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ii-V7-I progressions:
C#min 1 11 b7 ( C# F# B ) descend
F#7 9 5 1 ( G# C# F# ) ascend
Bmaj 9 5 1 ( C# F# B )
C#min 1 11 b7 ( C# F# B ) ascend
F#7 6 9 5 ( D# G# C# ) descend
Bmaj 9 5 1 ( C# F# B )
C#min 1 11 b7 ( C# F# B ) descend
F#7 9 5 1 ( G# C# F# ) descend
Bmaj 3 6 9 ( D# G# C# )
C#min 1 11 b7 ( C# F# B ) ascend
F#7 6 9 5 ( D# G# C# ) same
Bmaj 3 6 9 ( D# G# C# )
C#min 1 11 b7 ( C# F# B ) descend
F#7 9 5 1 ( G# C# F# ) same
Bmaj 6 9 5 ( G# C# F# )
C#min 1 11 b7 ( C# F# B ) ascend
F#7 6 9 5 ( D# G# C# ) ascend
Bmaj 6 9 5 ( G# C# F# )
C#min 1 11 b7 ( C# F# B ) descend
F#7 9 5 1 ( G# C# F# ) ascend
Bmaj #7 3 6 ( A# D# G# )
C#min 1 11 b7 ( C# F# B ) ascend
F#7 6 9 5 ( D# G# C# ) descend
Bmaj #7 3 6 ( A# D# G# )
C#min 1 11 b7 ( C# F# B ) descend
F#7 3 6 9 ( A# D# G# ) ascend
Bmaj 9 5 1 ( C# F# B )
C#min 9 5 1 ( D# G# C# ) ascend
F#7 9 5 1 ( G# C# F# ) ascend
Bmaj 9 5 1 ( C# F# B )
C#min 1 11 b7 ( C# F# B ) descend
F#7 3 6 9 ( A# D# G# ) ascend
Bmaj 3 6 9 ( D# G# C# )
C#min 9 5 1 ( D# G# C# ) ascend
F#7 9 5 1 ( G# C# F# ) descend
Bmaj 3 6 9 ( D# G# C# )
C#min 1 11 b7 ( C# F# B ) descend
F#7 3 6 9 ( A# D# G# ) descend
Bmaj 6 9 5 ( G# C# F# )
C#min 9 5 1 ( D# G# C# ) ascend
F#7 9 5 1 ( G# C# F# ) same
Bmaj 6 9 5 ( G# C# F# )
C#min 1 11 b7 ( C# F# B ) descend
F#7 3 6 9 ( A# D# G# ) same
Bmaj #7 3 6 ( A# D# G# )
C#min 9 5 1 ( D# G# C# ) ascend
F#7 9 5 1 ( G# C# F# ) ascend
Bmaj #7 3 6 ( A# D# G# )
C#min 9 5 1 ( D# G# C# ) descend
F#7 3 6 9 ( A# D# G# ) ascend
Bmaj 9 5 1 ( C# F# B )
C#m 11 b7 b3 ( F# B E ) ascend
F#7 9 5 1 ( G# C# F# ) ascend
Bmaj #7 3 6 ( A# D# G# )
C#min 9 5 1 ( D# G# C# ) descend
F#7 3 6 9 ( A# D# G# ) ascend
Bmaj 3 6 9 ( D# G# C# )
C#m 11 b7 b3 ( F# B E ) ascend
F#7 3 6 9 ( A# D# G# ) ascend
Bmaj 9 5 1 ( C# F# B )
C#min 9 5 1 ( D# G# C# ) descend
F#7 3 6 9 ( A# D# G# ) descend
Bmaj 6 9 5 ( G# C# F# )
C#m 11 b7 b3 ( F# B E ) ascend
F#7 3 6 9 ( A# D# G# ) ascend
Bmaj 3 6 9 ( D# G# C# )
C#min 9 5 1 ( D# G# C# ) descend
F#7 3 6 9 ( A# D# G# ) same
Bmaj #7 3 6 ( A# D# G# )
C#m 11 b7 b3 ( F# B E ) ascend
F#7 3 6 9 ( A# D# G# ) descend
Bmaj 6 9 5 ( G# C# F# )
C#min 9 5 1 ( D# G# C# ) same
F#7 6 9 5 ( D# G# C# ) descend
Bmaj 9 5 1 ( C# F# B )
C#m 11 b7 b3 ( F# B E ) ascend
F#7 3 6 9 ( A# D# G# ) same
Bmaj #7 3 6 ( A# D# G# )
C#min 9 5 1 ( D# G# C# ) same
F#7 6 9 5 ( D# G# C# ) same
Bmaj 3 6 9 ( D# G# C# )
C#m 11 b7 b3 ( F# B E ) descend
F#7 6 9 5 ( D# G# C# ) descend
Bmaj 9 5 1 ( C# F# B )
C#min 9 5 1 ( D# G# C# ) same
F#7 6 9 5 ( D# G# C# ) ascend
Bmaj 6 9 5 ( G# C# F# )
C#m 11 b7 b3 ( F# B E ) descend
F#7 6 9 5 ( D# G# C# ) same
Bmaj 3 6 9 ( D# G# C# )
C#min 9 5 1 ( D# G# C# ) same
F#7 6 9 5 ( D# G# C# ) descend
Bmaj #7 3 6 ( A# D# G# )
C#m 11 b7 b3 ( F# B E ) descend
F#7 6 9 5 ( D# G# C# ) ascend
Bmaj 6 9 5 ( G# C# F# )
C#m 11 b7 b3 ( F# B E ) ascend
F#7 9 5 1 ( G# C# F# ) ascend
Bmaj 9 5 1 ( C# F# B )
C#m 11 b7 b3 ( F# B E ) descend
F#7 6 9 5 ( D# G# C# ) descend
Bmaj #7 3 6 ( A# D# G# )
