FLTCChristina Aguilera - Of www.christina-a.com | Web Sit Christina Aguilera - Fan Club Address: Christina Aguilera Official Fan Club 244 Madison Avenue, #314 New York, NY 10016 Project Manager: Carol Cuellar Book Art Layout: Odalis Soto CD Artwork © 1999 BMG Entertainment Photography: Yaariv Milchan. © 2000 WARNER BROS. PUBLICATIONS Al Rights Reserved Any duplication, adaptation or arrangement of the compositions contained in this collection requires the written consent of the Publisher. No part of this book may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by Ichristina © 6” the Music... the Lyrics .. . the Album . . . the Artist | met Christina Aguilera two years ago just as she was about to celebrate her seventeenth birthday. We were brought together by chance—maybe old-fashioned luck, perhaps fate. Bob Jamieson, president of RCA Records, arranged the meeting. Christina was accompa- nied by her manager, Steven Kurtz. Christina stood two feet away from me in a small office of RCA Records on a winter's day in New York City. This was the moment she had prepared for her entire life—an audition with a major record company. Her dream was coming true. Christine's life was about to change forever. sing a cappella (with no backing music) if you don't asked her to sing. “Right here—right now?" she asked with sassy surprise. "Yes, please. Just mind, Anything you like.” Christina paused for a second. “Did you see The Preacher's Wife?” she asked. "This is a song that Whitney sung.” She closed her eyes—and took a breath. Fearlessly, she belted out the song—as if she were on stage at Camegie Hall—powering through complex vocal riffs with a strong person- al style, perfect intonation and a tremendous confidence way beyond her age. It was my onco- in-a-lfetime meeting with an artist had always dreamed of—a God-given talent rolled into an all-American girt-next-door, curious, intuitive, emotional and beautiful young star. And so, as the story goes, | called my boss Bob Jamieson and said, "We must put Christina Aguilera under contract to RCA Records right away.” There was only one small problem: What songs would Christina sing? ‘And so we began the process we call “the A&R” of the album. The “ stands for “artist,” and each song is a key to a door that opens to a musical journey. Christina wanted to sing songs around and tear up vocally. As her “A&R man. the *R" stands for “repertoire’—the songs. Christina became the “A.” The “R’” always turns out that would show the world her incredible ability—songs she could swoop down upon, leap to be the hard part because there are so many roads to choose—so many directions to go— | explained to Christina it was important to carve out a unique collection of songs that would bring the success she deserved, connect with a large worldwide audience and give her a fun musical playground as well. So we reached out to a community of songwriters, producers, engineers, musicians, song-pluggers and friends. We were flooded with material being pitched by every level of songwriter—unknown new- comers, seasoned professionals, even one of our greatest living songwriters, Diane Warren. More than 150 songs considered did not make the final cut. Christina, her manager Steve Kurtz and | would meet every day and just listen. We would disagree, argue a little, listen some more, discuss and come together on every decision. At the beginning of this journey, Christina didn't quite know where it would lead—putting together her first album for the first time. Soon we built a strong musical trust and the pieces began to fit together. Each one of the songs we chose became like a child that needed nurturing, love and attention. Each one has a unique little back-story, which | would like to share with you. “Genie in a Bottle” (written by Steve Kipner, David Frank and Pam Sheyne) I received the demo produced by David and Steve. David was in the band The System and had written “Don't Disturo This Groove.” Steve wrote the