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JOURNAL OF CLINICAL ORTHODONTICS
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The golden divider may be used
for morphologic analysis of the teeth,
the skeleton and the Saft tissues of the
face (Fig. 1) Itis based onthe "Golden
‘Section” also called the "Divine Propor-
tion’: Upon widening the divider, it wil
‘be noted that a short side and a longer
side will be measured off praportion-
aly as the divider is extended (Fig. 2).
‘The longer side is 1.618 times the short-
‘ar side.ang tha shorter sid ls 0.616 tha
length of the fonger. in turn, the langar
side is 0.618 the length of the total
‘outer messurement. The golden rala-
tion (1:1,618) is ealled Phi and given
the Grovk symbol . This relation is
based on underlying laws of mathe-
matics, geometry, and physics.
‘The use of this instrument applies
to esthetic values, because so many
ions found to be beautiful to the
neye oF comforting and pleasing
{o the human psyche follow these pro=
portions. But, of greater significance
are the biologic implications, as many
things in nature follow the principie in
proportionality of the golden section,
the golden triangle, and the golden
rectangle. The proportion is linked 10
growth and it relates to optimal func-
thon. Hence, it can be used for analysis
of structural harmony and balance,
and can be applied for treatment plan-
ning of the tooth, bone, and soft tissue
The Golden Divider
ROBERT M. RICKETTS, DDS, MS
relationships tor all forms of dentistry.
maxillofacial and plastic surgery.
Tooth Relationships
Useful parameters for the teeth
start with the lower central incisors
(Fig. 8). Thus, the total of both lower
ccentrals (10.8mm) is golden to both
Upper centrats (17.Smm), which starts
a series of harmonic units in tha ocelu-
‘sion (Fig. 4). The next golden relation
{across the arch, not in direct width of
teeth) Is the measurement between the
istals of the two upper lateral incisors
{28.3mm) as related to the upper cen-
{als (175mm). The next progression
Is the width to the buccal surfaces of
the upper first bicuspids (45,7mm),
Which Is golden to the width through
the lateral incisors in the normal beau-
tiful are. This is generally tacking in
patients with maloectusion in all throe
types.
Another series is observed in Fi
ture § trom the width of the lower four
incisors (on the arch) at 22.1 mm, The
Upper intercanine width measured at
the cusp tips at 35.75mm is found in a
golden relation to the lower incisors,
Finally, the width at the mesial of the
Upper second molars (57,8mm) will be
found to be in the golden relation to
the intercanine width in beautiful
JCO/NOVEMBER 1987Fig. 1 The Goiden Der
Fig.2 Widening the did praduces two measurements In ratio of 11618.
Fig. 3. Occlusion to demonstrate values es-
‘eed in Figures 4 and 6.
VOLUME Xv NUMBER 11
arches, which helps in assessing arch
form. A third relation is seen in Fige
ure 5. The distance between the dis-
tals of the lower canines (315mm) is
golden to the distance between the
lower first molars (0.2mm) at the
buccal grooves,
Soft Tissue Relationships
For the face, a connection is ap-
parent in the smile, a5 the intercanine
width is observed to be the same asFig. 6. Relation of the teeth atthe Intereanine
(nite tothe width ofthe nose atthe lar rian
the seme,
the width of the nose at the-alarrim as
seen in a glamorous made (Fig. 6).
For the wigth dimensions in the
soft tissue, the nose, mouth, eyes and
face are related (Fig. 7). If the laters
rim of the nose (LN) width is taken as a
unit of 7.0, progressively the mouth
Fig. 7 Points on sat Ussue used In this ae.
VOLUME XV NUMER 11
RICKETTS
(CH), lateral canthus of the two eyes
(LC), ang the width of the head at the
evel of the eyebrow (TS) is a progres
sive golden series (Fig. 8)
For vertical relations, it is best to
start with the underlying skeleton as
seen in the lateral cephalometric head
plate. Eight golden relations wereiden-
tified from composites of 30 beautiful
normal male subjects with ideal nor
‘mal celusions (Fig. 9). For the vertical
location of the lower ineisar, the Point
‘A[at subspinale in the maxilia) and the
Paint Pm (at the mental pratuberance
of the mandibie) is used. In centric
occlusion, if the distance from Point A
to lower incisor tip is taken as 7.0, the
height of the lower incisor to Pr is
1.618 (Fig. 10).
For relation of A to Pm itselt, a
golden praportion is seen to the Frank=
fort plane (porion to orbitale). If the
lovel of orbitale (lawer rim of the orbit)
Fig. 8 Progression in soft tewwe tram nate ta
auth io eyes toned.THE GOLDEN DIVIDER
( 4
ete
“1 NA,
wk eo
0 J GL
Fig. 10_dea! poston Tor lower inet spol
Fe position for tower heltr ie pols
‘Fig. 11 Golden propertion in the mandible
‘(iPr-KiCo or corpus anls lo conde als).
Fig 12 Golden proporion In cranial bse anc
UCO/NOVEMBER 1981RICKETTS:
Fig. 18. Frontal goiden anatyss,
{0 Point A Is taken as 1.0, the vertical
height of the denture is 1.618. suggest-
ing normal denture height (Fig. 10).
