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Kenny Dorham 30 Compositions
Kenny Dorham 30 Compositions
1""Jq P;r"r*
80 Gomposi$ons
bU
L';v'-^a; *1'--;v
llEllllllU D0Rllilil
Dg
ro
High Seas
-ao.
Jdzz-Classfc
-:.e
+z
La Mesha a
Newport News r + Night Watch t s
An Oscar For Osear +s
Passr'on Spring r g Pedro's Time r o
'Philly'Twist z+ Poetic Spring zo
<+
Speculate
Trompeta Toccata
se
Una Mas r r
Whistle Stop -ro Windmill
zo
,orninFairfield,Texas,onAugusttotheseT."n.intechnique,.but.hew1
tramieda|*.|certainlvtheirpeer',,',:]*|]lYli1iil:
-_-,.-_.,iciallyintegratedlI|Histechnioue.wasnotcomparabletothe
cniiahoo-a,balancingtheelementsir||academicor.thevirtuos.o.Hiswas.a
academia,theWildfrestandthenaggingl|Rersonal.swlewith,facility:Pu+..
musethaidevelopedinhisbrain.T[;-l|executehismusical.imagination.The
muSewon.Dorham,attheageof21,l|virtuos.iwhoprecededandfollowedhim
wasinthefirstDizzyGillespTeorchestra|.|i1ttr.ejazz.lineage,universallypraisehis
*.;.
on 52nd Street in New York in theheat L1"
1 RlaVinS, his thought
ofthebeboprevolution.Hewas2000l|writtenmusic.,Hewas,|"l|i'"1]i-':
milesfromhisbirthplaceandchildhood|ry;xffilYhothoroughlyintegratedthegutand
environmentand4million"lightyearsll*.'"i;l,::lL.,,it.,tonesaremany.He
away from its consciousness'
Dorhamwasnot";1ffifi:i,*,*
I il::ffi;i'111i$'fri!i"l;"ffi,
theGillespieband;heuriJii*,.atr.,.l$re,l.T:'::.Si]Yl3"'k{ootev,1!|o-t1s
pivotal position as a trul
roleofghostwriterfortheoverwort"dlwilffiW,ffi{f|Watkins.ln1,956,neior,1.e|1!;']a3
u',,ung"71"o-poserGilFuller,whowasl||ro?he1l:9:ili::,yl.lrd:::|.:?:}.
translatingthelanguageorimuttg'oupl|11euinag':k".,Y,-Y!:ll.^i:1Y:'*
bebopintobelievableuigu"^Jp'"p"i.lxiY..lWlI."ll:rl"'^:ll]T:::i"^:Ti:jlgT
and sixties he led variety of short-lircd
a
tions.
lnthenextcoupleofyears,K.D.,slF.iW|31se.mblesii91:::i1:9j::l.Yl":::'
presenceontrumpety1;{;;?ri,^dll,lB'x1'il}::.'["'xTiljy.ffi::1""ill,'
or Billv t'1'^':Y,t'-'#'
in the bands
Hampton'Mercer'"''ti*:r!'ij*"" I ^a'-
ffii*:'"^ffi:#Ifo*,xj;:!"'*
f'
earlybebopsessionsr'auvs"""isiiit,5.?:.I1l:T:"19!:1Ll':r":T^:
kennyctaire,MaxRoa#,Mitt,;u"t.'onI.lre"s1ur1jul::i?::::i1'}:"y::::::
andoihers.Andf,o,,,J:,::**m;'::m1:ffiIi:?:iH'#ff}!i.l.'"
stood beside one of the
andspontaneo,,"n.,gy.,ou,".iintt,,.R..||Effi.standardj",:.:',",i.f'"i":]i,.l:.II'*
histoiyofjazz,Charliei,arker.-..andsixties,ajazz,date,wouldusually
(.,.,nyDorhamwasalsoexercisingconsistofacoupleofheadtunesand
K.D. in 1967 (photo: RaYmond Ross)
anddevelopinghisalreadyconsiderable@kaymondRoss)bluesbytheleader,perhapsatuneor
two from the sidemen and a standard
abilities.
