© heet, lusi¢ Dannhauser Solfege des Solfeges Vol. I Preparatory Exercises. For the Intonations. These exercises are made in order to familiarise the pupil with the in- tonations, and for sparing him the necessity of solving two difficulties at a time; the duration of the values and the accuracy of the sounds; hence, he will have to practise them exclusively while he is learning the first chapters of principles. When the pupil shall seize the intonations easily, he will! have to prac- tise in beating two, three and four to the measure, counting the beats instead of naming the notes, or of solfeggiating them. For this exercise, he should observe the greatest equality in the duration of each beat.(4) I. A times. | Rest.| 4 times. Rest. 4 times. Rest. oo IL. Pe lol ee el 4 times. @) It would even be very important to make use of the Metronome for this work,which ought to be done at different degrees of slowness and of quickness. The first labor, made with care, will give great ease to all that shall follow; it belongs, however, to teaches or to mothers of families beginning with young children in this so es - sential part of the art, to guide them, according to their youthful intelligence. (@) Each exercise should be made as many times as indicated. It would be well that the teacher should execute it alone the first time, letting the pupil repeat it immediately. G)Let the pupil hold each note as long as his breath will allow him, without fatigue, and let him rest for a measure, in silence,at all the rests indicated. c‘Dannhauser — Solfege des Solfeges — Vol. I T4 timeslRest. [4 times. | Rest. I 4 timedRest. I 4 cence: Rest. a row y ll. Bee ve tog vet re-F Twice. : do ce m1. He of = = = oe - SSeS SSeS 4 times. | Rest. 4 times. | Rest. 4 times. u Rest. Iv. a Se oe ae bd 4 times.| Rest. 4 times. Rest. 4 times. Rest. 4 times. RtDannhauser — Solfege des Solfeges — Vol. I [atimes.] Rest. 4 times. | Rest.] 4 times. | Rest. "4 times. | Rest. v. 3 = 5 3 3 S = sol Ja @ Sa do ™ dg Te Fe pe me me [4 times. ] Rest. [4 times. ] Rest.[ 4 times. | Rest. [4times.| Rest. OF: J ro zn FE e : a sol 7 @ [4 times. ]Rest:[4 times. ] Rest.4times. | Rest.[4times.| Rest. "Final. 1 — 7 ; roo F,Dr—~—~—r,—r”—.—U—C“CiCOCrzsSsCC—CCiCisisCVrzsiésCVWCéChC - rs Te : 4 do se wo we Sol ne me ue fa Si T4 times.] Rest. [4 times. | Rest. “4 times. | Rest.| 4 times. | Rest. [4 times. | Rest. [4 times. 1 Rest. ["4times. 1 Rest. Final. 1 = Sd sol sol fi a , oO Je" me _ CDi: 3Dannhauser — Solfege des Solfeges — Vol. I [4 times] Rest. [4 times. | Rest. [4 times. 1 Rest. t VIL. 2 . . do oo do re re me Me [4times.] Rest. [4 times. Rest [ 4 times.] Rest. [4 times. ] Rest. 1 = a mo [4 times.] Rest. 4 times.| Rest. 4 times.] Rest. [4 times.] Rest. Jé ne re la [4 times. | Rest. [4 times. 1 Rest. T Final. 1 6 Ee ll + o ro = 7 - 7 sol Wo sol Ja : i be do (4 times.| Rest. [4 times. | Rest.[/4 times. | Rest. [4 times.] Rest. VIII. : = z zi : oS do do ns. | Rest.[ 4 times. | Rest. | 4 times. | Rest. re re me mi fa Sa [4 times. | Rest. é "4 times. | Rest. 4 times. | Rest. [4 times. | Rest.