Professional Documents
Culture Documents
of Anamorphic 65mm
in Years with Trailer
for Tarantino's 'The
Hateful Eight'
4.1k4k12511416
It may have fallen out of use almost completely, but Quentin Tarantino is bringing back 65mm
film (projected at 70mm) in a big way. He's been a big proponent of film his whole career (and
has called digital cinema like TV in public), and he's shot his most recent film The Hateful
Eightcompletely in 65mm with anamorphic lenses, giving us the first Ultra Panavision 70 film in
years. Here's the first trailer:
Here are the specs for this shoot:
o
As you can see that center-cropped 1.85:1 frame has a bit of black on the left and right. FromThe
American Widescreen Museum, here's what's going on with The Hateful Eight, which is going to
end up being a much wider image:
The 65mm/70mm era was a bit confusing to say the least, but for the most part shooting on
65mm is pretty rare these days (though a handful of films have shot scenes on it). A few fiction
films have also shot with the IMAX format for certain scenes, most notably Christopher Nolan
with the Batman films. While that's a 65mm negative, it runs through the camera horizontally,
instead of vertically, giving you a giant 15 perf negative with a much narrower 1.43:1 aspect
ratio