Total ee Us oa ne cel GUIDE. TO Z EMELTING TECHNIQUE! wen Vai's 10-hotrr workout! Fexcwusve! Peale ey) ep Ue Nee hey PAUL Tec Mey sorutownuepimemrnetsucbicond ERT DU 2 a ZV SE Cleric gons!!*i myjob. have been dang iaimost everyday unaeuajob of mine nd T hope Uhatalloryu reading this magazin an ida place in your music let enjoy what SHRED hast offer TF YOU AREA PLAYER: toply gitar comps these gels the guitar aye Ivette demote the ety of heavy meta guitars: gt arts Chas sel ater ands poy elec sta on te pale {oo babi, joa gtar bight. IF iar sing wasabi, i would Bethe Ley isonet doomed tothe ctu shame an el ote mult? On 'ime and ne new generation o tel. Rcamongstthe Contin to proves fantar ac aby Rum by Pk Floyd ants guitar solo? Sur, Ws perfec. e's logic TFs the song. females you sy, “Ooh ah. tha'ssmooooth” Butt rot male you jump out of our set stick ourheadnto the speskes andy, "Holy 45918! Who laos that sol!” An the best stuffy Van Halen, Yogae Malmeten Slorour shot of adrenaline yours some high-quality SMD sn yo care, Seka an 4 {FYOU AREA FRIEND, PARENT, TEACHER, (OR BANOMENBER: theres mocureOnthe surface your ove one maybe patent. obedient {nd wing to conpronfe. Buton the nthe sol the spit of wil gow ut one day hey Stand upon aghted stage and play 26h not iets wh such and thatallho bebo wil gaze in awe and say, "Look how 0 thee strap lean tbls they eanstil simply this: attempt play Your sutar very, very, very, very wl jemes fact sometimes ln, bu at 252 habby ot aay, nas uekground ‘stolov the thatisthe elcrie guitar and ge F becuse ankyou fore Paul GilbertLEARN TO PLAY Bat country Underclass Moon Hot For Teacher ForThe Love 0f God ‘Shin O'My Teeth ou Wor FEATURES Hine it has absolutely nothing ‘tadowithpotentilly dangerous ofice equipment Take Ts test and find out youre {speed feakor Sunday drverin theland of sre! TUTORIALS isthe strFof legend, responsible for more new Shredders than Ofie World Waring: this workout wll rok youtn hall Weve collected alo Faults lessons for Tin one place = for the first time eve IFony all teachers were this col en) ra wed ed CLL 25 ete is Se a ene Bre ey aaa cna 32 Get your mitts on Paul Gilbert’s School Of Shred, featured first in Total Guitar!Words: Sa KQccunce) edocs onset estes eee w terre) ric guitar; to dis RTT ayDER GAE ‘sane ae erty wo ‘hetasorad bastions Den ans Wi Supecomptewth en car poge ‘iy Dinebcier ips No wonder tet ‘rom um easy hom 2: Fomeie speeds (checkout Clapon’s fruity show Boating on daresay rn 668 Blues Breakers all), For all shat, there' an argument tae these were _reatsolos that st happened o be Ee Lee was perhaps the Bit guitarist, 1 suai peed a vie init on righ and he seta pace har would remain unbeaten for some ears Te was surely no consience tha the rock scene stamp its foot on the fo pedal n the wake of in Going ome. On Led Zepplin I release in ‘October 196, Jimmy Page tok the unprecedented ep of interuping the groove of Hewtbreter o tear up the Bngerioard of his Gilman Les Pal ‘ith am outragcos alli ever “lightly clung) slo spot. On 1972's Machin Head, Deep Purple viwoso in-chiet Ritchie Blacanore combined bisteadenarkspei-picking with troundbreaking wc of clascal cles derived fom proliic German composer Joltann Sebastian Bach, patenting one of the key shred modi the process and fueling the angument ha isin wes at least partly response for ponesring the movement The suds of shred were also growing genes Ie common IANA mane wet hom ot ears eopats rarer oe beet ths metal ope eh Srhand dered ott baw “sures ower hina 8. a nestor gn anahas see Surge an oer misconception, fr example, that shred ‘sinextnebly bound wp vith meal Buc that og cerinly dda’ appy 10 John MeLaughln the brethaling start with New York fusion giants The Mahavishnu Orchestea, orto New Jersey situoso AI Di Meola, he 1977 Elegant Gypyallum walked figherope between Latin rhyehns, a a ook. Judged by modern criteria, nthe player fis nestly into the shred pigeonhole, bu by vite of thi sheer technique and speed (parsiclriy Di Mol rademark 32nd-nore moda run alalernate-piched ad pal tuted), both ate ced as shred pioncers by those tha do, Blan non jaar Zakk Wylde val in his adaiation of Toth payer The revolution gathered pace. By 1076, shed had atl stared to sound Hie shred™, with The Scorpions’ Virgin Kier loan showcasing Utdon Rothe seth of sroking through srpegtioe witha plectram inion (soon to-be ubiquitous technique known we sweeppickng). And in 1978 the movement sued eros its ist bona fle mpertar an signature tune in he form of 23-year-old Dutch inigrant ‘med Eade Van Halen and sone mimi, 42 second instrumental ald, anpropriasy Eatin apes wnt tren soppowed to appear on Vin Halen's pangs 1978 ¢ebut “showed wp ery one day and Started wo warn up beease Thad gig atthe weekend and waned o praise ny sao spot” Eade laper recalled. “Our proce, Te Templeman, happened tally and asked, “Whats that? Lets pte tp” So ook one pas ai and they put con... Iddat even ply itr Tike Hendry like lotic ke the wheel, Erypion change everything scene to oy, sla hit of pre ‘moc adrenalne Fear in 1978 Sains bac of mi-temipe Hes-bor slit it masa gunshot to the hed of convention, Faster, basher and more famboyane tan anything hat teed gure before; crashed through the speet harrier ins starburst of lightning fist legato, Floyd Rose dio and two-handed epping. Theo ‘were lef grimacing the sidelines with { sopmateh: “When heard Eade ‘ought, “Darn! im gonna have to ‘are prctsing agin” groane proto shredder Alvin Lee Tes just practic,” Pde once explained when asked how he go so good. “T {ed to son the edge of ny bed witha sepck of Schlita Male alls My broher trould go out to a pary and gt li and trhen he came back at Sam {wool sil be siting inthe same plac. I did that for years Lal do chat Mason woul spl bars sro whether EVES technique was revolution asiseemed the oeo-hand tapping he “nent ha already een se by Billy Gibbons of 22 Top and Steve Hackett ‘of Gena), but novone ould deny that he kicked down the commercial dao for shredders Even punters who hada heard Brapio and considering thst Van Halen sold owo milion copies in ‘couldn avoid Michel Jacoons hare-topping 198 single Bert, whichSt Verba tsameting ‘eatemat shed grat, ‘shite anos tents wan aap coneligh sah ys Topher momsoue ars ‘Seysaemanead found ‘ata ge Care terrae senile "retahep encom fromthe fing erate seth an ach ies soplaay tegatana sgl wit con > ely at cet et ory lee fesrured similarly Net-fingered cameo fan che benevolen fretmangle. The dawn of