arranging
anJ
composing
Artho ugh ih e tidar wive-or betor
simple lines grafted on t
made,
fi E lll IUU D 0 n I
moderns
photo
session
mil
olbum
],"
hY..itrl.J#UgU"ffi
to Dorham that his corn.
is a testament
positions
Y"I:
totruIytacklethecnattengeottoLttydatesonw.tri1n|e.a]aT'-1qli'.
originalcomposition.Sinc"eajazzsoloistE.Examplesi,:l,9:'?ill,yR-ollins,Art
isorshouldbeaspontanJo*,.o,po'.'TaylorandFreddieHuuu1j'
itisnosurprisethatthe;;;'i;";;,yo1tau11n:i:Y:l,*".':-l*"|
,?:',
rors such as Parker,
such as Blakey, Roach a
9l:Tfr."
[:?:l.TiiX]ftpF[!:i,,![l?*
themajorcomposerS',.iiuiHo'"'.u,o."']1-1:o,?y",1i:.I,:l1iY:-,I:T:-u*
Silver,Theloniou,vron[,'a.nnycotson-manyfans.tt,nisJu|t'rr:,!1:"j
andRandyWeston*o,iauitu.a'u*nFa.been'compteh.l9,:!,"il,,i'.9^"::.1'"^l:
'r.
tohishighlyindividualizeJ'tvr."rLL.o1e]ras,''"'p-:9.,1.^I:llfi1:l':T'.:
playing.-He.wasapianisiorsorts(ptay.mjndand9utpll.1.tl",?l,.b^t|1]l]:
ingitoccasionally,even"ni.'.ijiiigi,.dlimpressive.P::'Py^1"^".::::fi1:.i*
an"dusingitforaiianginginacompolsing)amanwhosecreativetalentsspanbig
harmony
the very origins of bebop, the founding of funk and hard
p"rt+ire singel H"e had theiefore a thorough sense of
""J
ina "iti possibilitieiand an unsnakable sense of lyricism. His solos .
bands,
alter Davis
Jr.
he was
befriend-
il{sw
s
'lfl.-/.+"+
.r-1
(:{
"#d*n
tffi
Bbe Spring
Buffalo
$ageWest
llc*port News
AnOscar For Oscar
LP 82)
Passbn Spring
Sfiq Cannon
fidmill
P E RC U SS I O
D t SC U SS I O N I A
rr
B I ok
Ihi*le
TWO
Stop
ess 2 A C M I
Srrise ln Mexico
lh ilas
AT THE TOPIFrank
Pessbn Spring
Foetic Spring
Sfirp Cannon
Spctrjate
has been
405 )
This composition wos first recorded on PAGE ONElJoe Henderson (Blue Note BST 84140)
La Mesha
)
KENNY DORHAT
ro.56 Ballad
obmT(rsl
Cbmajg
cb z(ret
[rztrsl]
"r(i3)
Vq'
1l
sbmzbs
pbotbgl
nro(bij)
abg
ATbs
46 71bot
rll
Gbgsus
Fm11
Dbm11
rll
P48-SF-6
Gbzsus(bs) cbztbsl
rO rX5ge)
F9
ar
Ebm11
rs(fj)
c*a:o(l)
cbrs(toir)
l,-
-e
\:/
Escapade
Swins
"*lZA
Cm6
Note
BST A4152)
KENNY DORHA,W
erz(il)
GbmajZtilnl
"'(13)
Lr
l--'l
l-l
Abmajgta)
Dbgtgrrr
Gbmaj7
.I
F7
-3--
trt
cl,maizbsl-;----r Bbm7
ffiJT."r I ln1
lz
,ffi 'fr'r-
A.bgtrrl
l'rlJ}
-t
>
.t
Dbmajg
1-
gcoaa
T:$l
fr^l r-s-
r-l
**bst tii.
-LJUI
F7#absr
Gbmai?