classic Olivia Newton-John song “Let's Get Physical” and Chicago's “Hard Habit to Break.” It took only one listen to “Genie” to know this could be the song to launch Christina into orbit. Christina has been asked a lot about the meaning of "you gotta rub me the right way.” “It's a play on words. Rub me the right way is symbolic of treat me the right way,” says Christina. "Genie in a Bottle” was originally called “if You Want to Be With Me.” It became a number one hit in 20 countries and was a pl Hardest Thing” by 98 Degrees 1um single in America. Note: Kipner and Frank also scored with the top five smash “Theat a Girl Wants” (written by Guy Roche and Shelly Peiken) istina really liked the jazzy, unique structure of the song. It also had that killer hook—‘what Girl wants, what a girl needs.” Christina is a huge blues fan, and she loved singing the R&B- led riffs and background parts. The writers-producers both got hot with Brandy's “Almost Doesn't Count” and Meredith Brooks’ “Bitch.” The song was originally called “What a Girl Needs,” but we thought “What a Girl Wants” was catchier. “| Turn to You” (written by Diane Warren) Diane is one of the greatest writers in pop music history. She has a legacy of hits with Whitney Houston, Toni Braxton, Celine Dion, LeAnn Rimes, Arrowsmith and just about every super- star there is. Diane was one of the first to recognize Christina’s great talent. She personally chose this awesome ballad for Christina. It is one of Christina’s favorite songs, and it show- cases her emotional depth and vocal range better than any song on the album. The lyrics speak to the spiritual connection between souls—friends or lovers—in time of need, being there for each other. “So Emotional” (written by Franne Golde and Tom Snow) This was submitted as a simple demo produced by newcomer Ron Harris. We liked the demo so much, we converted it into Christina's key and put her voice on the track. The song takes Christina to more of an R&B place. Franne wrote the beautiful Selena ballad “Dreaming,” and ‘Tom is a veteran who wrote “He's So Shy” and “Don't Know Much.” “Come On Over” (written by Paul Rein and Johan Aberg) They say Sweden is the capital of pop, and here's more evidence! This song was sent over from Sweden. We liked the energy of the song and that killer hook, “come on over, come on over, baby!" Christina put her soulful twist on the vocals with producer Aaron Zigman. Here’s another one that had a different title: “All | Want Is You.” We just kept coming back to “Come ‘On Over,” so we changed it! “Reflection” (written by Matthew Wilder and David Zippel) Recording this song was the turning point in Christina’s career. Right after her audition in New York, | received a call from an old friend, Chris Montan, the head of music for Disney ‘Studios. He was working on their new animated feature, Mulan, and was looking for a voice that could record the challenging end-title song, “Reflection.” He sent over the demo tape, and | knew immediately it could be a great song for Christina. | called Christina at her home in Wexford, outside of Pittsburgh, PA. “Can you sing the high E above middle C?” | asked. *Can you record it on any old tape recorder and Fed-Ex it to me?” Christina came through with a bathroom rendition of “Run to You,” complete with an impressive high E. Soon she was on the next plane to Los Angeles and got the job on the spot! “Reflection” became a well-known radio hit and was nominated for a Golden Globe. The lyrics deal with the impor tance of inner beauty. The strong message of self-reliance really connected Christina to her fans. The Mulan album went double-platinum, and “Reflection” is one of Christina's most beloved songs in concert. “Love for All Seasons” (written by Carl Sturken and Evan Rogers) Christina loved the cool and breezy style of the song and became fast friends with Evan and Carl. They got hot and scored a smash with “God Must Have Spent a Littie More Time on ‘You’ with 'N Syne right