the Hs then and, thanks co Ee Van Halen shred was ot ‘he beds, onto the dling MT neework and nt dhe conscious glare around them Fig times for players Ha, Thee were whom set eraacners RorniteatE Humscunaicsiat 3 SAK caagnre Kouurereortast wa ofthe essence, bat ifyou squid hard enough the ist signs of rouble were vse on the horizon." sicin ny room andy to play ike Fi fecils DragonForee guitars Herman [that inthe long rn, his auence sedan aeays 2 gond thing Kids red tomene their gers faster and faster ‘om the fethoard bu they ended up forgeting about the songs Pethap twas in recognition ofthis that shred simultane it fork inthe road. Generally agreed wo have teen pioneered by act ike Metalic rn Sayer with the so-called "hig fou ‘ompleted by Aathrax and Megadeth thrash mal inne Uae chops of shred with the spirit and spite of pak Tce incorporated speed tnd virosity respecte, Ki Hammer, Kerry Ring, Score an and Dave Mustaine were the technical ‘gual of many onthe sed scene —but these wer elements contained within the framework ofa song. Thrash had Ips, sentiments and rythm. Ie could te jig on factor beyond the cold calelation of notes per minute As tured ot, this would provide ts Dracttiones with an escpe rome when gual prominent, for the moment were th guitarists who rok Van Halen’ suceso the cue to posh thei technique tothe limiealthough its worth noting that no shredder has ever conceded that hey value ost over composition). Appeting rm the raar with 1983 Rc Fo sweeping through Mink-and-you!l-nis them arpeggios ona salop-necked Stratocaaer and further explo lassie motif of Blackmore, 21 yesrald Swedish prodigy Yngwie) Malmsteen wane ofthe mot revered {Gand ulimaely parodied) ofthe new treed. Randy Rhoads wa jst fst tu more melo on Oxty Osbournes Bland Of Oss and Diary OF Mads Solo alums, Pal Giller and Racer X few the Bag in Low Angeles. Jennie atten tour de force each ght on Michel Jackson’ 1987 Bad Tour proved ‘ha tenicles were nota prerequisite Tut two US shredders were posing the envelope frser than anyone ‘dhe The fist of these was Steve Vi > ly-shired wizard from Nese York With heat of mosil theory and the Fingers to back up. Epiomising de ‘hed ethos with hs cure balance of eccurity and egomanis, Vai followed fis prodigious stints on unt gta for rath Zappa withthe unenvable sk of filling ede Van Halen shoes when he was hired by ex-Van Halen foreman Dave Lae Rath for is 1986 bur, at om nd Si ‘Only Vai could have pled it off His unbelcsblerechnigue~the produc of tween 10 and 15 hours of practice pet thy” — as unique fusion of Di MeoSHRED? —sesewrsmerm veces shernate picking nd Van Halen SHRED OR ALIVE? co: 9 el cere rin ad st “Shred can mean you're tuying to cover new ground, ar that you're playing too many notes” ~ Joe Satriani SITY; the range soma int have tech Movement tind ee acumen ochre pc nthe DE Roa ode 2 prempeing hiEiaeaes INK HAMMETT (METALLICA) fier snsae ‘YNGWIE MALMSTEEN rar forereszo esas nsoue MARTY FRIEDHAN (reehaem recent Reece aS I sas STEVE MORSE, me rerscoma RS.The tab and notation system shown hereis a thorough coverage of all guitar techniques used TAB today. For quick reference, it has been divided into fretbox and technique definitions with short musical examples explaining how to play the printed music GUIDE in the magazine. So if you're wondering how a hammer-on, pinch harmonic, or a divebomb is illustrated, look no further! ay arte seston ad frac ger snepeetsthegutarstetbard ‘The Ghd agro east cern th Feinghana 24 0) ‘any ssnrintm sneering pte Tie Seigr pt. Te eye oper king aap (humdi), [eteucvantatones tebowascaeorco — famberestatioghand geek Bad Tome fae) Sey porrbl rnberlthe et ew OMS SS A ama tt ‘ o 5 \ ‘Tefetboxdayamitusiatestheethand tegen The guenand yo gens show tesa ring Kerhonmsprscie Theghotosewsputofthese bee Gewciins stn bend ane) nd Sig payeentheurtting ih ges ew ise tani pote MPLES MUSICAL STAT fs ital formu {ABU be ri ve an to ewe toptyar fgets ont tow hes Revol nes ees es sero gitar ‘he osteo amples show fourth hen foc ‘echo re €(C mj Em (Emi), Dre donian) na no) ‘Wisdoomtalsyoutbefnt —Echtiefeurotesareto Falta iyringte ge gh pkacar these Paythents athe cry Toteiobedowpcicand besrtepced own —-fthepiinghond pumcntheshwnnacing nee Tas__ staring ass eat (Meltoaeitobcupgited, Spake ery py ‘Singer trig. iohonssedipaugmensrolsssengrinthedeetan ne ‘dco. inate creatTAB GUIDE® orarton Isev Vi ist outinsd apie Gater Hitt Nove blr hal tart ge sch an deh anny ofthe player intenseved in TG developments gitariss, We thought Soave ofthe things Vi has dane develop his awesome chops For example, das he have any rules of hur he could pss along this many gitar fe °f can sit here and tll You, “ul of thom try oalays play dea of Rule of thumbs think ely. Ban I relly don think there are ny rules of thks” says Val you try to do something tha somebody de say isa rule of thm you might be going agin your beter fudgemen, Most of the te, innovation happens when people break the rales. dad to gives rl of hub it ‘would be eve ake whet anybody cls yous the bibl. ¥" know ke, “75 ‘what it shoud be. Musi ian artfor, an expression of yourself and you, have odo it the way yu do it im not Saying don listen to what anybody ele Says either, because is very help! thea about what other people have learned. 1 very help to build your technique sround someone lesson i magutne. may show you cetin eres thc thought were help bt you shoulda got arid ana with shat or any ese does case You'l start sounding ike neo the next sy and lose sight of your ov ent *Leould el you, ‘Py fren the beat Ba hat th ll does ta mean? Ia hard thing to understand When yous, ‘lay fom te heart ou mean, "Play fern your own hear But what sin your own heart To nove your heat, yo ave to Lac sll wo know yousllyou hae ke yourse "This goes iat the real perchology, but the way a person presses themselves impor. 