Tl'7
rll
nbz|"st\st
Db z(ile)
:horuses, rut
** To
lo end thls
this arrangement, take the
rttt,rtlf rnJf
tt
oE-*IrI
P48-SF-5
8
This composition wqs first recorded on OUR THlNGlJoe Henderson (Blue Note BST 54152)
Back Road
KENNY DORHAI'
= ,o.130 Swing
Dmzbs ob ztilul
f-a
Dmzbs
obzrilrrl
z(18)
rb zrrsl
_5T
-l
P48-SF-6
r-J-r
T-J-r
Ir.
Db
Dz(13)
7-- 3----1
Eb
z(18)
oz(ilsl
ET(1s)
Fz(18)
F7(i3)
r
copyrisht @ 1983 SECOND FLOOR MUSTC
Secured Mode in U.S.A. Att Rights Reserved
lnternotionol Copyright
r--J
nb zrret
Ebm6
Ebm11
AbT(1s)
c 11(te)
Dmrbs
DZbstisr Dbmajg
q(#)
Bb grrsr
DbmT
DmZb
last time*
Fm(maj7)
g7($ir')
P48-SF-6
t0
This composition wqs first recorded on OUR THlNGlJoe Henderson (Blue Note BST g4l S2)
Pedro's Time
ca.
KENNY DORHAM
138 Latin
ab z(rsl
G7
F7
cb
ob grrsl
ztr:i
Fz
Ab ztrel
2. last time*
|
Cm6
Azbs(fie) Abmajg
ends the
arrangement. To add improvised choruses,
use the 2nd ending labeled to Solos and
P48-SF-6
c7#5
G7
ll
This composition wos first recorded on \JNA MASIKenny Dorhom (Blue Note BST 841 27)
Una Mas
KENNY DORHA,}I
a'l_ ca.160l-atin
rz$sr*gt
gbgtrsl
ts r*rrl
rz# sr$sl
eb z# sr*gr
gh
trsl
nbrst*rrr
Ab 9(13i
Cbmal7
E91rs1
pbg
Cm7b5
P48-SF-6
-- ---.i
t2
This composition wasfirst recorded on
BST
84166)
Brown's Town
KENNY DORHAM
"o.140
Swing
eb g(rel
cgt*rrl
Cbmajg
A91rs1
Abg(rsl
Gb g (rsl
Ebm6(g)
-?)
4c
-l
Ebm6(s)
P48-SF-6
F9(13)
E9(13)
-'-
v Lr=r
------r
r6($l')
9
E6(e)
7 {frm'
7 tnwFi
r-J----rr
E
tl
T-t--
Lt-l
C
9 13
A9 (18
tq"E7 ?qfrTarT
10
T8^
I
-
Cbmajo
F9(13)
t g,,
Ebmo(g)
-;]}
P48-SF-6
?q4fr7#
E9G3)
r
t4
This composition was first recorded
Newport News
)
= ro.160
rzrrsl
KENNY DORHAM
Swing Bbmajg
FT#b
GTlstlsl P[ 71rsr
fa\
Eb
Azt!si
gtfirrl
c7#5
eb zbstrsl
c?(13)
l.lt
Cm7bS(11) F7
eb z(rst
1'(13)
Ah
g(rst
A?(
gb
ztrsl
FmZ
Thr'
Bb
zlrrt
c11b
cbzbs
AbmT
F,bmajT
lnternotionol Copyright
Secured
Mode
Reserved
ebma;o
ATbu
Bbgt$ur
t5
c?f 5
Ah zb srrsl
Abgtrsr
or(13)
Bb 7(13)
A?(;3) ebz(rsr
This composition wos first recorded on TROMPETA TOCCATA lKenny Dorham (Blue Note BST S4l St
Trompeta Toccata
KENNY DORHAM
bmaj Z($rrl
Cbmajztflnl
,
.