before we recorded this song up in Bronxville, New York. “Somebody's Somebody” (written by Diane Warren) Another great song, specially written for Christina by Diane Warren. Christina added soul- ful background parts on the intro and outro, giving it her own special flavor. The words express a universal desire, to be “Somebody's Somebody,” the importance of feeling need- ed and loved.3 a “When You Put Your Hands on Me” (written by Robin Thicke and James Gass) ‘One of Christina's favorites. Robin is a great R&B singer in his own right, and the two of them connected right away. Written specially for Christina, the song celebrates the physical side of attraction and the feelings of “losing contro!" from powerful love. Robin got hot with the smash hit “Give It to You,” which he wrote for Jordan Knight. “Blessed” (written by Trevon Potts) Blossed was a song that came on a tape with more than 20 others! Just as we were about to give up, we decided, “okay, one more song,” And lo and behold, “Blessed”! It was just the right ‘simple, pretty song we needed to balance out the album. Trevon got hot with his number one hit “Angel of Mine” for Monica. ‘Another catchy, up-tempo fun song with a positive message for all young people. “Ob “Love Will Find a Way” (written by Carl Sturken and Evan Rogers) us” (written by Heather Holley) “Obvious” was one of the songs on Christina's original demo before she signed with RCA. It's her favorite song on the album, and the most strikingly personal. I's a love story about the fear of rejection and the power of attraction. One of the most inspired melodies of the alburn, "| don’t know what I'm doing anymore .... 'm feeling like a litle gir,” Christina belts this out with a total connection to her inner soul. Heather and her boyfriend, producer Rob Hoffman, are two of Christina's best friends and were there at the beginning. When the three of them got together, the results were pure magic. Christina Aguilera has already stacked up quite a list of accomplishments all in 1999: her number one album; a number one single in 20 countries; millions of record sales around the world; performances on ‘The Tonight Show" with Jay Leno, “The Late Show” with David Letterman, “Donnie & Marie,” “Showtime at the Apollo,” “Soul Train’ and “Good Morning ‘America’; hosting MTV's “Total Request Live"; performing for President Bill Clinton; appear- ing on the cover of Teen People, Teen Celebrity, Latina, Cosmo Girl and Arena; and written ‘about in The New York Times, the Los Angeles Times, The Wall Street Journal, People mag- azine, YM and Time magazine. She is an artist with staying power—one of the world's freshest and most gifted vocalists, a stylistic trendsetter, video superstar, great entertainer and all-round sweet-normalfun teenager. 'm proud to have been a part of bringing Christina Aguilera to a worldwide audi- ‘ence that can enjoy her musical gifts, her extraordinary talent and her irrepressible spirit for years to come. Ron Fair Hollywood, California ‘Senior Vice President, Artists & Repertoire/Executive Producer—RCA Records November 9, 1999Genie In A Bottle 9 CTEM LSI TU ON Tg So Emotional 28 Reso Coca) a RSL ACA me ya CAEL a Blessed 76 Love Will Find A Way 64 Obvious 70- e 7 A Girl Wants [Turn To You So Emotional Come On Over (All | Want Is You) Reflection Love For All Seasons — Somebody's Somebody ; ‘When You Put Your Hands On Ne Blessed Love Will Find A Way ObviousGENIE IN A BOTTLE Words and Music by PAMELA SHEYNE, DAVID FRANK Moderately slow J= 84 ‘and STEVE KIPNER Fm Bb c a LT feellike —T've__ been locked_ up tight for a cen - mu-sic’s play-ing and the light’s down low. Just one more_ S iS Z tu - ry of _ lone - ly nights, for some - 1 re - lease dance and then we're good. (0 go ing for some - who needs [anne pe Ganis ina Batle 5-1 (© 1989 APPLETREE SONGS LTD (PRS) and EMI APRIL MUSIC INCJ a ‘STEPH EN A KIPNER IRSICICRIPE GRIFF MUSIC AlRights or APPLETREE SONGS LTD. Admitere nha U.S, and Canada by