1G asked if Scr’ technical eclopment was the result of practising 225 speci, egimented routine Thinking back on his pre-virweso year, Be a he would always dacunent what be did and would practise for 10 hours 2 day! The fst hour was devoted vo technical eerie the cond wo sale, and the thin o some “chord thing” Held repeat these ares thee time (the 10th hour wil be included in Part Tro; p48). Th exrises were divided into three catagories: liner picking seething sad angular. To develop 2 strong, Ant picking technique, Steve rcomes practising "things hat are tchaialyawkvard ‘Whether picking oe, two thre four notes per sing, ranting onrainingdifculestzing siping manoeuvres. Beg slowly and we 2 me. Concentrate ot lean Eownfotale playing a eran pater set the metronome alte fer Keep fing this and, evenly, after sever moat you're jist way The fs example ofthis type of linear exercise Steve shows ws simpy call'12°3-¥, a this reer tothe ‘nde in wih the left hand fingers re Placed on ech rng (Ext), He then Played an alternating variation (Ex), The fingering pater represented numerically fellows the repeating sequence 2-3-4234 194-1, 4.1.23 The alternating idea woul tho be payed om single sing (3), is near step is to exhaust all other permucnsf the 42-42 combination yoo find store, sd Tine applied See pragmatic ination, for expe, 13-4 he fesl would be the hse Shown in Example 46, Of couse, wo co a be wed for incr pacing erie Ex wile etic thos of 08 ho Thay have probe switching ngs tit the stme Singe Rall your feting Finger over the stings as you sitch from one tothe nex, o keep the notes From bleeding ino each other. In order his, you shoul straighten yo fie knucke as you shift the fire Enger The treching exercises shown in aiples 9 and 10 are played art like the two-ote pr string picking tnercines but now the ideas © BiLOld sh) 4 aad materi soa ny rea iccogita surat OFTHE USUAL cerned eas percents ool Peeters ey pears Benen Perrier tard Paoeee ha tom Pera anttedae PLN CEAUME etl increase the sun of your Freving hand Pample9 ether each sdhcon finger pir I and 22a fn and 4) yu indict o> ofthese strc the Sit begin higher op the neck. your way down that our rsbecome more line thie ‘ange and ation nesses, Example TO'morksthe Land and? and ager Doin In sion these oo ares, fry reaching four re fc ith the fsa nh fingers As bel bgin Higher wp the el snl your ae Becomes more exe, Hand ponon ia al hse ceria! Vl eps “Yor tah ‘Soak orb boda oc the top of thence wl great decese Yor aething sly Keep cred Tekin the neta your Sgr aged parallel the es elie on ere Srempe soe ANGULAR EXERCISES “Angular cesses inprone our sring-croing chop cnt: Vl *Sweepeconomy ping sane the mos efficent chris oe when *"rumple 1 cxcmplis what angl cece ow Treaecalides — top of the neck, as this will greatly decreaseo y & ——— 8lot be hooked over the ‘our stretching ability” 463-21, and wok carom he sings azsiging ane ger per sng Since therear nly thee prog of four acentaring it oath, sec fifth and hrs) she entire parern cst manos el it payed ‘om ne of these three sing group. ‘You nay find itp visti ‘hres imagnay strings om eer ie edema prepreasceesie Fingering these nd ss tex ofthe eerie, With this proach, the progression of ots see ery ana {Wen playing the fr noe () with sour in ner hk in eas fee erplae 4a peoma riper ther finger 3-2) the maginary "tings Therefore only your is finger ive se As the pttern moves eon emia rly ‘rently broghe in pl: Likes Ss youran auc of ings in ar 3a ger. excep the out, no the tee ear ae sample 12 shows 12-58 applied oan angular exercise Use ‘hesmagany stags opprowch ake esse gue ost thecoresqonding exer ther Sogn For apa gr cree hed ona 2-3-4 ger patter would begin 4 2,324, 1 2-4(Esample 1} CHORD STUDIES Hr, Stee cutie isthe one-hour sey sions. Forte fit boa, Pd sey care take The Rel ook an nny of zz ad fasion eandane ‘el bythe Berle Schoo OF Masi in Boston) and pay seule. [plays tcody sat Tine | Se Peti, Once punto peor ay Tien dedicat an ene hor to cspernening with unusual chords and erengs: For the thd ow, Tea st jam on yh ke. (Paps fuk Em chord roe), anal eased st peisncyranre Unbeaten oad font ape an solo Two ale ner nd appa dfren pe of chord lke Ga? [Esaple H" Ieee it obese nist seize chord otha any ofits nots ‘aera the oo he lowes. toe: In expe 14, Gri? (GB Db ocd et wih the ont. fm the bso har then the 3,5 nd 7 athe bottom (lowest not) Aeggition ives playing the notes ofthe chord consecatvels oppned| tosimitaeotly Other commen Fourote coe uch the she sith, dominan seventh, nino erenh ‘nd minor sh, are sen the ane treatment in Examples 13 18 OUR CRTs oP ZaiSuuGRRE ana = ir —‘STEVE VAT mt 10 HOUR WORKOUT ‘ei on hig pr rr cman ton De TEM te Wl me a rtnenteptes eum ty "ron ie | | | | E_ —— 5 “sss top oo Yura il sb py he esc. nrnggps Bene notes ya wie wating oer pact ne ud!R. HOUR WORKOUT i STEVE VAI ups the lard chs, in orden een dw ech ol sf gale hres gp been ah ot oe etn STEVEVAL Exmple 10 ‘staal agers at ca Un eg iting Ne pin ods OT pl Mv pt pe Bout iu any carta10 HOUR WORKOUT i STEVE VAI L — — ert oes on aja ing a ht (er), rang acon (eed thane tie emp ‘iin toa hr ae a ely oe pr onda pees hve el STOR,AVENGED SEVENFOLD WITH CRAZY SPEED PICKING, MENTAL ARPEGGIOS, INTRICATE HARMONY BENDS ‘AND SYNCOPATED RHYTHM PARTS THIS ILLERTUNE HAST ALL [aarcounTRY wees i meee 5 Sa a ws Ree ‘Raton woo ols, beating the li Pantera ar RHE ad he we rapped pin nbn of gent catchy crn picking two, Homers fou want to yal Zangreiterery imfuence fom the andtappedbendsremiancent of I) tothe backing rack you wl ave wo py the righ speaker mylar srg ahead fe po eturing plenty of fates Theres ao wae tilanlead guar work cour of ato ars acky Vengeance apd Syryster all ngeth is Gas Gore fide ‘his Avenged Sevenfold hase also tying at _revtaloed the ws of harnony gitar ‘Sete peeing comrto erecta ttm ‘ sricularies neat approach Ge, not js sing rmclingporefidex anf tcchigues, dzone unl). Weve tamered Showetung everything fm Gate’ both gare daring he hannonise ‘igang abetaiede> ZAK Wyllese vbr fo heft seth wo tary can compare the ssa eeretariet Jost monde srt ema yar Bt perfor ote Beef: en yor agerRosco ELEARN TO PLAY Seen Se Sareea oe remem Tew pth ‘ice eit te ia the era eng Ca a ‘i tanauar ur conessooaamaathe and prea eb wis epee. ‘cpt of be ers he pve 6 te oni Tine Bough, ew resonate ins acting he dombet ts TET sight wraowrehewilbeeth ry efit = ore powered ae bt ne hm boa ym Wath ot ranma ngnteintespace one ente meng withyur NETO ‘rtingtand shed cate‘outeldnow vt eta caan send, Bec ft hn cal apg ou gs shy ae te dar ope tos, [Eepaneonjurpsg toner tater pany neces es 7a ae —R BAT COUNTRY ll LEARN TO PLAY thee geen agrees tn om aor Peto aLEARN TO PLAY lt BAT: conn IR _——————————— ee = PUR UR URIRI RIAD RY MIR URYRYMU RRR DORI RURURURIRIRYR) BIR URIR DRUID ROR ‘heaton ef te ar ie caning mas TH edna tent ing ty tenn enti» EXE {Mog rue patna manometric nd math ot nif el eo, ‘ownenton tases sheets an vn, aig vee eo eto ars obese ewe abet et ry acon he techs topos edb aoete eed tenth ner MANNED ‘grt ay te owe tan ht tec ag ith a i ge Net te lmaoo neta he a ms SRESREM getter shea