--\u
BbmT(13)
pb
rr
._.J
,
vi
U^
\,
/4,
df)
mt
n{
/lt
lvol
pzf
sttgl :-f
6,Gbmaj
ltl
t$d'hi
a cbe bs cbrtrrrt
-\----l
Gbmaizbs
C
nr
tltltlrl
the melody was played rubato, then it was played in meter ( in
Copyright
lntern0tionol Copyright
@1 98 3
ECO N
Secured
D F LOO R
Mode
M tJSl C
Reserved
16
This composition was f irst recorded
The Fox
KENNY DORHAM
Db
Abg(rel
r'S
,=
Ab
gtrsl
lBsus
Ab
lBsus
-1
Db
lBsus
Db
Db gtrel
9 (13)
1->
.ltrvF\
cbg#s
P48-SF-6
s4t gt )
Abgtrsl
Ab13sus
a)
BST
DbmZ
--7------
::,
#-\
t7
Ebmg
A:m9
Dm9
Gb
Ar9(rel
Ablssus
Ab
Ab grrsl
lgsus
obg(rsl
-+.-
+-
'F L"E'-]-
Db
-'
-+{
.=*.-->
-23-|=
G*
ob gtrsl
tgsus
,bffi
'l------l
-:
---.
Aa9(13)
finc
IB
This composition was f irst recorded on TROMPETA TOCCATA lKenny Dorham (Blue Note BST S4l Sl )
Night Watch
= ,o.132 Swing
-rmf
KENNY DORHAM
obg(rsl oz(#s)
'fr7
Gm7 b5(
b1B)
GbmajTt*rrl Gbzt*rrt
d
Bbm?
sbg
Abmajg
Gmzb5
--------'1-
Fm6
c zb stbst
Db
-..
r,
|.?,
rrrr
r rrr'
lJ'
,3,
13,a
F.
P48-SF-6
t9
This composition wos first recorded on BLUE SPRlNGlKenny Dorhom (Riverside RLp t2-297)
Passion Spring
KENNY DORHA,U
= *.138 Swing
@T"#T
BmZbS(11) nZ#Strsl
emrr
Bm11 E#5
Am11
D9
AmT
c7(be)
o#s
of aimz
Emzb5
ezffcrr
Dmzbs Bmzbb
ot(tB)Gz#
G7(be)
-9-G
P48-SF-6
lnternotional Copyright
btbsr
A?#b({e)
O*trl
-l
Bmzhs
E7f, 5(be)
20
This composition was first recorded on BLuE SPRlNGlKenny
Dorhom (Riverside RLp l2-297)
Poetic Spring
KENryY DORHAM
Swing
ATsus
= ca. LZB
Dm
A7
t Lq*-l- h-
al
<)
Gm11 czfst#el
rnf
r'r'
lr
(,
Bml1
E7(be)
AmTbs
nz#srugl
FmajT
Dm
A7
.r_l
++-<
P48-SF-6
r|--..|-{
tv
T=
r)
D7#s(Ie)
c*z
GTbs
Em7(11)
-fmaj?
obr
,7fi51bsr
F7
Bbmaj7
,rl;ffi:
JIY
F,: lt'rrFi
LrrJl
BmTbE
tt
7 v'*
2t
I last time*
Bbl
Bbmz(rr) CTfS(lglFmajg
Am7
-6-
/:\
to Solos
AmTbs
DT#s(be) Gmz(11)
Cz*srtgl
This composition wos first recorded on BLUE SPRlNGlKenny Dorhom (Riverside RLP l2-297)
Blue Spring
KENNY DORHA,}'
Fm7
P48-SF-6
813(fi11)Bb9($)
Bbe
c7(fle)
obgtrsl
Dbg(13)
Fml1
Fm7 F7(13)
rmo l1'
lnternotion0l Copyright
Fmnl
B9b5
Gmzbs
E--_l
22
This composition wos first recorded on BLUE SPRlNGlKenny Dorhom (Riverside RLp l2-297)
Spring Gannon
)
I
"o.232
C pedal
ntro
KENNY DORHAM
Swing
C9sus
C pedal
CTsus
4>
Bbmaj?
BmTbs
r-3--
DmZ
@ c pedal
ry-
G#aimz
P48-SF-6
Gm?
lnternotion0l Copyright
C pedal
G7
Gbmaj7 F
+_--'--------------- -+
'T'--,.i
Abgsus
-1
1..
ebtusl Dbmajg
(G7)
"*
rT
t_-s--\-:-!-
choruses.