{" Final. | viata bet A sot o solos re do sv se 0 (4 times.| Rest. times. | Rest.[4 times.] Rest. [4 times. ] Rest. ie z = oa oe “ re re me me me V4 times. | Rest. [4 times. | Rest.{~4 times. | Rest. [7 Final. é = See eS A £ - o SF se Sheet. CDi: 4Dannhauser — Solfege des Solteges — Vol. I Scale of the tone C/do), major mode. Four beats to the measure. Whole-notes. Lento. @ 3 ? 2 ni THI nr air tl ‘ UY mn ‘th Ne ‘ll tt its 4 i Rt Hit Exercises for intoning the Intervals. Intervals of Seconds. 7 3 3 > 2 3 3 ’ > SSS aes 2 2 9 a > 9 2 4 = fA aa SSS Intervals of Thirds ascending and of Seconds descending. ’ 2 — ’ , ’ Se SSeS Intervals of Thirds descending and of Seconds ascending. 2 2 2 2 2 3 9 EAE Ad + t = DOE = Ss Sheet . CDi: 5Dannhauser — Solfege des Solfeges — Vol. I Intervals of Fourths ascending and of Thirds descending. ’ 2 Ge) Pee es Intervals of Fourths descending and of Thirds ascending. 2 2 9 2 9 2 9 a At teeee ded ae gz 2. Intervals of Fifths ascending and of Fourths descending. ? 3 2 2 2) 2) = = SS eee 7 a Intervals of Fifths descending and of Fourths ascending. ’ ? SSS f p—+t ce ; Ta “ . =e # z oe Intervals of Siaths ascending and of Fifths descending. 2 2 2 > 7 = SSS Intervals of Sixths descending and of Fifths ascending. 3 3 ? 2 9 fA 2 == = ero ea Intervals of Sevenths ascending Intervals of Sevenths descending and of Sixths descending. | and of Sixths ascending. . gecpielseliniesleg ria Intervals of Octaves ascending Intervals of Octaves descending and of Sevenths descending. | and of Sevenths ascending. 9 9 oN SSSDannhauser — Solfege des Solfeges — Vol. I Summary of the Intervals. SS SS eS 2 2 3 ) 2 3 9 ae : =: Lessons for the different note-values and the different kinds of measure. Lessons with Whole-notes and Whole-note rests. The rest is the silence of the Whole-note. Moderatodl he Whole-note counts four beats. H.L. oie) Ft 99 9 dd Moderato. H. L. 1.6 SS Lessons with Half-notes and Half -note rests. The half-note rest is the silence of the half-note. The Half-note counts two beats. ROD. » pee S| aw SS ae l = * For all the elementary lessons,the movement “Voderato” with @ beats ought always to be metronomed 100 or 104 for each beat, or quarter-note. Sheet. CDi: 7iS SS SSS 2 ee Moderato. ; HL, i ee ee = Moderato. » = SSeS] + Moderato. H.L. 17. CDi: 8Dannhauser — Solfege des Solfeges — Vol. _ Jee Se ¥ T itp Lessons with Whole-notes and Half-notes. Moderato. SS SSSI a Moderato. SSS =s es =F SSS $ é Moderato. cz i SSS =] is ese tae CDit:Dannhauser — Solfege des Solfeges — Vol. I Lessons with Quarter- notes and their rests. The Quarter-note rest is the silence of the Quarter-note. The Quarter-note counts one beat. Moderato. H.L. 22. 