nc te bad ese oy ln eating py op eyR BAT COUNTRY ll LEARN TO PLAY tara ht gtr mayen oe buckaone cae power, ncn on tuning thorn nt wool ‘huts ipertatfo tpeet acht SSS a eePAUL GILBERT'S SCHOOL OF SHRED 1. PICKING AND LEGATO LICKS Bee fara ret gitar plying concerned Pal Caer sl yp here withthe test. Fig fe with Racer Xin he 1980s, i ig ter on and then gh Ira elas, Pal sls taught ‘countess bung meal guitare SCLAS fous Gar nate of om how he butsphisamesome ‘eiguc somake se you check out ‘he MPS ack sul gen you sit ‘kph wall trp ach of i ew “Onc approach voor cotning Iummerons and pll-of wt aerate cking vo prod fae, coal ounding [sks he bens. “With the ewo tarpls Ive given you here mae sare Soe th picking inden o get, She ik ta ce fying emo. Tsar Technology the Mal connues 0 with an uptroke then a downer inspire wt sfc oronal wens. flowed by two pll-o wc gies aol sgrced to recon sscrinof yo time ta dow te ex sting lesons for to pve youth lowdown Fou pk everything it tends to every percamiv, and ifyou oly use pulls ‘ed ers very le, this itanice combination of bork” Gnike CDROM, Pal ernst the two tabbed examples with clean and tore sound, ee Slowly and then at peed. He then ps the ick nts contents you ean eae hw tome chem and eal eeip on yon board Although the ik are Irrenve famporane tha oar "hem slowly oben with so ha each ot spot om Once you've dene th, pull ot your metroname and develop respec ntl yore on re, rd is deine bac, with sory vasa bes ing ‘yours sad fargo re Fry een yo a ‘treating ese tr snap Ta eipngaroars geen oiled Wii HO a ent ehevem apy be soe ppp wie febe pg » pt TT hh hUmDTlUCU i ate sag oe sng gh apache lb played wr at ean on rd rho sa (AB 89) eset ol gest be ae2. SHRED BLUES LICKS the neinealmentof wher oie picking med eo ui F | Pralsce sere kes me berween een ng ch Prstroaph rocttia Pufbapeed atthe por comcs fom his teach and tae of picking nd xno, naling om they ean oth be demons telina rok/bies nts Fr oth ‘rompley Daal ct hye scale ee Boe) inthe th psi thats ed om ire othe A Bes and Dein lsh am ects mne 7 Chonan ABCD EEF®GGH, bo The wale rea cay becuse eer the sme shape over the top eee sesnas pa Indo sinlrshape overthe Dan more prich, expcallyon te lower ree ci cuir ale ig tet kg bt ceding nd ascending War yar nb ape Yu wl hen primed ae et as eter rater a a ET aye ony run me ‘eee enaragago vee sr nae ergo et oon SS eT ore tac mp nein z verbo TONTPAUL GILBERT'S SCHOOL OF SHRED 3. COMBINATION LICKS ‘ov bvepebobly gathered by on athe sme tne erase sounds, third string you repeat che ik and ow tnt alecof Pr speed| and fl more natal om ao wy wing an upsoke followed ‘Comes rom combining "The erick with oth ses where by dose isd picking) 6 fu picking techniques. This yon icing and'where youve noe IF much more diffe Unie previo Droidesfarlew monsronace sound you've goto giswith the previo. lis, aul ly ou pick ses nthe frien playing ft and'isan excellent ip part youll aoe how Pal tavelftom mil ofeach ck. You wil alo noice Forany budding sede Port sings sing tide picking. eae is ot er grooping of mos Ge, “Talmorthink of eascombining _‘Thisenvres is pct always traveling setples) exch ck cones 11 note ieteeroml ere’ ces inthe reson ofthe rng he needs to This Seem ality a fest, but Peal “you only spoke ineansonans ply ext, making the ick motion more you wll mural eet erowpng as ‘ewould be le picking eveything all efiiene an his ferocious spot enero you start spec wp he ick ttacknd Endatarsoundingfiyou reach Soi noe smprsing toa each” Make sre you sar oly co gin Snlvonly spe vowels ie would ke ekstre wth an upteoke the ntural with, once on the pick stokes Teo paying kegato— wo soft nd way to ply you use outside pcking snd echngus and ry orto force he ‘thing sinkyour eth nt Tikes» Bynow youre gathering how to speed bees this won pay fin the Fe lea an aking techniqes gong ae ram the our sing back wo the long ra ? ues ing i ‘i ahaa ai tgs nlp ate pp et nr per, Ab, ea cane gerbe ap oc urge SoU eet a. ‘sir eso etn Bl ss SG Selb om he Bassa 4. OPEN STRING LICKS tulsa plying nt only shift higher postion. The st two out way to doi thogh. Ise w do ncomposssighing at ks exentally pay the same lick one asany hammeron acl, bu of ‘Sed echniguen bao tne higher wih dheopen its core you an only do wen here fvartinowledge ofthe (E) inbetween. The Sal ikis more more than one note ona ering So sort frelon. Each ofthese ks mes open techy colt, Pal explain: of doa sweep ik thing, bat 0 ean stings to fact potion shit "When Ue herd this ‘the open ring! That ges you fst Wichotlonng spec. "Tose open ering thought weal be he sora thing enough tie to go wa up and pa the Tiesto eaend the range ofthe guitar” that relatively easy on avowed Gand Bi then do sing skip peso, Ailthrec leks tse the open int strunentbtacomplete nghmare shape tha se oy, but stars ot sting ore your ting hand ime toon puts wes flirt cm Bguring wi the second fingee Insane!”R PAUL GILBERT'S SCHOOL OF SHREDPAUL GILBERT'S SCHOOL OF SHRED 5. ALTERNATE PICKED LICK hereto point avoiding Sngerngsslowy watching ofr any up with oor fourth ge. You wl Developing your echnical twanted ring nie. Notice how nes Uo or he note Aisin egies ling Paul begins heck sings clean guitar the second suing and an up-c on the nclickand repeating it sound. Thies great approach sal the Bre string. This refered to ute’ ‘over and ore util in beceees ise. mets re car od there oe itn picking Wee oe oping over the Inthis empl, Pal wes one ic to” tomuenyweskneein your tenique. higher sing to pck te Fer many, hs Aemmerate hot improve bot oar hat ofthe ck iss dase ring. csr than ind’ picking Go, op pik erate picking sills nd your ft crmang exerci tha should be iar the second sting, Jowa-pck the Bat hand stretching toany fn of Paul lying ut best sting), ut aim odo ath equally wel “ou il swims find chacyour —_idfeaslightows witha strerch othe Make no mia, fy ean feting ands tou keping pace Sth fet ors high enor To ml hese fom Tp nes prc) hen sithyourpickinghand,o practice nots we your fs, cond ind fourth 1006p and fly 12Sbpm ike Pal, ‘hiscnampleand ware merorsing the igere—reach the high Gbywretching you're bound impress juar mates PH ‘aiding ecient movement ih sole geo ow, ain nao wn yng ln ing Gaarat erh e plnTur ‘sean sorte pyr ne stap anomie ase caro outer at igh ae ofr he eo fre ro We 6. CLASSICAL LICKS adding sheder need sing. ve got quite aig abi hereto To get ever conto Pal iagesine few dase tinged ks begin with. so 6 worth practising hat sped, tors iso that you can play Snder