LADY IN THE DARK Musical Play By MOSS HART Lyrics by Music by IRA GERSHWIN KURT WEILL VOCAL SCORE CEdited by Auwenr Simway) CHAPPELL MUSIC COMPANY 1S 03 wY¥24 13LADY IN THE DARK Was Presented By Sam H. Hanns with GERTRUDE LAWRENCE. at the Alvin Theaire, New York, on January 23¢d, 1941 DR. BROOKS. MISS BOWERS LIZA ELLIOTT MISS FOSTER MISS STEVENS MAGGIE GRANT ALISON DU BOIS RUSSELL PAXTON. CHARLEY JOHNSON RANDY CURTIS JOE, an office boy TOM, an office boy KENDALL NESBITT HELEN, a model RUTHIE, a model CAROL, 2 model MARCIA, a model BEN BUTLER BARBARA JACK Cast of Characters Dowatp Ranpowrs, Jeanne Senay Geeraupe Lawrence Every Wyckorr Aww Lex Mancarer Date Natauis Scuarer Danny Kaye MacDonatp Caney Victor Mature. Warp Tattmon Groroz Bockwan Bear Lyteue Vinoinia Pee Geppa Perry Bern Nicuous Marcarer Westaerc Daw Harpe Paraicta Daerine Davis Cunnincnam ‘Musical Direction by Maurice Abravane! PRODUCTION BY HASSARD SHORTOne rainy afternoon a year ago Kurt Weill and myself sat at a table ina little midcown restaurant and rold each other vehemently why we would not write a musical comedy. Kurt Weill because he would not write the music for the regulation musical comedy book, and myself because 1 would not write the book for the regulation musical comedy music. We parted in complete agreement though it was a far cry from the purpose of the meeting. We had arranged to meet to see if we could not do a show together and had thoroughly succeeded in discovering that we couldn't. That is, we were both completely disinterested in doing a show for the sake of doing 2 show, in Broadway parlance, and the tight little formula of the musical comedy stage held no interest for either of us ‘We met again che following week and after another luncheon, that lasted well into the evening, we discovered the kind of show we both definitely did want 10 do It was, we decided, a show in which the music carried forward the essential story and was not imposed on the architecture of the play as a rather melodious but useless addenda. This is an easy phrase to write but to achieve that end it was necessary to create both a new technique and a new musical form. I say this at the tisk of sounding a little pompous, but it seems co me that in “Lady in the Dark’ this has in some measure been successfully accomplished. Teannot in all modesty discuss my own contribution, but I can with enormous enthusiasm discuss the contributions of Kurt Weill and Ira Gersh- win. They have, it seems to me, created a new musical and lyrical pattern in the American Theatre. I think for the first time—at least so far as my memory serves,—the music and lyrics of a musical “’show” are part and parcel of the basic structure of the play. One cannot separate the play from the music or vice versa. More than that, the music and lyrics carry che story forward dramatically and psychologically. All this, i seems co me, has been done with enormous resource, musician- ship and skill. As a dramatist interested in new forms in the theatre ic seems to me that Kurt Weill has made a contribution co our present day theatre of inestimable value MOSS HART ‘March 18, 1941IL UL INDEX GLAMOUR DREAM (On Fanvrous One. Hoxter Owe Lire To Live. Gint oF tHE Moment WEDDING DREAM. Marzeton Hiow Croat. Tus Is New, Tus Princess of Pure Deticur CIRCUS DREAM Tne Greatest Siow on Eant Dance oF tH Tumacens, Tue Best Yeans or His Lire. Tecuarcowsxy. Tue Saca oF Jenny CHILDHOOD DREAM My Sup, Pate n 2 28 68 n 6 * 101 us m 126 135LADY IN THE DARK ° Music by IRA GERSHWIN I, Glamour Dream KURT WEILL Andante misterioso(d - 80) LIZA (humming) vorce, Piano: Barly evening on Park Avene) ly evening : 2 aime Copyright © 1041 by Chappell & Co. ne tmcrnaonat Copy Saaed ALL RICHTSTESENVED - Prined inthe USA. Unauthoried copying. stangng. adapting, rvording or publ performance an infngement uf copyright Sor ae oe rfrngersaeable Unde the lan Westminste: Crow Coliege40° Allegro giocoso (4-132) Bis men march on 'SIX_MEN We come to ser. ¢love And with the sound of is wrong with - out + ade the love -1y traf. fe —, tady we a dore. ee12 Allegretto quasi andantino (desea) ove Yoloe On, Fab - u-lousOne in your i - vo-ry tower Your What Mel - sande was to er

