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  • Poglavlje 2. OSTALO U VREMENU: (Chapter 2. Rest in Times)

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    Aleks Prox
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    This chapter discusses the evolution of sound in the 20th century. It describes the last century as the loudest and most brutal in human history. Modern music is said to begin with Strauss's 1905 opera Salome, which ends with howling horns and thumping percussion. Italian Futurists like Luigi Russolo called for a "music of noise" incorporating unorganized sounds. The chapter then transitions to discussing sirens throughout history, describing their multiple roles as lures, alarms, and symbols of danger since classical times. It provides an example image of a Chrysler-Bell siren installed on a building in New York City in the 1940s.

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    Acoustic Siren Genesis

    Original Title

    1.1 Genesis

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    This chapter discusses the evolution of sound in the 20th century. It describes the last century as the loudest and most brutal in human history. Modern music is said to begin with Strauss's 1905 opera Salome, which ends with howling horns and thumping percussion. Italian Futurists like Luigi Russolo called for a "music of noise" incorporating unorganized sounds. The chapter then transitions to discussing sirens throughout history, describing their multiple roles as lures, alarms, and symbols of danger since classical times. It provides an example image of a Chrysler-Bell siren installed on a building in New York City in the 1940s.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
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    12 views2 pages

    Poglavlje 2. OSTALO U VREMENU: (Chapter 2. Rest in Times)

    Uploaded by

    Aleks Prox
    This chapter discusses the evolution of sound in the 20th century. It describes the last century as the loudest and most brutal in human history. Modern music is said to begin with Strauss's 1905 opera Salome, which ends with howling horns and thumping percussion. Italian Futurists like Luigi Russolo called for a "music of noise" incorporating unorganized sounds. The chapter then transitions to discussing sirens throughout history, describing their multiple roles as lures, alarms, and symbols of danger since classical times. It provides an example image of a Chrysler-Bell siren installed on a building in New York City in the 1940s.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
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    of 2

    KNJIGA I. ZABORAVLJENI ZVUCI (Book I.

    FORGOTTEN SOUNDS)
    Dio 1. Postanak (Part 1. Genesis)

    Poglavlje 2. OSTALO U VREMENU


    (Chapter 2. Rest in Times)

    rolo stoljee je bilo je vjerojatno ubojiti nastavak ljudske povijesti do sada , to je bio inajglasniji , brutalno udarnim i
    mehaniki drzak . Sluajui desetljeima jer oni zgaziti strane , Ross , glazbeni kritiar New Yorker , anthologises u
    pometnju . Modernost u glazbi poinje , on vjeruje , s premijere Straussa Salome 1905 ;opera zavrava zavijanje sirena ,
    vritei woodwinds i lupanje timpana kao Herod vojnici tijesto na nimfeta ispod svojih titova u ' osam barova buke ' . Talijanski
    futuristike Luigi Russolo poziva na ' glazbu buke , slobodno rikati , vrisak , prasak i uzdisati - netemperirana , neumjeren
    negodovanje ' .
    The last century was probably the most murderous instalment of human history so far; it was also the loudest, brutally percussive
    and mechanically brazen. Listening to the decades as they stomp by, Ross, music critic of the New Yorker, anthologises the uproar.
    Modernity in music begins, he believes, with the premiere of Strauss's Salome in 1905; the opera concludes with howling horns,
    shrieking woodwinds and thumping timpani as Herod's soldiers batter the nymphet beneath their shields in 'eight bars of noise'.
    Italian Futurist Luigi Russolo calls for a 'music of noise, free to roar, screech, bang and groan - an untempered, intemperate
    outcry'.

    2.01 1681, Huk Zvuk sirene kuckanjem (1681,


    Hooke - Taps Sound Siren), Siren Harmonic lure, alarm,
    underworld muse, integral dangerall these facets of the
    classical Sirens stalk the evolution of their technological
    avatars.
    Sirena Harmonijska mamac, alarm, podzemlja Muse,
    sastavni opasnost-sve ove aspekte klasine Sirene stabljike
    razvoju svoje tehnoloke avatare.

    1.01-1

    A Chrysler-Bell Siren installed on top of the RCA Building in New


    York City, 1940s.

    Poglavlje 2. Ostalo u vremenu (Chapter 2. Rest in Times)

    KNJIGA I. ZABORAVLJENI ZVUCI (Book I. FORGOTTEN SOUNDS)


    Dio 1. Postanak (Part 1. Genesis)

    Poglavlje 2. Ostalo u vremenu (Chapter 2. Rest in Times)

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