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FS ate] Wasly FRUFG Lowy A APAZE 1990dd} Re] 1960dd\7}z] Be OA SS APHE ASHE FelA(Gertude Kunth)S S F Uh. 2a U Bal o] 4A] AAOe SAM APS] FSF S Te) BA) Bs Ald. $3] FU BS FEE AAS lH oe SS ES RS ASA TAALT-BAb(Blne Weltgeschichte des Tanzes, 1933) 9} ®] Fur Cae 1S9] U5 AES _ fe Ath. SUA BF SAND HAF SOY BAe TEMES Usa eye Aa A Qe HEA ASS Ao], TaD oy FeReaEo ARBRE 1e, ASU, FA, FA BA BoA] BS Abels veh eh. ICT 2] PRUE AMT LE B3+(Ethnochorcoogy)aA] BP 191d Yearbook for Traditional Music Vol XXIE FSUVF4S HY4 ALES 34] AZeo2 Ypo Paspys Dat BOs ge Feeley S95] SSS SS vb Uc, A714 AAS =E]9} Drid Williams(1997) 2} AA Anthropology and Human Movement: the Study of Dance®| 44¥-0l] U- at FSH Aol de ass Sdloe Feels] Basse FEsq] Bald. FRORe B7q Bey -2031. FH eRe Ape HEY TEUFHS WSSH HA] BI MoT Mors Hele} oy Ee DSSS FEE AA7} 1oss'de] Wake WAPBALES SANE VAs SAU. 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FA PRUFHS MSS HAS] MAYA Sil BES B atce we TAT BS Bee] Wdse GS Bd. deqAa F DLE FINA PRU BETDS JAE AANAA BSI] The Queen’s University, Belfast©] & 2}%) (John Blacking) tS} 2 Alz}S = NFA WHS} UF SAA] FHS ATs Bohs} SAE ROE SAMA TH SHY AS WSTSS Boprglo|yoe 7} SdD OE EE BM ATS FEI FBYHtD WE Center for Dance Studies®] Zu] #7i](Loderyk Range)7} ME *f3}7} | sro] o. @e aaAl YSA"E(Theresa Buckland) PF7} INE YF] 204 F8ABAIP MAH 1999, 12University of Suney?] F2UF% SEIS RUF HSE SS & FSU 7 7 VE HLS FHT Ad. FA PEUHHS AIA S Ace] det Bis HF, Fol ae SAA BIAS, So] HA A Alo] BH vgs Sag Frat = A S SQlet @ + th. 2 ose] oletay alst7|yt 1960'S FE}A7} “RIFF (Dance Ehtnokgy) HIS Bo} weleay FSUFF] UFHOLSPY SHse] CYIRGT Bos FE ob” Alt HFE WIGAS MS FHUFHS] AAS ie7dS 719LE AS] Urs Mbspg_olAy ANH EE BS FY Seopa SS AFHESF FAVS 2A At |eseF, YEBA ASA (Adrienne Kaeppler), Sh} SJE Bo]~As} EAE Page a zAwlgys EV) WNT Wee) Yeygr7: FAS ASI AFAE Mgatr) SE ME Reet FSF BILZ WHA EAS Belt, IssOIgA Add] Alejo] FEE AAS YR Ha MS Eos} Sap FY SSAF MF APBSS ANZ) PSHE UgwS We 534d a7 Aes Bes) Regelyy 2S + Ad. Tau UFFLSPEY Wop FSS Sze Atuyoe Be AF WS SANE Het FHS 27) ASS Guy FAyqoe Fas AIMS ZTE Ml Rol, DAA AA 4B] FRIFAASS BSA os aes] APASH MLB + AL F4), 1SS Ee YAY FA AME qUAS WE Azali Fqose BPs APA AE SA} eho] Ee]A Bzelst HA AVS Ba Ut. Tez o] aw 7) Willams, Dird (ed.)(1997), Anthropology and Human Movement: the Study of Dances, Lanham, Maryland. Scarecrow Press, p. v, SHIRT AP WaIE- 2052] 4) FRI So] FR NF] APH 74a FAs 2a Bal Parewsoly S44o]z aAlaolct. Be PRUFBS PEF] ABS AVS ANT VEZ At LSPS JPAACZ SHEr. AVY WSS Vs Wag (Alan P, Menian)ol7l4y AA Alofelo| SBE 1970dTHo WHE “OF BAA Va WS7-Lo|cHAn Anthropologist Looks at Ballet as a Form of Ethnic Dance)"9} “a14-7-8(Fok Dance)" 0]@H= EAA SPR VSP Mg BF] Be BIA EIS Also] 7 AHA] MLS MBAS Bowe] FA. Moho eSBFe Fo] qe BFF BIS FQ Apdyos ted, ASAE Fhe] S7} AS] SS FILS WIDE FEI] FY SAA, $9) FES AIPA BW ola} AMA BEA ELSES T So4 Sao Apo] BE 1ZSS Aral FZ UT. 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AAD APY THUR FE As USS, Seth zea H WR, FE Meat Salo] AAAS Sele] Ba Agel A TE BACs SSE + ME TNF APMHES We BS Fo} ole YR APYASS FAs} U}ok MH Aolct. 