BS MO'TOWN BASS CLASSICS 21 of the Greatest Songs including For Once in My Life, Get Ready, 1 Heard It Through the Grapevine, My Girl, and You Keep Me Hangin’ OnMOTOWN BASS CLASSICS 16 19 34 37 a7 c O N Ain’t No Mountain High Enough Marvin Gaye & Tammi Terrell Ain't Nothing Like the Real Thing Marvin Gaye & Tammi Terrell Ain’t Too Proud to Beg The Temptations Baby Love ‘The Supremes Dancing in the Street Martha & The Vandellas: For Once in My Life Stevie Wonder Get Ready Rare Earth I Can’t Help Myself (Sugar Pie, Honey Bunch) The Four Tops 1 Heard It Through the Grapevine Gladys Knight & The Pips I Just Want to Celebrate Rare Earth T E N 84 90 7s oF T § 1 Second That Emotion Smokey Robinson & The Miracles It’s the Same Old Song The Four Tops My Girl The Temptations My Guy Mary Wells Reach Out, I'll Be There The Four Tops Shot Gun Jr. Walker & The Allstars Stop! In the Name of Love The Supremes What's Going On Marvin Gaye Where Did Our Love Go ‘The Supremes You Can't Hurry Love ‘The Supremes You Keep Me Hangin’ On The Supremes BASS NOTATION LEGENDAin’t No Mountain High Enough ‘Words and Music by Nickolas Ashford and Valerie Simpson Intro ‘Moderately J =126 Bria, Gam7bs Gj? Fim Emo (Male) Lis DEG IGP Bmq/A Gtm7bs Ain’ no moun = tain ain't moval : Verse Gmaj7 Fim m9 Dre G BIG Bm atm —— aSIS aint nov = et wide e-nough, ba by. (Female) LIF you need me, call. | (© 1967 (Renewed 1995), 1970 JOBETE MUSIC CO., INC. k ‘All Righie Cortroliod and Admniisiered by EMI APRIL MUSIC INC.Gmaj7 Fin? Em9 DFE OG Hot no mat = ter where you no mat = ter how fa (Male) Don't wor=1y, Basa, Gam7bs Gmaj7 Fem? Em? call myname, T'll_ be there in ‘You don't have to Chorus Fim? Gait Emo Fam Bm ‘cause ba - by, there Oh ba by, there ‘moun ~ ‘tain fe = ough, Gmaj7 Emo Fim? Bm Gri? Emo Fam?Bm Bsus E DiFt G = (Male!) (10 sme from gettin’ to 2.Re-mem-ber the day. (Female: 10 ime from get tin’ to fe = nough Verse Buia Gam7bs Gmajt Fem Em 1 told you you could al - ways count on DFE G IGE BmT/A, GHim7s darlin, ‘From that day on, Chorus Gmaj7 Fim? Em7 tm? Gai? m9 Fim? some way, some = how.. (Male) Ohba - by there (Fomale) ‘Cause ba = by, there high.Bm Gmaj7 Emo Flon7 Bm Gmaj7 Emo Fam? Bm Bsus E DFE G ee tea eee fe = nough - to keep me from gettin’ you, — (Female) {ain't no to keep me From gettin’ © you, — (Male) [ain't no fe = nough— sre : JBysust 87 No, — Bridge Fesust Fe me hd no, ba - by. mA A BA — CovBh Bb Fm = i is bale ——— 4 —e- — —— = goal. On ba - ey in uou-ble, TW be there on the double, Just send for me, oh ba - 22 =e. be e555 = = == z = +— EG FmbSICb c7/Bb mths a = live way down in my Whoo! -are miles__ a par, evs er need help - ing hand. al-though we If you ———— Gm AbmajT Gm Fu? Don't you know that there just Don't You Know that there Pil be there on the dou = ble Chorus cm Abmaj7 Fimo Gm Abmaj7 Fm Gm? cm Abmaj? Find) Gm? cmyou, — babe Don't yu know tht Were } aoa keep me from get- tin’ (0 cm ‘Abmaj? Fm? Gm cm ee Begin Fade Abmmaj7 Fm cm Abmaj? Fm Gm £74 Tara i wo. eu teas) | We Sal vo emi Fade Ou cm Abmaj7 Fm amt cmAin’t Nothing Like the Real Thing ‘Words and Music by Nickolas Ashford and Valerie Simpson Intro Chorus ‘Moderately J = 92 eb Eb Ain't nothin’ ke the real thing (Marva) Hoo, baby. ‘At nowt’ ike the veal thing ba ~ by. oe ees! i ee = sees Se eee r — A ioe + Datesteaeet Feb E JE ii a — => = = BE = SSeS SS ea real thing real thing — ‘Ain't no.thin’ tike the ‘Ain't. no-thin’ Uke the No hoVerse Eb EbG — Abmaj7 (Tari) LT've got your pic-ture —hang-in’ on the wall,. but itean't see or come 10 me. when T hey, cm? cm Cm/B Bbw? Eb7 EWA CG CE Eb a = 3 2 your real ize i's just a ple-ture in a (Marv Did. Vers w/ Vee. Fig. biG Abmaj7 Cima IG eb let - ter when you're not ere, but theydon't—move.me and they don't groove. me like fmt cm Cm/B Bb? CrvG_—-EWA Ci Ci Eb ae = co your. sweet voice. whis, Vee Fig t hg Voc:) Ain't no-thin'like the eal thing b> by Ain’tno-thin'lke the real thing, 3.1 play my ‘Ain't no-thin Tike the real thing ba - by, ‘Ain't no-thinlke the real thing. Verse Blgd.Voos wi Vos Fis. iG Abmaj7 Conimal 7G ee game of fan = ta sy. 1 pre=tend — what [knows ine = cm cm Cm/B-Bbm? EBT BA CG Comes = i need the shel - ter of your arms. to.comefort me. No. oth-er (Marvin) No oth-er G cm Cm/BEb/B Eb Fml/Ab Eb/Bb Ae sound is quite the same_as your name No touch ean do. half'as much sound —— iS quite the same_as your name, No touch ean do, halfas much Verse bbe Fm Bb? Eb Fm EbIG les say to = goth - er on y 1 1 look back on.aga Woes wi Vee- Fi! CatmajVG cmt cm cmp Bom? EY Abmas? | atte —,_ehé pee pAore: a = : roi ay bap. whenyou'vegor- ram ne —— 8 WHE voit on — == oe + = See SS — a a ae Chorus EWA cmc Cnlth Bb im pg oe F = pS) oo. (Tammi) So glad we ate uke the place of your be-in’ there. — (Marvin) So glad we got the ee Abmai? fi san a Jol z ‘fgg ee 2 ie § r e real thing ‘Aint nothin? ike the real thing T know, bon.