2 SEES SEES Gree ered Lesson with Quarter-notes and one Quarter-note rest at the first beat. Moderato. H.L. 23. Lesson with Quarter-notes and one Quarter-note rest at the second beat. Moderato. HL. 24, 4 iriec pay Lesson with Quarter-notes and one Quarter-note rest at the third beat. Moderato. ' HL. Fe ¢ — + + -S Lesson with Quarter-notes and one Quartes-note rest Moderato. Sheet. CDi: 10Dannhauser — Solfege des Solfeges — Vol. I Lesson with Quarter-notes and one Quarter-note rest at the second and the fourth beat. Moderato. as n Go tet pitti Lesson with Quarter-notes and one Quarter - note rest at the first and the third beat. Lesson with Quarter-notes and one Quarter - note rest at the second and the third beat. Moderato. HL. 29. Ge Hay eee Lesson with Quarter-notes and one Quarter-note rest at the first and the fourth beat. ROD. 15st Repetition. ai 2nd Repetition Moderato.Dannhauser — Solfege des Solfeges — Vol. I Lessons with Half -notes and Quarter- notes. Moderato. H.L. u e Return. Magerato. ; 5G.C } =f at (aie pe Fine. : % Return. (Sess Moderato. . H ue jie lyre Pall elee la A Lessons with Whole-notes, Half-notes and Quarter-notes. Moderato. , ’ ’ . oft, fle ea eee HS Ses 3 2 Sy SS SL! CDi: 2Dannhauser — Solfege des Solfeges — Vol. 1 2 2 2 _ & oe ea =a 4g 0. ’ Moderato. oleae el, -| | =e Pee SSS re Lessons with Eighth-notes and Eighth-note rests. _ The Eighth-note rest is the silence of the Eighth-note. Two Eighth-notes to a beat, or one Eighth-note and its rest. “oy { : i 3 N ry Adagio (#69) H.L. % = _ = a > T tk 87. OP erg Mag tt o ~¢ - nt pm ——— a Shine. ; ’ % Adagio. (4-69) ms ( ILL Sheet. CDi: 13Dannhauser — Solfege des Solfeges — Vol. 1 Andante.(d = 80) ROD. 39. fol tenet eter te tte Gon PEE ES are eeeEaa| Gale Sas =F Z| Lesson with Half-notes and Eighth-notes. Andante.(J- 76) ROD. 40. PZ elf 7 tee te = Lesson with Quarter-notes and Eighth-notes. Moderato assai.(¢- 80) HLL. “= = + =. a. =a Z Head hd Pine, = = ; 4 4 — > cf Fast ? % ae oe CDi: 4Dannhauser — Solfege des Solfeges — Vol. I Lesson with Half-notes, Quarter-notes,and Eighth-notes. Andante. (d - 80) G.C. oft ca eas ese = : aS ra oo Lesson with Whole-notes, Half-notes, Quarter-notes and Eighth-notes. Moderato.( - 88) RO 43. 9 2 ’ PTE 2 wa) fetes Lessons for 34 measure. One dotted Half-note to the measure,one Quarter-nute to each beat. The dotted Half note counts three beats. Moderato.(¢- 88) % 2 ps ’ = Se ee PP =a = za ae ess =] CDi: 15Dannhauser — Solfege des Solfeges — Vol. I The Half-note counts two beats and the Quarter-note one beat. Moderato. (4-88) To Se Ss aS =e eal 6 2 =e iaarerae rag = eae = | 7 . > % Qari Moderato. d a . : ROD. 46. fet FPS Seed SS Se Se Mogerato.(4-88) 0.6F ae Sas af = Ses CDi: 16a? a oS Fine. SSS Ss Two Eighth- notes to onebeat. ch, iH | tH ‘i ve (lll 7 i Andante.(¢ = 84) : EER Ki cy q tr cy ft i Ht I it kl ‘th it ih uit i i fl x Sa aes — 2 2 ~ tos a meer r — + = eo oe ’ oN | = G Lessons for the %/2 measure, or © Gne Whole-note to the measure. Allegro. (2-96) : ROD. CDi: 7Dannhauser Solfege des Solfeges — Vol. I One Half-note to a beat. Allegro (d-92) 1 fa eS ee eid Beil SSR Moderato. (4-88) Two Poa ter notes toa beat. > ROD. 52. aS FETE é e t Allegro deciso.(d = 92) : He: 53. = =a ae 3 a, Fine. $ FUSS 2 % { t = oj Allegro. id = 92) ROD. 0 i eS SEAS SE Be Al SS Seas ‘ami raed? He S=epa = epeee| CDi: 18Dannhauser — Solfege des Solfeges The preceding lesson reduced to Quarter-notes. Allegretto moderato.(4- 8s) ROD. Moderato.(4 - 76) The preceding lesson reduced to Eighth-notes. * Se a — Moderato. (4 = 76) : ROD. Tree E a | FLeere fen oo ‘oda! Allegro moderato.