24
This composition wos first recorded
'Philly'Twist
KENNY DORHAM
= ro.216 Swing
eb r(rsl
Abztrsl
AT(13)
t,,r
ff"e-
EdimT
nbztrst
ebz(rsl
F
EdimT
UV?
eb gtrsi
gb z(rsi
I'
Cm7
Cf
mZ
t*+ tE
c7*5
Dm7
qrE-
T tF
c#aimz
w
D
cf aimz
.'(rrt
lnternationol Copyright
Secured
Mode
i.
Itr
cg7
-(qI-
in
Reserved
cr z(tT)
25
t(fr1)
Gb
maj
Ai
tgt!nl
Emai7lrrry
_,
'
GbmajTl!rr)
^.^-
llr
cbrsrilrrl
F7i
5(
last time*
e)
This last time_ending ends the arrangement. To add improvised choruses, use the ending labeled to Solos and improvise on the@
section only (Blue$. After your solo choruses,D.C. takingthe lst and 2nd endings intd@and the last time ending.
Solos
Ito
Abg tr:rl
ob tgsus
Bb 7(fe)
P48-SF-6
26
This composition was first recorded on IIHISTLE STOPlKenny Dorhqm (Blue Note BST 54063)
Windmill
KENNY DORHAM
)
I
Swing
Eberilrrl
"r.264
C oedal
[-{--:
ntro
:J4'
J',+q'
lr
v-
'
l+D-+
tt
I
3i':g
pe obg#s
Gbmaircbotrst
o,
BbmT
(13)
AbmajT
ll
a
u-
obzf"s
GbmajT
B7#s
L"i,
Emaj
GmTbs(ni
C7f 5(f e)
p,bz
B7
rl\r
/ ft+t-[e'H-t-H-r-z
tr
tq
ub
P48-SF-6
pedal
tret
e-
27
A7
fP
t/
--r-
^l-
Abmajg
Gmzb5
Db 9(1s)
rr-: ,+
7+fr
-r-
cpedal
cbgrrst
cb9(13)
Gm7b5
Nbmaj7
C7(be)
gtirri
pedal
A7lr.s) Db sus
C7(be)
Amajgl*rtl
Abmajg
ab ztrsl
6[ 91rsr
G7 GbrnajT
ob gt$sr
T---J-------r
L---s
BbmT
GmTb
c7(bs)
B9(13) EmajT(0i EblSsus
F7(rst
nb
zf srisr
TF
[-{---:
G7(13)
L---t '
',
Dbgsus
cb z#srilgl
eb z#srilst
I
i
* The Coda ends the arrangement. To add improvised choruses, solo on the
.chord progression (same
@ to ttre coda sign. Aft"er your last solo .horrr, play the *.tody f-; @ ;;Jtfu.'irr.-C"all
P48-SF-6
as
28
This composition was f irst recorded
Sunrise ln Mexico
)
= cs.lr5z
Emzbs r'#mzbs Gm
lntro
Amzbs
Gm
-....;
Bb
4^bE
C
BST 54063)
KENNY DORHA,II
nGm
Bb
Ebmaj
DTsus(bs) OZtbst
l$ttt
AZbS
EbmajTl!try
Gmlaaaol
Play 4 times
Play 4 times
Latin
(cm)
D.C.andrepeatandfadeasindicated.
Thelntrosection(withrepeats)beginsandendsthisarrangement.Playthemelody(@-8measures)twice,then
To add improvised choruses, play the melody twice, solo on the melody section, repeii the melody 1Z timesj, then D.C. and rbpeat anci fade.
P48-SF-6
29
Sunset
= ca.l48latin
KENNY DORHAM
Dmajg(f"11)
lntro J \'
r
g
7.liY
71
---
DmajZ(f
(,'
'7--
C#m11
--+'
r{> ry:1
t-
11)
..-+
trt
EfiT TI
L.L
>
3
7- t-
'=_rT
rLr lr _r l-r.l
i
7'---'-
=.r>
i
I',
linc'
ruy
the @section twice both before and after your solo choruses.