ther fingers. This eon sown Once you get the eh al he way through sony withowe Tang theeaery Pols” pit th your pink, yu jst need king ingle mistake Once yo serechyspesdickon frsve"The descend in tapos.” fie achieve thi few times, sr Fogeringforths ihe See finger on Aewith loco aals material hit your metronome to 7-8 play the thet ofthe stings Pal, requis goad nchronsationbeween four note po ik Afr ths hep “and im reaching allthe wy upto the both of your and good fering and intessing the terpo ol yore at 1+ Diaote witha pinky onthelugh E—setch and aerate alterat pcg.” pn and nthe vai of sede ‘aration th iain and sch migh prec, yaa ig aoa each nial aa yur tal ne slow at a ‘Siro nso singin ponae caso Ye eating ger tes ingorantwakeeret psng vomt eg ih dwPROV De | GET READY TO HAVE YOUR FINGERTIPS | SCARRED FOR LIFE IN AN ATTEMPT TO RIFF ‘SHRED AND SQUEAL LIKE THE MIGHTY ZAKK.! "MIRACLE MAN TREBLE MID BASS REVERB CHO eget ead petri Ironmen | the Randy Rh tO nD Micros, | tance betwen costly eece seth ee a tune | ha Mav exemple the Gawie and upto. He swarethashe thre ES STRING BENDING aoe Fhe Ganwcigcnmaa > oe : ron [oe eee on Sa scr Te tac of the unt ditetie sol fm 7 att. here onc 2a Rods earlier w eed to wring your guar eck ascending ap the neck on the ei and tialsmone fram Fast to C/E io nthin an inch of ie ‘Slowly bend the te on D. To get shit" Zakh aac soun aim "Next the bol ap ratke an set mesic arate cling As this, repented ws bf th ee ng pirate. The ashe key aes inyour down Wek lng chert pking cess, ‘CHARLIE GuFFTHS Forks tone, ou at oer on ata andar urge ates ema ore) fotheseahaopon Ge opewe ees, ETERS ‘gored dct th ma ing fu cnt yee Be sgLEARN TO PLAY i MIRACLE uhRiess MAN I LEARN TO PLAY ‘Bepeig gc ageg fon jt aka aden pa tsb Ca ast a ls saan nurse ene oso ih ono an ‘uct lio if oie ie ede cane hoe apg tas Te woe ap se abs ge ae ranmen soot ap beri ge th on -LEARN TO PLAY ml MIRACLE MAN R "ect iithe meas the nts ep forte inbred up oe DS odandbncdornt nar a Raia, CLOTOe DREAM THEATER Teche) ‘JOHN PETRUCCI IS UNDOUBTEDLY THE MOST | INFLUENTIAL PLAYER IN THE PROGRESSIVE | METAL GENRE. TAKE A LOOK BACK TO 1992 | AND HIS VIRTUOSIC SHOWCASE ‘UNDER A | GLASS MOON’ SOLO... m 150 The alum hit the DES ike “UNDERA GLASS ODN this el infloenes Thenter man fond sd oly ha stn inBences al ito tee hing the RIVE TREBLE MID BASS — REVERB GGG i i Pr] eve Morse ov A Di Meo. l foped sree ult is John Petrucci’ easily oF esol primary ar Fe Doro tony fn yang Sas prety Tor Lda (12344567) onertheLEARN TO PLAY Bt UNDER A GLASS MOON aoRoe 'AGLASS MOON (SOLO) fi LEARN TO PLAYLEARN TO PLAY BI UNDER A GLASS MOON con fie et > Se le =ey yaaa SIDE OF VAI aad Soa) nounSTEVE VA of mind wil he dictated a for [about an hour, ‘exe in thal sped mendouay It reid, ut fur eonveration right naw ad pu metronome ah tp he tape on slid tht are ay eta have to leg het ate (seas xp) Th you aly en th mod nth ne cates, Wo ewok ni ponte mrs mop ees10 HOUR WORKOUT lt STEVE VAI 5 5 ‘his conf Vs oui sale. The fort st the patra este halon modes sine sound ou can ty thi patter ith frend playing acho, andes Telit shee some “Thins anoba sale hall guitars shoul now. Nv layers Wl eed to wth ut fr the wie tech na 2 erin mao complete Steve's ty hiss ele hat rary ued In rock and pap mic Therefore, novice guar wl i mare ‘Yevlthee to figure out your own fingering fr this ones downto whatever works ory, Bearing n mind that he es te minimise han movant wherever posi, "ovngeur he eget ate oe oe poae emai ena emaac? mai emace® ai ae et eral: erway age pataTCR e c VAN HALEN Lae 8 IFYOU CRAVE HARDCORE FINGER TAPPING ACTION, GET A BLAST OF SOME OF THE FINEST ROCK GUITAR EVER HEARD AND LEARN HOW TO PLAY IT YOURSELF! Hor FOR TEACHER mip BASS REVERSLEARN TO PLAY ll HOT FOR wc IR Sree te SSTRK HOT FOR TEACHER LEARN TO PLAYLEARN TO PLAY ll HOT FOR TEACHERHOT FOR TEACHER i LEARN TO PLAY fet pc OFLEARN TO PLAY i HOT roe IR hone of ait of a” BR HOT FOR TEACHER Ml LEARN TO PLAY Be oF DaLEARN TO PLAY ll HOT FOR’ iiaR HOT FOR TEACHER Ml LEARNTO PLAY tata tiie Le | or ere = rw a © Code fp a = Py as Ss EERK HOT FOR TEACHER Il LEARN TO PLAYPAUL GILBERT'S SCHOOL OF SHRED 7. BACH LICK hana Sebsian Backs music (GP) provides his ck with an etic _pratsethe rch down fo the lower ‘im penied conserele Goality not fund wth de Actual Gland then backup othe high F | inspiration foe Pau Giberts minorsele(ABCDEF G). (Goter seven sn elght ofthe ik in technical development ‘Aswich many of Prls es, use ‘oan Before ang the est ofthe (Geren ofhs bums contain guitar strict alemate ici bar memorise it notes to hemi ahs can prove icky eworing of Bach pees). Ths fecorsely and lowly rt Del with and wll hinder the Bow ofthe ik f parclr iki bite sre Bach the Bestar’ patently rhe poorly performed [Ximple to propre you for ext lsons remaining bat are the same at fates None ow ait planting oo ‘tammoth Pele dnd Fe workout” repeatedn higher octever, which means the lower rings improves laity when asl ine A harmon minor wale they feature the same note patern but sing dort, Lie Paul, you shoul! (ABCDEFGH,themsjr Th degree onhighersvings and res. You shold we the neck picksp for sf tone ‘Thay singe he mov pass oe ingredient hati hl ft sng tor muh ‘eyes rset snes hoapr pct th anspor 8. PRELUDE AND FUGUE sulk moder ake on Bach thatsyncopated ext we have to begin you'll never ind yourself saying inthe Pred ond Fog No Tm with an yperoke. en sing aerate sme aen of the fretboard for ver long. D'Mgor wil probably have picking for petty much the entire thing, There are no obvious sections to pri runitgforcove ss unilthe ety end where Tgoalile procs asthe constant semiquarer Paul himsel adits Timings sie rary and improve” yh rene, bt you should Imorediortion han Bach probly had Ityu've add te previous Bach lettin digestible eight and 16-bar oped anyone woud we™ lick bore), you en see how the forione wo hae you dant get swamped ‘Balt updated lessee technique tin here Although here by the shew volume of mater version canes well rom the orginal sresome ig stuetehes to contend Bar 32 onward ical he ‘cadenza’ Trpchord arrangement approver iy the melody resins ts asc shape section. Acasa, oe founda the Jouwth an excelent techie workout. throughout, so you sbouldseethe "endo casi pec, is where a player Tones non picking technaque and il pass encege rooghowrte piece. able to show of ther msi ll At sho derdop yoursoucy and deneriy. Ifyouhave ied Bach before, Sst these pees were inrovie, but “esses Tth ote sae Pac,” youmight have noticed