(4- 7) Gc. 58. eee + Spanair at Saas r pays CDs: lusic’ HI Lt rl ae] Qu il tinDannhauser — Solfege des Sotfeges — Vol. 1 Lessons for %4 measure. A Half-note to the whole measure, a Quarter-note to abeat. Allegretto. (d= 92) % HL. 0 Re Hep Seg ae A Quarter-note or two Eighth-notes to the beat. Andantino.(¢ = 70) HLL. ei aa eS e aS Sees rss eter Spa 4 estates ea N34 reduced to Eighth-notes. Moderato.(d = 80) ROD. zs 61. 1 =e ofaeeeiaae ier rpeiaeel e p— ee = — Lessons for the use of dotted notes in © and ¢ measures. The dotted Half-note counts three beats in 44 measure. ag Andantino. (¢ = 88) oe eer eS aS eee Sheet. © lusic” 20Dannhauser — Solfege des Solfeges — Vol. I 2 Se Seer a See a SE] cH, CNS coh The dotted Half-note counts a beat and a Maderato.(? = 80) Sasa half in ¢ measure. ROD. 63. ee eee Fine. S22 5S Se bere Paap Sa Reduction of the preceding Lesson. A dotted Quarter-note counts three quarters of abeat in32 (¢) measure. Andante. (4 = 60) + ; ROD. : eee + 64. £: a ‘ asd Fine. % r T A dotted Quarter-note counts one beat and a half in 44(C) measure. Moderato. (d= 72) G.c. Sheet. © lusic’ 21Dannhauser — Solfege des Solfeges — Vol. I Moderato.(d- so) % Lesson with Sixteenths. Angante.(4 =63)Four sixteenths for one beat. One Quarter - note, or two Eighth- notes, or four Sixteenth notes Andante assai.(/-112) to a beat. & Saas heet. © lusic’ 22Dannhauser — Solfege des Solfeges — Vol. I 6 Reduction of lesson 66. Moderato. (4 =76) ROD. 69. oF : oe : ae === Fine. Lessons for 98 measure. One Eighth-note to one beat, one Quarter-note to two beats, ed Quarter-note to the whole measure. Andantino. (4). 132 SRDannhauser — Solfege des Solfeges — Vol. I Two sixteenths to one beat. Andante assai.(.)- 100) tbl 5 a Se G.c. Lessons for %8 measure. A dotted Quarter -note, or three Eighth-notes, to one beat. Andantino.(4= 5a) HLL. 9 z —_ = Pe cai ~?é Fine. rit eo % we Ce === = t e = pe Moderato. (Jd. - 60) H.L. SK pm . 94 —¥ 74. pa y + a t e : ne. o* oa heet CDi: 24‘Dannhauser — Solfege des Solfeges — Vol. I A Quarter-note and an Eighth-note to a beat. Andantino. (d. - Ba) 7.68 SSeS Sere tt = = = . _ Soe s ES ’ = es t & SSS aS SS =a tle et = a ea poe ea e lee : . Lessons with Triplets. Moderato.(d-92) ato ze = ws - ; 10 $A ete Sear stersee =o caer ns é r eS =e et rer a Nee a = o> pF of 6 ter + or cs PP D> : in 2 — Ss e ay af 2 on re Spee ted Sheet. A CDi: 25Dannhauser — Solfege des Solfeges — Vol. I Andantino. (de 120) ROD. 77. 6 aaa Fae ¢ EFS" Adagio.(¢- 52) G.c.Dannhauser — Solfege des Solfeges — Vol. I Lesson for the regular Syncope with Half-notes. Allegro. (d= 92) ; Gc. hi a B as i aoe EF i S| a SS tf ttl 4 HH : 2 HD Lesson for the regular Syncope with Quarter- notes. Moderato.(d- 96) ; Gq 80. Seas SE pee fe Li's eae oer 6 eee - aE CDi: 7Dannhauser — Solfege des Solfeges — Vol. I Lesson for the regular Syncope with Eighth-notes. Moderato.(¢=80) G.C + a. Be Vein ey ee ts 5] » 2 tl ‘ " ‘a 4 tH 2 2 2 2 or eee | ¢ PEP ee =o + = io = =] Moderato.