WAFINER-TANERLANE PUBLISHING CORP (OM) “Al ighis Resonvod.W ae Eb You're lick-in’ your lips_. and blowing kiss-es my way, but that Hor - mones rac - ing at the speed of light, but that ba - by, ba - by ba - by. — don't mean. I'm gon-na give it a- by don't mean. it's got to be to-night ba = by, ba - by, ba D NC. $ Em Db my bod-y' say-ing,*Lets go!” but my heart is say-ing,"No.” Genie na Botie-5-2 Peso?Chorus: i If you want to be with me, bay, there's a price to pay, Tm a genie in a bot- tle, you got-ta rub me the right’ «= way. =I, you. want’ tobe with "You gotta make a big. im pres - me, T can make your wish come true f silleiamesterec pals a-taneion To Coda mL I got-ta like what you do. free, and, ba-by, I'll be with — you. Tm a ge-nie in a bot - tle, ba - by, Genin a Bote -5-3 Peo?2 rub__ me the right. way, hon = ey ba - by, Tm a ge-nie in a bot - tle, you got-ta + come, come on and let_me out come, 2. The come, comeon and let _me out a7 Tm a ge-nie in a bottle, ba - by, you got-ta rub_ me the right. way, hon - ey Fm : (De Ln DS.%al Coda Pas ba - by, come, come on and let me out. I'm a ge-nie in a bot - tle, oe erie ina Botle-5-4 PreuerB Coda i want to be with me, If you ba-by, there's a price to pay. Pm a ina bot- you got-ta rub me the right way, If you want to be with me, can make your wish come Just come and set me_—free, “OW Tm a ge-nic in a bottle, ba - by, come, come, come on and let_me out4 WHAT A GIRL WANTS Words and Music by GUY ROCHE and SHELLY PEIKEN Slow, funky groove J = 72 Chorus: Ne. a girl wants, what a girl needs, what-ev-er makes. me hap - py Sem your arms_ 7 - — you free. What a girl wants, what a girl needs, whatev-er keeps me in— Ftm7 Ag Dmaj9 Winat a Git Wante-8-1 Prose (© 1998 MALINITILA (EM), SUSHITOO MUSIC (BK) and H2ODEN PUN MUSIC INC. (8M) /AIFighs for MAUNITI LA oui he US. end Canada Aaminserod by WARNER. TAMERLANE PUBLISHING CORP, ‘Al Righis Reservedwhat a girl needs, what-ev - er makes 3 = ing you know-ing ex - act Repeat ad lib. and fade Verse 2; A weaker man might have walked away, but you had faith, ‘Strong enough to move over and give me space While I got it together, While I figured it out. ‘They say if you love something, let it go; Ifit comes back, it’s yours. That's how you know it's for keeps, yeah, it's for sure, ‘And you're ready and willin’ to give me more than. (To Chorus:) Vinata GiiWan-8-8 ProoerVerse: Fim7 time <__¥ thank you breathe for giv ing to 2, See additional lyrics Like a ae - 3 pa- tient - ly simile noe is while I fig-ured it out. 1 on-ly looked, but I nev-er Bm — "cause in my hear was a pic - ture of hold - in’ What a Git Wante-8.2 prwar 15 9 rock you wait 3 touched_16 DIE luck = y for me = der-stand. What a gitl Chorus: A - wants, what a girl needs, what-ey = er makes_ me 5 = know-ing &x thank = ing you wo it ~ What a girl wants, what a girl needs, what - ev = er mata Git Wanss-2-3 Precara7 Dmai7 thank - ing you be - ing there for i Fim? A Dmajo qr Bridge: Dmaj9 a3 Fim? nat a Gt Wants-@- 4 Prsear18 bar EEE there when the g0- Fim7 Ag D7 night he'll be giving his to just one Fim? Cin Some-bod-y cool. but real ten - der Dmaj7 Bm? Some-bod - y, ba can keep me Wat a Git Warts 8-5 Prova19 hhang-in’ a - round with the “ What a girl A ALB wants, what a girl needs, what - ev - er makes__ (Lead vocal ad lb.) What a girl wants, what girl needs, Als Dm? @ what-ev - er keeps_ me your arms. What a girl What a Gin Wanis-6 6 Pragerwhat a girl what-ev er makes_ me — you free and rm thank - ing you giv - ing What a girl wants, what a gitl needs, what - ev - er Dmaj7 g arms and I'm thank - ing you be - ing there, What a girl Wnst a Gr wants-8-7 Prager2 I TURN TO YOU Words and Music by DIANE WARREN Slowly J= 76 Bomg Bing 1. When I'm lost_ Verse: AUC in in your the will " 1 just GiB Ebniiab Ab EbniAb ru find fo light my way. When Pm scared, and 1 the sky a - gain 1 can do. Lum toYou- 6-1 (© 1996 REALSONGSIWB MUSIC CORP.