PAD cht MustolocyL GOING INSIDE Wes vemathble whisk eat the low polemical ext 0 be writen jon museums of contemporary aby an at honan was Rosin Krauss "The Cuoral Lope of the Late Capt Museum’ back in 1990. Heresy i indeed to Fei Jame crighe of ae capitals eae no ost eb alo at les smi. Drawing from her experince of emo contemporay at rroscom—the Monte d°Art Modsne dels Vile de Dans and th Projected site of Matt MoCA in North Adams Massachuses come sobordinateto sinew tgiter of experince: the anchored Inypeealiy of ts achiral eontier, which prodaced it of and ome exe eo theepizer of alrnatie cule inthe ci. The mses ‘Greco, Zdenka Badinovag, ae served since 1995 a dtc of the Moderna Galeri in Ljubljana, which also adminiters MSU, tra her tf work aro ba eI goes witout sping tha the nal badge af the Moderna Galera and MSUM is barely com uae to that of the Van ABbemusam, uch les otha of dhe Rina Sef pat of the reason fr including itn this ey 30 {fon uburcan be done wih sited Soaees ina smal iy with he dedoped act system. (Lublin aly commer gallery Scecly decamped to Belin, where several of Slovenia's dng tra aceon slo based) like may sw examples, eblne ho oles a eae sadly of contemporary at a dhe crossaetion of mule order Slovenia nly Became independent in 199 Fellowing te diolon of Yoga, andi located region thar antag tomapartby thn cof, mot intel Bos Sd Cronfa. The museum this his #9 reconcile two confictingproject: he desis ation tae representation an the obligation {ool sown in a loblized contemporary are world intent om tTarsrtinal or even potatoe! cll proton, “The quenion of histo reresemation i purely Gauge jn muscu droughoutfumer Yogoavia, When deciding bow 10 show and clleet art fom he pid 945-108, one of the eat queions is wbethet align wi at fn Westen Europe, ‘vith whom—in Slovenia's ease there wa Geguent contact {pnicubly wih eighboung aly and Ausra oto ie with ae rom te former Sevie lo, ws when thse was less feguent ‘onac, but whose ideologies! conte it more cmprale ro ex Yagoiiva” ‘The second coed area concer the Yugsiv Wars ofthe 19905 where the epesnaion of story i argu ‘sen more charg hoo ackoowledge and display the wauma oF onic a stocide tha aged hit epor? These questions have tecined vay ifrntanswet i dierent pore of femer Vago stv In Zagreb, 2 wat new Maseum of Conemporary Art (the MSU) opened in 2009; lhongh thas an oustanding ellecuon of primaly Yugo ar frm the 1960 onary, the weight of the wari ley atid by Sola Kone Bonin Git (3008), billbeudsze pore with mperimposed writing. ake fom rai by a Dutch sldie near Srebrenica im 1904 Nowe. ‘A state .2 Sma (i) Hie st. Bonin Gl” Drpached Jn on bing bor agracine billboard he wana ofthe was burly esac. In Sarajevo, by conta, dhe National Galley coed is ‘oor in Sepember 2001 de to lick of government spore and fanding, and the Nasional Mascam fled the same path in cles soa, Jn Lubna he fs di ay encounter by the viewer i tiled "War Time" st inclader 2 amsll anonymous documentary por tograph of the accupunon af Mettkoa in 193 longi nay Hotes Latimer (1001-1904), phot seve of ext on hin, iad Jngtothe rape Bean women. Therentiey, de meu’ entre lapis ganized around semaie etegois lating to ela ig tempol “Ideological Time” (he socialist ps), "Fata “Tame” (meet modernise uopiat, "The Time ofthe Absent -Mascur”(approsimaely che 1801-1908, when artis compen ‘atl fir the absence of 3 dewoped st stem by self-organizing anu scsticzing), "Reo Time” (he late toes, when ats began to slbhatoiie), "Lived Time” (body and performance fa), "Time of Terie (fom socialism ito eapaism) ad “Dominant Time” (presenday global nealbecaism}.