C#m 11 b7 b3 ( F# B E ) ascend
F#7 9 5 1 ( G# C# F# ) descend
Bmaj 3 6 9 ( D# G# C# )
C#m 5 8 11 ( G# C# F# ) same
F#7 9 5 1 ( G# C# F# ) ascend
Bmaj 9 5 1 ( C# F# B )
C#m 11 b7 b3 ( F# B E ) ascend
F#7 9 5 1 ( G# C# F# ) same
Bmaj 6 9 5 ( G# C# F# )
C#m 5 8 11 ( G# C# F# ) same
F#7 9 5 1 ( G# C# F# ) descend
Bmaj 3 6 9 ( D# G# C# )
C#m 5 8 11 ( G# C# F# ) same
F#7 9 5 1 ( G# C# F# ) same
Bmaj 6 9 5 ( G# C# F# )
C#m 6 9 5 ( A# D# G# ) descend
F#7 9 5 1 ( G# D# F# ) descend
Bmaj 3 6 9 ( D# G# C# )
C#m 5 8 11 ( G# C# F# ) same
F#7 9 5 1 ( G# C# F# ) ascend
Bmaj #7 3 6 ( A# D# G# )
C#m 6 9 5 ( A# D# G# ) descend
F#7 9 5 1 ( G# D# F# ) same
Bmaj 6 9 5 ( G# C# F# )
C#m 5 8 11 ( G# C# F# ) ascend
F#7 3 6 9 ( A# D# G# ) ascend
Bmaj 9 5 1 ( C# F# B )
C#m 6 9 5 ( A# D# G# ) descend
F#7 9 5 1 ( G# D# F# ) ascend
Bmaj #7 3 6 ( A# D# G# )
C#m 5 8 11 ( G# C# F# ) ascend
F#7 3 6 9 ( A# D# G# ) ascend
Bmaj 3 6 9 ( D# G# C# )
C#m 6 9 5 ( A# D# G# ) same
F#7 3 6 9 ( A# D# G# ) ascend
Bmaj 9 5 1 ( C# F# B )
C#m 5 8 11 ( G# C# F# ) ascend
F#7 3 6 9 ( A# D# G# ) descend
Bmaj 6 9 5 ( G# C# F# )
C#m 6 9 5 ( A# D# G# ) same
F#7 3 6 9 ( A# D# G# ) ascend
Bmaj 3 6 9 ( D# G# C# )
C#m 5 8 11 ( G# C# F# ) ascend
F#7 3 6 9 ( A# D# G# ) same
Bmaj #7 3 6 ( A# D# G# )
C#m 6 9 5 ( A# D# G# ) same
F#7 3 6 9 ( A# D# G# ) descend
Bmaj 6 9 5 ( G# C# F# )
C#m 5 8 11 ( G# C# F# ) descend
F#7 6 9 5 ( D# G# C# ) descend
Bmaj 9 5 1 ( C# F# B )
C#m 6 9 5 ( A# D# G# ) same
F#7 3 6 9 ( A# D# G# ) same
Bmaj #7 3 6 ( A# D# G# )
C#m 5 8 11 ( G# C# F# ) descend
F#7 6 9 5 ( D# G# C# ) same
Bmaj 3 6 9 ( D# G# C# )
C#m 6 9 5 ( A# D# G# ) ascend
F#7 6 9 5 ( D# G# C# ) descend
Bmaj 9 5 1 ( C# F# B )
C#m 5 8 11 ( G# C# F# ) descend
F#7 6 9 5 ( D# G# C# ) ascend
Bmaj 6 9 5 ( G# C# F# )
C#m 6 9 5 ( A# D# G# ) ascend
F#7 6 9 5 ( D# G# C# ) same
Bmaj 3 6 9 ( D# G# C# )
C#m 5 8 11 ( G# C# F# ) descend
F#7 6 9 5 ( D# G# C# ) descend
Bmaj #7 3 6 ( A# D# G# )
C#m 6 9 5 ( A# D# G# ) ascend
F#7 6 9 5 ( D# G# C# ) ascend
Bmaj 6 9 5 ( G# C# F# )
C#m 6 9 5 ( A# D# G# ) descend
F#7 9 5 1 ( G# D# F# ) ascend
Bmaj 9 5 1 ( C# F# B )
C#m 6 9 5 ( A# D# G# ) ascend
F#7 6 9 5 ( D# G# C# ) descend
Bmaj #7 3 6 ( A# D# G# )
Here are some great comping ideas for quartals (mostly for keyboard):
1. Play different quartals in the right and left hands (using contrary motion when possible).
This gives a fuller chord texture and provides more harmonic interest.
example (in C):
Dm (ii minor) LH: 9 5 1 ( E A D ) RH: 11 b7 b3 ( G C F ) = 1 b3 5 b7 9 11
G7 (V7 domin) LH: 3 6 9 ( B E A ) RH: 9 5 1 ( A D G ) = 1 3 5 9 13
CMaj7 (Major7) LH: 6 9 5 ( A D G ) RH: 9 5 1 ( D G C ) = 1 5 6 9
2. Rootless chords in one hand - quartals in the other. Mix and match.
3. Subsitute quartals in the left hand instead of rootless chords.
4. If you don't have a bass player, play your standard walking bass in the left hand
and the appropriate quartals in the right.
(Above recreated with permission from www.jeffreebrent.com; 7s lesson Quartals)