(ASCAP) “AU Rights Resendthe strength be strong. for. =the will + ty = thing you do,___ ev ty thing that’s true, = thing you do, ee reece ee ‘ry thing that's true tum to youFomaja go: world is ing cra - zy, love is a - maz - ing, you can ‘coz_your, mn F745) ‘And when ‘And when You're al ~ ways there giv - ing me faith, giv-ing me all, tak-ing_me unio vou-6-2 prez? through auc tum it love in - spi res & Bbm? ush-ing me 10 al ways on, EbmiAb you've got the night 23 when my your eee round, me, the my top. side,24 Chorus: Bong DIF from the keep_ me safe Ebm7 For the strength 1 De Eom Dwr Chgj9 be strong, forthe will__ Ebni? AB EbuitAb ev - "ty - thing. that’s true, TurnteYou- 6-3 preeerny thing you do, to you shel - ter through all the um:o ou-6- prog?26 AbTous Abmi/Db Db AbniiDb Db Chmajo truth that will nev-er change, for some - one to _—_—ean on, for a heat [ can re - GhBb Ebm7iAb ly om through an- y - thing___ for that one tum 10 you. For a shield_ Chorus: Eb Em? m7 from the storm, for a friend, for a love to keep_ me safe and warm, Tum toYou-6-5 rage?28 SO EMOTIONAL Words and Music by FRANNE GOLDE and TOM SNOW Moderately J= 92 Db FCT NC. tw fi fi my a x Tru make me feel so ¢-mo - tion-al__ BbTsus BLT Ehmaj7 Chmaj7 F369) Gbmaj7 Fina g Lis ei-ther so e-mo = tion-al) ‘So Enotonal-6-1 (© 1999 FRANNE GEE MUSIC and TOM SNOW MUSC (2) [A Rights for FRANNE GEE MUSIC Adrinistved by WARNER TAMEFLANE PUBLISHING CORP (BM "AU Rights ResonedChorus: oa You make me feel so e-mo - tional 1 cant’ let go, Tm Bono Bbmiab tion- al I'm sink Bimo F749) Repeat ad lib. and fade = = cean full Tm so e-mo-tion - al. Verse 2: ‘You take me high and low, you know. ['mnever sure which way you're gonna go, ‘You're such a mystery to me. But, baby, hot or cold, you gota hold ‘Of my imagination. [think you know what I mean. (To Chorus:) Se Emotonal-6-6 Preeor2 Verse: 9 Ghmaj7 Fm/Ab Bho Dlack — or white, that’s right, we're mak-in’ love or we're in a fight 2. See additional iyries Ghmaj? Fmia ee Some-times you make me so blu Gimaj7 Emi Bim? good,-—'_-knewiit would, You do the things that make me SoEmotona-6-2 ProsarChorus: Gbmaj7 Bbm/ab Gbmaj7 Bbm/ab * tion-al—T'm Ghai? Bhrvas Bhino Gbmaj7 + ing fast to ano - cean full Ghai? Fv Bh dae = Tm so e-mo-tion - al. 2.You take me So Emotional -8-3 Preee?31 Tm soe > mo- tion - al Rain is fall == ing down Bu Ebni? GHIAS sud = den = ly Bini ; Abc Some - times north BAT Ebm? Gb F7 of love, but I'm So Emotional -6 4 Peewee32 <= You make. me — feel Emiab Ghai? Gbmaj7 Fm/ab Tm sink - ing fast. in - to Ghmaj7 Fm/ab You make me feel Bind ee an 0 - cean full of Bom Se ee you: SoEmotonal-6-5 PrecerCOME ON OVER (All | Want Is You) Words and Music by Moderately fast J= 120 PAUL REIN and JOHAN ABERG Eb EWG Bb Bb EWG : BP ENG Come ono - ver, come ono Come on 0 - ver, come on over, ba = by ome on Over 6-1 ed (© 1099 AIR CHAVSALIS SCANDINAVIA ABIECLECTIC MUSICIVADHOUSE FORLAG ABVBMG PUBLISHING SCANDINAVIA “Ar ght br A GHEWSALIS SCANOINAVIA nthe US. and Canada Administered by CHPYSALIS MUSIC (ASCAP) ‘Al Righis Resaned35 1.Hey, boy, don't you know, 2. See additional iyries I got some-thing go - ing om yes, don <_ All my friends are gon - na_come, na par-ty all night long— you know, I just want us to go. The fun we'll have, you'll ney-er be a - lone.36 Eb EWG " ED EWG So, boy, won't you come, we will par-ty ‘til Chorus: Us-ten to me. (All I want is you) Come o- ver here, ba BS (AIL I want is % you) You make me go era - Now, ba-by, don’t be shy, ) (AUT want is you Abmaj7 EVA AbIBS = you better cross the line Tm gon-na love you right. Al want_ is you. ‘come on Over- 6-9 prewar7 Come on 0 - ver, come on over, ba EWG Come ono ver, Come.on Over-6-4 Bepoar Come on Come on ENG Come on 0 - ver, EWG Come on 0 - ver, come on 0- ver, ba38 Eb Come on 0 - ver, cm? Abmaj7 FUIA bin Now, ba - by, don't be shy, you bet - ter cross the line—— ¥ 2 Ab/Bb Jove you right. you.) (Lead vocal ad lib) came on Over 6-5 rece?39. cmiG Abmaj7 FWA i 7 Now, ba - by, don’t be shy, you better cross the line. (All T want is you.) T. ia. ADB