* Contene pry at is three waked 362 question of tle than a stageon conor Eleaf history the neceay condion of ‘evan ithe preston of multiple, veapping tempos, feted mds the imagination of autre 0 which socal equi Preval” “These displays frm put of the mancm's imag hang, “The Pte and Presence,” whic asd these two words 36 cena to an understunding of contemporary ar. "The presen ics to the peti in which Slovenia (and Europe mor Bos) 5 nt Ting. which started wi he fl of cornmoni. "ree, by ont ake in oppoion to bth capi (en a8 ea tothe pas) and Gaurescne commons tix at madeens’s Feeaud march of progress, neve glancing back, be x ringing io consciousness chat which modernity as suppeesied. One of the seu asthe leet dhe ate compe the ‘eas of Yugo iellmanagement win what Badinovae call tie “nuthin of contemporary ar” One again, commempor ani tal aan anomie raasonahip to erporali: woke the"Tae' something everyone elatvem, MSUM iscommited touaking "he side of tadton tat have hisoically proven to be fimancipator social potenti" This means nt oly echesing thebig players of the xpd the orzon of pss ‘hing space wo prctie tht have Been history velsked Example the Moderoa Galera’ play of “Art of the arta Resistance” preset drawings and pins bythe avi-Nari Fores zs eu in sinifeance obs contenu ae vem omtemporay art ast ior of ork hat fr collie experience, bt ako sian is dnnally Gs 3 2 raul of the 212 election, which recone to power the aoliberal Slovenian Democratic Pay, the museum his sored dramatic ‘cus in cual funding, The mam bas date with this by repoving the presentation of ti inaugural allen displ, io 2 Aighlycxpanded and revi form. "The Present and resence i manifewa. The to budget ets no new dnplay When i come Funding, Repeion 4” jd di repeton in 2 Bue fs pointes the al ely: d co catalog te publ, v xyeling neces Fo ater pines ingoe fr the appropriates of repstins rather than accombing tothe preset ive conser the ew the museum advocates the value of twieading, tepettion one of the Sondament Features of contemporary a (sideo loops, enactment), 50 ite appropriste to repeat an entie ellen display repetition fonsoust itry-—thwugh publications, reseaeeh, the art, marker to 4 repeated play teuoactvely helps to comsroet, ‘esponses hat produce hor}: ally, epeiton trauma, and in Ljubljana thts rwofld—the eaumate absence tf 2 comtemporary art system and the unrealized emancipatory fen by deals of communism. ‘The encom hat subsequerly rebung "Te Preent and Presence” tro more mes: “Repetition 2 (Odiber-Noveribe 2012) and “Repetion 3” (Janeary-Jone 201), oevsing on movers and the st, respecte.Repeiton inthe fr of hits stcction ther suerte in the archival work on splay the Bay on te Eat Arie ros ‘he Moderna Gale’ eponymos Indmackexibion from 198, the is synoptic histor overview of body atin Eater Faops the Hoar Ani documents the Modetna Galera’ 194 poet 0 collet works by sgecan eins artists fo a fuse museum of Contempo sen Sse = pformance ate archi shows dhe tumerous ways in which thisype oF pace ca be communi to nue geotationy (phongrapy, ve, objets epetormanee): the Ani cng conta tl snc (ode ers Sica ati fom de region) and after ache, Quin sncernthe presence of arti om the