>& So. lad =_= SS == Ss = ae — = 2 === SS ee — SEAbra? ok bey, thin’ real thing So— plad, : = thine Fm Eb thing. e Ain't thing. (Marvin) Oo. like like Begin Fade Fm Bb Fm eb Abmaj7 Fm? real_ thing ba = by. Ain't no thin’ like the real — ye Fade OutAin’t Too Proud to Beg Words and Music by Edward Holland and Norman Whitfield $6 Verse Moderately J = 126 swans Fig, 20 3 mes F eve =F See SSS F ¥ =o leave me, tar Tre - fie wo et you go (00. know — you wanna 14. See Addianal Lyrics for your sym-pacthy, 1 don’t mind — ‘cause you mean” that 0, scspe ence If 1 have to beg, plead Oo. Chorus c a F c FIA A > \ a mas o a = freee ¥ inuch to me, Alvi top prowd 10 beg, ———— ind you Know it Please don't eave =} (Oo, sweet darlin’ plese dow teave bo , S pe == === =e = 3 of 2 = + c vA c a = SSS By t ¥ v Ae eu seet nn artes fee & Bol me SSS SS SS = S= | = taht py ahs ze aoe : : é 1 00 (nave 190) SOBETE MUIC 0, NG Ss SEB UAE en baa [A Rights Gontoeg and Administered by EM Contraes or eric (a Diusion of JOBETE MUSIC CO.,INC.) vision of JOBETE MUSIC CO. er issionoe ® Pa 7 2. Now, ['ve heard 3.1 1 have wo — Sax Solo FIA c F c FIA c F c DS.al Coda 4.Now Te gotaCoda leave Begin Fade Fade ‘don Additional Lyries Now, I've heard a cryin’ man is half aman, With no sense of pride. But if Ihave to cry to keep you, I don't mind weepin” IFit'll keep you by my side. If Thave to sleep on your doorstep all night and day Just to keep you from walking away. Let your friends laugh, even this I can stand, *Cause I wanna keep you any way I can. Now I’ve got a love so deep in the pit of my heart, ‘And each day it grows more and more. T'm not ashamed to call and plead to you, baby, If pleading keeps you from walking out that door.Baby Love ‘Words and Music by Brian Holland, Edwerd Holland and Lamont Dozier Intro ‘Moderately J Dm 0, LBs - (Ba cre al Dm ~ by love, my ba = by love, 1 need — ya, = by love, — ba = by love, ba by love, 2.,3, See Additional Lyrics ba- by love) ass af sia on repete gd. Vor w! Vor Fig 1, 2s, 2nd & 3 ines oD ¢ 6 c But all ya do is treat__ me bad, break my heart and ‘Tell me, what did to make you stay = way so fong?2"Cause ba - (Ba = Yoo Fig.t Don't throw cur love away, © 1904 (Renawed 1992) JOBETE MUSIC CO., INC. Al Pghts Contaled ard Actinsterec by Et LACKWOOD MUSIC INC. on behalf of Gis STONE AGATE MUSIC (A Divicion of JOSETE MUSIC CO. INC}Cs Em Dm a C In my arms, Ba - by, be ba = by love) DS. al CodaCoda F Em m7 a Db Verse bb DbTicb vee mg? rel, i dn eect = gin my love, feel your ba by dove, ba = Bb7 Ebm Choe Db brace my love. Don't throw our love — bba-by love. che bb cbs Ft : ri-~r 4 Please don't dome this way. Not bap - py like 1 —— as ony. Don't throw our love a - way,3 —— Gx the best of ba = by 0. Verse Bd, Voesw/ Voc, Fig. 2, 8 fae Db pbuch Bb7 bm are i, my love, my ba - bylove, ae Db absieb Db Why ya do me like — you do, at-ter Pye been tre 10 you. 6 Db ob Fm Ebmt ab7 pil Jove — with you. Ba - by, ba - by, 22Dancing in the Street Words and tise by Marin Gaye vy Hurer and Wan Stvenson ‘Moderately d EI SG verse a Bas i 1.3 ies Bid Vee w/ Vor Pil, 2a ime e aa . = — SS oS Ss (te f SS SSS . ing ou round te word, ae yon ited y for 8 ndnew beat 5 gy 7 Mme thee don, a chance” for folks wo met oO Sum-mer's here — and the time is right for ‘There'll be laugh-ing, sing = ing and music swinging, in the street, They're dancing in Chi - ca 7 30. in the street Phil - a - del-phia, P, Ay—— Dane-ing in the street Dane-ing in the stree New Or = eons, — in New York Cit Cant for = get the Mo tor Cit Dane-ing in the street. Vou Fin Pana ca \ oot, —_____—_= + Vor ed fom DS. © 1964 (Renewed 1992) FCG MUSIC, NMG MUSIC, MGil MUSIC, JOBETE MUSIC CO. INC. and STONE AGATE MUSIC oer (pete Conatod ana aumisiored by EM APAIL MUSIC INC and EW BLACIGWOOD MUSIC INC. on behalf of Saree fUSIG CO. ING. and STONE AGATE MUSIC (A Dnision of JOBETE MUSIC CO., INC.)Dane-ing in the sweet, ‘There'll. be ‘ay = where, — sweet, sweet ma on DE oi et swing - ing, sway - dancing inthe Vo Fina (Sway- ing, play = ing, Dancing inthe street)doesn't mat - ter what so come on, you wear, world they" bess w/ Base Fig DS. al Coda ‘They're dancing in the street, — Daring in he sree. Dancing in the set PCoda stare bets "7 8 Es a —_ world, on, they're dane ing inthe Sa ooh, dancing inthe street Ooh, Outro, h ch "re danesing in the street. — Lvs form a big strong. line, — End Voo Fi ———————__ 4 every days. th Voe.Fig 1 dane-ing in the street oh —— danc-ing in the sect. ase Fg. ind aes 2 asm ass Fi. 2 fade [ks Yoesw/Vae Fig ol fe PR aoe get in thme,__ we're dane - ing inthe street, Begin Fade Fade Out oh iW Te 8- ee, I me and you, we're danc- ing in the street...For Once in My Life | Words by Ronald Miller I Musi by Orlando Murden Intro Verse Moderataly J =108 F F Fe oim_B SS =- == —<——$— = pp ee a L For once in__my_“ife T have ae ; | eH F6 pro Gm De Gut De some - one. who needs. me, — some-one I need -ed ce Gm Gon(majr) Gm? cr F 1 can go. where. life leads me. — Some-how know. 1] be — {© 1965 (Renewed 1999) JOBETE MUSIC CO. INC, and STONE DIAMOND MUSIC CORE. ti AN FI anoles and Acmaislered by EMI APRIL MUSIC INC. and EN BLACKWOOD MUSIG INC. SMI APRIL MUSIC ING. ont eat at cimaacion=~ For once 1 can touch. what my heart used. 10 dream. of bs. F Am Dm Gen Am Bhai? ibs Gm? cms et} make my dream come. re, Yeah, yeah, yea. 2. For (For once in my Verse Fnaj7 Fr 76 Diba Gm oS) once in my—life Towon't et sor-row hurt me, ot Hike ite) 's