(¢= 52) Lessons for the irregular Syncope. HLL. o (eee ees =: : ===? { = oS Fine. Bhs BH. ni ( ci t : ut ; ff wh ; I th TN = S sftDannhauser — Solfege des Solfeges — Vol. I Sas aS —? 2 2 % SSS es 2 % Sra Bal . Exercise for the study of the first sharp on Fa. Mogerato.(¢- 96) ae 2 > 2 84. 2 ' _ bd Sa eeaes é 2 - + : 2 2 roy a + Fine. 7 s-ngan ayaa Exercise for the study of Fa sharp and Do sharp. Andantino. (d-80) HLL. — 9 ? 3 i= =a CDi: 29Dannhauser — Solfege des Solfeges — Vol. 1 Exercise for the study of three sharps: Fa, Do and Sol. Moderato.(é- 80) ; eG ; HLL. Exercise for the study of four sharps: Fa, Do, Sol.and Re. Andante.(/: 72), HL. 87. ee ’ == a aS inane i oe i 2 —= ot BF Exercise for the study of five sharps: Fa, Do,Sol1, Re and La. Moderato,J- 88) HL afta aS 3 See - a =o aa Sheet. © lusic: 30Moderat (d= 9 ) — _ ROD. so ea Ee Aaa Be ES See SSS eae ét Se $ 3 SS SS - ieee Sanaa a aS as aise aaa PS SeaDannhauser — Solfege des Solfeges — Vol. I Moderato. Ge 76) ROD. SS Sa \ & 3S ee ed ee dT + == 2 SSS SS ee Be ey pee Moderato. (J- 76) ROD. cH. ed, iN fag RF ty)Dannhauser — Solfege des Solfeges — Vol. I Sag ee i : a Ge et ee zezeae stteas, 3 3g mm GSC PEE = : = ~_ a 2 3s Lesson in major mode of Do, with the use of the first five accidental sharps. Moderato. (4-92) = Gc. v. Sqeae! 5 e > - 4 : = a i Sheet. CDi: 33Dannhauser — Solfege des Solfeges — Vol. I Exercise for intoning Si flat. -Andante.(2)- 112 H.L. % (ois 8) es 4 x T ct 94. , e | Tr & as Fene. co ea ’ \ é =o Sires Exercise for intoning Si flat and Mi flat. ,, Andantino. d = 76) H.L. 9. $3 5 2 E =e © oe “2 Be ’ ee 5 + | ~¢ Exercise for intoning the three flats; Si, Mi and La. Andantino, | 76 H.L. 96. eu Spa pane Sheet. CDi: 34Dannhauser — Solfege des Solfeges — Vol. I Exercise for intoning the four flats; Si, Mi, La and Re. Moderato.(d =,92) ’ 97. = oe A ——— 7 fa SSS Sana SS Lesson in the major mode of Do, with the first four accidental flats. Moderato (d= 92), G.C. 98. a Seaai= ss HERE Chromatic Scale in Do, major mode. Lento. (4-60) : + rd of ee |Dannhauser — Solfege des Sotfeges — Vol. I Scale of the tone La, minor mode. Parallel of the scale of Do, major mode. 4 Lento. (d 399) ’ 2 2 2 2 nS Se 9 3 3 3 2 9 SGN 6 ee qescons in the minor mode of La. Moderato ( . oF .L. = + —— = wa aes 2 rat j (SSeS Hho aa eal Moderato.(d - 80) ROD. una [eh : EGY TE| Saas m orese, ae Reduction of the 1034 lesson. 7 Pia lento.(d= 60) ROD. St CDi: 36Dannhauser — Solfege des Sotfeges — Vol. I Summary of lessons 103 and104. Stesso tempo. non 2 105. 7 == e of 7 nf © SC. f Andante.(¢ = 81) = wv HLL. 106 = 2: ae eee 7 ht an cca epi hag [ea et = Po = = it 2 te e “i é at e —e $e el St dimin. P 3 ae? =, r & = + ¢ Ei fet a +—t as ale in the tone Sol, major mode. . 9 9 9 9 5 3 9 9 9 GN 107. = HH Lento.¢= o3y Lessons of the major mode of Sol. Andantino. ( 396) ’ H. L. wn = == 1 = din. f CDi ”Dannhauser Moderato (de 404) % Vol.T Solfege des Solfeges 4 St Pine. f° 4 2 eee aE P oa %& 4 —t 2 a #oRs SES a wees Ps poco a poco crese. Allegro. (¢ - 132) ROD. fp tte : =I 10. SS Ss nf a= = aDannhauser — Solfege des Solfeges — Vol. I Allegro moderato.