Moderna Cale ol Teton ner publ and pate collins in Skvenis and abroad Fall the svealld Pl Mucwm documents the Slovenian pank sen fo 1977 tr snd ope wo donations om the pbc [As at he Reins Sofa, MSUM' focation program sks eon tet aro poll activi, flowing the godine of the Rac Edacaton Collie developed atthe Moda Calta 2006." Aligamerts are figed with eer organizations abo “staging agains commecilization, crate industries, and incresing ‘Meslogization of our lea pace" Instead ofthe usual museum tafe, MSUM hat a bookstore and seminar rom, conceived by rodents of arehittute and design who ako program the spe tnd oxgaize an independent sees of semunars and incerpee tion, The ative group Amarhiv we ee oom fr plea theory Alscussions. Complementing thete Toca ey the miuscum bas Jnitaed inernational partes so tha he instioins ice ‘an be heard internationally For example, he calibrate ncwork [mernaonle, ebb by Badin, lls even Euopean rmoseums and instions to maketh colons salable to ez ‘et, duping he oa Ea West European art hil arta tres bus alo conventional patems of cllecson ownership”DIALECTICAL CONTEMPORANEITY My repet fr hese de muss ot without serations, and the shorills of exch nin become apart inthe comps. ‘The Van Abbemscum hs fied to embed il it the lc tre in Eindhoven and pon the displayed publications tthe Reins Si anne be ea whet approach wo eibson diplay ist always court (a pojasion af Hchcock’s Rear Widow [iss sis in uneasy dialog wth Absrae Expessnie pining) Ishiledhe MSUMs cebraton ef docymerssn fen ubmanage- he the neu aro many Banks vdeo monitors documessng Sesons, penance, and ifertions dae erry itr as © ireome her own curt, making decisions abou which works 0 ‘ie eign), Osrlhowevet the aid propesitons put forward bythe Van ABbemuicim, the Reins Sofa, and de MSUM, ony ‘ty she ere ofr + ampli om which ap frwar, foazesingalecnves © the pve comtemporary museum Crete) and nelly cpa by is reance upon blockbuse citi designed fo atact corporate iw pimps, hd maw audiences, The Vin Abbermotcum ofr the exhibion “yuo! ipa ya wehile of oi eomciusess he Reina Sula ethinks location andthe meumspeie ssf th calle thn: MSUM deploys multiple, onlappingempaliies 3 3) © sete an ayetunartcled ital eorexree museums cet semparelenapping istry anda i ti production cade of tonal nd depiary Ramewosks, athe than opting fra lol incuiy tat polls xy io the same } , nate An aftr adeeb the ves of hee acini ithe lin, word wed by Wal Bjmin 0 deve» Maret | ‘ of baogogcensopsie io newvop, dpg cabs | ARCHWC oF prose igig cr ge pune st a ous ! Semin, ey mead pga Th sah Suk igh epi lr nmvama seco pie inl eantegot tae dimen ual ep fxeslour scp ung bred the spel ocala aon, bling pst by banging it [ing ice presen ard Kp itary moble in der wallow ‘as ltt Be ion agents once agun. Replace ‘alco hs ‘vino’ and the takef the corer aseam ope up oa She itr ands hry dh names aod ess the podem | OF the pre dy, by sorting dep re gi ft pet —_ Ie men hn othe dering eta foot ine inthe pat" Can a mancam be anhegenee The dee ALY Akt muscu diese nti bck em anne eit question inthe “imate, They work to connc een arte pacicet3 broader | Fld of visa expercncs, mach at Bayar’ owe Anas Per isought tort on Pais, capital of the aneerth eng by jst posing tent ato, prin, phaogaph, works ofa aia and Eichecur in poste naselatone This preseninded approach sony proces an undesaring of tos wi sights on che fare, and imagines