ee = bg:18 sutton spoken Boy Put it on the tate ‘A coat of sa-ble Bait rings) SUTTON (poten) Come in! (tan with touave enters van ‘A\ flow-er for Misa El li- ott Tri- bute to her splen- dor From his Roy-al High - ness, TheFrenchPre-ten - der!19 BEEKMAN (ihe chanffeur, enters) Good eve-ring Sut-ton! (Poco meno mosso! Ah, Tste a touch of blue. Shewearsit ax ithwornby few. SUTTON and REEKMAN aim. ertAndantino grazioso (J: 44) win ails our Li- 2a goes Then, then, me-thinks how sweet - ly 2 ! » a : : ——— = fue-tion of — her SUTTON chummingy ==MAN ——. = ——. ai other wo-men ap - pear Ham-mach-er Schlam-mo - rous, Allegro moderato (412) A thousand par-dons — Imustquitthescene rs sxe enters fe son Se = a a SS ae uLIZA peaks) ‘Good evening, Suton SUTTON peaks) Good evening Mins E1tfot LIZA Gree) sutton ‘Ave there any mies it~ ges? Quite A num-ber Moderato assai td 2112) Huxley wants to ded-i-cate his book {© you And Stra - vin- sky his lat- est son-: —ha a Fe ee ee =35 SSS SS ast Sev- en thou-sand stu-dents say they 100k to you Te be at the Yale Harvard Re pose for him. Here's the key eat Ep -stein sayy you vim-ply have to to the In-land of To ba- xo. Du Pontwants youwear-ing the new hose for him. Can youchristen a battleship in San Di-2a LIZA tare SUTTON (/inuls anuther cable) Shos-ta - ko - vitch his lat~ est Liza Sev- en thou-sandstu-dents say they look to me To be at the Yale Har-sard Re- 2 surrox Liza ‘Oh how love How splen - ia! stringende2s SUTTON Liza But it on - ly is your due, This must nev-er be string. ripe? EF poco rit. Ep-steinsays I sim-plybave to pose for him! No re Du Pontwants mewear-ing the new aati daa got thrill-ing to be theworldsin-am-o - ra-ta! Oh,howthrill-ingto be theworldsin-am-o - EFS,26 Allegro moderato (J. 52) Liza Tit probably motor to Bear Mou omar = gg (Beekman appears with the car) we teal27 Allegro molto (J 132) TEEKMAN earned it woeld be blue tonight, So tin driving the blue Dusenderg withthe blue license plates and BREKMAN Where to Miss Eliott? Liza, Tne'Seventh Heavens” Pity mosso (Phey drive in the car) Pesto iB 5-58 ples 6-58 fs = 1B SESLiza Where are we Meekmas? BEEKMAN Columbus Circle Liza ‘Would you get me my blue soapbox. please. Twant tomake a speech. uta SSS SS SSS There are ey man-y minds. in cie- cu Nev-ing ja re in-ear who does = sta29 tempo Chal-leng-ing pos - si - ble TH on- ly tive to make the most of it 7 party want to be the host of If theres a haunt-ed house T want to be the T want to be the tomt of30 Allegretto commodo (4 - 126) died say te ry morn = ing, — Youve on- ly one tife to feckmanSbe says_to her ev - ‘ty morn - ingea be done Leth tet the sun in be done Lets let the sun in And gloomcan jump ia the 1 No use to beat on the ‘And gloomean jump in the Fv" Lia What You collect at the eS ig aot bppa1 Each day is num - bered, No good when slum - bered, Thig_e_oy_thes | Why "goto piece - es? With on- ly one life to tive the gob - tins up Step out whileyou're in your prime r an = eS Se Z wnat does wor - ry - ing art you? Noth. ing! The thing that than be weed tape-iat Lead me, speed me => a32 is to have fun! All this may sound kind of hack = neyed— straight tothe _bar!— Just laugh at oldman re - pres - sion t But ith the best I can Andsend him in- to ob - t So please re - mem-ber, ive on - ly one life to Pm ‘off to din- ner oon ly one life to33 (the Wightelud appears) Andante non troppo (d= #4) —— (On ighetats ‘Tempo di Fox-trot (J = 116)Fry Moderato Sr (Je100) (Pierre enters) Mist Liza Biliow! ——_ S| ees a Yo ea sare you? Fs preeRe Gestlessen, a toast! The toast of toasts! Miss Liea Elliot! (Gi OF The Moment Allegro giocuso (d - 108)girl of And girl of the the ® os, 7 ment with the weave of the month, — ~ mentYoure my girl of the smile of 35 the And aay he looks of io -ment By “ry ment with the tight in And the the charm of year, ment of the tine your eyes the week —36 Yaugh in your voice, the rose in your cheeks And sun in your hair, And the mo-ment you could make my life sub- of the mo - ment, In a my flights of time. poco pi espr.ment with the smile of the day, — — And the grace of the month,— tooks girl of the mo - ment,Youre my mo-ment ev = "ty aE i Westetinster Civ Coke of the true time year — 37(hey dances = v Bugle catt Bapteeall) S They stop doneing) | hey dance ogai57 a= Moderato assai (d 96) PoP POF (Suldier, Sailor aad Marine march on) Oh good-niess oh gra-ciousourmindsare cu - pa-cious But 2 Oh good-ness oh graciousourmindsre