hurt mee fore.on mains Gna a = n SSS eS EE So SS once 1 have something {know — won't. de ~ sest____ me = SS = = yp eae a + avo oe ove lover aad igs exept whe inte F Foal F Can{na #008) F9(noded) 7 RS + tae ree = = £ For_____onee Tm nova > lone. an = y-more. (om not alone = atey-moe — 08,8 0,00 bee aS ———— == E = a= 3 == = SS 7 + 7 Reva so Ee G9(n0380) b ’ . adds a : 7 ps é it j Se — rine, you ean take ee 00, 20,0 0, 00,09) Eee pe SE = z= ge Ss oa = 7 z + 3 Intertude rad bea Ve F Din Gn a “ Ab once in my life 1 have same - one who. needs me, (Someone who needs ‘em Chara symbols efit overlay‘Harmonica Solo c1sb9 oe) cHises i) Fie 4 oe Some-one who needs me, Fe by79 Gm Gfm Die Gm. Gtminaj7) (For once in my Gant cH Fa che Fe Bmaj7Abm am Gam Atm BO Verse FA #79 Binaj? ETO Gm? CHTBO FE Fie ad a life, 1 won't let Sorrow hurt me, 3.For once in my (Make my dreams come true For once in my tile) ceo cam ot like it's hurt me be = fore. — (Not Tike i's hut Ffanaj? FA Gio cH GHm(naj7y atm 1 know — won't dessert me, Ven not alone an = jones 1__ hive some-thingct? — = more, For— (im mot alone any - more. ee ee cs : = z you can't tke oH t Dgm P| Ay 1 can make it 00, 00, 00) On ad er ie Play 3 tines and Pade Gam ch sust FR E AD cHIsb9 => ‘ a some - one who needs me. Some - one who nedsGet Ready Words and Musie by William “Smokey” Robinson Intro ‘Moderately 4 = 126 NC(Dm) mene of end Bass Fg Verse Bask w Bae Fg 151s NC(Dm) nev - emt ail who makes me feel the way that wan = ona play hide and seek with Tove, ld ome should you 100, ri un - der eS lny Sends — who. makes you do, al sight ‘mind you, i's all ight But, the a miss stand it be all Tih 1 to you ‘my dreams real, T say that you do. You're ou = 1 sight So, ant the time it takes to find you, its ou = sight So, So, fore they do, the way 1 planned it be oul = ta sight ‘de dinhie bei. h ent toa semevenitaile, TORfe fi Fd - dlo-e -dee, twee-dlo-e - dee, ook ou, ba = by, ‘cause And 'm bring = in you a love that’s ue, 50 (an, mT G c — Tm gon-na uy (0 make ya An, Bb Gm? c NCwom love me too, — so get so get ead sy. Here T pa yeah, — get 7% get ready. Get reau-y, ‘causeVm on my way. here 1 come, now. Get ready, “eause bere Sax Solo DSa Coda Begin Fade ms PA ‘Means 'm gonna stay yeh come. Get read-y,—“emse ere T1 Can’t Help Myself (Sugar Pie, Honey Bunch) ‘Words and Music by Brian Holland, Lamont Dozier and Edward Holland Intro ‘Moderately 4 = 125 NCO es Bas Flt mf % Vow 0. 1.Sug.ar pie hon-ey bunch, suug-s pie on-ey bunch, don Fig es lp 2 you know that 1 love you. 1 can't you know that Pm walk-in" for you. — Can't (Sug -ar pie hon - ey bunch, walt in’ for you.) else. In. help omy = self 1 fove— you and ind ass Fig? ¢ 6 | (© 1965 (Renewed 1993), 1972 JOBETE MUSIC CO,, INC. [A Fights Convolleg and Administered by EM BLACKWOOD MUSIC INC. on behalf of STONE AGATE MUSIC (A Divsion of JOBETE MUSIC CO., INC.) ace Zand out my ie, you come and you go ch ‘and out my Tite, come and you Sug - ar pie honey. bunch, do an- y= thing you ask me to. — (Sug - ar pie hon ey bunch, Din one eS a : z D) — And 1 kissed it Teay «ing. just_— your pie ture be ~ hind ag eee ec can't help omy) =e [yam you and ask me Verse Ban w/ Bei. 2 6 os c i Fee) aue ees ‘Bnd Voc. Fig. 1 sand times. — 2.When— you smap your fin - ger ° peace once) no- bod - yee, os. 5.Sug- ar pie hon = ey bun Too. eyes, come a nin-nin’ 19 you, — wink your you know that 1 love you, — (Sug - ar pie hhon - ey. bunch. Love you) bm Ge OF c . 4 ‘and there's noth-WWg_— that Team do — ‘do apron string help) my - sell ‘Saxophone Solo ‘ask n/ Bass Fig? c gd. Vacs wi oe Dm 6 help my = sell, — 20, 1 can't help my = sell 3.Cause Verse Bas: Bass ig. 2. 2nes c Vm weak -er than a man should be, = ar pie hon - ey bunch, sar ple thon ~ ey bunch.) G on1 cant help my = sel tm a fool in__ Jove, you see. Wanna tell yon 1 don't love you, tell you that we're through. And Wve ted, — but ev. ty Dm GE oF G cy = see your face 1 get all. choked up in ~ side. — When. help omy self) Interlude "Bas: w/ Hae NCIC) — 1 call your name, it stants to fume. (Bun = in’ in my hear, tear'n’ DiS. al Coda No mat ter how Ty, my love I ean-mot hide, 4, "Cause — it at ae pany Coda Begin Fade Dm oe oF c cc help my = self, no 1 help my = self. Oo. _ Doss w/ Bas Fig. 2, 12 es, Fade Out Sug - a pie hon = ey bunch, (ug = ar pie thon = ey bunch.)| Heard It Through the Grapevine Words and Music by Norman J. Whitfield and Barratt Strong, Intro Moderately J = 115 Ebm AG 9 abo dare 1.00, Verse Ebm 1 bet you, won-dered how 1 knew BI aE == epee =e = ——j ——= to make me blue with some other uy you knew be- fore. Beaween the wo of us £ << a x == sae ——— SS SSeS Grae fe 7 === == — = 4 abo cnt t fea =F SSE 6 = ———— you know 1 love you mor Ih took me by sur = pis Giook we by sur es Ae a — _————— By = SS = —— —+¥ ane acmrreb Ab eb found out___ yes. = ter = day. Don't you know that 1 heard. ‘When you found out yes-ter = day.) Chorus Ab ——~ — ic through the grape = Not my tne er would you be on, [eaed i through the grape: Tim just ‘would you be mine, [heard — it through the grape eee Ne. BBS abs EBS a-boutto lose my mind. Honey, honey, well. oe Heard — it through the grape-vine, not