the meu tan atv iil agent hat speak inde nae not of ntl pie be {qucsonng and den, Ke agge 2 pecan 0 longer oes on theanai contemplate of individ! wks, but one who i aware ff beng pce with anges and poskon ord ot cote Finally dees objets by continually jueponing wosks fart ‘i camer mua copie apd econsocins Phecontey mony bat of eee forty becomes les gusto of peda or dios han 3 reno pact, petal pple al sea pio ne wil of couse argue that peidizaton canner be discard nly wi a grasp of daly élneed Kissel periods an we lupe ditended now that esloninc pat nd fae. Bo such 2 Hinton appeach condemns previous gest aemeaens divorced tf elevanee othe cutent dy and dos nahin to adress te cases four cutent praiane deo of techealogy ny eallapsing pata “iuonce and aclerating or Hed enpoience te dhe dea of bal earopbe, om nuclear wat Skat, diminishing our ably to prj ao the Fre; and dhe tperlatve sbovarm inveumnts of france pial, sling Ahseactons suc a cutencis, bonds, socks and derives athe than material production. All of these have unquesdoralyafcted te spatoaerporal enolate: fr th average eon in what wed to he allo dhe fst worl, the aut mo Tages equated with Topfil modern vison of progress if indeed wt ever wee), but sething pt of ansey abou dcexerm work contacts, unafdable Frahete, anda ltime of der espymene (mortage, sade teas, cel cans) Rater shan secumbing 0 this presen, = “tigers leap? ino that which ar gone befre may be supeemelypes cur gvoeerT oF Prus€GA ‘ska to bing an underuanding of ou sation. Dili tempor dre ananachrone action tha kee eo the Brae though he unexposed appearance ofa revamps (Ott wil ay dt the msc ss 4 conservative insite that mere urge of ls oil change Buri ata cic of eros Mussua ar acl epenion of what we consider importarein coke and oes pact let an date rales ‘wah etn, Be can be ‘main tht cede ensue Chie presen end ai a0 indo 2 gore, ad ular beer alo hr de Sark of power and explain, marin de pst ough 2 diagnos of te pct, while hein the json th fries ‘igncnha th actives al ce mst bi sine 21, come ‘oder pes fom neler governess ny coon ping ihemond muiof aomeritebalgetsheban dinate bese aco to cults ic pected a nig ike eden and wel fre ahoug tho a alo Ling. esemaclycxpopried bet "And diet ical won wing op in, erate meu sem oly eon grat, bur cn soc cl sats and te vale of on pe follecion, Fo syste vale hey come a conic the mesc 212 apace of evra) and iol releion, add scam as 2 ‘epotcey of phtdopic nace. Inthe Ge of timp de Aly of she pie man adequate epee eines of he ‘nein percent might wer eer Weak I tele coc 1 Connie te nas tha do ci, working below te ado dvs ering new minors fiche mau of copay 3 csieed movemer rwas™ I 2 Tory hat canbe Ged tthe ese Neolberalsn’s subordination of caret economic va gets ot oly muscu but de humans more Boal, whose ‘wn systems of assent increasingly have 40 joy themes conn mci grant come reve, eaten iMPY, irsion at a meat of inflaace” We sem hopeletynoableto devise analerate vale gene echooeteeyunwingl abeed by pos Soca hat demanded mach of dhe vocabulary in which the Sgnfeince of clare and the humanities was previouly coaches aking the tsk of persasy dering thi in non-ronoictere cer moze pet Yet we ean and must argue fr clare and bomanties wo be append impor and enrcedinay én thi ‘owmrigh exiting oudethe language scouting and we ale, nd whore ace of imagination ate enined in he nein we The devi oprah." The curt gos caine