Other values for surgical ar ortho
pedic corrections are seen as the cor
us axis {Pm to Xi paint) is golden to
the condyle axis (Xi to Condylion} or
pasterior superior aspect of the con-
dyle head. The Xi point is the geo-
graphic center of the ramus (Fig. 11),
‘Also, maxillary depth is goidentto pha-
ryngeal depth (Fig. 12). The cranial
structures are seen to be golden in the
anterior and posterior base S-N (1.618)
+ SBa (1.0). Nasion to cranial center
(CC), at 1.618, is golden to cranial cen-
ter to articulare on the Basion-Nasion
plane.
For vertical facial relation in the
soft tissue. another progressive series
VOLUME xv NUMBER 11
is seen as confirmed fram composites
of normal beautiful faces (Fig. 7). Here,
starting with the larger value, the face
height is taken from Trichion (at the
top of the wrinkled forehead or near
the hair line in the young) to the bot-
tom of the chin (salt tissue menton). It
the lateral canthus level ta Trichion is
taken as a unit of 1.0, the height of eye
to chin is in the golden proportion, if
the face is beautiful (Fig. 13). Inversely,
from chin upward, the distance of the
chin to the curve of the ala of the nose
is taken as a 1.0 value and 1.6 is seen
from the nose ta Trichion. This makes
nose length (lateral canthus height to
alar height) a congruent or reciprocal
area or the "center" of the face.
From the eyes downward, a.gold-
€n relation is seen from the nose (1.0)THE GOLDEN DIVIDER
Fig. 36 Lateral golden analysis.
to the chin (1.618). Inversely, the bot-
tom of the chin to the mauth at 1.0
eaves a 1.6 proportion from the mouth
to the aye, Like nose length, the upper
Nip length is a reciprocal or an overlap
ping congruent area between the eye
ose-mouth-chin proportions.
WV the alar rim tothe upper lip (to
Fig. 18. Golden proportion trom eye-nose-chin
stomion of lip embrasure) is taken as
1.0, the distance tothe chin is 1.6 ang
the same distance to the eye is 1.6.
This finally shows that three equal
areas of the face are. very nearly the
‘same in beautiful faces. These are fore-
head to eye, eye to mouth, and nose ta
chin (Fig. 13).
For locating golden proportions in
the profile aspect, the same limits of
vertical proportions were found useful
NW appeared that the base of the ear
lobe waé the posterior limit to the face:
(Fig. 14). To nose tip these formed
three golden rectangles like the tore-
going equal areas, i.e, Trichion-cye,
‘eye-mouth, ane nose-chin. As the hari-
zontal nose-trague base is studied, a
,goiden section falls at the lateral can-
‘thus of the eye! Taking the eye-mouth
vertical as 16, the canthus to nose rim
is 1.0. Figure 15 shows the golden di-
vider applied to the eye-nose-chin for
facial height. Figure 16 shows the di-
vider-an the ala of the nose, lip embra-
sure and chin to determine denture
height and lip position
For graater detail and background
to the Golden Section and Divine Pro
Portion, other publications may be
consulted.
JCOVNOVEMBER 1981REFERENCES:
Banketl. Leore The Golden Arbalos, Scripta
Mathematica, 21:70:76, 155.
eather U, Aled (Brousseau): An Inroduction
taFibonacci Discovery, The Fibonacci Associa:
tion, Sar Jove, CA, 1868,
Chataney, Tomas M. Clin. Chirurgie Maxzilo>
Foslaie et Onthedontia, Masson, Ea, Paris,
Gardnar, M: The Multia Fascinations of the
Finonactt Sequence. Scientific American, 220:
116-120, 195.
Ghyka, Matida: The Geometry of An ar Lie.
Dover Publications, ine, New York, 1977,
Hens, Revert: The Art Spit. Lippincott Co,
Prilsdeishis, PA, 1960.
Hoggal, WE, dc: The Number Theory: The
Fibonacci Sequence. Yearbook of Science and
the Future, Eneycopedia Brtanica, Chicago,
1077,
uritoy, H.E The Divine Proportion = A Study
In Mathematies! Beauty. Dover Pubications,
lng. New York, 1970,
Le Corbusier Le Moduler Faber andFaber Li,
Uendoa, 1954
Lejoyeux, J=Prosthese complete. Tame 2, Diag-
roate et Traitement, Cbraire tstoine, Parts,
‘rt
Levin, Ewin: Dental athatice anc the Golan
Propartan. Journal of Prosthetic Dentatry. 0:
244-252, September 1876.
Lombardi, Richard E: The principles of visual
[Bercaption ang tele cinicalapplicaion 1 Gan
resets. The Journalot Procthalle ient=
tty 200.4, Ape 1873.
Michal J. 1s MaFibonaeeie Sequence or Geis.
fn Ratio Propartion Rapeesaniad in the Great
Brrance of Env? The Fiborecl Newser
ily 1976
IMitchison, G4: Phyflotwxis and the Fibonacci
Sores. Scionce, 106:270-278, 1977
Reichardt. J: Art At Large. New Selantist, 6:
‘30, 1072
union, Garth E+ The Golden Section and
‘slated Curioaa. Seatl, Foresman & Co, Gler-
‘lew, IL 172.
Thompson, DArcy: On Growth and Form.
‘Cambridge University Pres, 1961
‘Vorobey, NIN: Fibonacci Numbers, Peegamon
Press, Oxford, 121.
881 Alma Real Drive
Pacific Palisades, CA 90272
VOLUME Xv NUMBER 11
RICKETTS