ca - puccious But 2, ‘Oh good-news oh gracciousourmindvare eu - pa-cious But Moderato assai a ata eee elonWhat in the worlddoes this mean? AL though we are par-tlal To menthat are martial What i a pw mp == | AS = though we are pur-tiul To menthatare martial What rome es fects am eta SSS ss Ss SSS oo e Maki Tonga message for Mise bisa Biltats, rea = son brings you on —S—— reu- son brings you on the scene? —y— rea son brings you onthe scene? a at cal gS MARINE. ‘The President of the Uned States 2So, Prt PFT F aes oud-ness oh gra-cious our mindsare ca - pacious But what in the world doesthis mean? meee ree eee eel ‘Rood-ness oh gracious ourmindsare ca - paciousBut what in the world doesthis mean? i ee a Liza TES dato 3 yim ir} rect from the White House he calls at this nighthouse.One can-not sey this is rou-tine, And? ao = —s7y fin a rect from the WhiteHousehe calls at this nighthouse.One can-not aay thin ix rou-tine, Seo rect from the WhiteHouse he calls at this nighthouse.One can-not say this is rou-tine So OS Woe Fa MARINE (poten) — The Pres requests Thut for the na-tion-uta = = 7 € 2S SSE “tte stets SS pe 7 furtheranceof goodwill Fortheud - vancementofeuliuraland artis-tie a- chievement Your ae : a se a = - e How reat-ly_ tove-ty! Moderato assai (J = 98) ¥ Van to be At that thereanone so how thrilled she cought ‘Oh how thrilled she ought to be AL that there none so how thrilled she ought to be ‘At that there's none ¥0az LIZA poten Whois topaintme?Andwhee! — wanive fair us she Jam topaintyou and here! Larghetto religioso (d-72) ‘Oh girl of the mo - mentwith the smile of the day And the of the mo - ment with the mo - ment with the smile of "the day And the ‘io feseriatopaint rsporiath ne Oh girl of the Tenoe, he mo. ment with the wrt ?ix ————* Him haem of the week— And the grace of the month And the looky of te year Oh SS tt smile 2S =e of the charm of the week And the race of the month Apd the looks of the year— Oh And the tooks of theBirl of the mo - mentyou'remy — mo-ment ev ‘ry time. moment of the F le fe — year you are my. mo = ment ev. ry moment of the Ril ot “the mo =" mentyouremy moment "ev'ry mo-mient of the "time ment you = Oh girl of the mo - ment with the light in your eyes And — the oI Ft I the mo mont with the light_in_your eyes — And the emacs ae T Tm your hair And the rose in your cheeks Ag’ the laugh fp your voice van ia ylur bai’ And the rove in your checlw— And the A; ‘sun in your hair And roxe in your cheeks — Andaa the mo = ment in w — mo-ment you could make my life aub- on gin of you uta make ta In all omy flights of fan ey, Tights of your my fights of Took at ey your beau - ti - fotThat fan-ey come true. 2a wil of the mo - ment withthe smile of the day And the charm of the week— FFrr———S ee ee ee te, ee ee ct the min? mentwith the while ef the day=—" Come Se eae And the looks of the year Oh it of the mo- | == = of the month Andthe = z= the race of the month And the46 argo) - ment Youremy —mo- ment evry time: Youre my — mo - ment mo - ment you are my —mo-ment ev-'ry ment mo- ment t argo? MARINE ie fnisped. Tae portrat te sinte Allegro non troppo (4-109) bewu-ty un-taint-ed the por-trait is painted TheSSSh ee a 23S SS SS SS Se pleasesir un-vell it Andwhencanwemail it To friends in the For -ty-eightStates? I it im yeess-ion-is-tic? Ie it A mer=i-canprimi-tive? This work of, done? Ho po = in = ti lis ~ tie?48 ded. SOPRANO wft—y—, one? Ts it im pression is - tie? Tet sure nf 3 Of — beauty un-taint-ed The por-trait is painted The wz Ts it im - pression is - tic? Is it sure nf beauty unt inteed The por-trait iv paint- ed The re-al in tic? This work of art Hes we por-trait the na-tion a- waits Oh please sir un-veil it undwhencun we mail it und re~ al ia tic? This work of art Hes portrait the na-tion a- waits Oh ploasesir un-veil it andwhen can we mail it and —_—_—_—_—_~.done? Please sir whenean we mail done? Please sir whencan we mail stringendo poco a poco 49 veil AyPleasesir un - veil it,Plewsesir un-veil § itywhen eun we m it, whencan we mail it,pleasesie un- veil un-veil it,Pleasesir un - veil it,Pleasesir un-veit iwhencan we mail it, whencun we mail it.whencan we mail it to ee stringenda poco a poco when can friends = eight friends50 BEEKMAN Andante sostenuto (d= 80) Mf ‘The por- (ruitpaint-ed On thene prem-i# - & is ‘States ‘PLERRIE