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The
Book 2
The journey continues upwards into the middle register with new notes,
sharps, flats and more great tunes.
Book and
Audio Set
The
Andrew Scott
Flute
Method
Book 2
by
Andrew Scott
Visit me on the web:
andrewscottmusic.com
Contents
Lesson 1
Lesson 8
Lesson 2
Lesson 9
The Note C in the Middle Register .................. 32
The C Major Scale .......................................... 32
10 exercises and songs including
The Ash Grove, The Orange and
the Green and
Sleeping Beauty Waltz ........................... 32-35
Lesson 10
Lesson 3
The Note A in the Middle Register................... 12
The A Natural Minor Scale .............................. 12
10 exercises and songs including
God Rest Ye Merry Gentlemen,
All Through the Night and
Morning Has Broken ................................ 12-15
Lesson 4
Lesson 5
Lesson 6
The Sixteenth
Note (or Semiquaver) ............... 22
2
The 4 (Two Four) Time Signature .................. 23
The Eighth (or Semiquaver) Rest .................... 25
12 exercises and songs including The
Arkansas Traveller, The 1812 Overture
and The William Tell Overture ............... 22-26
Lesson 7
The Dotted Eighth Note (or Dotted Quaver) ... 27
8 exercises and songs including Here
Comes the Bride, Grenadiers March
and English Country Gardens ................. 27-30
Fingering 43
Chart ........................................................... 42
Glossary ...................................................... 43
Tuning the Flute .......................................... 44
Lesson 1
The Note G (in the Middle Register)
space above
the staff
same fingering
Remember to tune your flute to the CD before you begin each playing session.
Forgotten how to tune up? See page 44.
Tuning
Track 1
Middle G Exercise 1
Track 2
Middle G Exercise 2
Track 3
Middle G Exercise 3
Track 4
Track 5
Waltz Style
Track 6
Botany Bay
5 beats introduction.
Track 7
Beautiful Dreamer
Track 8
Stephen Foster
Country Waltz Style
Scarborough Fair
Track 9
Track 10
Track 11
3 beats introduction.
Track 12
Bossa Nova Style
Lesson 2
top line of
the staff
same fingering
Middle F # Exercise 1
Track 13
Remember that a sharp sign at the beginning of a staff applies to all the F notes in the
piece.
Middle F # Exercise 2
Track 14
Samba Style
The sharp sign in the key signature applies to all F notes on the staff - those on the top
line as well as those in the first space. All the notes in this exercise are F .
Track 15
Track 16
Alberti Style
Sakura
Track 17
Cruisin
Track 18
10
C to D Exercise
Track 19
Merengue Style
This exercise is for you to practise changing smoothly between C and D, which is what
you will need to be able to do for the following piece.
Serenade in G
Track 20
Johannes S Bach
Baroque Style
11
Lullaby
Track 21
Johannes Brahms
Bossa Waltz Style
5 beats count-in.
12
Lesson 3
The Note A in the Middle Register
1st ledger
line above
the staff
same fingering
Track 22
Samba Style
Track 23
Track 24
13
A Minor Arpeggio
Track 25
In the previous lesson we saw that arpeggios are the notes of a chord played one at a
time.
A minor chord contains the 1st, 3rd, and 5th notes of its corresponding minor scale.
The A minor chord contains the 1st, 3rd, and 5th notes of the A minor scale, ie, A, C
and E. When you play these notes one at at time you are playing the A minor arpeggio.
Track 26
Carribean Style
Rainy Sunday
Track 27
14
Track 28
Swing Style
3 Counts Introduction.
Track 29
Above bar 8 in this song, is the instruction: D.C. al Fine. This means return to the
beginning and play until the word Fine.
D.C. is an abbreviation of the Italian words da capo, which mean to the head.
15
Reville - Key of F
Track 30
March Style
3 Counts Introduction.
Track 31
16
Thank You
for trying out
The Andrew Scott
Flute Method Book 2
andrewscottmusic.com