his dying gradaly composers startet wie “totem we coum uungthe eadonal ommand ofodulton and variation. ademas forthe performer. Try to work TeenTernce,youotcethatweTspiece cles around Dar whle out your own cfenc to gv the pece barton thee ofbeat | Bystting on deinginto seven diferenckes, so your own persona aoutR PAUL GILBERT'S SCHOOL OF SHREDPAUL GILBERT'S SCHOOL OF ns IK ee arr:RK PAUL GILBERT'S SCHOOL OF SHRED9. ACCENTS eared aot rom hee Bach eo ps sn ete ec nD Morin particular {son 8), Thre is locof picking trough and hin tat real ped sy acening” For thwe hat doa what Pal means by seeming iis where you py eran mows more strongly than others to pie them preter empha Tie (respons re rt and opt Your lying frm sounding at alien of aceting eran noes within he bara grat ay oF ong PAUL GILBERT'S SCHOOL OF SHRED yo picking techie wl fe you iad pickle rather than eng pou wri ove na Sonn denen acting mon "Tin nbens grew kof coooal yen hen ang rae spe fhe npr the sk preset ‘lenge our ing ching si. Foren she aes ote ticking when ong om one sing to oO you ping tl cee ttl inthe ietton ofthe next re As a gogo thot ra den then omageable pron so you can gral uid up epesting thee ck ‘When t comes soacentng, flow Paul pf italy stressing sone beats and chen 1,2, 3, lowed finally by +234. This one presents he iggst challenge a pee, Erallthe down pets wl be sessed and the up pick played mach ger Stays {slow tmp and emer 0 7 ‘perks metronome wil yon fel ‘eady eo speed up and ad distortion, ial work with your own ek and foci om aceting dierent ote. ‘Whoou art tape ith oben Pa ry oud ry te improvement Remember ht peed allt oad ‘whoa ou pw wy Spy 10. MOVEABLE PATTERNS seat way» getmieage tut of ane he putin tire postions wing the ‘ame eae" ss Paul “For this paral ek Tim sing he sane ter Dot changing the agering in ‘Seder to sy within the hey ofA tint Ifyou dan know what key signatures or eye your eal gate! Formate for you guys TG you lea guitar gu. Each noe fom the fs licks moved pone ote (or ‘eae depres inthe A mir sie 50 it esenaluat you knowhow t play span down the Antu min sale nal pontins Your es bald ll You whather you ave payed any notes Susie the sele ABE DE FO) soi ‘in be vel apa an Am chord once Bale esa relerence ‘Once you ge the hang of his verse techie oa can hen spl any sale from he humble minor Pematonill th way roe tothe epanre Hirsj you so wi! Bat ‘yuma remember to appiy the sine picking technique as festred inthe ast (son ando expernent with axe “Ar aleays you sould begin slowly and acutely oda evenly you will inal shi cen Herne exch enti thon etngny creel se or sding arc hepa duly re psn sn a alunos seen my Th al saps obty ee ‘Wetter al ortngorandstghaptoe tar os mgt tasty ofa ocee (2 re) one benePAUL GILBERT'S SCHOOL OF SHRED 11. DOUBLE-PICKING = {iyo page tnd i ls ee FOPAUL GILBERT'S SCHOOL OF ono = E oe oe "Fanless oh Wa Fanci chp os 1 5 pain dw dp wh ay sondage lr tt ota toe resoPAUL GILBERT'S SCHOOL OF SHRED 13. TWO-STRING SHIFTS hen {eed he Am ‘The nly awkward manoeuvre iat the strings for example, ry the mide rw0 Penatoncseee fist lart bepnnig ofr 3 with ehe tape at [ddan fourth simp Here sare FSak pon fe fer tke 3th polo, Vous in thsi dhe open poston then move op tribe Sheet, Thsscale Shape wt hes finger so youl need whole ave sing the same shapes ret forbening an for sock all sme iy wok ith the tame Sager and wechnigu as before. This reat Tike enue tmornoepersring eas togeit ck ont the 12d fet The way to familie youself with using toheipmermall ner te etary, decenng patera woes inectythe pentatonic shapes. suggest soloing on ree escTmdemonsitinghere® sume way eere onder though he ne sing the shied sering, for empl fiysPaolsiisworth pctsing each of Tegat ick bee the se ng bed and legato aero Bekins indy aol thes ping, "Neon luo wu tha kom other ets and pull to ee fyou can move ‘hemengehermitheke fst fingers, otis Incr of ming the op vo omforably aroend llthe shapes.” 7. j= ‘eats eo ye ame wa Beem or rt agent ser ate ToPCO STEVE VAI FOR THE LOVE OF GOD IFYOU'VE WORKED YOUR WAY THROUGH STEVE’S TEN-HOUR WORKOUT YOU MAY ‘JUST BE READY TO TAKE ON HIS MOST | MAGNIFICENT OPUS aati ane tere 1: Bret Paani i “ro no wa am oe TREBLE MID BASS REVERB i ‘Soeur place your first finger behind the se ‘Se throu onthe rye ps ‘he minimum of iba Sic ‘bl ick a the begining of ba dalle nore These haa bar jaan ng maya fier ifyou keep some part of yout hand In rs91-95 there’ another exrple area wth a urth nthe las) which fram incontct with the body when of indi pater and playing its” he wes to ard the neck wih hing tit ace ara pi of ‘ nar (10th low B ‘Thee a bars 6-79 wos ber cceven ots powpings Gn omee Univers eta she the bands cing. fal nts we ink tar he Chis intoplay bu far no Tes pcticllyimposubleto dupe bar 9 iden dae wo Yau can path low E dow thelins suring attr Slavin the way Sere ply he bc sn the emo ar,” DAVE KILMINSTER ‘Steve probably coun ply iessaly sy secon an th Gy here secon af TE eeping the FSFE] rors sersen say ag iad an eal SS ee ‘Bars 88-89 contain some tremolo Bars 97-104 require some familiarity Bag sw ncn tune crv figment nscn) ened withthe veo sexy ching. Aral, OE Bernal ma ‘by pointing the arm towards the bottom if you've never tried this before then Ea Hs rtLEARN TO PLAY ll FOR THE LOVE OF GOD mace? cma? mai masa?LEARN TO PLAY il FOR THE LOVE OF oR e mai? aye Opp ee et rere 2 i ——— fips f ~ EES fe SES ==a sw te “Sasha | isso dis ABLEARN TO PLAY ll FOR THE LOVE OF oR omRw TO PLAY Ml FOR THE LOVE OF GODLEARN TO PLAY ll FOR THE LOVE OF my bebe e888 seek hs =e === = aoeRom TO PLAY ll FOR THE LOVE OF GOD ao ee ne es Le [ = > a z 2 ee tte ta ae ner ie Oar ee) — stLEARN TO PLAY ll FOR THE wero FRRK... TO PLAY ll FOR THE LOVE OF GODLEARN TO PLAY ll FOR THE LOVE OF | coo ate oe eee “asco aneKa TO PLAY Ml FOR THE LOVE OF GOD jp [a — 8PAUL GILBERT'S SCHOOL OF SHRED 14. SEXTUPLET LICKS Pr sporti thing triplet efore very pel ofall she _parulay wrong with this as ong as thowthefrcnmple’s fain Ushers such = Vnguie You don do all de pe! But T wana thesequence Fm ui Malmsteen, Seve Vand George ve You anther lick which hasa very Uiscenling ses ner to Lych Forthilick plays mores pee lire kind of elit stings and then epeating the sme hea lck of he meoneme Tes tecaally ‘The seco ick Pal itoces i Fo the new sing down. lesa prety challngingso ake your time opacne sll bad around the sme seuplet Stughorearchape tomemerie so, sowly wits clen sound rderto.