(d - 120) ROD. ML ES P ‘4 : eas uf : = = + e at i ae Un poco Crese. ae Pp af St 2 = 1 2 & = pee ge ea moti aH crese. ape of 2 2 A —re =F #7 : eet w= =] e — Scale of the tone Mi, minor mode. Parallel of Sol, major mode. Lento.(2; 60) fe foes Lessons in the minor mode of Mi. ggModerato.(d = 404) - HLL, 113. om F = = : Z Ses é! ee aa Fine. f$ S of S Dl 7 CDi: 39‘Dannhauser — Solfege des Solfeges — Vol. I Andantino. () = 116) oy % 1 , Andante. (¢- 80) ‘ 2 116. a5 eae he if ————$—$——_——_ 1 = ee 2 SEs vw: erese. * te =F CDiz: 40Dannhauser Solfege des Solfeges — Vol. I Allegro. (d- 72) gel puR py 117. ae e i ——— — = iS o-2- fe < wf = .—* ———s a =! 118. 119. Lento ¢ e 69) Scale of the tone Fa, major mode. Lessons in the major mode of Fa. g Moderato. (4 - 100) 2 H.L € pH ase Prete ed Ie 41Dannhauser — Solfege des Solfeges — Vol. I gg Andantino. (4.58) me HLL. 120. : zag : $e Sian eisai nar "ine. J = 4s 7 — a dimtn. Moderato.(d-96) ROD. \ cE~ _ tS 6s a = E nf = SSS ss 2 ; i nf 3 s AeA = é crest. a — Allegro moderato. (d = 412) oe + neni S well rhythmified. = > 2 2 FSS ae Saeed SSS SS 2 I= cm LE. gf NE prea — = = = CDi:Dannhauser — Solfege des Solfeges — Vol. 1 ? > fae eS ee OS — 9A AWA ’ to t es 3 f tat te oes ea 2 aN ae és = Se > eS 2 # £ + = P € SA + + FF "| b _G Ss, D> thé z pete reets e ae = Ww 2 ; = ae —— 2 - —— P r = ——=_ un poco riten. oN fA Tempo I. r= Sf Sears fof : o 2 fon — _——...—| — = SS Saas Sheet. © lusic’ 4BDannhauser — Solfege des Solfeges — Vol. I Scale of the tone Re, minor mode. Parallel of Fa, major mode. Lento. Ge 60) Sua yeesome 2) Lessons in the minor mode of Re. Andantino, (d = 84) BL. mn SESE uf aa =— —_ cresc, Pp f 7 = == _ Moderato.(d = 126) ROD. + 128. ost ft ees = eS Boers het CDi: 4‘Dannhauser — Solfege des Solfeges — Vol. I Paes ee St ; % + ? e Moderato.(d = 84) : ROD. —- —p- re ee z i } e ae aioe * = em —=$_=_==== of — ’ — & ted pe pope Pe a S of poco A = =t hte ae ere ee a poco crese, - Affettuoso. (d- = 72) HASSE. 128. 7 heet. . © lusic’ 45‘Dannhauser — Solfege des Solte Vol. Scale of the tone Re, major mode. Lento.(d- onto, 25 2 2.9 9 9 3, metry Lessons in the major mode of Re. Allegretto.(J: 116) 2 H.L. 130 AEE i= nf Perea aes uf Pasa Saree ee 2 2 ot + f Hastie uf Penn b T jj f= ~ Andantino.(J.: 7? ROD. oF TC 2 Ee 131. P pA 2 2 EA ¥ nf 4 ’ ’ 2 #= STA 2 = — | — —— un poco riten. CDi: 46Vol.T ges Solfege des Solfeg: Dannhauser a we # 100), frat D Moderato (4 Pe % 132. uf ~ Moderato .(4 - 100) nf oe ROD. ’ Se — poco crese. we Pp Ut poco crese. ZS 47 sheet. lusic” CDiDannhauser — Solfege des Solfeges — Vol. I Scale of the tone Si, minor mode. J Parallel of Re, major mode. Lento (@ 60) , : wn btre Sess s, =e vw 3 3 3 3 3 3 — sd = Lessons in the minor mode of Si. 4.4 Moderato. (¢ = 100) 135. efi raget = uf at 2 S tesa eS Say tf =— —= - Pp 3 : Gib perp leds ee poco a poco crese. Bese sae ~—h = = 9 y @ tempo. ee: = s x to? faa = f—=— * poco rail. ee se Ss f si —_—=—_= Oo Pp Allegro risoluto. (4 = 96) ROD. 190. ger ee Se uf : —== het CDi: 48Dannhauser — Solfege des Solfeges — Vol. I foagia Se eo : <4 Pate => soe Steg ee Gages Ee pee : =f = ae uf civ =: oe F + a _— Ft —_— Aare iS re 42 ci) i took ote G 3 Uh poco cresc, 3 ss Seer croabat pee =] oe VON Fees s- - a Scale of the tone Sib, major mode. Lento (2.80) 3 , ’ ’ 3 ’ d whe ff =F fa eS ow = _ 2 2 ’ ’ x ’ 2 | ll a eee =o t oe oe a Lessons in the major mode of Sib. Moderato (4-182) : ROD. 138. uf pan =— SS co at =— => = a Andantino. (J 63) HL. 139. nf’ p= =— uf p= € o => Pp =— Sheet. CDi: 49‘Dannhauser — Solfege des Solfeges — Vol. I Andantino.