muchobs FS EDS Jong er would you be my Verse ain't sup-posed 10 ery, “would end my life, you 822, do, do. —_—— me your "You could."ve told self Gs rs} Bb tears 1 can't hold in side, — ‘out these Goh, ee mean that much fo me, ‘You could." Doh, —______— ab CoE that you tove that you love ime your selfNot much long. Ins stead, Lead it (Oo, some-one else.) fer would you be mine, ____ on, 1 heard__ it through the grape - would you be mine? 1 heard — it through the grape — Ab NG. EBS: about to lose my mind. Honey, hon - ey, chs BBS bs FS EBS GbsEbS GbS FS Ebm dad d wel — it through the grape-vine, not much long-er would you be my be Do,— to, do, do, do,Verse ebm Bb S.eo- ple sty be-lieve half of_wht_you se (Do, — do, do, Ebm ing con - fusee do, Uo,- a fof what you hear. Gob, tae, please tall me dear Ceaser eeeto ket Do you plan Don't you know foe, loved be cer would you be Ab cme Ab for wy you loved _ bbe - fore? for the oh - er guy you Chorus tb Ab } Not inueh (Ooh, heard. it through the grape long: heard — heard — Ba would you by, 1 be mine, 1 it durough the grape it dough the grape = vine. — ab NG BbS mind, Honey, hon -ey, yeah. — Habs ES Ghs rs EDS Gbs BBS Vou Fig? rot much Tong er would you be my it through the grape-vine. Gbs FS HS FbS: chs ES. end Voe. Fi 2 jd. bs FS that you're fet - ba Hon-ey, hon-ey 1 know — yen feat yeah, Heard — trough she rape-vine, not much Tong er would you Be mY ‘Voc Woe Fig. 2.1 WDsimes ahs EBS Gbs EDS bs FS ES it through whe grape Fade 01 Begin Fade BBS: abs BBS bs 65 EDS heard — it through the grapeI Just Want to Celebrate Words and Music by Nick Zesses and Dino Fekaris, Intro Moderately d = 88 ‘op ONC neon One! Two! Three! Four! ~ Key sem denotes D Mines ap coo ond ass Fig Bas: Bass ig. 1 2nes NDT) , 1 jut wan cel -e - brate u-noh-er day of liv. = in’ NAD?) — T just want to cel = es brate a= noth-er day of lite Verse Ncw?) New, GoD faith in the peo but the peo - ple let me down. So I Put my poe Bastin © 1971 JOBETE MUSIC CO. ING. AX Rights Controlled and Administered by Endl APRIL MUSIC INC, etE eS SS Tumed the other way and T_ cat-ried on ——— “Thaw's why Pm elliot you T— = nd Ds Fi 2S SS = = + = —<—<——T tang pe == — Chorus Neon os__0s are “just wan-na ex! e-brate, yeah yeah, ~ we Fe 3 "a «nother day of livin’ ‘Yeah, ———— rt ass Fh Neon, = as Cz SSS SSS os = SS T jot wan to celebrate — apeseeceecores Verse ans wi Basse. NAN?) Gp New op = rl Se SSE = SSE =d Gs === SS Se and the dollar bill blew a= way. Bot th 2.Mad my and on dot - Tar bill os E a s = een (ie 10 8 fun is shine = in? down on —me,— and it's ‘That's why Wm tellin" Speco eee stay, —_—__——Chorus Neon os__ps pte : = e410, SS SSS SSS SS SSS) peinwes wick, gh pd eS a ot De ea mein N.C(D7) 1 just wam_ cele = rote = nother day of liv =i Ncw D T just want = moth-er day — of New, o Ss. Devin’ it all gets you down, oho. Don't fet it turn you a - round and a- sound and a-round) anda - round (Round, round, “round.)Goan eae Newn op New op NGO op, = Joppa er = ¢ te So Salat caiketoiraeiwarsrow and cbr tar wi IX2.n0 10 E cs a pgs SSS yeah, Tha’s why Pm tellin’ yor 1 just wanna cel = Ncw?) ae T just won-na cel -e-brate another iy, ———— NCT) as ps pi Sea (SS Sas Ti wane oe e * brte ae noteer day of Tv = is —— pS eee e—— SeNcoT) 6 aay — of Bridge Ncw?) © © as. Dovin’ it all_— gets you down, ohio. —— round Don't let it tum you and eee == =iple =e a round anda round ‘round and ‘round, ‘round. ‘Rend, ova SEES z J aad f SSS = == Free Tine Ne Sera 6 ep, esOutro eee ++ Bass: wi Bass Fig. ao NCD?) nd Vee. ge Vee Fit x —— 1______ wt fei oes Vo. i. 1 Leal Ve, is il fade bas NC(D7) - ee pss ss = G a= —_— ¥ Baas =z of a —6- = 5- wt = Begin Fate 52| Second That Emotion Words and Music by Wiliam "Smokey" Robinson and Alfred Cleveland Intro riacis Moderately J = 90 (STee = JITI) A 6 Verse = be you wan-na sweet, on = ly for onemeyer al imay-be you'll go a - way and T ———— —————— Tittle girl, im one at all, hhomney’s worse — than Bridge : G that cae that would on = lyChorus pt, Bad, Woes wl Voe Fi a pc ait t ec it you feel like a lovin’ me, if you ist ttteat pt cere got the i= eS “SSS = i 1 sec-ond that © D iT you feed ike given’ I28> gd, Voss w! Yoo. Fin 2 6 =p Fee ; (piste & life -dme of de-vo Tseevend thatDlg Vacs wi Vee Fig 3 A sc oe Dads a tee Ape ae 5 tape. aa fe! — SSS on May ~ be you think that ove would Ge you down ce fi fete SSS >= aes —= = SSS - 6 6-3 3 +- = a D> Dads ie = Ait — ee —— youdon't have the Gime, to ing = round — fe 28 Rei $e i t 4 _ a sho vaswre asus cf ate = ——= SS Sl = # ? you think that love — foe fons. ef ou a —— D Banas sakes. you i om, lt-tle gid th Vox Fi.3 00, Doo, doo, doo, 00, oo.that case T don't want + that would on = ty Chorus Dlg. Vor: wi Vor Fig. D A G if you feel tke lovin _—— if you gor the no Gaus D adds D 2885 sec-ond that @ = mo = tio if you feel like givin"ig Vos Vor. Fi? A G D life-time of devo Interlude D 6 Bridge G _ Oh little girl, in that case 1 don't want T do be = Tieve— that that would onChorus D Em? Gsusd G =——~ ==: s frtt eto, ¥ + if you feel like tovin’ me, ifyou got—the no — tion, I sec-ond that @ eS SSS = pasar aa Bg. Voesw! Vor BE? So mo ~ tion life-time of de-vo = ton L seesend that ~ 1 stecond that emo = tion Oh, litte gir, Begin Fade Fade Out b. AL 2 FN ; > 0, littlegir, 1 see ond thatIt’s the Same Old Song Words and Musie by Edward Holland, Lamont Dozier and Brian Holland nro Moderaaly J =126 NC. thst tae ams) but ike “(you're sweet.) 