—ehthm eacepe at i played ver The mos diel spec probably. geet co-ordiaon hence ick nd thre sings aod wih he ion of| geting the poking sper acute cer Enger Iryu'e new nthe, expeet_ leo, This shold mae ie ese for thescing yon toe some pln thaproces to take months nor dys so you when plying and wil allow yout, Fung on he lower singe epesily been when yu'esarang ost psy fier loesoone sounds ih then you'ewsing dsortin, ell xp "When you workom thee-nove pet more angular because ofthe utile the notes come nut clearer” sing sel ictendeto make slor noes of Band Cf, be hese nes give ‘Thsiea gratlick to mater ifyouve — ofyour plying wand ike 6th acre the humble Pm penton sae a Hoes rover desl int plying rapid picked tilts” Paalexplains. “There nothing favour and make the ick es prdiable fier ttre ‘Wisin arta pacing wat (mma an rT), bt Seeding an ann. won Pking spec watt utter sts me ‘hep ts dite pats hs ray capa th anda dr of wap ft sty oh ee sae shape ar mars yd IM esata pty gen srs ape Sy wang aston eestor Bats ae 15. PHRYGIAN DOMINANT bent wasted to the harmonic mince ele ako known a8 ste string siping epposch wo gain a] loads of Yngwic Malmtcen the Spanish Cyp. Phoywian dominant wider intervalic sound. The exception fndlcart alec ofthe. or Akiva Ral Sie Thi mets at Coal the shapes mumber three, os here ition minor cle,” eS playing hamenic minor with Eas Pluses wo differnt ideas Sty Pausrememnbers vane togetand hemor. The pvesyou (12343) sprain, de second of theo shapes Sethesane sound, bur without aways fc7hwich contin the characteristic maker more sense si foes an Fy Sounding like Yngwie hecnse im using igor iin heen the second a areas. ‘Besame sales Tha how Teame up nd hid not proving tht Madde To een the sour of ech ick, sith these sting shipping ese Theyre Easter avout he mentions Pal demonstrates sme bending ideas {rl hannone minor they shold Putg the ks in comet, Pal paps onthe second sing. This seals fEreymnmore melodie posses” ESand FS chore prpoine some of” Straightforward sine there ar few "Toget slighty moe techni the theimporanr noes itn these. _—semitonefone et bends. This mas ‘gpm and Pre cersingtowhonThivetn he extend to comprise 0 Reach bend echnical aie and lends ‘ei abou thee Hee come ftom ging you the amo wo major chords elf to uprovsation and Pause The actdaethe sees th mode of semione spare Each shape tes the charming’ oundPAUL GILBERT'S SCHOOL OF SHRED ‘hehehe aps Pau id an uted rn pig ls, ome it pets a he as bee: Ath oc eed es polly ‘Soopers on ‘Sign ri Set an rh Pec moe a Ho mp esnpen 16. ODD GROUPINGS Porn iu ik ll stare with came up with hi grouping of cts, slipping (sample 3), hough the ik T ios Temi pyingon which actually 1 The col things har earth sume elas Fsumple Bhck Sabbath songrke thatonce you start wo speed up dhslick, 1 The nai ifcalty hee mong Spee Lefsys Pra "Either ishepne olan that ‘leven-nes andthe ick over tw tings at sch thacor Ace Frehley paying Sick Me. takeson dente ple of ow.” speed Inevitably cists tie, but ‘They both had i sinple bam” "The approach Pele tling doors concent on ficeny of movement fulatidea between tresecmd and thesane forthe next thre example ks, snd scurry, both of which an be Sse gers Mhough Examples? and Shave the paced t sow tempo. Once Tgot edt thse spl cks rather daunting fe of 19 ones inthe The ia ik ar enaty the same fee began odd oder notes The fst spaceofabar By tacking on thee) a Example 2,30 you should consny ‘ation Teame op with and one dat notes and gradually bung rupin refer back to the prevoos lek boas Tell we eody—erthe mores ABC Spud, itbegins to el ike one group. is anach esier tence tnd D, but ighly old order sce "Pauls fondness for eerinenang | Remember vo check the MP9 where ‘Example My hand soreofacrlly Sally hm eo sazoduce suing Pal gies amore nedeh explanation,PAUL GILBERT'S SCHOOL OF SHRED ‘though ne ture is nena roms, wuthromindng yur ea phng ad ee ppt ‘en pg wy yaw prety itn sone eros ps Noi you Sr gig ae aku wn appetite a. members crear stan nurs xs tei han i ean shape (ot goat tet Tiemann onl pg pach hal a cpa pvt es Myre tng mor etampcrtea ou sbudeterbes there te 2 cS aaa ress whe up i ris of th re pus i ris arg mth option of iil athe al probly ‘Sonal abot ert, eee opto ene ne you es son ono ent ase eh asa ving ottPAUL GILBERT'S SCHOOL OF SHRED 17. RHYTHMIC IDEAS this pint inthe sere, dena then improve log with to exhibit lange amount of paence and aul gives youcven more That easier ald tan done, burpeehps ths an be the ands thing for sme insighr ina hstechnigues thease sproach sen streas Pl Grady as you get Deter ss byllowing TG to fm him does with st one not vecige, You cn sar ( intodace Playing So'mow you ge chancetosee Thiis acral gute dificult for most more notes al thats when the fun "he man gers inst lat eopcilysreddes since star! Te main ifs we've tanserbed "Fortis parca son we've tabbed they'll be sede ering up and down areal highly rycopated so ake a some of Paul bests fr yout tele the fretboard, but by focusing on one leaf or of Pals book and vise ‘howe, but forthe fallow-down on note you wil eum to make sound theming payed onthe drums 1b 2 Puls approach o improvising youcan realy god aie forces you to hink _greatwayfo understand more difeale heck othe fallen on your CD. shoot dynamics (ud and of) brat, yes anda end You to many “Thebsie idea eto play amored rhythm pice sack, te, Unforanately you have more eciing possibiis, ‘The erly pny get mot of a ta efor mad ake Be hen and en ante ewe ‘i yeh arom aT AT aa RA TOR ‘Barista mr cfs might ee ew ane pro male xe sin crea or aerate png). Asin yu wai ow Pal onthe if beng pee srs dr ncn sasha emembr ere ee ww ‘Wl dome fon a ptr nigra ei Te mately mama oar gore napa one on a Jour hand comer bor tenga te ie! *RK PAUL GILBERT'S SCHOOL OF SHRED 18. STRING BENDING to bend he ‘ati ag sma mirage 9 to ely nd a SSGSS SSIS itt stows ty mone eke hese aaa eS La aan RE ‘sayfa ute et Aigo und noetan ABC OLS) woh ay nosey a 19. FAST PENTATONICS ee aS syPAUL GILBERT'S SCHOOL OF sine IR ‘kgf sn peg snl ae cleo Year igure ete re Snort me eer ng ent b mph oma aa saans pep gray ae moe the toting ata pr net ep you Bt gered an cnt aig at apeing ip hugh ayo Speed beg with saing at oh ate send ei ‘alana plete ran foe furs ves Movin om hand te ing athe wih ng 8988 Rymnttopertar pansies 20. MORE FAST PENTATONICS eof the fundamental sight notes length and is eseilly hese apart and procs them separately sof Prat paying repeat the sme manner arose” eo begin with Ehistse of ptr This te remaining singe All Pl docs ‘One skng xref Pal paying fen ccd when tcomes, tae the busier and moveie show much he wes the fourth gee toplayng al fr pascges of asc, ypone string Your ony ob then sto where most people ute tid ou Sshecanenayshif esme Men cimpenste forthe shape ofthe sese Should wy xing your fourth Singer round the entire nek. Inds you finger scoring ely cas he eater you build “Ton with you should beable “keane ely pl think othe yparength in tha ge the oer it tosee the fami Ampenttonic pte intwo dine pr Sine the wil ese wef. The fst parte feallarkingbenenth aul ik If Hrethre notesinvote a hammeron purer goa fo strengthening the ‘ot familiarise yourself withthe scale manne an the nem re noes me fourth Sage a isthe pt played on the Indgerprcisng’ The pater isefis allot tcan so be wf wspl Stands sings. "Rut yt tein ipso rhe nots we apd spt maa Th wg Pm dy sould ab iat nh Enda ecient ue inn apakaipoe oc aks etc hoe Forno real ones econ mah you te ‘ong bests (ete sicte he nes) een you area grup otsTHE COUNTDOWN TO EXTINCTION HAS | ALREADY BEGUN, BUT IF YOU HURRY, | YOU'LL JUST HAVE TIME TO LEARN THIS | MEGADETH CLASSIC | "SKIN MY TEETH Tera a teochod urbe won the aa American Blind car, lvog ben 7 s| pred eh ont y Bil "hy Bray Boyce Tee prolecsor Rc Pas Cambiar te Meade denn er: Mnsine, Mens, Een Stic, he thn niga infred now dnerson wo he come Megat snd canbe head thi 7 ht allan Exc wick MID BASS REVERB OHS trek wih Marys ements ‘on PAE SY sare nnsnoment ante Malan mde feted een canteens Marj oat a oka lure swith he band Cacophony 32 eae Sega er ene Feta Sicticnreiceyctocy jun Beker checkout Spe Neal oer eng the Goa ocr orcton Seieedis nithe nonin Sesion ane Sal chunks ll {oleae and eal ‘metal, For daring the solo. Dave MustineS eatchy good ide to take three to six rot ffssem fom gheA minor entrance and repent them ner and sce memory you can nudge the Sele (.43.2)mihtheoemionel again sloly witha metronome, When mvonome up ve bpm and Sarthe incon ofthe fatenel Sth which nk yourhanshave ui opee requred” proces agai. Mite GR Ce TE CF [fe PT iE | : :LEARN TO PLAY Bl SKIN O° a ae ae Sea eR em ng ne sec ‘release and pull-ff tothe ist finger at the 5th fet. ai ence sang isin in fn a tarts wth iri ea psn wich twin Ent and ara akan guesses creer fe snes ni eh Het erates sar Scrat ong eyo tong sn rand sro bth ow Eon aeBR... 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NATURAL HARMONICS rely ndessnd this shrouhouTikng thf in theo simi the fst example es. nextchpe Pal wateasymmer le The rape nnn pene rips with the melodic thirds pater le, uses the sane Gngeing on of pata amon, but he col hing Seale Pal demonsrates very nring Therefore, if ota feal__ ih the sume grin pater athe begining ofthe video Irs noc Sethe lows thing resembles sed thon As with ony natal neces at ths stage to follow is an Amor stale butinudesam extra haewione, your Sager need ech fechnigoc ect (he whole day ean G nara and DP (payers lke Edie ver the ned topped on ‘epieted ifyou wis), butt isimporane Van Halen and Dimebag Darl sed heown when yet eng seal so memori he ptr symercal prema ein their noe Ale, be suey dont pl dow Basal thi prtzern goes down Ie playing) Besar osoncntate om ton hard four tucson Hh) fone ot, upewonovesand repeats he ingering pattern uscd, and notice thers ou wl ete ote Foie iat Fa et sr plat, hep tron yet gid eae keting Ns bsed wound ae trea an SaPAUL GILBERT'S SCHOOL OF SHRED —6O5-% = ax oath ps os esate than pep cht eaten hs wu, guy one tgand eran baud oth 3 ‘essen er Pe ornate ran tetas et mabe eta ery sey eter a et dl mate 23. PIANO LICK gral this Video Leson Frthe concept of outside Picking ich een Sonera several ies Pauls previous sons tof Paul supe Fee aterm pickings based around ths principal where e comer the nos efficent pick ovement fam ope Sting wane, The fit ney as Pl epliyae ane semitone pare “Ths would rion be ved ome ring benrexn yout Bsn ‘Sond gers, bute challenge res {opp them sco two strings The St noe shold played with an ype Felwedby1deeroke on he second ote i, ee pekng). Take eae not eth te notes bled nt each he. yung he Fring with the a of. sou oth figer em plying ee DA Soi he trong tena move our hand exec when mening ‘etecen strings (epi away fom the body ofthe git). 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UNTRANSCRIBABLE LICK leigh ere ny seretick Gat nd, which maps out the LI-note wo upping the th fr Eon the G thar been inponibleo lick Paulshows youn the vdeo This string This up wll some your ‘wane [Know the mental parila ick vue by Paulallthe pubes you gt the ik up ro sped [Process ivaved ndTean tie, s0i8 worth eng o grips with aul demnsteates thon the ide, teach your brain how wget There there adding the upped noes sernacing betwen he origina legs thisone kid in Japn who ihe a0 ‘The gencrl principal bend the tape ckand the epped ick Listen out oe tsperron my fe He pnsallthe sf canbe sil confxing aft, sii the deine htm ofeach vo psn thseTvedone Tmeas, Ss Fightning Decne Paul Joes qute do what be ether half ofthe lick Ths the by 0 forme! Every ime sce him ply Tm thinkehe dos Eventhough Paul cars working with the old et of aoe and like ve got lem someting ne" off witha tp athe Oth fret Bm the mang eck ow. te this inthe one ik econ piy™ —vadonwhunthe ick sin alawing i Ween see why his ick as never "NocleingPrls‘untanscibable’ doen occur agin) oe ramen fore, but tag deer os we've sbbed oot the haic Whenever othe positions ang wo sett evens pier a+ aterm tat Pol pleycon the videos and wring then alee the prec ss Paul ind ick ines ‘Thebes appoach isco start with your tapping, bt for aur mai icktck thai hard neal! eft it arto he ret and tp ih eed at {Shebtcen the nsw ip we nearer he na set tee Femi et eh tae iy onanPAUL GILBERT'S SCHOOL OF SHRED 26. TAPPING LICKS he base widy ek nao ooking a you feting hand co-ordination ether than having Ppalaraed by Edie Vin stall ifpossble ‘eal st Gers. Fileninthe [980 the The example below wes an Paulas erc te sae formula tuck for Pauls oping apwardand downed apepgioimthe om each ofthe tree-not shapes, 10 you tecnigucin this Video Les. SEnctidThescond eumple sees shookdsce the potential af sng this Paslpeckerto ue ikinietfager aul inrsang his niqve Gilbertsn' iden on dierent strings nd seals cot Growing an pward dick to oftappng the th and Sh ets This ‘The inal example tes thi idea and rode th inl pao Experment san able doubling effect on the B__applies pentatonic theory 1 make it ‘Vityourinderormidle ger wsng noted is ned Pl west great mre ick. 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