Ladies and gentlemen my ite establshmeat tonight becomes shrine of Metric importance ‘States ————— Andante sostenuto (J: #0) ben go a ST _ == te te [ie Jed ed SS SS Tonged to per-petou= i= tymt eid ey rowthredabe ought 1 AL that, Gereheone ve — * 7 ea a ee SS = SSE Som ime Foose Ar tat, there one 0 — . SSS = = terhelidcie ought to be. At that, therevnone so a5 oy SS St SP HES $8 488) SEE 35 $5555 oe gi BRPEL EELS ish ii ttiiS mollp stringendo ——4 ——F4 (the portrait ox wareited Lica aoks at it, then sereums) Adagio (4.12) a wouas misterioxe52 Moderato ass: ANOTHER (aif spuken MAN WOMAN’ looks 5 ANOTHER MAN. ALL The SS SS SS sau 80 un Li. ga - lie? 133 looks of Liza The size Soprano - ee eas Tenor Li-ta and she Li-ta and she ya Li-ta real-ly ike what js Livza really like? What is Li-ta really like,whs fx Li-za reab-y like? What is Li-zs reab-ly likeywhat is Li-za real-ly like? What is Li-ga really like.what is Li-zu realty tik Li-zu realty ikewhat is Li-za real-ly like? What is Li-za realy ike,what ix Li-za really like? Movcel ti we: roter Chor Cutt geRhumba elt agitat)td «10 a ee ment with the a= vig dine Fr E55 3 3 charm of the week — kil of the = Mesto of pre cious35 girl of the mo - ment with the light in your eye opie aver fr | varie Peer Pp fs ert of —— 624 ———= 5 = oie + *? eri36 —_=== mo- ment to the heights no more youll climb TELE(Gurioso & SS Sj § => i of the maT? cleat with the omile cf the dopa And the ee SS Se charm of theyorce Tempo di Bolero (J - 60) IL Wedding Dream Andante misterioso (d= 80) 4 Liza hun senrano ers eno | he Choral ‘Tempo di Bolero SaveatoSSS girl61 SS nov ‘She was Cheer Leader inthe third year, ‘We grad-u -a-ted with her. Molto animato (d= 126) ALL (spatten) Ma-ple-ton High, ple-ton High, For Bul a a eS = yecin you we will do and fur you we willdie! © Pah Rub Rah!62 Tempo I (Bolero) (= = see teys ae Le me ANOTHER GIRL (spoken) sea GiRt, Tinea ner stot Tinought sde was stuck up Boy Poco piit mosso a 24 BOY el spon) SSS SS == 58 tree in the gars den wnereshe used 0 ing. Tights wet = ——— > = === ~63 tell it now, On grad-u-ation day when Li - zadediveredthe Va-le-dicto.ry ae _ orn, reve quite understood her. She hada prety = She did-nit take me_ser-ious-ly: Allegro moderato (4 : 100) ‘Mapleton Highachoul song) SS Sl ing the praise of Ma-ple-ton High! Each heart is filled with oy-al- ty, And _ = => = os =a = eS = = pe i ai We sing the praise of | Ma-ple-ton High! Each heart is filled with loy-al-ty, And Pipe te ttt == = = 7 ‘ing the praise of Ma-ple-ton High! Each heart is filled with loyal ty ee Se a Westone «Chet: Potisaedo or well die And reach the goal of — vie- to- ty. do or well die And goal of “do or well die And reach the qoal of — vie - to- boun-ty is = ton High, Your— boun-ty ison i Mu. ple ton High, Your boun-ty is on nev. Gr de - ny -———— nevser de = ay No to.6 Boy She wasa wit at tensis: one time I had ner 5-2 ANOTHER BOY Point set. She beat me 9 Remember that earleature she drew of M.dAlbert ALL (spotend Parleevous Francais? Ousrer la feené- tre sil vaus plait Gdreamity) La le tate ta ta Ia ta da Ta ta ta de.apry days Soprasiom/| “hite on Ea ‘on Tevor ev -ry hand And while We live wel we live welll alma mater Ma-ple-tonHighYour boun-ty is on Ma-ple-ton High,Your bounty is fal - ma ma-ter on ‘Ma-ple-tonHigh,Your boun-ty is Ror ot never de- ny No finer school is in the zZ nev-er de-ny No. fin- er achool ix fer school is nev-er de- ny No fin ‘Ma-ple- ton High girl— Ste a= PSS SS S| Wendell Nesbitt enters) ONE GIRL (spoken) Kendall Nesbitt is for- ty-eightyears old He . : A Soprano_2y Sr SSS Sat e5 ° : aio € + ts ale == 4 ali ONE HOY Gpoken » a = — s =F Sas == fiche Tiesterted the me-qw-tine for her Its buen mont suesoy ort Asmeiney Bat way 5 Py al ike tag) hesitant? (Si fr pe lysates my = IS = _ 35 SS === BE coset ‘They sbould bowery BOP-By Cae == EE They eae uaz! i eeat tas 8 SS at = See SS be with em a be with em - M- Or shall It be with diamonds? = ah ces + Ss69 (re jeeler drases a dogger) (te dstappears) Allegro vivace (d (andy Curtis enters) Flame of the Cel. tu - PP leggivro =the toia! A pre-cious a-mal- am of rank Mer-ri-well, An -tho-ny B- den and For ty milion wom - enbs Kan - sas in Pata-yon ~ ia, in iS Hot - y-wood it - ‘self RANDY Darling at ast! ry wom = an ai il == == Ss : SEF Wig he a = _¢ fi fie BaF