2,3, See Additional Lyrics 1 You're os Fig? Dm F G hon ey - bee stings, you've gone and el my heart in prin, AMI yout sind ass Fi, 2 (© 1965 (Renewed 1999) JOBETE MUSIC CO., INO. ‘Al Fights Controlled ane Aamivslered by Eb BLACKWOOD MUSIC INC. en bohalf of SPONE AGATE MUSIC (A Division of JOBETE MUSIC CO. INC.)tent is ou fa vor-ite song, — the one we danced — to all (All you left) or a = ries.) — night tong Kk used to bring — sweet mem - (Sweet mem Dm F G bem Now it's + the aes he ten = der love hat used 10, Chorus same old bot with a same old song, with a as Fi. 3 Dm c F — it~ Prent waning since you been gore Now it's the it~ Prent mean = ing since you been one Ws the End Ry. Fg 3 Bass: w/a Fi. 3 c 6 bm same, same old e bot with a dif-trent and it breaks: same old song, with a dif-Frent mean = ing. since 61To coda Bs: Base Fig as: w/ Bass. c F NC. Ne at me up to hear eh oh 1. 2. Sen ti-men-tal you been gone. — ) Sax Solo c 6 Dm ass Fig DS. al Coda ake Ist ending) 3. Pre - cious nd Hass ip Coda Dass w/ Bee Fit ae: BaF wit Voc ai Ne. c : _ oat con't bear (0 hear it (ws the same ow : Repeat and Fade G Dm i G E song with 9 dif-Fremt mean = ing since you been gone, — Ws the Additional Lyries 2, Sentimental fool am I, ‘To hear an old love song and wanna cry. Bot the melody keeps haunting me Reminding me how in love we used to be. Keep hearing the part that used to touch our heart, Saying, “Together forever, breaking up never.” 3, Precious memories keep lingering on, Every time I hear our favorite song. Now you're gone, left this emptiness. only reminisce, the happiness we spent. ‘We used to dance'to the music, Make romance to the music,My Girl Words and Musie by William "Smokey" Robinson and Ronald White Intro Moderately 4 NAC) 03 se Verse 1. Tye. got sun ~ shine as 5 When i's cold . ve — got the month of May. — (0, 0.)‘Chorus s ¢s be F a. © Dm wont ean make me Dm? F G Cmaj7 a feel this way? My itl, (way) (My aie talkin’ "bout my — git ) My gil) Verse ar Dm? G7 cs PF cs ha the birds inthe trees. — oo. ——) Tve gota sweet-er song, {ances SSSRChorus F 6 Cmaj7 Dm SS feel this way? vay) (My girl talkin’ "bout my — eit, ) (My gil) a Dm? G7 NCAC) ley, hey, hey Hey, hey, hey.)Dm w ou - Verse tune, oF fame, can claim —— ) horas Ds Em G A Ds Em G A => = what can make me feel_— this way? (Feel this. way?)Daj? Em AG Fim Em an et nb os an (My git. Talk-in bout (My ir, Outro Daj? Em 1 got sunshine on a cloud - y day with my —— gir, my gil 00, ©, Whoa, — whoa. Begin Fade Fade Out A G Fim Em Daai7 ' 4 ——— ie a fe= ven got the month of May — with my gid, A bout, talk =n "bout aMy Guy ‘Words and IMusie by William “Smokey” Robinson Intro "roderately J =126( 9-0 2) ass le) Bb cm Dm of Verse Bbmaj7 Bb6 Bema? Bb6 Bbnaj? Bb6 1.Nath ing you could say Bb6 Dm bm? BG Bhai? Bb6 Bbmai? vek Tike to my — gy. Nothing you could do, “cause 'm — DI cm F cm F cm F sicking to my guy like a stamp to a letter. Like birds of a feather, we © 1964 (Renewed 1962) JOBETE MUSIC CO. INC. [Al Rights Conlotlee and Administered by EM APRIL MUSIC INC.cm NG. Bb Bbmaj? a F 3 sick to - gether. Tm tell-in’ you from the star, Verse Bb cm Dm Bbmajt Bho Bhmnal7 Be 2, Nothing you could do could make me un - te tomy. Bhima? Bb6 Bbmaj7 bbe Bbmaj? bs Nothing you could buy could make. (My ay.Bhai? Bb6 bm ome ell a (My — ay) cm NC. cm F cm F give my guy my wort of hon a Voc: Fit 1 eee eet eee Bb bmw? a F Bb cm Dm best be be-liev-ing T e-esiv-ingBridge cm F Bb is he's the cream of the erop. mateter of o- pinion, 1 think e's cops. — My @-pin-ion Sea eee eee reece tT eee ee eee rmat-ter of fact, 3.No Verse Bigd. Voes wf Vee Bs Bbmai7 Bb Bbmaj? BG Bb6 Bhai? smys-cle bound man could from my guy. —Bbmaj7 BBG bmaj? Bb6 Dm br —— hhand-some face. couldev-er take the place of _my—— guy. ———________ F cm F cm NC. cm F cm star, but when it comesio be-ing hap = py. Bb Gm o ca Bbnaj? bbe cm Dm mun to-day whocould take = me_ away from my guy. — Interlude Bb cm DmVerse Bbiaj? Bbs Bhai? bbs Bhai? be Bhmaj? Bhs. my band from my guy. = mus-cle-bound man coukd take (Mus-cle-bound man, - baal? be Dm br Bbmaj? BS. A = ae cee and-some fice couldev-er take the place of my——_ ety ee Hand = some face.) (My any. ) My — F cm F cm NC. mov-ie star,” -butwhen it comes to be-ing hap ~ PY we are, ‘There's not a eee ee eect eerOutro or 7 Bbmaj? Bb6 Bb om take = mea way from my who could ‘Ther’s not who could take from my — (What you say?) ‘Regin Fade bs cm Dm Bb Gm a Bhmaj? who could take me a= way from my ~ ‘There's not aman 10 = day — ) (Tell me more Fade Out Bbnaj? BBG ch Dm Bb Gm a 5 ‘There's ot a man 10-day — who could take me a way from my. ‘whan’s that?)What's Going On Words and Music by Marvin Gaye, Al Cleveland and Renalelo Benson nro Moderately J =90 He eine) Ena? i = =: ee I es ee = ee morte) 7 of HE : 7 z = Ss] Verse ig, Voc: w Vx i | 2s Emi? chet L.Moth = er, moth = er, there's. too — many of you cry, =i + Emaj7 [= Brother, broth-er, broth - ef, there's far too many = — — — — = = i = Vou Fit oo | 08You. know. we've got to find. a way Fem BMadd13) Verse maj? chm = 2.Fa = ther, fa - ther, wwe. don't need to es en = Inte. (Fa) = ther, Fa we don't need towar is not the an War isnot the an = sw chm Fm fon - quer hae ‘You know. we've got to find ccon-quer hate. — You-know_ we've got to find. a2 way FAm78 B7{addl3) some. Tov = in" here, to-day, oh, to— bring some — tov-in’Pro-Chorus Fen? Fam Fmt 3) Pick-et lines. and_pick-et (is = er, pon-ish_me with — bu Pim? Fem7/8 Fem Talk to me you can se Chorus Emaj? cam Emaj? what's go-ing on, — yeah, what's go-ing on, —_ ‘what's go- ing on, — ‘what's $0- 1g 00, — (What's going on, — Interlude ‘wD Vesa tb Amo Cin? {g0-ing on. — Spoken: Right on baby. ‘what's go ~ ing on.An, — yada, da ya, ye Woo! Spoken: Right on baby: ye Yo) yh YY ya Right ow Tin, do, be,— bay, bay, do, baba, bt,‘Verse ‘Bg. Voos woe. i Ls naj Chm 3.Moth = er, moth = er ev = ‘rybod=y thinks we're — wrong. eco ae ev = ‘rybod-y thinks we're wrong, Emaj? ‘but who are they — to judge -us simply “cause. our Oh, but who are they to judge us sim- ply Yemse— 4m Fim? <—— hair is long we've got to find hair ig long? -lo bring some un = der = st here to-day, — oh, oh, =~ Bring some, sanding here to-day. — Pre-Chorus Fm a Picket lines. and picket sl don't punish me with bra Bron -er, broth = er broth = ex, mits Fn : tli = yy. Comeon talk © me, so you_ can see ih, — what's broth = er, broth - er breth-er) Chorus maj? chm? yeah, what's go ~ ing on tell 0 - ing. on, (What's go - ing on, — ‘what's go ing on, — 81Emaj7 chm TL tell you-wha’s go - ‘wha's go = ing on, — 0 ~ ing. on, ing on Outro ‘wkd, Vo, i ae Amo ‘och, ooh, 00h, ooh, ‘Spoken: Right on baby. ya. ya ya. ya vn ya, yy, Any — ye, ya ye Right on ‘Spoken: Right on baby 's g0 Ah, ya, You Y= Yas Ook, oe)a bbe, — be, bays do, Ba, do, be, bay, bay.-do, bay — ba, dada, da. dada, da. Spoten: Right on baby C'mon, —— Right on ya YB ya YO. Ym, YE YR Yo) Ya Spoken: Right on. Paile Out A, vue Do, bay do. Jul ye yklyh ye yee eee —= — = a —— or a ===Reach Out, I’ll Be There ‘Words and Music by Brian Holland, Lamont Dozier and Edward Holland Intro Moderately J = 136 Ebmi1_Ebm Ebmil_ Ebm Bb at 5 6 Ebmil Ebm Ebmil Ebm Bb 7 1 Now It you ee feel that you cant. go. on__ be-eause all_— your hope is one, — — (Cav'tgo on "cause 3, See Additional Lyrics And your life is filled with much con fu = sion, fall your hope is gone. © 1968 (Ronewed 1964) JOBETE MUSIC CO, INC. Fights Controlled ana Acminsteed by EMI BLACKWOOD MUSIC INC. on behalf of ‘STONE AGATE MUSIC (A Divsion al JOBETE MUSIC CO., INC} 84 "Al Rights Rleserved Intemationsl Copyright Secured Used by Permissionbm? ch ob Abm? cb Db hap -icness— is just an iin sion and your world — a - round is imp picness is jas an illu ~ sion.) crum-bl-ing— down. sion, = ae 64 = _ + as 4 ~ Sw Base, 2a ine abn o ——— i Dar = ting. — react on — out for me (Resch, i Bb a a Reach out for me, ————— Reach, ut, ass FTBb EbiBb Ebmll Ebm Ebmo Ebm Jove — that will shelter you. — love that will shel - ter To cata () Bb DB Emit Ebm — Ebm9 Ebm Bb Jove - that will see you through. —— 2. When you feel — ze love dat will see youEbiBb Ebmii Ebm Ebm9 Ebm ab a be there — to akways see you EbrBb Ebmt1 Ebm Ebm9 Eb DS. al Coda vn be there to love and comfort you.) 4) Coda Begin Fade Ebmll bm Ebm9 Ebm al ways de-pend on sl-ways —— de-pend on Fade Out Bb Additional Lyries When you feel lost and about to give up, "Cause your best just ain't good enough. And you feel the world has grown cold, ‘And you're drifting all on your own. ‘And you need a hand to hold. Darlin’, hello girl, reach out for me. Reach out for me. il be there to love and comfort you, ‘And I'l be there to cherish and care for you... ean the way you hang your bead, You're without love now, now you're alraid. ‘And through your tears you'll ook around, But there's no piece of inind to be found. Tknow what you're thinkin’: You're a loner, no love of your own. But darling, come on gisl, reach out for me. Reach out. Just look over your shoulder. FL be there to give you all the love you need. ‘And I'l be there, you can always depencl on me,Shot Gun Words and Music Autry DeWalt Intro Sax Solo Moderately d = 120 Bos iguntay NC. aby A Bas Fig? Find ss Fg. hss lg? % chorus sw as Fig. 2, es i i~phes 4; b; = Shot - gun, Shoot him "ore he fun, now. Do the jerk, ba - by. — Verse uss w Bs ig. 2, ees bye es Do the jerk now. Hey! 1, Pucon— yourred dress and then_ you 2 Puron your high eel shoes said we're (© 1965, 1969 (Renwwed 1993, 1997) JOBETE MUSIG CO. ING. [Av Aights Gontréd and Aaminsierad by ENI BLACKWOOD MUSIC INC. on bohal of ais STONE AGATE MUSIC (A Dhlsion ot JOBETE MUSIC CO. ING.) an pOTONE AGATE MUSIC (A Division ol JOBETE 4 Used by ParmissionAb7 godown = town, now. 1 said buyyourself a shot-gun, now, vt dpam here Tntento em play We bius, Weve gon-ne dig po - @ = Taes. To Code (9 Y sw an i 24s break it down, baby, now We're gon-na load it up, ba by now. ‘Ady then you pick to - ma ~ Wes. — 1 said Chorus rs Base i. 2,8 es Ab 2. 