( - 88) HLL. = ; ; 140. %b3 tet SSS 3 dolce, === + t = 7 ty + Sse SSS P —. fx of ggAndantino.(s-- 56) —S 2 . \ de ROD. 142. f tre E = cores f a + aca comes | © BS SS we dicsereeptrerenental = — | oo" ° .) : a ¢ Fy —— —— cale of the tone Sol, minor mode. rallel of Aa major mode. Lentod-6os , 2 ’ —_—— === E= :Dannhauser — Solfege des Solfeges — Vol. I Lessons in the minor mode of Sol. Moderato. (4- 108) HLL. 104. eS) = See e uf : > . we 2 ’ SEA ee Pp = LS ———s Allegretto.(s - 138) P & = mo! eet 145. > S - Poa TS ’ ’ ’ t a a ig is a aa P oh 2 ees ’ SSE are Fae : ’ = atta my ~~ 9 2 = S * T ‘ TI eee SS Sete 2S] Poco lento( d -s8) L a = A 146. Zi ; re baat P ee St > > om "afin poco eresc, —= ff Pp Sie a TeSC. ; => &, _ ftir ip crese. 7 —— aad CDi ‘1Dannhauser — Solfege des Solfeges — Vol. I Of the Fa-Clef (Bass -Clef.) Do Do ; ut ut re mi fa sol fq 8 JSS] Example of the compass of the (Fa-Clef) for the Piano. Notes in theSol-clef correspon Hose the a. Exercise in the compass of the Soprano Voice.» Cause the notes to be named.and let them afterwards be solfeggiated if it be thought necessary; in which case let the time be counted by beating two to the measure. pre me do a do 8 , do mé sul agn2eo SOL NE ey TC gy do SO re soli i st ee ‘do. 2 oS NE uw wa do y, redo me sé_re fala soli doe % Xe 2M refu_st saling eo a solsé do er ¥ =. nia =n aE RE Ss = == we a Allegretto. (4 - 100 oD HLL. do més sol Ss 91a ey sal St mila soly fa 147. 1 do . re 2 sol me Soo re M5 BZ @ fa mires redo Sasa Se eit *)Soprano or Contralto voices (women or children) executing music written in the Fa-clef, will sound it an Octave above the notation. heet. . CDi: 32Dannhauser — Solfege des Solfeges — Vol. I Allegro. (d = 104) HLL. mt fa %8ol_mt Te do pe rem. 148. —<—_S. Oo Sasol mg fares red re misa sols fa sol Fine. p met fa mt re re Mesa sol, la Jas mido.mi re & Dez = e = o-H H & —— P —= : Allegro moderato.(4= 76) p H.L l. lo st. do sz o aa % mile S 7 ie ssolfumi_mil@ eM (ast sot te s 7Z- 149, Seg +e Hot Sa aT Ss ——Frine. do do @.. % = sol sol ae @ sol sol sol pe hla lt sol farfameny mintL Omi ile ceeareotae: rere uf => t din. P ee Allegretto.(¢ -80) HL — fia oo. ne so FEEL SRS ErorS uf — “on en ’ a 26 %& 3a a, PEPE ei of ot —=—— pp ‘Fine. St =— p= Moderato. (d = 100) HLL 3 £: — Ta TH 18ers Pp —=p" a . ’ Pet =~ : Pee % 94 —— —<—_ erese. ah. p= Sheet. a CDi: 53Dannhauser — Solfege des Solfeges — Vol. 1 Andantino.(¢- 92) ’ ’ 2S eee wel etre peat tial 5g yee eee Allegro moderato.(¢= 120) %& ’ 2.7% : : ba 2 = = 183. eS Store tel = | St 7 2 ’ a5 = £ a nf —_— > tf me Saeed es esrese | a Andantino. (de 92) . ; eee ROD. 1 SSS Rrra a well ee a ge a = e = Tot — St = of = i — ns Polft geste ite [nf sei Ey =— == Moderato cE t+ i) te ge 155, Je FE = = $ cpr: | 7Dannhauser — Solfege des Sotfeges — Vol. 1 — - 1 ef a iz att Ef £ . ~ fe + + 32ers =[S—= it = > fone ot : —= uf Moderato.