iSpigiee® : a Ssn This Is New RaxpY (with toarmth) — i SS . a de == used to roam Through the Pleas-ureDome of Kub- la Khan, ae — T held you tight, my love, In the gar- dens of Old Bab - y - ton, ost you through the cen-tur-ies. I find you once a a a And find my-self the luck - i-ent of(slowly with expression) Thin is (pene ee This ik new And Tim tiv = ing nt tants - Head to toe. youve ot me so Tim spell - bound — i = — 1 don't know if Tam hewn or hell pound —23 Te it Ve- nus ins sist af theough withthe shud ow = y — — F fin expr poco rit7A Lento(d= 4) (Randy Curtis diseppears) Soprano, ——— Um Tempo I (Bolero) LIZA poten) Toan't re-mem-beran-y more. ALL (spoten) Go on! pokend Go on! poten) Go on! poke Go on!cr ———— I don't know, ae SS SSS SS= Sot one rs = == = —— 2 jhe = —— = eee = ppp pp _-Mt peg el ee i= = SSS SSS thie is the eve of your wed-ding day. What are you. thibk - ing of? te = = = = CSS = SS xa 7 7 ce => SaaS Sasa ames Ere = = ' z Liza iow curious. Now very curious Of all the thirgs 1 could be thinking of at this moment, a little schoo! play. Tacted in as a child’ keeps runing through my find.u 76 {Yb vo nave veen tne princess, but I wasn'tI dost remember why. LIZA poken) = S = See Z e — Pees eaee Werretitening, (Tae Punces We are listening We are listening, [The Princess Of Pure Delight Sostenuto(d 72) _ _ Allegretto grazioso (J = 108) Liza ‘The Prince in orangeund the Prince in blue and the ? leggiero. Prince whose rai-ment was of — laven-der hue, They sighed and they suffered and they77 a minstrel! (cung) Her fa ther, the King, did- n't know which to choose;There were twocharmingPrinc-esheld have to refuse So hecalled for the dean of his sorcer-ers and Tn quired which one was to win her hand. spoken) Wich they always did in those days. teung) MY me | oF18 Poco meno mosso King heres a rid-dle, nev.er_spetied right, fone who ean unewer will King called the three and he What word t you test them to-night of five Tet. ters enna What word of five let-ters al ways apelled wrong? The be wedded ere long"’spoken That willbe twenty gulden please ong The The told them the test while his fair daugh-ter keptbeut- ingher breast. He the rid-dle. ‘They faited as =~, Allegro giocoso(d all of 4 sudden the SSS 35 ie newer that id teried thesinger of song, > “Whats neverspelled right infive letters is80 allargando Highness the Princess be fong-eth rmelpeten And Fine heranpeay, “Be “ ——— — —- a Jig Pili mosso off with you silduin! the King cried in ruge,“Formy Princess a Prince nota man fromthe stage!” But St: Sire? said the min-strel, “Tis love makes mr say, No King whos a real King treats a nung, fe 7 = SSS SSS SS SS SSeS Se lov-era this vaympokewAnd ifyou're no eulKing.noPrine-rss is she, And if she no Princess then Teimet sporting! t= tempo81 she can ated me” “Hy Gad” cried his highness, “You handsomeyoung knuwe, 1 — four me you'reright™and his Ulews-ing hw gave. (spoken) dea frumpeter legan to Erumpet (sungyThe * 2 ae ts vit Moderato assai a ae ap ee ee SS ee a ee $F Prine - ene then quick ly came out of Rerwoon And she looked at er swain at SASS dotee expr — a= == world wis in tone. Aud the cay-tle soon rang83 JOHNSON LIZA Maggle! Allison! Speak to re!Tempo I, ma poco pits mosso(d = 68) Soprano oe A aire Li-za Elliott is going to be Tevor ‘And now Li- a Elt-iott in going to be anton moa Ell-iott is going to be ‘Tempo I, ma poco pit mosso ie eee) x Ell-iott_ is going to be ee going to bethe hap pp (besante) fae ie Litt yr voice praise! -sinvinater Chow College86 RANDY To eee Te oe WEDDING GUESTS La 5 ‘Thisis Weir days of days! ‘Wout a love-ly day for a tove- ly _—_—__—___ What a lucky man to win him-seif such you're got To the gates of Par-a-dise both are rere87 don't know love and Joy = ally act ing as their rift? ‘pound CHARLIE (murmuring) rat Hts nev-er too late to Men-dels-sohn, = hearts are at Jour-ney's What. cer their fu-ture they must share it- 188 CHARLIE (ua louder tone) He mhere be ary who kiow why these Oxo shou This § twain shouidoetrbejpinedinbo-ly wealoex =89 No, vot No, ne! No, uo!Thativat true! 1 T do. Soprano. atto. Tew + — ‘This won RANDY seh Hass, the altar This is new TD wae mre yon cath aidbath ah al = Apo = = a es ad -- a | + ix not the true Li 2a El-ti-ott ‘Tellthem 4 bout your - self Li-za EI-1i-ott! qS= = == fand Yin tiv - ing at bs =} ==) =< car ead = = er Tell them the womun you really want to be— Longingte be beas - ti - ful Head to toe youve get me so Tm Li And yet re.jecting beauty, Tell them the truth. spell - bound, don't knowCe Err ae This ie no purt of heav-ens mar- riage plan Af without Randy) This in no part of heav-en This Wom-an knows she does not love this mun =e Ee This wom-an knows she does not love this man,aS = § SF ie i SS SSS nev-er too late to. Men.dels- sohn,Twoheartware at Jour - ney’s End-el CHILDREN. pat : The in or-angeand the Prince in blue And the <= = ly day for ond Tim tiv a love = ty ing at SEN = A + PSF SSE wer their fu + ture they must share it. T trust they Loh. en = grin and bear it.I ps SS Soprano Prince whose raiment wasof lander hue, Theyaighedand thy sutferedandthey tsmtul nigh for the ‘This is no purt of Mewen'smar-riage plan Base = SS PA =F last find Tim Tieing at last sud Fi then at SS = Sa =e== = SSS nev- er 00 late to Men-dels . sohn neighbor-ing Prine - esx of Pure an fit #8 pase =e See This womanknows shedoes not tove And Tim living at Hos be End of 2nd Dream7 Iz. Circus Dream Alla marcia (d=188) SSS SS SSS SS —— SS = SS — —— — i. Srp Ft = SS SS Ftszing, ta - ra - ra —— Ta-ra-ra ting, tering, — tezing, ta- ra ra, lizing, ting, tezing, ta ra ra, tering, tring, tezing, tas ra- ra - rat = The Greatest Show On Earth! Its Full Of Thrills and Mirth! You Get Your oo ey" Worth! Come one come ull!_______ Come see the Midg-ets and the ¥96 Bush-men from Aus - Soprano. ite Teaor You tra - lia, ‘The Flowr of Wom - an - kind Who Cant Make Up Feature You Will ce ks In Their Daz- zl ing Re- Her AL- ways Re - Call! vert fe ren Ot Tarte and Worth! Ita Full. Of Thrilte wand Worth! te Full97 Mirth! The Great-eat Earth! Come one come Mirth! The Great-est Show Barth! Come one come all! Mirth! The Great-est arth! Come one come all! (Phe Ringmaster enters) Moderato assai (d= 80) RINGMASTER salt a a SS a Ladies andGentlemen, I TakePride in In-tro-due-ing ‘TheGreatestShowOnS___wfatempo Earth! Lita EI - ti-otth Gar-gan - tuan ThreeRing Cir tur-ing for theFirst. Time © Cap | Ueva-tinganéTan = Who Can not Make UpHerSSS SS SSS Ve Se eee os ee soe eee i Tempo 1d 18) Soprano ALL Sach! oa The Flow'r OF Tewor The Flows OfFeu-ture You Will Always Re. call Isa Up Her Mind Is a Fea-ture You Will Al-ways Re- call Her Mind Is a Fea-ture You Will Always Re- call You Get Your Mon . y's Worth! It's Full of Thrills and You Get Your Mon. ey’ Worth! Its Full of Thrills and You Get Your Mon - ey fts Full of Thrilix and oe ith Mirth!The Greut-tst SS Mirth! The Greatest[Dance Of The Tumblers] Allegro non troppo (d = v6) eo 5 SF poco pesante103 yuimento) Presto (doppia mo106 PAGE emer Liza RINGMASTER RINGMASTER Wat fs al) els? Charges against me? What for? Wrat salts? Order in me courtroom! Tanah yan MY Er See ta de at) = RINGMASTER. ree) Where - ax Liza El-li-ottcannot make upher mind a-bout the tL Soprano aie Lic aa Buster cover or the cir- cus cov-er; Se- eun-dus L Se-cun-dus! Se-cun-dus! 4, ‘Se-cun-dus!"More Ove SSeS “More o-ver!con-fu-sions of an ul -read~ y, A a SS = Fee cle theea warty There-tore, a Be it re-solved! “Re it_re-solved!109 RINGMASTER Presto(d = 144) Introducing that deatn defying trapeze artist and Proscesting (cheer ‘Auorney, © Allegro animato(d.- 120) (Charlie marches wn) (Drum CHARLIE Vm the ut. tor-ney for pro xe - cu-tlon, Can't be bought or sold! For the j=5 ~— juin she in there Wasiis ier Chir Cotoge110 Will there be ane c+ tro. It he wins the case? a — = HINGMASTEE: Totroduing tha tring bareback rider ‘nd Attorney Br he dete Ray CaP “Randy marches on) Vy the Jaw - yer for the de. fend Cant be gold or bought — Bl. Hi-olts star isin the as-cend-ant; This will come toait Soprane aio | > ‘Tune He's the law-yer for the de- fend - ant, Bare- buck rid - er, He's the for the de. fend - ant, Bare- back rid - er, Bay L Hes the law-yer for the de- fend - ant, Bare rid - er, too! Miss EL Ti-ofts ntar As-cend~ ant ‘Cord ig to Bis view! e ascendant ‘Cord = ing {0 his Tatty star view! El- lio star in the us-cend- ant ‘Cord - ing to hin view! ee Rivomasten, Itrodverng those merry madeaps and prabkish puitaloonaticr, tMe dary on Our ob ject all sub412 lime —— We shall a-chieve in the mel 0 - dy Ringmaster beats gavel) RINGMASTER fit the rhyme, TRe = mel-o = dy fit the rhyme! all im