1.

Colin Rowe and Robert Slutzky, Transparency: Literal and Phenomenal, in

The Mathematics of the Ideal Villa and other Essays (Cambridge: MIT Press,
1976), 160.
2. Ibid.
3. Ibid., 161.
4. Ibid.
5. Deborah Ascher-Barnstone, Transparency: A Brief Introduction, Journal of
Architectural Education 56 (2003): 3.
6. Rowe and Slutzky, Transparency, 161.
7. Ibid.
8. Ibid.
9. Ibid., 163.
10. Ibid., 164.
11. Ufuk Ersoy, Seeing through glass: The Fictive Role of Glass in Shaping
Architecture from Joseph Paxtons Crystal Palace to Bruno Tauts Glashaus
(PhD diss., University of Pennsylvania, 2008).
12. Ibid., 32.
13. Ibid.
14. Ralph Lieberman, The Crystal Palace: A late Twentieth Century View of its
Changing Palace, AA Files 12 (1986): 50.
15. Ersoy, Seeing Through Glass.
16. Klaus-Peter Gast, Le Corbusier, Paris-Chandigarh (Birkhauser, 2000), 56.
17. Ftima Pombo, Hans Verplancke, and Hilde Heynen, Transparency and
Context: the Design Process of Hans Verplancke, Architectoni.ca 2 (2012): 161.
18. Gast, Le Corbusier, Paris-Chandigarh, 54.
19. Ibid.
20. Ibid.
21. Detlef Mertins, Transparency: Autonomy & Relationality, AA Files 32
(Autumn 1996): 5.
23. Ersoy, Seeing Through Glass.
24. Gast, Le Corbusier, Paris-Chandigarh, 54.
25. Rowe and Slutzky, Transparency, 168.
26. Ibid.
27. Ibid., 169.
28. Ibid.

29. Anthony Vidler, The Architectural Uncanny, Essays in the Modern Unhomely
(Cambridge: MIT Press, 1992), 220.
30. Ibid.