(d = 96) Gc. ean ’ = ise, Jee—F ES mf t erese, ES EE ere cere nf Va = i Pete . +t —t Hert F | nf : —= = orese. ‘e , , Bes Sreeteeiarsy St nf crests - S=— Moderato.(J- 60) £ H.L ——# - fe eft — 157. J} PRE Ht Be P => fia . pe at : eo setege pt ett trp ety P nf Pp nf P a tempo. => P Sheet Ee CDi: 55Dannhauser — Solfege des Solfeges — Vol. I Andante sostenuto.(d- 80) 150 Seeger ieee tt of = ' 4p Pe bce 2 = See =e =—_ erese, nf’ gO pe eet ett uf — ao 2* £ 2 + She Se | Allegro moderato.(¢ = 109) te —. ep? ef 189, FASE et + SE P SF ee oe ft” 2278 * peels Gets — Pp Crese, e°P te sr Ltte yp atytate teat P| Sebstatets =— t= crese. sett Fp bts ters Ss Si dim p—= f= fF = 2 oe potas = z 160. & dimin. P morendo. Allegro.(d = 100) > a 2 > er. =o 7 fre: f =| ss + ti of 56 CDi:Dannhauser — Solfege des Solfeges — Vol. I an — eteotee Se A f nf ; = PZ 2 = Ieee | =f pets of a. 2 @ f feaeeee 2 =e = cresc. —— St Waltz movement. (d: 452) HL. , Et tf ots oy f Ca = Peseta PLE bet , 29 ¢ “ote ,’ ce eee += i i P erese, a CDi: 37Dannhauser — Solfege des Solfeges — Vol. I Andante ma non Lreppo. (diz 60) HLL. —~ 102. FS = P —= =! => — * f 22 SS eS ‘cm = is — P S= P — far 2 = : Se 2 See es = S=> F= Pp a Allegretto (= 108) H.L. 163. FE E ee Sj mn » £ ~ Bye fei sc —=——— pp uf I mf f= 2a eed Pp morendo, Moierato. (dz 112) H.L. 164 EE See =e P| —_==._ f= f= SS eae fi = orese. es —= CDi: 58= ty 4 t w BK tf a =— Fine, 9 bua * 2 alee SSeS of cS £ pt = a = ‘ t fe 2 = = = £ f=] — S din. Allegretto. (2-128), Pi tie # ’ 165. Pp——————_ — P paste r + nf =—=== 2 2 ’ ret Stare =— — uf o— , 2 % = SSS Sa CDi: 39Moderato. (¢- 112) ROD. Das * 166, Jape =: uf s £ 7 EEE j a a Doloroso. é = 72) ; a > HLL. 167. Fees Steep fret rietee = dolce ed espress a =e dolce < co be aa P= = dolce o Pay — — —= - : fe: . o i oes Sree Ser dolce morendo. CDi: 60Dannhauser — Solfege des Solfeges — Vol. I Allegro (¢-- 98) ROD. % * ? = 168 fee a t —o- | erese. nf , ¢ FE tipete f 2 — = rt 3 2a -lSeaae ——_———_ ’ 12 ' Sar See E == ae # erese. —=_z f ‘@ >? © ate! =e = tf —= Fine, _ . a ’ —= SS —= 2 2 2 tte tp pete thes, e Ete. ot erese. = - St Z 6D +P" = Ft ee 7 i a =— Steen oe: ate , —~ , a fs SRE ’ 2 oo a a r ef erese. % Ez + ae] CDiz: 61‘Dannhauser — Solfege des Solfeges — Vol. I Andante. (J - 92) G.c ss oy ’ 169. ea sears f uf = —" ti = === ’ ae: t = 3p Sh Ee ea ae ag n pts 7 ’ aye x ine. m SE ae 3 aa al uf erese. : ’ at ff ptacere Se rz = = t eae E =—_— nf Py — Allegro moderato.(d-ue) 5 5 — CDi: 62Dannhauser Vol.1 Solfege des Solfeges ? t SH oy % reer crese. dimin. P = otis 2 aa P . , SEES Tse i erry i, Se, 4 6D, fz = 2S eee = ee 2 ae dtmin. Allegro Poe Zr ~~ _ ROD. in, SHEE =Seet: aS if A : _\ 2 A lees 2% Gl ™ — f 7p Se ait cD Glotee> =~ Beet! tier i = Sf Steir te eee wae tft + Sheet lusic”Dannhauser — Solfege des Solfeges — Vol. I Lo Ss ? — > f + I = ay Lat #PF % ne SS = =e t tee = foal S| S a te £ a fe 4 2 . # tle eet pa eee eas | uf £26 Ge? _ £2 _ CDi: