpaxca 7p Muzyrina Bopucasnconha, Kouynuxawuyja, Op. 89, Beorpan 1995, 7. * Bopuicasmenith M., TIpoGnest npocropa i Bpeste- a y apxirrextyput, y: Baan fipecer u gpyzu ece- js yp. Mawesith 3., Beorpan, 1998, 385, 260 PHTMA, 3u1aTHOM mpeceky, xeAOHIICTHIKOM. MpHauiny Hajnaroquujer omaxkarba 1 4py- rom, Guura Out 3a [lo6posuha, na jy je KojuM cay4ajem oBeo y omHoC ca cBojuNs Monep- BICTHMKIM HatenuMa, BepoBaTHI mpen- Mer unTesrexTyamHe oMpase. Yak 1 HaXten0 cumerpiyje, Kojm1 ce, Kao jeaMHuM Kna- CHMHIM KOMMOSIIMOHIM HaveTOM, ser MIEHO CoLyKU TIpH OGIMKOBAIY Hacnpam- aux srpaza TenepamuraGa BJ,” on o- nyibyje opHTMHamHuM yKasupareM Ha pap- HONpaBHy MpiicyTHOCT H RaXxKHOCT mpasH- He HI "MIYTBUICKHX OGmKa" y apxirTeK- ToHCKo} KOMMosHUujH. Ha duAbeHHTy, sa- Mpako, a H apxinTeKTOHCKH HeraTuRyM ~ HeMsrpabeno W1K Mpasto, OTKPHBA jaje mocee HRY uMeH3ujy usrpabeHom, yrpa- Bo Kao urro je, cnojenpemeHo, y My31u avanrapqnor KommoznTopa Lona Kejya, HaMepHo yRoherbe THUIMHe - My3HKOr He- TaTHByMa, YcTOcTaBHTO TIpeBpaTHO HOBY muMensujy sByHor.* Tex OBOM fomyHOM, Koja je HecsojcrseHa espononentpi1HOM MOMMaby npocropa 1 cTBapH.’ sanpaBo, Teopifja NoKpexyroerH mpocropa AoOwja nyHy OpurMHaTHOCT Ht 3AOKPYAEHOCT, KOja je "HMM MepuTopHoMt na ToHYAH omroRope Ha Miata apxitTeKType HoBOT j10Ga. Camo AUHAMWKH KpojeHUM OOmMUNMA, 3a pas- JURY Of KpyTUX Ht craTHMHEX, Moryhe je najara Mebynpocrop, oGjaumsana ayTop, YBORNTH npasHuste 1 caMy Mpupoxy y mpoc- TopHy Kommosmunjy.* Tex Taga npocrop noctaje Teak, Ipu3opu ce OnBHajy y cyK- Cypwo E., Bpirjene y nactusnins yjetiocrusa, ¥: Ognoct eby yaeitinocituna. Teopujcka paana- ‘pana, Beorpan 1978, 159-160. ® Konavesith B., op. cit, 143-148. % Cage J., Pagosi/Texcitioou 1939-1979, yp. Cash M. 1 buzmmonuh ., Beorpag 1981, erp. 34. 1 a ® Kosavesith B., op. cit, 130. ® Hosposish H., op. cit, 43,TEOPHJA MIOKPEHYTOCTH MPOCTOPA KAO @YIOCO®CKH OCHOB. necHBHOM HIBY, TocMaTpay HamWaaH He- nocpeay wysHocr, cryriajyhu y axnniy caBpieHjuM, KUHETHYKUM ‘y.0M, 10K apxurext XX Beka, mocraje creapaman - pexkcep HOKPeHYTHX MakpoapxTeKToH- cKHX IpH3opa.” Heke on wavenennx mputiuuna, Huko- 1a Jo6popith je 30pHi0 HeTaKao caMOM yp- SaHUCTIIKO-apxHTeKTOHCKOM CHTYAILIjOM arpaga Teepammrada BJ. Oxociy unejy TOKperryrocru npocropa Hspasno je He TO- AIUKO jII{HAMUKOM KOMMOSHUMOHHX TOTHe- SIHa KONMKO UesHHOM alicaMOna, pasy- MubuIBOT He KPO3 jestait HUIM HEKOITHKO, Beh caMo Kpo3 "MHOUITBEHO crame" HeTroBHX pasmmautHx warnesta, PasHonpasxocr Mpasiune y KoMMOsHunjH HOTBpAHO je He- TaTHBHHM BOMYMeHOM HsMeby KacKana ca o6e crpae Hemamune, y TOM nemy KoM- naeKca HajowHTMeREMje OTEOTBOPHBLLH noTenunjane juHAMHYKO OOnKOBaHIX Maca, Opaajaname TajHoM BHayeMHOT my- SHOHM3Ma, RelITHHOM GnucKOM ywehy Kpojetba noxpeny Tax oOmKa, 1oKasa0 je 1 "cMaibuBarbeM" BUCHHe OONAKOsepa, yAC~ ajybit y 1berOBO BHTKO Teno 3aKOeHY nporeriyry Tpaky Oyacte UpBeHe oma re. Monnaverse arpaga oft perysiaiuoxe sunnje Kies Musomere yaune, y3 To, omoryhimo My je 1a warmaci sHxoBy AK BepsuMmopebiioct cipam ocTamax rpabepi- Hay cyceJcrBy, Te La KYU "Npupogy", a 3arpago, MlejzakHO Peutterbe y apxHTeK- ToueKy Kommosmtajy axcamGna. Hojenune Kcbyaie onpeniime Teopmje, MebyTuM, 10- pexao je in praxi nlourroparmen KmacwaKe ormenancke cuMerpije ympaso y geay HajiHUKaTHBHHjMX, KackayMpawux map ‘ruja rpabenuie nocrapsbaisem ocopue Kommosnunije y ocy HeMarsune yan, Kao 1 CTaTHYHEM MOsHNHOHMpAaKeM EHX raannux raGapiira - 4BpCTO MpHByseHUX * tid. 46-47. THY W JOyaTHO "OTeEXaHUX" pyCTHKOM Ka- MeHmx Gyra.® Konasno, noampare Wa “ximiematorpadcKo" 4 cyKILecMtBH10 omtarxatbe, oH je mpe onpenwo nyTOKase To- uMatba HeKanoveke apxmrextype youre, Hero WTO je oBaj casHajHo-ecreTH4KH IpwHWUM ycrleo 2a mpeoGparu y Hemocpen- HH cTapamayKit OOpazall cBOr OOMHKOB- Hor noctym«a. Tlonesyjyhu "“sucry maucaonocr" ca ‘Teopujom caspemente apxurexrype, Jo- Oposnh je, Mebyrus, ysuno Muoro BHILIe on Teopujexe enaOopanuje Bracriror ye- Jia, ITO OM, H Ges MMpHX maTMKaLja, 61 jenmmernen enytaj y icroprijat HOBHje epncke apxurexype. Muore nojane y Hex Mapcray ayeceTor Beka, 1 OBOra KOjit je moueo, Koje He Tlogmexky mpasnmuma XapMOHHYHOT KOMMOHOBAEA, KOje Ce O- py TyMavery moMohy KmacwHHx ecre- THYKHX 3aKOHMTOCTH, HOMORY jemHocTaB- HOT XOpH30HTaNUIMa i BepTHKamH3Ma, Muora oyctynaiba oy crepeomenpjckux 1 TIAHUMeTPHjCKUX MpaRMHocTH, HeMoBH- roctm um craOunuocra rpabesmicxmx CTpykTYpa, HaMepHa USBHTOMepema H uuIMatiera, IpeMTMTABe W MpOxUMArE PAQIMMNTHX THaKOBA, OpraHeKH OGmHIH, HeoweKuBaHocT, AeKoHcrpyKtmja, par- MenTMpaniocr, wucHONMpaHocT Wedbop- MUCaMOCT apXHTeKTOHCKHX CKMOMOBA, OC- raiy pasyncounnjic 1 mpujemaupyjm cyoue JH ce ca MoryhHocTHMa npuMene paspa- Te OcHOBHHX mpuHuuta TeopHje HOKpeHy- octu mpocropa. Ikranuuie, mex rape ocstortant anyr - oan 1a yocehapatbe, Ha BPeMeHCKO orlaxkarbe Mpocropa - y Mebys- peweny je, npomiapiin xpos cxa nexynrema MogepHe, MOCTMOsepHe MH MOcT-TOcTMo- jepie apxwrextype, mpuxpahen Kao jena ol akcHoma OBOBpeMeHe PeMeTIuije ApxH- Tekrype yonuire. Bpemewcxo carmega- * Kopavesuh B., op. cit, 110, 143-148, 151. 261CIOBO/IAH BOTYHOBU, Babe mpocropa, y3 To, cBe je mpucyTHuje y enoxn rnoGamHsauuje m rmobamHe yM- PeXeHOCTH MyTeM CBE CABpULeHIKIX eeK- TPOHCKHX Mejia HM MKhOpMATHIKEX cixc- TeMa, KOjitMa ce penaruBusyjy OOjexTuBHe mpocropHe ompeauHue nonyT pasnasbine MH MpocropHux Meba, 360r vera je u cama apxHTexTypa Mpmayhexa fa ce mpunaronm cbevomeny zecraniijanusannje, nocrajyhm cae jate Besania 3a cbaxTop Opsmue w 3Ha%aj paamene micpopsraunja. THE THEORY OF MOVING SPACE AS A PHILOSOPHICAL FOUNDATION OF THE YUGOSLAV ARMY HEADQUARTERS BUILDING IN BELGRADE Slobodan Bogunovié The author of the architectural-urbanistic complex of the buildings comprising the Yugoslav Army Headquarters on the comers of Kneza MiloSa and Nemanjina Streets in Belgrade, Nikola Dobrovié, architect, supplemented with an original theory of space set in motion. The essential princi ples of his theory he propounded in the study “Moving Space ~ Bergson's 'Dynamic Schemes'—a New Visual Environment”. He found its origins in the gnoseology of the French philosopher Henri Bergson. The phrase emphasized in the title — "dy— namic schemes" conceals the concrete source of the author's inspiration with Bergson's opus, and the philosophical basis of this architectural theory should be looked for in Dobrovi¢'s free interpreta— tion of Bergson's philosophy, founded on analogies ‘of more general nature. Namely, as the "process philosophy" of genesis and change opposed tradi tional philosophy, founded on the contemplation of and the once forever given Being, so Dobrovie's theory on the formation of a new visual 262 environment contended the exhausted, academic architecture of statically cut forms. In his further explanation that architectural space should be dy— namized and in conformity with the true nature of thinking, the "cinematographic mechanism of in— telligence", Dobrovié introduced the element of duration in architecture, just as Bergson returned the same category to gnoseology. On the whole, by linking "pure reflection” with the theory of contem— porary architecture, Dobrovié accomplished much more than a theoretical elaboration of his own work, although it would be, even without broader implications, a unique example in the history of Serbian architecture. Moreover, many phenomena in the 20th (and even 21st) century architecture, that defy interpretation through classical aesthetic rules — deconstruction, fragmentation, dislocation and deformation of architectural structures, become un— derstandable and more attractive when confronted with possible application of the essential principles of the theory of moving space.