You are on page 1of 4
ARS Ba 2348 HIM 20034 4H) 26A oF obs} FebC] 2} scape WS SA ES) AAS} BAAS Awa] wa A Consideration about the Interrelation between Cultural Globalization and Contemporary Architecture based on the Concept of Arjun Appadurai’s Scapes ones Chang, Gun-Su a er aga Kim, Hyon-Ha Lim, Jong-Yup Abstract ‘Today's culture represents its process of fragmentation. Recognizing this feature, this study will examine the conceptional difference between Modernity and cultural globalization based on the concept of Arjun Appadurai’s Scapes. Then, this study will consider the relationship between cultural globalization and contemporary architecture, by studying on design processes of contemporary architects who attempt to construct cultural flow as an ‘experience element. AE + HBS EF AAS, -scape, imagination, 2% Keywords : Fragmentation, cultural globalization, ~scape, imagination, flow Le SAID EES Cooly SHS ve Wass Bala sole Ug. 11 874 34 meh & GFE ObM FeO} Arjun Appadurai)s} & mas SA19) 7} Z@ SAAS se oMGragmentation)>] 4S} scape MUS FA Take] AAS Vas Fest a. Eos} Se Bee Bae Ate, dale ge wave atae EMS, Bela Vas. LAST, OSS Web ch AMR, URES 71 AY BABY vieclolsh lel, ol, als] Ves: o} a GAs Ale Tes, Ae Adda Sa S82 404 Ate FRG ASAE Bae | Cael Wyle Babs: AS SES Oe. ge lt AME FIHE AAS GR Gaaoz 12 As) aa Be SAsad. Pale 22, Ba, daa ave ey tH Sabo] AAbshoh VE bE AO S| E49} scape AMS aaeel eds gawd AMA S49 Ae FEAR, Ut} 2SS AGA AAR TRAE asa AEZA) MVRDVS) datascape, Ben van Berkel Image-diagram, Bruce Mau2) Life Stvle® ate} 21 A ates Seo ud Ssh: A tage a) at Aa (imagined World® wat she. Sale deAtel7] wv Oo A4oe4 Aalad. eee SA] AIS AASM ole ate wetste tele mee at, EM oleh Cole we A Heed AMAA Fae a Fa = €as) Ged, Gad edad eae aya FUE SAE WH. 19a DAA SA AA HUA we AAD Bol © Add, cae Baa Sao a Me Bs, AA AMY AH AGS -z jy weary we “9 2 obmEe}o12} 89+ scape HY 24 obo] S} Zab] MABE) SAL Bee 228 Bd FEA Fred & Pleo} Malas alate & aad. DAR sh WER I QA Sa SHS vijuel saa Age sais] MASS Cal + qabaae aay Aabba ss lata adage Fee 1) Botond Bognar, Urban Architecture in Japan, pp.6-17 Bal Folok oh. AHS | aq, e822 Bao'D 2) Anjum Appadurait: AVA MRA eLaEehs WE ofslop col} EGS FE Bolo Aa aa at aA LSA SAH YES olla Aolal SAS CFT We, cbieetolo shel Bebo] Ase Salah SAE aA) Aas act 17 (mass migration)e].. of 249 BPS Bh AAS Hot dol Baap AD, MZ imaginations) FA SAB sebhES Beh ose]: ASS) BA obebol ae) SA) ABS lee + SLE translocality, transnation, ele 449 BF WAiasporic public sphere) BL AM & Malas NES AA Qo) ay ase wazination®} |, Aste le Aa AALS] A WSHE gh th. Bi MotabS ett ns Bab Trnagined World 34 scape dispersion, Am*tidenuty) | identification | move, A191 (locaity) | translocality trans 212. ASA / translocality AWAe Bbt Pa, FS SAA AVS 7h, of fe MASS GE Slolch. aeup Mths tel atop WAMES Ao] ob}, vies ol Fs FH AAVS gael veel ae alt lel least aaa 4S Ale BAe: Aol wanslocalityel tt. trans-% Vol], HE aelA|, AR, A, oh ot £98 S93 SS AYE BF wey translocalty®= 3714 7s] AAS Fol Vol eA se 19149] waked S Ale} translocalitys| @ oe Batol le UE ash Aol riot gle als BASS WAY tebe Ae vised ae Ut le 2e 4 Ae Me. BE ae ES John Sallys 22 13 F2e eho, TSS wal of OR Able Mec EHS 4 4f 2] translocality dS Bwoje| Sols wats} AAtelc. ae Ws @ Koluo| Yad AWS whe} Mitel Vel otal STIG. H714| HEA BAH YEA AM BESO} Gebeh. ol 212. BM / identification BARS A BVA, RAID, GAA, MeL