13) 9134+F(1996). it 214-RBNBAAT MAH 1999, 12Vv. 8 clr z ASS YES Aly EA Aes od ats He aaa Be A zo] ULE ool afo}st eee Belch ue oA) Feel Bo] Basle dss Qo] se Aegsp} asaow wwesjo} ch Bet Aztol Qae lest Atha] Sasa FHSS Rel PAF JD Bd. Mal AUNTS Fa Vole ALG Ps PRATT AS] FYsD slau He ASS ag, AW, wala gol ayy @ HAFT LOM, oles] ATE Moly] SeIEe dasa 2 ge 7g @ gelata F4en. UHI ATE “Vlahe] PAIS AA aaolae Zoly Vs alto] Yok) WARS ale ob cH 9] Be esol) Al F SIFT] YH) PISS VES FZ Wal FSB aay al #7) IMG F Zo URS F Asie] geo Be ats wee GE alana ech. FAA AB FAs BABYS AwoleHE LA glo] Ae] Bah So) AMES SEHD AME YASS taal dole aase 2 & FSNMGS, TAD IASe] SAspl Sl ale] AAS PAS a Rol cH Aw} aA) Qo] AIS er Ardea ayo} 420] Aaslz] BE AF CHE AEWA P|] So} o] HES BEF 7) Aol BAA AS WS FE UH AS VIM Feloh e ele. eezee 1) QHAR- PBA FT] WzHA(1980), “HBS HA ar-HO] SPALOP". 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Dance in the Fie, London: Macmillan Press Ltd, 19) Choi, Haeree (1995). “Ch’angiak Ch’um: History and Nature of a Contemporary Korean Dance Genre.” M. A. Thesis of University of Hawaii 20) Giurchescu, Ana and Lisbet Torp (1991). “Theory and Methods in Dance Research: A European Approach to the Holstic Study of Dance,” Yearbook for Traditional Music. Vol, XXII: 1-10. 21) Kaeppler, Addrienne (1991), “American Approaches to the Study of Dance,” 216 -FBIBYAD MAH 1999. 12Yearbook for Traditional Music, Vo XXII: 11-22, 2) Kealiinohomoku, Joann Wheeler (1972). “Folk Dance.” in Folkiore & Folklife? An Intreduction, Richard Dorson (ed,). Chicago: University of Chicago Press, 23) Kurath, Gertrude Prokosch (1986). Half A Century of Dance Research. Flagstaff, Arizona: Cross-Cultural Dance Resources, 24) Othani, Kimiko (1991), “Japanese Approaches to the Study of Dance,” ‘Yearbook for Traditional Music, Vol, XXIII: 23-32, 25) Willams, Drid (ec) (1997). Anthropology and Human Movement: the Study of Dances, Lanham, Maryland: Scarecrow Press. 26) LBS. AB DEH. 19904 108 279. 27) s Alay, AI} EV. 199944 104 17a), 28) AYU. AB ee. 1094 10 31a). PRIRY BP WRN -217ABSTRACT A Study on the Development of Dance Anthropology - An Approach for the Future Korean Dance Anthropology - Haeree Choi Ph. D. Student Ewha Womans University Recently, many Korean dance scholars and students are interested in dance anthropology as a new area for dance studies. Some Korean dance scholars and graduate students are researching Korean dance by limited concept and methodology of the western dance anthropology and rashly presented their works so-called ‘dance anthropological researches’. However, these kind of works can interfere and distorted the development of dance anthropology in Korea. This phenomena is due to a lack of the discussion about the concept and methodology of dance anthropology within Korean dance researchers circle. Therefore, | will discuss about the dance anthropological study for helping to understand the concept and methodology of dance anthropology. ‘The study is consisted of three parts. First, theoretical background of dance anthropology, which is generally discussed in westem scholarship, will be introduced by three aspects: concept, methodology, and history. Secondly, a brief description of Korean dance anthropology will be presented in two aspects: history and current dance researchers. Finally, problems of Korean dance anthropology will be discussed in terms of basis and misunderstanding about dance anthropological study in Korea. In conclusion, as Korean dance anthropology is a beginning, the first generation of Korean dance anthropologists have to organize and set up their study in the right way by wide and active discussion on concept and methodology. Especially, they should give a room for various anthropological methodologies for developing Korean dance. I hope that my study will contribute to development of the future Korean dance anthropology. 218 -RBABAAD MAH 1999, 12,