in his ‘cuy igh appar ene frm of esremctliztin, but hy Stein fier a mean of protecting hit aston, inc hey bald upon wha aed imphcein woke o arin otro question and us Conscious rather than meelyconalidting poate peste “The tk of articulting cual vale is now argent in bh the rmacum and he academy, whee 2 Guzam of fel impeaies besos to Sage al at complica, cate, valet, nl fg, aden, andere in he pai phere Signe 2 question of tonality around whch haggle now tak place atthe cule opts win slowe cme ame dance acer aed aburacnone of Sane exp 3nd the anneal eles of scoot tng (based on posit data and eqiing demonstrable impact) Bat ie poly ti ack of synch tha pies oa alerative ‘wel of tals in which mussumns—bu ako cule ection and dbnotaey~ ate nox sub wo che banaies of a speaie oe te sett mpaiaton of an opinion pl, but enable usw ace 3 ‘hand diver ito ques the res ant eae a dle eit. This fire dos no havea name bit we ar tandng, fis bein I he at ety ets ave ben make by “pss (pos ‘as, posectna, ponmoderim,po-amenisn) dn ds, tela, we cro be ina prod of aoipuon-—an cr shat mc of conemporay at can blpu callie xene and underand vy turENDNOTES Roslind Kia “The Cul Logi the Late Capial Mascon ts 4 fall 190 4. Kiger ont cus ana ine dia that ee meme dace Ing the alton ig ner a managed od ibe rere of am mare oper mon ace ese am ing to Sean Back Mace egumers in Hal, Hat ood Unira Hion, Univ of argh Drom, Pao {ooo Boek Mars ss cha nivel oye de dee tain of eon im orders thom quo thera one, (The Holo fr xmpl, dot et lang fe German sy os fit ior Bra caamy fe al Frm) tn enving ener caer Buck Mons Join umbe ef err ik incline Ze and Alia adie wn ack oneupcat he weal afer emai by paras anal on mana, Heri et mere unieiy else (paling ey no he ‘memati ba ater ne 0 mthodlgilnerens Astin Hin Stel tes, “Contemporary a brand ame ethos rand ead Beslpped ena ales ayling fr {ok ie wating he er reine mpttie tpisin ed Sf an exneme make |] Hr coer at cea, be Sect How can explo be made more eu” See ols of At Contrary Art ante enn 10 Bost Desay infernal er, Dace 25%, ible online ac hpfeeoxcomfcnlpliceaecansenperey. irvanbteaaninns pooner Init 8 Rishi Mle a shown, MoD program dig se ‘opr ad be remarkably varied, cdg eins opie tec ping, Hera way ad prc of Cassone Ping US ars ad baw athe nur bt Rah dhe cxpnization American Abst Arti ec th ‘ert ee rir ete tn old amen ono pple teufel) ode. Se: Richard eye, Wht bs ‘Congray ne, MIT Pres, Cambie MA, 20, cape Ald H. Ba J, lent aul Sic, Oct ced ‘bay Te oui ere ithe Cay Caley af Catemprary Artin ape nied 5 Iechange smash eam (Conemprey Ata “The nau’ ner of etn ed commer woul Sewer ce won, anaes come toma: lec conte ay ain America” Meet op p21 In 90, MoMA, the Whine Masaum and te 1A Baton aed oon mao ‘ding tt modem atin ale and wells pletcal of Beno evs arn hat nein had hed 13, Se J Pode Lone, Cah of Un Madr, Acie Pb, Aldea 98 Sachs seguin rate has cantons sed buyog ung att wk we and then relight oon Atematecalie lined Se fr ample Ants Aa, Chae Saath A Bling or Case oe Young Asi se: Te lpn, "Santch’s most cape et ‘ead wat thn neoenpesion'st pai Sado Chi, tore wth was bog and ten dpe oe ol ae trope dt Sachse of sce alin of Chis swe cciely eee he al epition”‘Se Brun Gold ta, “Feng Poe," i: Tempel sed The So Prnannt Calin, The New Msc of Contemporary Art New York 955 pp Sex bpsfrnewmerm. og pret p Ra won tobi bn prs re mca ye nls Ups Ronde Hl Yo (son nal na det the el, soy