In what is arguably his coolest scat solo ever, among smatterings of 3 against 2 is an extended section of 2 against 3. The three is in the strummed guitar, playing the pulse, and the 2 is in Louis Armstrongs scat solo. Hotter Than That, - 1:37 3 against 2 Schubert, Fruehlingsglaube In this art song from Op. 20 the left hand of the piano playing sextuplet sixteenths while the right hand and voice is in normal quadruplet sixteenths. The straight sixteenths definitely have the greater importance in the song, meaning that the left hand sextuplets are making a 3 against 2.
4 against 3 Lucy Rose, Middle of the Bed
After the second chorus, the guitar starts to strum 4 times where 3 pulses would occur (its implied). Then the singer and a plucked guitar comes in with melodies based on the original pulse (the three part) and the chorus continues this 4 against 3. Whats really cool about this is that the 3 pulses are actually not a full measure; there are 4 beats to a measure. So it creates this even longer cycle for the cross rhythm. This also happens in the Louis Armstrong 2 against 3. Middle of the Bed, 1:38 3 against 4 Chopin, Etude in F minor no. 1 This entire piece has the right hand in triplet quarters while the left hand plays straight eighths, creating 3 against 4.