5, shoot him "fore he run, now. 1 said Shot = gun, ————— ss Shoot im “fore he run, n0W. Do te jerk ba by a Coda Sax Solo DS.at Ths w Ba Fi 1 13s ab 12 Do the jerk now, — Hey! @-Coda ‘Chorus a 5 ab7 owe le hy Shot - gun. Shoot him "fore he mun, now. Do the jerk, ba = by. — Do the jerk now. — Hey! 1 suid i's Outro Bas: Bas 2, ies ab7 ony = int Ome. 1 said i's ey + in One 1 said its Outre - Sax Solo Play 5 Ties ond Fade vb sa Bas Himes ey = iv’ time Hey! What did 1 say? 89.Stop! In the Name of Love Words and Music by Lamont Dozier, Brian Holland and Edward Holland Intro ‘Moderately 4 = 102 NC. Am on F a cos) in the name of love, be = fore you bresk my heart Verse ar Pa =, cach time you leave my door. — Peeevenseen her may-be once or twice. 1. Baby, ba-by,I'm a - ware. of where you go— 2, ve known of your, yout s-clud-ed nights, {© 1965 (Renewed 1989) JOBETE MUSIC CO, INC. ‘A Rights Gono end Asmnisared by EMI BLACKWOOD MUSIC INC, on Deal of Conte TA Division of JOBETE MUSIC CO. INC.)1 you walk down the know = ing your oth - er But is her sweet ex. pres - sion worth more than my Ves. Fig aa Gr c ors, Jove you meet But this time be- fore you run to fe, love — and af ~ fection? But this time — before you leave — my arms, Eg Vee: Fig 1 eee pee oe ba = by, ba - by, Ahgreee eee and url. — After ve been ber charms. - Have-n't 1 been Thinkit 0After Te been sweet Haven't [been sweet — Think ito $$ chorus wi Len Vos adh eine GB or Am bbe = fore you break my heat. inl eps 7 Len Vox dob rogers To Cota a be = fore you bresk ——my_—eae Think itVerse c ‘cma Gm aT i 3.1'veuied so bord, hard to be pa - tient hhop-ing you'll stop this. in = far =u = Bh. Voesw! Vow. Fig F a F poe ee But exch time — you met - gelh eh so 0: Coda aes ae PSS 5) break my heart,Where Did Our Love Go ‘Words and Must by Brian Holland, Lamont Dozier and Edward Hollanc Intro cig Chorus ‘Moderate Rock Shute J =102(I4=4 2) ass Bee, 2 tne ga Vos Vas, Fig. bt Tea ie oi ba = by don't ‘where did our Dini? Ooh, please don’t Ieave_ me aby my = self ‘And sil your prom-is-es of a love forever gd Voesw! Vor Fig. 12a ime c vyean- burn = ing, burn = ings sss Fit feel-int in = ‘6 1964 (ened 1992) JOBETE MUSIC CO. ING. ZRPBLAGIENOOD MUSIC ING. en behalf ‘AbRights Contraled and Administered Sa AGATE MUSIC (A Dison of JOBETE MUSIC CO INC) NE AGATE MUSIC (A Division of vt cured Used by PermissionG _— 1:You came in - 10 my so bad. Be = fore you won my nd ass Fig Verse ner Bas ig. ane Bees Bas ap at eas 2 ine c ne Se der = Wy, with @ boring love so ten But now thot | you you were a per - fect guy. —— Ba-by, baby, where did our ove go? To Caia-&) c => Fado Dut that stings. ike a bee. Now. thot sur er me you wan-na Teave me be hind. nd Vor Fig. Ba-by, ba-by, Ba-by, ba-by, ool, baby. ba ~ by.) as: Base ‘Bp, Woe! a Vor. c —— ¢ ae you now want 10 ren = der so help = fess = ly, —— G Fado Dm leave, — ooh, you wanna leave me, — Ooh, ook ba = Chorus Bas ass Fig ‘pu, Woe we Voe. Fp G where. did our love go? oh, don't you Dm? o Fada a want me? Don’t you want me mo more? oh, ba = by.Sax Solo Ben © Dm? 6 Faldo pee cole Q-Coda ‘Outro tg Voce Yo st 2m, ip. Yow oe Fi one —— c Pade Out by, don’t leave me please don't love 0? Repeat and FadeYou Can’t Hurry Love ‘Words and Music by Edward Holland, Lamont Dozier and Brian Holland Intro os Moderately J = 96 (fd = 43) Bass NC. ee ——= 2S ss ea Ss of = —— Verse Llieed ove, ove to ease my 1 eed to Dm Gm Eb find, some - one to call mine, but mama. said, “You edness Fig 1 — = (© 1965, 1955 (Renewed 1993, 1994) JOBETE MUSIC.CO., INC. [A Rights Contvoisd and Aumiisired by EM BLACKWOOD MUSIC INC, on behall of RTC inntG cA Uitdon of JOBETE MUSIC CO. INGchorus Bb Eb OBb Dm Gm She said, “Love don’t come eas can't hur-ty love, mo, You just have t0 we Woe Fig (Can't hurry love, jst have to wait, — Love don't come eas = yy, as ig 2 of giveand take. You. can't hur - ey of give and Bb Bb Dm___Gm tb FI just have to wait You got = ta trust, give it no mal-ter how Jong — it takes.” But a ~~ om~N nd Woe. Fg 1 ive and take, n'teome eas y.how man = y feast ~ sches mst T can't beat olive omy ——itife a Lone T gow im = ae = ae Gm to tet me sive ga — Right now the — » be to call my own. But when Pi tient for a tone ae eee ee Pgs eecgES Eee hang - ing on, — on - ly thing that keeps me can't go on feel that h— ; aac aaa oe » Pager Reece eee eee‘hss ws il, aie feel my strength, re-mem-ber precious words — Chorus ase w/Dass ig? ga. Voo'w Woe. Fig. Bb Eb Bb Dm Gm Eb Fr sms yor just have to wait” She said, "Love dont come eas = y»— We a game of give ant take2| Hew as: Bass Fg 2, 3 es. Bb Eb Bb D: Gm take be- fore ton = N= ness wl tong must T wait? How much more can F She said, “Trost give time, no joe ur = y Tove, ia) you just have to wat matter how Tong. takes" cause my beart, heart. 10 break?. 2.No, (Better wait) Be ‘eTVerse Bes wf Bas Fe. Bb Bb Bb » Gm Eb ba love, love: don'teome eas = but keep on wait = ing, an = hci = pat ~ ing for that sce w/ Bass Fi Bb Bb Bb Dm soft voice tuk to me at night, — for some tender arms Bas Bass i. Ls es A Bb Eb Bb we = : ‘ sews ee Bois é Dm Gm Eb FL B itain't eas = y. But ma - ma said"You can't hurry love, No, yout — my eas = yy (Can'thor ry love, Ooh, gotta Fl Love don't come eas - y.