oma. teri = a think this is Gilbert and Setl-i -vant?113 Liistesso tempo (d - 120) a Git - bert and Sell pl this jv just a sum-ple Then ev i a > eeeinre At The Greatest Show On CHARLIE Your honor, Me. Ringmaster, { would like to introguce hat peerens witress and Lion tamer, Kendall Nesbitt. CYesbitt enters)14 CHARLIE CHARLIE Mr Nesbitt, you are a You were led to believe ‘reing your wife so you tke defendant would mar. Cane tee to marry the ry you wher, a5 and if defendant, sev Ghat 20? NESBITT m NeseITT Yes, sir! Yes, sie! CHARLIE CHARLIE ut now she re ‘You gave her the best years uses to make up of your life ad yet she Fe her mind NESBITT fuses to be your wie NesuiTT RINGMASTER Yes, sir! Yes, sir} Tempo di Val Can you eon stage would wt be15, Poco meno mosso (J. = s6) gave her the 7 fe She was, shall we PROTT PP [et F mis - tress? ‘Twas on. ly for her yore - ing hin wife a. a The miv-ter who once wus the max- ter of two Would116 sus missed out on ——_. mis - sus for the mis-tresk is through! What a mess of — HF FT F this i Soprano ite But he's missed out on mix - sus for the min- trewe i Tenor Hut hex missed out on mis un for the AN. Uresw is t But he's missed cut on mis. sus for the min tress is a ee ee417 through! through! through! «What RANDY RINGMASTER Your anor Me, Yes, Mr. Bareback Rider Ringeiaster. RANDY HINGMASTER 1 would like to answer the charge Just Go anead. I can hardly: wast rade by the prosecuting attorney. Con sentimento gave bim hee word This cue, there - fore, atempo118 iw so mich dead Her promise er heard For she er prom-ised she Ss Ws just that a change oc - curred And although it may have dismayed him When a maid gives her heart but does not give ker a 7119 How on earth can that maid have be-trayed him? bd Liza Tra - ta Be T neveerguve my word. Tra - la Soprano Ate She gave him her heart but not her word. This case theresfore Dever pp SSS She gave him her heart but not hee Word, This case there-fore Bass__pp. She gave him her heart but Hot her word. This cine there-fore Leretee pid ‘This ac-tion ig ab - urd. Fru la Ttovedhim at the is so much dead wood. Her promise fo wed he nev = er fy to much dead wood. Her promive to wed be new er so much dead wood. Her prom-ise to wed he never120 change of heart, Tra. la prom-ised she just that a Prom-ised she wed would just that For she nev prom-ised she wed would just that a ‘The rightsof wonvan-kind Tra- ta ______ "permit achangeof change of heart curred And although it may have dix-mayed him change of be, 0c - curred And al-though it may have dis-mayed hie change of heart ec - curred And al-though it may have dis.mayed him a7] —<<=.121 mind, When a miidgives her heart but does not give her word How on earth can that zs —~. > —— 5 Soprano A maid have be- trayed him? When mudd ives her heart but does Teor When a maid gives her heart Uut does When maid given her heart but dues ——— <-> £ dd dd Je) pe f= Foe pe EE pr pap not wive her word Howon earth Gan that maid have be-trayed him? , i i kiomasTeR f2 2 sip 4 Safale pone = GER Charming. charm =e = ig. who wrote ‘ord How on earth eun that maid have be-trayed bin? iat Beces) #4 : = aR = a eee Teenaikousky! ‘earth eanthat maid have be-trayed him? RINGMASTER Tschaikowsty? ceonposerst[Tschaikowsky ‘Allegro barbaroewse) (not too fast aud well pronounced) were's Ma-livehevssky, Rucbenstein, A- ren-sky and Twchai-128 kir-eff, Zo-to - tar-eff und Kvo-schin.sky. And Sok-ol- off and Kop-y-loff, Du-kel-sky and Kle- nof-sky, And Shos-ta - ko-vitsch Bo-ro-dine, Gli- ere and No-wa-kof-eki, There's Li-ad-off and Kurgunoff,Mar-ki-e - viteh, Pant-schen-ko And Dar- go -myz- ski, Sicher-bat-cheff, Seri ~ =e 7 wap a-bine Vwi = ccha-ti-noff And124 Gis-zownoff ard Cucsar Cui, Ka. 1h - ni-koff,Rach - ma -ni-noff, Stra - vin-sky and Gret- chnu-ni-noff, Rum-shinsky and Rach-ma-ni-noff, I real-ly have to stop, The sub. ject RINGMASTER. RINGMASTIR fon enough! Stra - vin-sky, Gret - ehiu-ni-noff, Kvo-sckin-sky, Rach- ma-ni-noff! 1 real-ly have to stop because you all have un-der-gone e-nough!sivomasruR PSII oun 225 Chine nixcuasrex At taster t woule HisAEy bs eastce Het ean ce Ui Weaan ogee Ht estate aealttaad ENGkastan ERS EMSS egretto d «49 ATER io, Allegretto (d« «3) Soprano And now the star Mt - trac-tion The Greatest in the Land! The ‘And now the slur at - trac-tion ‘The