30
This composition wos first recorded
on
WH
Whistle Stop
)
= ca.Llz
lntro, -.-
ts
lJl
'i
u'(hi',)
Jl
gsus
Swing
) = ca. 264
*Ab
'
A9(ilrrl
3r
Eb
KENNY DORHAM
,, (hil)
u'(hil)
Bbgsus
E7(13)
Ab
ebz
---'Eb
Ab6
Eb
P48-SF-6
nb z(rsl
BbmT Amaj7
Bm7
BcmT
r,bz abo
BbmZ
DbT
Ddimz
Gb gtre
cz#b(be)
BbmT
eb
cb grrst
cbg ce
rtrbsl
ebg
I-
Dbgsus Cgsus
Bgsus
Bb gsus
(@), ttie
bridge
(@)
32
,,(hI
l3
l'rJll
A.9r$rrt
Db
gsus Cgsus
Bgsus
Bb gsus
Abmajg
Bbgsus
Eb(aaag)
This composition was first recorded on 2 HORNS-2 RHYTHMlKenny Dorham (Riverside RLP 12-255)
Jazz-GIassic
KENNY DORHAM
)=ro.g6
Swing
Fm
Eb
<)
L.-J_
t4
r
Ab
P48-SF-6
lnternotionol Copyright
Dbm
Ab
Amaj
P48-SF-6
Eb
34
This composition wos first recorded on WHISTLE STOPlKenny Dorham (Blue Note BST 54063)
Buffalo
KENNY DORHAII4
= ct172
Swing
Bb7
9r-El
rl
l-
l-
rr
This 2nd ending ends the arrangement. To add improvised choruses, first play the melody twice, taking the 1st ending both times.
Then solo on the chord progression of the composition. After your soio choruses,D.C. and take the ls1 and2nd, endings.
P48-SF-6
35
This composition wos first recorded on A.T.'s DELIGHTIATt Toylor (Btue Note BST 54047)
BIue lnterlude
KENNY DORHAM
=
"o.168
n-^
Swing
Fm
C 7#
Fm rfr
Ir.
5t$sl
Bbm
Gmzb s
ob grrsl
D7(*s)
.t
C Ttbsl
ebztrsl obt
Fm
v1-_
Gb7
tr T
l-
D+
t)
C7
'rr
Fm9(maj7)
r.\
Fm (maj
7) t*
tt
ends the arrangement. To add improvised choruses, first play the melody twice, taking the lst ending both times.
Then soloonthe chord progression of the composition. After your solo clioruses,D.C. and take the lsiand 2nd endings.
P48-SF-6
36
This composition was first recorded on A.T.'s DE_LIGHTlArt Toylor (Btue
Note BST s4047)
High Seas
= ,o.144 Swing
cgf
agbs
l:bg
cbgrrsl
hac:
cb g(rsl
r-
,r
l\
:f: E*'+-it
L
+]
#+
t Ll-l
cb rst$rrl
nb
P48-SF-6
Z1bo1 nbmg
Cbmajl
Dbm11
Agb5
''
EmajT
cbz(18)
abg
csf
EmaigJ
c7#
ending.
P48-SF-6
timei
F7 Emaj7
rstf,ril
cbgtrgl
bbT
cbzoel
nbg(ilrrl
cb
This last time ending ends the arrangement.
To add improvised choruses, use the ending
labeled to Solos and improvise on the chord
progression of the composition. After your
solo choruses,D.C. and take the last time
last
qT:
cb7(13)
cbz(18)
_J
\qT, brfi
3B
This composition wqs first recorded on THE
Stage West
KENNY DORHA,II
) = ,o.300 Swing
nbz
Bb zsus
rzf
srf gl
Dm7
Fpedal
ES7
P48-SF-6
F7(18)
E'27
r.,4.