—) tb Bb Dn Gm eb bn no matter how long. it takes. You Just have to wait” She said, “Trust, give ie ee a ive and take, — Love don't come cas - Begin Fade ‘ass: Bae ig, 2.83 es. Bb Eb Bb Dm Gm car Weery be mye —at ave to wait” Shes, “Love dot ame ems = 3. — ran ect ee aera i ——— =] = , (Cort hurry foe, Ooh, — gots give amd tke. — eta ee 2 SeeYou Keep Me Hangin’ On ‘Words and Music by Edward Holland, Lamont Dozier and Brian Holland Chorus Intro ‘Moderately 4 = 126 E Dim Gin 2 eur) g LSet me Gee, why don’t — Sot me free, why don't — f sine peat j-3——s Te ea va. or one ign, ecapere erwiee lug. Voc: Vee Fi, 2 ig ems pase Fe ACH E Dim Get out of my life, why don’t___ya, ba Let me bey why don’t ya, ba real - ly you just keep “Cause you don’t — ‘you just keep — ‘Gause you don't real - ly ei ‘as FN © 1968 (Renowad 1964) JOBETE MUSIC CO, INC. AVFighls Gontroled and Aumnstara by EN BLACKWOOD HUSIC INC. on behalf of ee et SATE MUSIC [A Diision of JOBETE MUSIC CO.,.INC.)Bg Voc w Vos. i, 2h ine re in Gtm Fe aps 7 bot you keep — You don’t really need me, b Now, you don’i— teal -ly want me, you just keep — Verse AB wy do you Beep a = DY sy “aS thus. ome hang = in! on, —___— me hang = in on, as: Bass 2,2 tine E B ee a round, play = ina = with my : na ne just friends. vee broke. Up. you Still" wan-na be i Tass FI SS _—S eee 3pinnae E B ‘BIA$ and let me make a new start? Why don't ya get out — of my life, —— But how ean — we sill. DS. al Coda FE D4? an ae ‘he way you've gotten o = ver: me, Hey. — = Tienda, when seein’ you on ~ ly breaksmy heart ~ gain? ——— N.CuDES) Spoken: And there ain't noth ~ T cam do about itChorus Gam 4 FHICE woh Woh, woh, ob Why don't (Get me res, why don’t ya babe? Get out of my ‘ile.—..) Dl Vee wf Vos Fal E Dim ot Fh — ys bs by? Set me free, why dont ya, ba by? Verse PRICE E Dam AB Get out of my fife, why don't ya, ba = by? 3.You claim you still — count on me, bul your heart and soul needs to be fie,your free - dom, you wan-na still hold Lon 0 that you've pot want me for—_your- self, Jet me find some ~ bod - Why don't you be a Bk, Woes w Vor. FA FHICE E — =oa Fe FHICH you don't care you're just Da, Voss ws Vee FL E —— ~ — Dam Gem Fa out of my ie, Begin Fade Dp Voes wt Woe Fal Perce E Dim Gem =—— o = and Jet me sleep at night, —___ "Cause you don't — real -1y love — Fade Out you just keepBass Notation Legend ‘Bass musi can be notated v9 afarent ways: on & musta sal, and in abltura. sa “THe WSO STF shows ces nasa by arises ‘Manes Pin aed ster! een he aa iy sigs: {ROLATURE gpl resets a ots gen, Ee Noort ne fepresens ing ea ver ese ae, ‘eda, E108 ed igs Fo, He TgEee ea, mer: srt st fom) wi fe ig tan sae! hig ee (nS ne tig) wh eae gb et PULLOFF: lea oth tins on bras {ob soundest exe and ‘that li, gu ing o a sand gro SLE: Site est note and then ie he sama eth ng © than tesco nla Tha azo ote SHIFT SUDE: Sane a esto We sea nae tc whos en. these fone) no ‘Pon sk ——— pee = gee =i = =] = ik iE a “IL: vny iy tert tern the—THENOLO PICKING: Te noi as IORATO: The sting rtd apy SHANE Ug os nw phy aaa Turse oy cotrusy fommetg acy an eoose pose nang throb when tants neg ng nad pag a ‘rang tore tiered above eee me ee ag x =} Ee us & =| TURAL HARMON: Sie tne whe MUFFLED STRING perish aun is eo AUD RELEASE: Suto sot snd A iNice wea yeaa re beacons bee hen tens ne betta Shey treet ‘owe wb pen Bono ees Ov sas ae ron ptene ‘ yo 2 3 we 4 ———| iE oP: Sapp") stan wi and ‘exo me tog {EFEHANO TAP Harr) he it inate wt th cid” nex oF Be ter. ‘SLAP te (stp tg wt ota IGT AN TAP Harmer) nt ‘ar See th th “pane” nx oF ‘ce tr arp ot eee ‘pth fetta = pet i 9 = E Additional Musical Definitions 1 pezumusent(pty Woe) 6 31508 oink te binning of eng ny ‘mth esr Fe”) (accom) pegat nate wet itenshy Bass Fis. 1 ate ye oe ecg pat (sues) pay teat stan Fi Late sed oy tigation ich fete a nerea mah ranges A + Downstate tacet + tnetumer ste aps v + Upstate ope! measur toons 08, Code + Go batt sign (than lay at Be ‘Wren a ep ttn ts ieen ‘mess mata" Got," hen skp oe ns, pay st eng ony ets nbd” tena dhe ez ering ye sean NOTE; alate aor i garetases men: {Pine ota fo sisted ora syst oe stand ean He, 2 el tte, bt eatin ec 95 farmaroa, ul io vba begs. 5 The nts ue avd ot ae (ns In Sanat ono Isao pueNBEESAin’t No Mountain High Enough Marvin Gaye & Tammi Terrell Ain't Nothing Like the Real Thing Marvin Gaye & Tammi Terrell Ain’t Too Proud to Beg ‘The Temptations Baby Love The Supremes Dancing in the Street Martha & The Vandellas For Once in My Life Stevie Wonder Get Ready Rare Earth 1. Cant Help Myself (Sugar Pie, Honey Bunch) ‘The Four Tops I Heard It Through the Grapevine Gladys Knight & The Pips I Just Want to Celebrate Rare Earth US. $14.95 Son 0-7935-8837-5 INN 73999 90 Mh 2 HL00690253 I Second That Emotion Smokey Robinson & The Miracles It’s the Same Old Song The Four Tops My Girl The Temptations My Guy Mary Wells Reach Out, lll Be There The Four Tops Shot Gun Jr, Walker & The Allstars Stop! In the Name of Love The Supremes What's Going On Marvin Gaye Where Did Our Love Go The Supremes You Can't Hurry Love The Supremes You Keep Me Hangin’ On The Supremes = HAL®LEONARD®