Ab/Bb T'm gon -na love you right ‘cause all (All 1 want is is you Verse 2: want you to know, ‘You could be the one for me, yes, you could. ‘You've got all I'm looking for, you've got personality (Tino, know, (you know.) you know, {Tm gonna give you more e things you do, Tye never felt this way before. So, boy, won't you come, ‘Won't you come and open my door? Listen to me. (To Chorus:) ‘coms on Over- 6-8 PeaserFrom the Walt Disney Motion Picture “MULAN” REFLECTION Music by MATTHEW WILDER Moderately slow J = 96 Lyrics by DAVID ZIPPEL E Dp Cops Be i > Pall L.Look at me, ‘may think you but you'll nev - er know tection - 5. rsez7 (© 1996 WALT DISNEY MUSIC CO. ~ASCAP) ‘al ignts Reserved Used by BermasionVerse continues: ‘Ab(9) Emil Now 1 see if 1 wear a mask (2) But some - how will show the world 4 Ab SChorus: star + ing straight star = ing straight con what we think, Prvear 41 what's in 2 cs fool the world, but 1 can-not fool my—— heart. side my heart and_be loved for who T-—— —amWhen will - flee = tion Why is * flee - tion Must there se: eret Drill Gat world where Ihave to hide = my heart and what I _be-lieve in.43 Ab m7 Eyp pre - tend that pre - tend that Dim 6 EMG Em? AWE 7 : a ah fet ee ime | ea Bre To Coda alltime? When will my alltime. When will = my Dino De m7 there’s a heart that must BbmivEb Fm? Retecton 8-4 Proaacm? is D.S%al Coda to know the When will my ree atempo pie D Ab 2 De, flee - tion show Retiacion 5-5 Preeer45 LOVE FOR ALL SEASONS Words and Music by Moderately slow J = 72 CARL STURKEN and EVAN ROGERS En? ENG Abmaj7 Ab/BD a al ings Hi Em? EWG Abmaj7 C. yeah, yeah, oh yeah, yeah, yeah, Fm? EWG Abmaj7 AbIBS Em7 ENG Abmaj7 Be Lave or Al Seasons 7-1 praw27 11909 Songs of Unive Ine. and Bayun Geat Musi (MI) [A ights Gonoieg an haristerad by Gengsof Una ne. ‘AI Fights Resend46 Verse: BG Abmaj7 Ab/Bh ae L. Hey there, boy, 2, See additional tries hhap-pen to know, wher-ev-er you go, did ya Em? a sum - mer day, — low? Ooh, babe, you're like a cool breeze AbiBS Abmaj7 Em? EWG SS — T don't know what to do, feel like a When_ you're EWG ‘Abmaj7 Be Em? =, school-girl, true blue__ girl, who wants to know can you come out and play? Love or Al Soasona7-2 Peaeer TIL fol. fool,47 Em? EG Bb6 You is stp-posed to feel So let me show my love's for real___________ Tl be the Chorus: Pee Perea Fm? EWG Abmaj7 AbiBb rain in your sum-mer, the chill in your fall Tl be what-cha want, an - y-thing at all Tve got a Lov or Al Soasora 7-9 PrvezT48 Fm? EWG Abmaj7 AUB fire in your win-ter, the sun in your spring ‘Tl do what you want, give you ev-‘ry-thing, I've got a ra Fm? EWG Be ove for all Em7 love for all love for alltime, Bridge: cm? You don't have to search. no more, ba-by, you don’t have_ to dream Love orl Seasons - 7-4 PraeerAm705) AbIB what I've got in - side for you, it’s all that you'll ev - er Em? EWG Ab/B Em? EWG Abmaj7 BEC Oh yeah, yeah, oh yeah, yeah, yeah. My heart is yours for real for sure. You don't have_ to scarch__ no Lave tr Al Seasons 7-5 Pree?50 Fmt EWG Abmaj7 You don't have. to won - der why. I'l nev - cr leave Em? EWG Abmaj7 BG = — You don't have to search no. more. My heart___ is. yours for real, for sure Em? EWG Abmaj7 Bb6 You don't have_ to won - der why ll nev - er leave, Til nev-er lic. Tu be the Emi? ENG Abmaj7 BG cm rain in your sum-mer, the chill in your fall Tll_ be what-cha want, an - y-thing at all Te got Lov for Al Seasons-7-8 ProezrEm? love for Em? fire in your win-ter, the sun in your spring Tl do. what you want, give you ev-"ry-thing, Fm? ove for Al Seasons -7-7 roeer EWG Abmaj7 all sea = love for all 2 ‘Abmaj7 EWG Abmyj? BIG Tove for all time__ Verse 2: Til be there for you, Keepin’ you warm through the storm. Tl guide you, stand by you until the stars fall rom the sky. When you call me, never hesitate, Malkin’ you wait for my love, never le, love. Ws something that I just ean't deny. Tread your each and every feelin’ when you need me to. So now I gotta let you know, this love's ory (To Choris:) 51 * TH be the Tve got a Repeat ad lib. and fade eee Til be the52 SOMEBODY’S SOMEBODY "simetiaey Moderately J= 100 Fimaj7 Je Fina? 1, Watch lov = ers walk all of my Samabody/e Somebody 7-1 Pepeer (© 1999 REALSONGS (ASCAP) "AY Fligtts Reserved33 Dab 5 2 in hand, they pass ing all’ my time Bbm7 Wish 1 was one of them, Where is that some -one who up be = side look - ing in for that” dow with the love C7. Fm? to my eyes that will change ‘Somabody's Somebody -7-2 roger34 Fomaj7 q AWES a a as want a love. to call my own. want two arms to hold me close. want some - one. that 1 ‘can hold, r want “the thing. T need the most BID y Bbmi/Eb how it feels. how it feels Somabody's Somebody -7-3 Peo?Chorus: a Dbib Bbm7 Some sweet______lov-er's lov - er, Ghmaj7 Bbm/Es atta wanna be Some-one faith - ful to some-one faith - WAS G3 G some-one kind to some-one kind to me. Somebody's Somebody -7-4 Prosar56 AMES Bbm/Eb than I've been loved be-fore, with love57 Egim? Em? Fisus = is some-one to hold me tight» What I_ mean is. I want Chorus: ea am peer mir Bb wan-na be Some-one faith - some-one faith Tt ‘Somebody's Somebody -7-6 Brower58 ful, some-one kind to some-one kind to me. Some - bod BWE CmilF ES ByD Cui Eb BYD ‘ CmivF Somaboays Somebody 7-7 prose?WHEN YOU PUT YOUR HANDS ON ME Words and Music by Moderately J= 108 POvANES CASS e . Am Emaj7 hands \nen You PutYour Hands on Me 5-1 Prsaer (© 1098 ILIKE EM THICKE MUSIGIDA GASS COMPANY MUSIC (ASCAP) "AI Rigs Reserved Used by Permsion0 Verse: AmiG Bic 2 1.1 don't know “bout the trav-el of time and T've never seen most of the world, 2. See additional Iyries 7 Am/G ‘A I don't know, div - ing out of the sky, BIC A Reetieg eet like the dia-monds of — peal Ste, I have-n't danced. to a 3 ahd I have-nt no - tticed the flow - ers in bloom nen You Pu Your Hands on Ma 8-2 BrowerDm T have-n't — your touched. Am/G smiled_ when a - lone in my room_ ver - Chorus: ees ef T just know, BLIC Ey hhands on me, I feel read lose_ my___ self Wen You Pu Your Hanson a= -8 Prooer 1 just know, when you put__ your hands on me, 61 1 feet sex- when you put_ = con - trol62 Am/G Fimaj7 When you put your hands on | SEBET ESPEN EEETTEERTESENIEREGY 10-0772 —- 1 won't no - tice or pay. you no mind. a Fim cat Boy, I could-n't care less what you do__ ‘Your fin - ger - tips— just move me like one of a kind Wren You Pu Your Herds on Me- 5-4 ProezrChorus: sy Am g Fmaj7 T just know, when you put__ your hands on me, I feel sex I just know, when you put BC EZ, Repeat ad lib. and fade hands on me, I feel Verse 2: Tdon't know ifa doll can unwind Or how to make a person go. I.don’t know how to be what you like ‘And simply open up the depths of my soul. So I keep my wings and my eyes on the down, Ready for nothing, but holding my ground. Thaven’t used a particular noun very much, Then we touched, (To Chorus:) When You PutYour Hands on Me 5 Prosar6 BLESSED Words and Music by Moderately slow J = 92 TRAVON POTTS and BROCK WALSH op c Em? LF mp (with pedal) Dy F opp ¢ ee (©1999 Tavon Music, Motown Tunes and Brock Walsh [A Right for avon Musi and Moi unos Adminis by Universal -Poh@ram iniernattonal Publeing Ine. (ASCAP) ‘AI ights RosorvedVerse: GB ¢ 1 think are times ways walk - ing you think op feel like that my Blessed -5 2 Proce? hopes. n Em? how fife used tobe, that test your faith Em? F shad you've giv ‘a= shamed Poet Em7 LF my ingB Am? BE T must say. You walked by. = + ize youre by my LEE eee 1 know Pm tu - Wy. re + al look = ing — like "an an - swered You know Tm tru = Wy. & \G ing you give . sit M3 ten-der-ness you Do my best with ev- "ry breath that's i me, Blossed-5-3 Peweeise 12, GB c Em? GB te to make sure. you nev-er gO— to make sure Chorus: Em? F c Em7 F N 3 with love and un - der - stand - ing, op Em? oF GB ¢ ith E hear you call my name, Em? op ¢ F faith that's nev-er - you feel the same—Em? Amt FB FIG Deep in - side me with your gen - tle Chorus: know I'm tru - ly. ‘ry- thing you give— ~~ F ten -der-ness you show. for all the Do my best with \S