Vrindavana. His family members tried to bring him back but were unsuccessful.

Sri Chakravarti Thakura took up residence with Mukunda Dasa, who lived in Krishn
adasa Kaviraja Gosvami's bhajana kutir at Radha-kunda. There he very intently st
udied the books and letters of the Gosvamis and composed many commentaries on th
eir writings.
He used to worship a Deity named Golokananda. His another name was Harivallabha
Dasa.
He composed the following books on Gaudiya Vaishnava Theology:[1]
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sed rhymes extensively, most notably in their long, rhyming qasidas. Some classi
cal poetry forms, such as Venpa of the Tamil language, had rigid grammars (to th
e point that they could be expressed as a context-free grammar), which ensured a
rhythm. Alliteration played a key role in structuring early Germanic and Englis
h forms of poetry, alliterative verse. The alliterative patterns of early German
ic poetry and the rhyme schemes of Modern European poetry include meter as a key
part of their structure, which determines when the listener expects instances o
f rhyme or alliteration to occur. Alliteration and rhyme, when used in poetic st
ructures, help emphasise and define a rhythmic pattern. By contrast, the chief d
evice of Biblical poetry in ancient Hebrew was parallelism, a rhetorical structu
re in which successive lines reflected each other in grammatical structure, soun
d structure, notional content, or all three; which lent itself to antiphonal or
call-and-response performance.