Greatest in the Land! The = And now the star at - trac-tion The Great-est in the Land! The CHARLIE Miss Bits youve beard the charges agaist you, Mave you nade up your i Mboutany of hese thick? an Fea-ture At-trac-tion Gives us Ac-tion On the Fea- ture At-trac-tion Gives us Ac-tion On the Wit - ness Fea ture At-trac-tion Gives us Action426 Liza Not avert CHARLIE Liza Boyouinterdio? — Taor'exnow The Saga Of Jenny Allegretto quasi andantino (J 56) Liza ‘There once was 4 girl nated Jenny, Whose clined ‘makeae7 Moderato assai (inn strict rhythm) (d = 116) Soprau?ne = Ys denny? Nev - er heard of Jen- ny! Jenny in out of Jenny? Jenny? Nev- er heard of Jen- ny! Bot Tam sure the court Find Jen py is im-mor- tal Soprano Liza Alf bearing on this ease fas fr fa stance? — Well, for in- stance for in- stance?128 Refrain (leisuredy) —— ‘ ie Sane ects ot gs == a5 ia SS denny made her mind up when sheus three, She, her-self, was going to trim che 2. Jeala} made her mind up when showas twelve, That into” for-ciga lan‘guug en S Kencay made her mind up vat” (wen-iy-twor To. get ber-welf a” hus-bandwas the SZ SERC Rade her mind up at thiecGyoning, | Shewould take a trip. to. the E Sencey tmade her mind up at HEY one, Shewouldwritobermem-cvoire ‘be et erase ft —————— t ¥ = A atenge La: i $ = => ie = eS eo oy o 7 aS Christman tree Cheistmas Eve whe 1 the can-dlestossed the twpers away. Little Teen. would dee, But vat’ fev-en-vcen to Yarsar ity was quite a tow That in Ming on doe She got ser-sif all doled up in er “tutnsand furs, And abe IRE ok nee are wet oat yom Ga Soe an bus vis (caclesiasipvent Won) foreste an done, The vers) day Ber bogh wan’ pub-tished hie try recites There were aS SS ie —s —S caro —— Fomatt notes onty for Sth refrain) ALL Poor Jen- ny! Jen-ny wax an or-phan on Cheist - max & 4 Poor Jen- ay! twen-ty-sev- en Tan-guag-es she could-w't say no. kot herself a husband, but he was-nt herm— Poor Jen. ny! Was the one who start-ed the Good Neigh-bor pol - i - oy, Poor Jen ny! wives who shot their hus bunds in some thir - ty thee states Poor Jen -ny! 2 j= = / SSS = aed Bright usu yenny!iler ¢-qualwould be hard to find She lost one dadandmath-er, A Bright ax apenny! Her e-qualwouldbe hard to find To Jen. ny Tm be-hold-en, Hor Bright av upenny! ier eofualwouldbe hard to find-= De-served's) bed of tesvent But Bright ax a penay!Her equal weuld be hard to find. Oh pesction doewa't eaniahy tu Bright ax penny! Her ¢ qual would be hard to find — She could give cardsandspadies, To= == ie 2S SSS siv-ter and « broth-er, But she would make up ner mind heurtwas big and gold-en, But she would makeup her-mind. his to ry dincelon. en Thatshe would make up her mind Port-a-gene or Spanish, Butshe would makeup her ming Tmacny otheer ladies, Butshe would make up her mind Ste * aS + = sev. en-ty- five,— t 4 an gin rum and des = tay play funny tricks— And poor Jen-ny Kicked the buck-etJen-ny points a mor- al With which you can-not quar-rel. Makes a lot of com-mon Jen- ay und per ka ga Prove that you are “ga- It you don't keep sit- ting on the — fence, —— Jen- ny und her sto - ey Point the way to glo ry To sll mun und wom - a131 Liza — Au-y-one with vi-sion Comes to this de-et - sion: Don't make up. Youshouldn't make up, You = Rf —— oo salt muxt-n't make up, Oh nev-er make up— An-¥-ooewith viesion Comes to this de-ei-sion: = = mind!182 canis ‘Amost excellent defence Miss EIl/ott, May 1 ask what you nave there? Moderatotd « 98) Liza CHARLIE uiza CHARLIE Ta ees aera CHARLIE (o Jury? You Liza No, 80. Dont! Don't! Don't sing that a fea!SSS fraidAosme-ey Kendall Newitt — A+ —— ——_ ake cues = SS fraid to be thewom-an youwunt to be! Afraid! A-feuid! Afraid! Afraid! a a tee ea co Ha-ha- a-ha, Ha-ha-ha-he, a-ha. haha -a ‘Mike up your mind! Make up your min wom (Phey disappear ‘Makg_up your at “Make up your — mind! SS =a (arhispering) SSS a Ve End of sed DreamIV. Childhood Dream Tranquillo (d= 72) bd! ate SS bo). |b Ss = ifort My Ship “Andante espressivo(d: #8) Lu —_ [oe SSS Ss Sp =e My shiphassailsthat are madeof sith, The decksaretrimmed-with gold, _And'afjamandapicethereha ae ee = = SS) Ft iL ‘ === Z == SS 7 7 = 7. vet ffarry re it Ee | SS. | S— — SSS === ad 7 e t * = poe 3S SS rubies fill euch bin ‘The sun sii high ina sapphire skyWhen my ship comes = — es set af Ci SE = = stessaeee tor Shar Coe ge