EdimT
Gm7(rtl
P48-SF-6
C9
Ff m7
,el
F#m7
Gm7(11)Cg
F7# stf st
GTtt ?
rbb
Gb o*i)
It -
D5
Ebe
sbzfrs
Eb7
)l-
*c
cbg ebg
tremolo
>,
Bb6
Scoaa
EdimT
(e)
Gz#stugl Czfls(f,e)
Bb7(ffi)
Cm7
,^.
cz bb($e)Fz#srugl
cmzbs(uicz*s
GmTbs
c7(#e) F7#5
To add improvised choruses, do not D.C. Play your solo choruses next (Blues). D.C. after your last solo chorus.
P48-SF-6
Bbz(13)
tremolo
4t
This composition was first recorded on THE ARRIvA LlKenny Dorham (Jaro 5007)
Butch's lues
KENNY DORHAM
a = ca.L44 Swing
F7
eb
F7
Fft'9)
mf
t_
ozb sr*sl
'
J9 add improvised
P48-SF-6
lnternational Copyright
ob zcrel
42
This composition was first recorded on GOIN' UPlFreddie Hubbord (Btue Note BST g4056)
Karioka
KENNY DORHAM
=
I
"r.252
ntro
Swing
grg(ilril
Ebmg
Fmzhs
Dmaie(tl)
Ebm(maj?) Ebmz
Emaj9(13)
Ebmg
FmTb5
ag#s
Ebm6
Ebmg
Ebm
nma;o(t|1)
P48-SF-6
AbmT
Ebm(maj7)
Eb
swrng
Emaj9(ts)
ngr*rl
E9(*11)
GbmajT
m9
43
Dbgsus
Db
mz1rs1
cb Ztrsl
swiry
BbmT
Ebe
Ebmg
Ebm(maj7)
DmajT(18)
Dmaie(t;1)
Ebmz
Fmzbslrrl eSzfl
rbaimz
Eb
Ebm6
m9
Emaj9(13)
Ehm(maj7)
il optional ending
Ebmlaaasl
lhis
!a.st
P48-SF-6
fine ending.
E laaa
s1
ll
nb*t"aa
gl
44
This composition wqs first recorded on MAXlMox Roach euintet (Argolcodet 623)
Speculate
)=cu3o0Sw mg
KENNY DORHArtl
ebgtul
Abmaj7 Gb7
F7
?)
-r
ebg(ter
rt
717,
\t
Abmajz
egbs
Lr7 r
ebg(rst
P48-SF-6
r-t=/
t.
nbz
Ab ma je
=T?
t) tJ
Cbr
L-f
E7
1-
/-
Abmaj
Trt
9
hT
,V
45
P, r-E
c7(fe)
__a
''l
1-
4.
Bb9(13)
F'b7
-Bb
pedal
l-JJ--l
Bb7
Abmajz cbl
A7(13)
F71ra;
llast
Abmajg
time*
Ito sotos
* This last time ending ends the
arrangement. To add improvised
choruses, use the ending
labeled to Solos and improvise
on the chord progression of
46
This composition wos first recorded on
40
YEA RS OF
= co.184 Swing
I
ntro
D91ts1
nzbs(re) Amajg
Dbmaig
sh zf s tbsl
ab
r#st$sl
Cmtbb
Dbmajo
BbmT
-tttr
e)
P48-SF-6
4.,
l1l l1r7
ir*t
lnternotional Copyright
47
@Ab
m7
c?f
Dbgsuslrsy
lbg(rel
Gbmajg
F#m7
ebmzbs
Azbstrel
B91rs1
CmzbS
sb z#s0st
Fmzbs
B9suslrsy
DbmT*
F7
i.
!+
r
I
* The melody
Bb
EbmT
m7
b**
ry
VI
+*
Ab11
lry
tiru
-b
ends in the minor. However, to add improvised choruses, substitute Dbmaj7 for DbmT and disregard the fermata.
Solo on the chord progression from @. After your solo choruses, return to@ and end the arrangement with the DbmT fermata-
P48-SF-6
4B
This composition was first recorded
KENNY DARHAM
= ca.216
Fm7trrl Bb 7
Eb!gTrrri
b-t
Cmaj9
ltbz
Fm7(11) Bb 7
P48-S F-6
Em7
Em7
A7
abt