oe wy ev-'ry breath that’s in me to say you'll nev - er go. Nev nev - er, nev - er go. Blessod-5-5 Proce?LOVE WILL FIND A WAY ‘Words and Music by Moderately J= 104 CARL STURKEN and EVAN ROGERS F Gat Gmc BY Dm? Shoo-doo-doop, doo-doo-doop, doot, doo. Gm? Gmc Stioo-doo-doop, doo-doo-doop, doo, Dm? Gm L.No one ev - er sald that love was gon-na be eas - y. Got-ta take the ups and downs, the 2 See additional lyrics ove Wal Find aWay 6-1 Peo? © 1900 Songs of Unorsl, ne. and Bayun Beat Music (BM) ‘AIRights Gontoled ang Aannsired by Songs of Universal, ne. "Aigo ReoonesGmc If you take this jour - ney, got - ta Gm Gmc Nev-er let no-bod - y ev-er E/A 7 = words that 1 Sa%— (you better si Gmt E/A Bb Put your trust in me. Love Wl Find Way - 6-2 Probar 7 step on our dreams? (You bet-ter stop Don't_ ya throw this good thing a - way, Bic and Till make you see, give your-self com-plete ly. to theseChorus: a Gm? S Long as we_ can stand_ to-geth-er, = No, the rain_won't last for-ev-er, find a way. {0 make it bet-ter, Gmc S23 S S love wil find way Gon-na make a new to-morrow, say good-bye 10 tears and sor-row S Better lis - ten when_ I say, love will find ‘Shoo-doo-doop, doo-doo-doop, Dm? Gm Gmc 7 do0, doot, doo, doo, doot, doo, Shoo-doo-doop, doo-doo-doop, 00, doot, doo, doo, doot, doo. Love Wi Find aay 6-9 Pema?2. Bridge: o7 Gmc doo, doot, doo, doo, doot, doo. I want you, I need you, you know that I _ be-lieve if it’s real, just show it 1 want you, 1 need you, you Dm? Gm BIC ” know that I be-lieve you. We got it, you know it, soi its real, just show it, ba = by (You bet - ter Gm EIA Gm a? $ Listen to these words that Tsay. ya throw this (You bet-ter stop) ‘ve vl Find Way-6-4 Pesce?68 Dm? Gm FIA BuIC ‘good thing a = way Put your trust_ in me and_-T'l make you see, = GS == No, the rain_.won't last for-ev-er, find a way_. to make it bet-ter. Long as we_ can stand to-geth-er, Gmc F Dm? = — < S Jove— will find_ 2 way. Gon-na make_ a new to-morrow, say good-bye to tears and sor-row. Gmiic Bet-ter lis - ove Wat Fed aWay -8-5 rose?0 Gmc Dt aE Jove will find y want you, I need you, you know that I be-lieve BWC so if it's real, just show it T want you, I need you, you Dm7 Gm BHC Repeat ad lib. and fade . F . know that I be-lieve you. We got it, you know So if it's real, just show it, ba - by Verse2: Somebody tried to tell me love won't last forever, Said it only happens in your wildest dreams. ‘After all is said and done we're still here together. Never listened to the lies and jealousy. (You better stop.) Don't you let ‘em turn you around (You better stop.) Hang on to this love that we've found. Nothing that they say can stand in our way. (To Chorus:) Love Wal Find Wy 6-8 Praca?nt) OBVIOUS Words and Music by HEATHER HOLLEY Slowly, with emotion Eom? DvP oo Bsa? Dar (with pedal) Verse 1: Go Ghm7 DwE <= 1.Can you hear it in my voice? Gbm7 DNF Gom7 Ts Was it some-thing 1_____ Does the whole world Obieus 6-1 Proser © 1999 POP FUTURE MUSIC (ASCAP) A Rights Adranistced by WINDSINEPT ISIC (ASCAP) “Al Fighis Reserved7m Ebm? DE gi Get Gb Tm the one wio's_ in con - tol, now I'm act-ing like a 3 DWF Gimt DWF Do my feel + ings show? Is my face Eom? DWE GiChorus: Gb? Gh don't know what I'm do-ing _an-y-more. Tm feel - ing like. DWF Ghm7 caught up in © - mo- tions; 3 DwF Ebn? Die Git Guat ‘molto rit Verse 2: Ghm7 atempo Onious-6- 3 Preez?B Ghm7 DWF sar araanaraen es Won - der why I can't look yOu in the — eyes?. . Ghm7 3 Don't know Ebm? DHF Chorus: Gm7 DyE Ghm7 don't know — what__I'm do-ing _an-y-more. mf Qovous -6- Prva?ut DWF Ghm7 SFT e litle git oh yeah, caught up in e-mo-tions; I'm out of con-trol 3 DWE cho) Eb? = DWF GH(9) 7 ch eo 3 | Ob, sud-den-Iy_— these c-mo-tions are in con-tol of my heart. Can you sce it | | =] smile must eyes? Evry glancy_ evry give me a-way "cause T > Obvious 8-5: Prsse?15 Chorus: DWF Ghra> GhmT feel so much, I can't don't know what I'm DWF Gm = do - ing an - y-more, 'm feel - ing 2 Git DWE + mo- tions; out of con- trol, 3 giz Ghia’