George Nelson
Good Design: What is it for2//1957
‘Good Desig’ is either book of exguette nor social register, What follows is
‘one of may attempts to remove the heavy hand a authority frm what should
‘beam area of personal enioyment
Wii the past few years the phrase "good desig’ has taken on anew
‘meaning over and above its original one: a programme oily sponsored by the
"Museum of Modern Ar, New York, and the Merchandise Mart of Chicago Such
's the power ofan idea when backed by effective publicity. make mention af
this atthe outset because my sublet has the same itl ae this programme, but
aherwise no connection “ood desi 25 popularized by the Museum and the
Merchandise Mart has cometo mean a certain numberof objects selected by Mr
Kaufmann and his juries, objects whieh may then carry kindof label of
approval when displayed fr Sle in stores. What I plan to cuss is much less
speci. and it would Be wel. therefor, to avid any posibilty of confusion,
‘Among thes ‘ess speci’ maters isthe question of bow 3 design comes
into existence and how ts refined ta certain degree of exelence. The process
's nota simple one. and t doubt serious If anyone understands it with any
exre of completeness. In spite of ths, a tentative exploration of the question
‘nas some vale,
Tradicon vs technology
For a design to emerge at alla deft situation hasta ext. Tere has tobe a
‘eed ~ ora least a possible use for it~ and there has to bea designer. The
designer may think of insel a farmer ora machinist ore may el ise
designer doesnt matter paricully as longa theres someone around with
‘the urge and the competence to gve form to an ide, The channel tvough which
‘the designer idea lows to become a fished object shaped by tradition and
bytechnolgy These twe dont always function sixth together npimiive
cultures the need for designed products is expresed in a series of relatively
simple implements. utensils and religious objects. The designe i requnty the
‘maker an the user as well With ecology moving slow train Becomes
"the main guide towards suitable form, and design development tends to goon
‘over generations. Once developed, forms sete into ity eigtd moulds and
“design would be described more precisely as imitation of standard pater,
with individual variations. There are any aumber of empl of fms wich
have persisted virtually unchanged over centuries and even millenia, In
socites which saw themselies 8 permanent — fgypt fe an outstanding
‘example the persistence of established forms aso verve to support prevailing
belie in an eternally stati stuation,
Function highly overrated
‘When we tlk abou thence! fra certain kind of object, i 004 thing to
realize that there sno necessary connection between the level or type af need
and the qulty of the design. This isan important point in avy discussion of