Watch this video clip and see if you learn something new about how long "comics" have been around. Comics are created with lots of smaller scenes. Also called panels. If you are working in a group, how will you share these roles?
Watch this video clip and see if you learn something new about how long "comics" have been around. Comics are created with lots of smaller scenes. Also called panels. If you are working in a group, how will you share these roles?
Watch this video clip and see if you learn something new about how long "comics" have been around. Comics are created with lots of smaller scenes. Also called panels. If you are working in a group, how will you share these roles?
Warm-Up: Complete the pre-test for the comic unit.
When you are finished, turn your paper in on the podium. After the pre-test, look at one or more of the comic books on the table (you may need to share with someone sitting next to you). Ìn your journal: write three things that you notice or find interesting in each book that you look at. Ìf you have time, look at more than one book. Introduction to Comics and Comic Art What are some things that you know about comics? Where have you seen them? Share your warm-up answers with others at your table. We will then share our answers together as a group. Then. Watch this video clip and see if you learn something new about how long "comics¨ have been around! [7:45 - 10:15] History of Comics As you can see from Scott McCloud's TED talk, comics have been around for a time. Some examples: - Stone relief friezes - Bayeux Tapestry - Egyptian hieroglyphics - Comics today (Marvel, DC Comics) - Manga (Japanese comics) Introduction to Comics and Comic Art Comics are. 80@00ßll8l 8fl What does this mean? - It means that comics are created with lots of smaller scenes. also called panels. Anatomy of a Comic Page Panel Gutter Speech Balloon Caption C ra s h ! Sound Effect What themes can comics have? » Powerful memories or autobiography » Historical or current events or controversies What is in the news? » Fantasy stories » Alternate universes » Re-using the story of an existing book » Humorous » Dark, serious » Romantic Jobs in Comic Creation » Cartoonist: develops characters » Penciller: draws initial pencil sketches and designs of comic pages » Inker: goes over pencil drawings of comic with fine inking pens to create crisp lines » Colorist: adds color and shading to inked lineart » Writer: writes the story or narrative of the comic **Think about: If you are working in a group, how will you share these roles? March 3rd, 2015 Warm-Up: From memory, draw a comic character that you remember the best. (Try to remember all of the little details about them!) Then. write a reason why you think that character sticks out in your mind. What is interesting about them? Are they part of a book or series? Television? Manga? Comic strip? Something else?) Sample Character Sketch Show multiple angles · Front · Back · Side Name? Physical features? Clothing? Ìnteresting marks/tattoos/etc.? Personality? Sample Landscape Sketch Show details of the landscape · Are there bushes or trees? · Ìs it rural or in a city? Show a large amount of space - pretend you are actually in the landscape. Tasks for Today » Work on developing your storyline - make thumbnails first, then start thinking about your layout. » Work on your character sketches · You should have one for every major character! · 1 page per character, with written details » Sketch out your setting(s) - what will you show in your "big picture¨ environmental shots? · Draw out every setting from at least one perspective March 4th, 2015 Warm-Up: Write down some ideas that you have decided so far for your comic: - What is the plot? - Who are the main characters? - How many pages will your comic be? Types of Panels: Close-Ups » Use Close-Up panels to: Show details of the scene Show emotions on faces Focus the viewer's attention Types of Panels: Environmental Shots » Use Environmental panels to: Show the "big picture" Set the scene or show the surrounding environment Change from one scene/setting to another Also use gutter space to help with this! Using Sound Effects » Use sound effects to express noises or sounds that you want the reader to feel! » Different fonts have different effects: ExampIe of a Sketch vs. Inked page: Tasks for Today » Work on developing your storyline - make thumbnails first, then start thinking about your layout. · What will the shapes of the panels be? · How many panels are on each page? · Will it read left to right? Right to left? » Continue working on character sketches » Sketch out your setting(s) - what will you show in your "big picture¨ environmental shots? March 9th, 2015 Warm-Up: What is one thing you find frustrating when using normal (Crayola) markers? then... Watch this video tutorial for blending markers. **Take notes on how to blend markers as part of your warm-up. Alcohol-based markers are used by a variety of artists: - Animators - Fashion illustrators - Manga or comic artists - Designers What do you notice about how the markers are used? Some illustrators use smooth, blended gradients. They also define very small details. March 17th Warm-up: Write down something that you remember about the Critical Response Process. Check your earlier journal entry on critical response if you need help. Spend the first 15-20 minutes of today's class finishing up any final things for your comic. Learning Targets: - Ì know and can use the Critical Response protocol when evaluating art. - Ì can give constructive feedback to my peers' work. Today's Agenda - Part I We will be looking at each other's comics and leaving Post-Ìt notes as feedback. Ìn the critique process, artists use constructive criticism to give feedback to others. Think about how you will do this during today's activities. 1. Lay out your comic, character sketch(es), and environmental design at your desk. 2. Take 3 Post-Ìt notes and walk around the room. 3. Leave a Post-Ìt note on three different comics (you don't have to write your name) i. Offer positive feedback (compliment a strength) or ii. Give constructive criticism (ideas for improvement) Today's Agenda - Part II We will be doing Critical Response on a peer's comic. 1. Choose another person's comic to answer the Critical Response questions for. (Please make sure that all comics have someone reading them!) 2. Answer each Critical Response question in your journal. Each answer should have two or more complete sentences. 3. After answering those questions, answer these: i. What are the strengths of the comic? (Story? Characters? Panels and layout? Ìnking?) ii. Where are some suggestions for improvement? 4. Please be thoughtful and respectful in your responses. CriticaI Response Questions Turn in your projects for grading! Please turn in your comics for grading if they are finished. Make sure you have all parts of the rubric completed: » Character sketch(es) » Environmental study » Thumbnails or planning sketches of comic » Final comic · Ìnked · Colored (if chosen)