1.

| G | *G | C | *C |

Play Traid Inversion on every other bar(mino

r chord later)
2.

| A | C#m | G | Bm |

Play on 321.432 string set,also play sus4 on A,

C#m,Bm
like:| A Asus A |
3.Write your own progression for traids(123,23
4 string set)

4.Maj7,Dom7,Min7 Inversions on top 4 strings

5.

| Cm | D | Fm | Ab G

Play on 321.432 string set,also play sus4 on C

m,D,Fm,G
like:| Cm Cmsus Cm |
6.Review 1234 7th chord inversions + 6432 stri
ng set
7.1-5-10 harmonized triad g major scale on 653,
542,431 string set
8.In 1-5-10
| A | C#m | D | G |
| D | G | Bm | A |
| C | Am | F | G |

9.work on 7th chord Inversion on 4321(G),5432

(D) string set
10.Harmonize Scale 7th chord up 5432,4321 str
ing set
11.Write 3,8 bar progressions,use secondry do
m,be able to solo over it
| Amaj7 | G#7 | Dmaj7 | Bm7 E9sus |
12.Diatonic song cycle using closed voiced (135
7)voicings
Key of D,E,Bb,A
13.Write 2 progressions mixing secondry dom a
nd modal interchange
14.Diatonic song cycle mix 1357,1735,1573 voc
ings----change position
in each key(2 inversions in same bar?)
15."Over the top gospel changes"play the progr
ession,add fills.some traid
inversion (little of jimi)
16.Practice V7 Alt chord voicing resolve smooth
ly to I chord
17.Transpose"over the top gospel changes"to k
ey of A
18.| Ami7 | D7 | Fmaj7 | Bbmaj7 E7 |
9
9,13 9
9
traids,7th chord,9th chord,13th chord,inver

ion,diatonic sub
19.look at 2 walking bass examples
20.Ex18 do it in E key,use more voicings
Emi7--->Emi9
A7-->13,9
Cmaj7--->9
Fmaj7--->9
B7----->#9,b9,#5,b5
21.more creative,interesting blues rhythm guit
ar
22.do inversions on 5432 string set, 4th=100
5 4 3 2
5 4 3
2
5 4 3
2
5
4
3
2
C G B E
C G Bb E
C G Bb
Eb
C
Gb Bb Eb
E B C G
E Bb C G
Eb Bb C
G
Eb Bb
C
Gb
G C E B
G C E Bb
G C Eb
Bb
Gb C
Eb Bb
B E G C
Bb E G C
Bb Eb G
C
Bb Eb Gb C
23.do inversions
4 3 2 1
G B D A
A D G B
B G A D
D A B G

of:
5
A
B
D
G

4
G
A
B
D

3
B
D
G
A

2
D
G
A
B

24.Do II-V-I in C Major and Minor on 5432 strin

g set,all inversions(diatonic sub)

25.Ex24:use dim7 voicing as G7b9,diatonic sub,
inversions,tritone sub
26.| Cmaj7 | Cmaj7 | F9sus | F9 |
make up 10 parts for this progression
27.do something with 6th as double stops,mixe
d with other voicings,open strings,etc....