oleh. 9] Pols] RA so]z we ASS Be Bap 3) V2_Publishing/NAI Publishers, TransUrbanism, ISBN, 2002, 6 4) Arjun Appadurai, Modemity at Large, University of Mnnesora press, 2000, 9:3 9D) HARA diaspora) a CAAT IAM eet $04 ERT ABNER Gls Fue, EE TE PAE UNS YE SA Use] AAA Aa ARO, 5 US AMS HIG F le SUG SHE AAO ol SEME Yate ate WEF. © V2_Publishing/NAL Publishers, TransUrbanism, ISBN, 2002, pas - 466 - A AAG URE AF Yaa a, WHE AE fel Batch, Wel identification? ARS, AAR, FU, AMS, AAS] KS A, BABB Bad a & Beth identification? =2d- 2xshe} imagination 44191 HERES vdeo. Bae identifications) att 382) Ast Aal7| atte Aalael aloe. natoe 213 BAN / scape obras Ud EAN FAS vcholsh Bel a © Mi AMY 2H] Bee Boel wale 2245 edeve Say aso AAol Eo] GAZ RAL HA AAP ~scape’® Seascape Landscape, Cityscapes? Zo] of Stole} to} Bo} A Ge Polade Mls Gee yolojoid, weal SAR AE BAU hye AA Aes aHy scape’ $ A224 B78] BA Vol Sales E39] HEAT TIE WHE SAE + slo. ole 243 SAB OE a, Baden Balada 7H | PAF Ao] HAS} YE BAS SAAT 4] a Sas aol be EA Yat RE AA 7H we SS BAGS ASS oe 22 BBA Aol} BA aad Bae aa, aa, wall Sad va Gisjuncture)} BA} IH. oS riz] SAF 3) BMEHe of ld aad + ae Adele Sa, cl Babel aol. ea Bale ethnoscapes, mediascapes, technoscapes, finanscapes, ideoscapes 2] U} Av) agoe Relay RAD = sd ol AAe Zee AGE, olla, 714, &, obelecloio Be chs 7] AA EH} BES YEAS Alo} “scape Hoh Al lfolz|e eo] Ga 7) alee ae 4nd we = avalos Fold BAS he Aas ae Seq” 82 Gs 7A B81 scapest EU Sat ve] vaae waa aa [eae mR Ol ae ag ctinoseapes | At aaa uae a lease ples |e ae techno | 711 Ba aaa finanscanes | ABS EX mediascapes | ieoscres | AA AH TRS EE 4 7) AA Est BB] AAO}, SY 729 428 wh. yee. dale) aa 7 88S SHES 9, aug cay, Yedy aan AS, ABA, 20, pp.190-191 8) Bid, ps + BRA ols SAA] AS atts) debaeh, 23 Saas} ost Fao19] Es} AAR A ot #9, Bassah oft FZIOlSA Bab Matal M4 PHA SAAT 84 (Modernity) An ay ae ee 191 (errioiality) translocates z rupeure(Fragmentation) eal 2¥Alexcentional) waa ae fa| 84a 72 imagination _ |"Modern mament 2 SAA, universal dominant WF a Categoriing) Bae. | ee aterypotizingy | pi ane 88-4 culturad UME Zab | BA phenomena) | 8 arouping Aol, az, wat emj| substantaization ols} aa Imaginary Landscape : _|terans=, moving) [sata sa [complexity overlap, disorder 3 HO ROI LES Bet ALaLatS! Sas 3.1 Imagination Imagination? 22, 828, Be, Bo}, Fe, a 1 28, Ad, Fd SS Keke Tololct, imagination® obhebel7| AAR AAS AAS eS ao sold, euyt Yelael eels SA) Fa Bas a aaa Woe, Aas] BAA Vs BE ol imaginationé #244 32S Hoo Sitaaoln # SAU VAS AREA ASS. et) GRAM imagination® =A) £4 728 ALE ABLE cateleta, Bagel dete] Ata) dees ath cl old gal 24s] bet Fae hea Pa, a S, Ba wd Sel het matt] 4s} Bate] ol oj BEACHES imagination® ABAte] FAY SA AG, FH, SSG We WSs Alsat, ole ARE Asa AU y asa ase dade 32 hybridization EAdhybridizationle FEA] AS Ge Sls HaAce GE AS, SE G9) Wool ay GA of BS KepI0 Age Sass Hae Ad) est RFE GIG RETA) SAS} Paros olay Ud Vase] 2 AAS At + Bel a aay eae wreath. SRG] SYS: 29] Hava Ad Bea 9) Ben van Berkel, "Move voll, Imagination", Publisher UN Studio&Goose Press, 1909, pp:22-23 10) Peter Zellner. Hybrid Space. Thames & Hudson,1909, 19 - 467 YS 14aT, AAS BAA SAM clay BEG ol} ERage Fade BASS Aa, BY, WA 4 AA BOA VASES Od. aes Base Ral eo J 4 WME] BFE manimalss ee} } endlessness & So] Usroiatd. ie ole] UE AAS Gat aus) SME clFol EAASE of aj aay vole Rez, aad g AQAA olf Gol Fahl Bae , 71B219] Endlessnessis BSH HE 4, 4, Ado] FH, Baal Meals Neale Bae = shy] aaa AO Me Aol aul Be Fa AAT da ln Ue As de AEs Ben. IS 1 Ben van Borkel2l manimat 4, abo] MURS BIH ZIRS] AfatatA 4.1 MVRDV$} Datascape MVRDVE ASS, 21218, AA ea Se ae aT a (study process) Fa YEH datascapel2}= 7A AHEStO} le EMS OH Lo aw 2 wvAOVEL datascapct> 24718] 2H Metaciy/Datalown HS AAG oe Zan TA FUE BE 2B SAE AAA EMS. Sole Amize Ate st Az Weel, AFL Hole anlze aie ws a. Vas Aus] Bal Sola AWS, Fw At 20, % Av La} AH} olojzia a AH Ash de assed, 42 Ben Van Berkel®] Image diagram de NES Ligud 232 439 29s a4 aae4 2 Be Qa dd IVS WE eA AE] Qa Ba @ 29 FE dolongos AAsae, as] ake cols F deliages ueded, of] SS HD, ASHE AVY SAA HA o]D}, cholo} Be A Ass BAT MIPS Hada Aoley a = 1A Gojo 24s FA FAUT HAS Bates, 1H 3 Ben van Borketst IFOCA New York 11) ‘mans animals] @/Zetol¢’, Ben van Berkel, "Move vol2, Techniques", Publisher UN Studio&Goose Press, 1999, p0.79-80 12) MVRDV, FARMAX, 010 publisher, 1998, pp100-103 13) Ben van Berkel, "Move voll, Imagination", Publisher UN StudiotGoose Press, 1909, p23 14) Ben van Berkel, "Move vol2, Techniques", Publisher UN. StudiosGoase Press, 1999, pp.19-21 VAD NSS BE esl BIA SIs aS F EAU 2G Sse BASS BHAG BS HAS F290 AOE Stsrd Veh 43 Bruce Maul} Life Style Bruce Maut #28 °5]7] 449) Ato, Life style47} ASE vy of Wt Scho Aye lap de aa lua ae ues Oe us, ade a Ege at & Saab Sito. 7 SS SHS ey eat $a ste] @ aad, de 83) Ua, dust eee. oe AS HY, a Sol, WIE, Ao, Aa Se OM AZ olFats Veh, Bruce Mau®} “Tree CityE24EE BUS 2 HAE Anse ANE Yoljiagee Ala. 1004s) exo Sa dal By 248 Aa, Poe Sesss qe. May2t Tree City 4A 2a BA, Uo) UO EIS ADE Tr] Datascape | Image diagram axe ae | amas P48 laa oa ay ae te SET ST lane eae ute jane ae eS ate fess A aici as AND gee (UFR A 7 ee = 29900 = $3339 lst) | 33332 | 23223 _ | SSS toy amope, [tele ote [aay og, BE [SIRAAIE lootiae [Beh ele xt 77 mae a (aoa, aay] ie Boi lasd as, sea as NOMS ACE | aepole 911 a3) aan eae |uaa. ole) Ba Ba oge feokimakes | th, Ricerg __endlesmess [az ag [rel a seas ae * [aoe seb 15) AC Leh Lape] el Bruce Mauk ef SA9} eet We SMLXLAY daa Ae Was Vesa, aS M22 BEY BUS TAVAE "Tree Ciy'ZSaRAeS 2 ANIAIS Yo GRA AIS Teast. 16) Bruce Mau, Life Style, Phaidon, 2000, p.25 sae #5 olmGaIoIn| 8) AnoIES Ha Be Se oa Bevan T ewe | vRDV= [Berke | lmvnovs Maus) titel aa) ot ieee se | éiagram _ i tourism = | # Ae] z heim sonl - Eng tee ‘eco Fe, naa scam au ——loae z22 finn [248 va [Age acne sean 382 aa lee vt eccage St fate fama as, scape aasore 9 leit es muad, #4, tee [aaa cea ley es eye seus] 2, wat leas as | 1] ool} chsh Fete] 9] Lap AMols LH aE A 49 aval daa ase ode deed ae Be, AA, ASMA HEMT SHYAI SHR AAS sta} ste S|e7} Ue. SM, Bends aaa 22 WE Aol hia Fae Fae Ow. 19S SUG. AM, Rabel] ¥ a, ofoiajs] as, EAs deus, wees] Bla WE SAA] 0d. WA, EMule] 2 a, E274, Fz, 84, FAL Se Se AAS GEG. aA, FFAS AAT a A SA SAH A BAe] EAAOS SHS} oO vasiig SaeR yet, aa 2d L@2E EES 9, Quad, S04, Peay aaa a Aah, AEDT, 2000 2, V2 Publishing/NAI Publishers, TransUrbanism, ISBN, 2002 3. Arjun Appadurai, Modernity at Large, University of ‘Monnesota press, 2000 4, Peter Zellner. Hybrid Space. Thames & Hudson,1999 5. MVRDV, FARMAX, 010 publisher, 1998 6. Ben van Berkel, Move, Publisher UN StudioSGoose Press, 1998 7. Bruce Mau, Life Style, Phaidon, 2000 8. Botond Bognar, Urban Architecture in Japan, ~ 468 -

You might also like