sre Nove bles an iain ay deci tos athe New Misc me toc Bowery in 07 Ed om Cab ain, rent a he New Maman, st Si fr crample Alex Alles, zxponet "Queso oo "The Contam: Ox, 19 Fl 3008 35 lal Coun. Wie Afri xii ZK. Kae ‘uh str; Alter Dba nd Sarzne Hedin), ‘Cota Argh te Poe, Wey Back, Ox, 290 ‘Seal: Oki Emeser and Chiks Okke Ala, Canny driv Ae Sine, Dams, Belgas, 09: "TCmeesny ‘Alc ot mes bh eo of waa ae ening Prselbiland tthe of elnino (exe inept i peso” (p12) ar Orbs, “The Fison othe Contempo ins Api te Nit Ar Al Ploy of Crier Nes ono New Voek 208 pS Bec Gop “Coma Tin Pret etn, 210, 9. 4-10 ne Gy Pale, Sears Wi. p90, and he ilowing quote 4 Gives Aas, “What the Contemporary Wa 0 “Apt othr Fay, Sean nie Pes, Saf, $0 pain ee onal Tid pa This word ca ino being the ts he ages, btext kl in omen conmiaes afroTny Sina, Whar Coney dt, Cage Uierty Ps, Chip, 20 Therm ric wed by he ech hn rng Loge deete the dominator of ie ina gene: how swe conceptulies and watt pst Sor Hog Rg ‘hi Edens Sea, ari 005, Shige’ the en Akplye by Fd Jamo caracrie poder pee ‘ce fe heel bt donned expec othe se, Se mesa, "Posse and Commer Soci IRrFLl Foner (el), Tie Aue Boys on Pome Cnlere, “The New Pres, New Yk, 2005p 1-3. Je Ean Bao he irl of the coma pat in ofc Sea ha renee mer dn wet epi t py- ‘delogcal pus he carton bepetalycrprag cd fim sock recog (ich tA Sas tite deat Nake HS beh che Mille Ean owe ten of wok a cde Labs: Ch War an epics fen the cry of the rael seine soni cone de ener sucha wok he Ar Gio Wit Rod or Ey J) I “ener Erope and Nach Am conta tis eid po ook memento cap cer im mini and ci eigheratdhrbe, mend ih ot Seisown sedan nh oss cones opm ee aces thei (San Doogh, Shaan Hayes, Has Fas). Chine Roy, Th Pa he Prat he ate Ts Te Tn Tn Contemp Art Camino, Load, 21. Dicer Races, "The Way ofthe Sho: Oa he Arciclog col maim Arg” efi Mach 209, anablenie a hapnnwe.comfjoualiewsy ote shorebane ‘Gearcheaagra imagine), nth gal Gongs Did Hubs, “Hiya tmage: Hate Epes log Tanaoematon’ Taken Pe” ns Mica] Zimerman, (eh), Th At Hii: Nan Tdi nd iia rr (Ck Shes in ee Val Ars, Wiiamoun, 205 p39 Gers Did Huber, “Benet Image, Bae Time The Soverogny o Anaceio": Clie Fag and Rober Zovesteg (Se), Copel Voy, Universo Minne Pre, Mme, 0 pS ale: Did Huberman, “The Seeing lage: Aby Wag od Tas Anos Old dl 2,001,202 9-70 Alexandr Nagel and Chrinopher Wood, Andre Rein, ‘ane Beck, New York, 20405. Ibid, pe My poston sho ders hat of Thomas Crow won the wok vila baa nique kporaly compared at erate, mato dane, bea obj tee acl "hog bine a banded by the abe of ir hme” (has Caw, “The rai At Hin in Aer” Dani, vol 202 Sing 2005, p71.) These of produ tre ushnog in contempiy are weaned he ably af ‘hein ete dco of decumenanon sth Ras Sais am Authe New Musa, example history peas nthe ‘spn of Ginny ie wll once Even {pop exhibion wh thames provides pers opera a aerial reach se pemcdwibeat ngemetion, Pr en es Onl (01s, astrvey of Roan and Exner Europea at ice the unapned wok onthe ifs wiht ‘ny achoowlegncot of he elope wanton dato pce tot tot. The show eae he ame of pl ioywith ‘batot good ine cece permit the mht hi nay Ceppropity he show wit fnde bya Rosa gs gc, ‘Leonid ich woe anda aed VICTORIA ‘he Arta being Corser) Moreover, teen tie troup al wk under the ob of ng’, Sep eth Te mary of exh atl om he pry pod I Wenn mess dont sky 0 wk fm te rte omar, ‘emane coars hae become tenor ce hee samp that arto da pesiod se ena con o mae te ce 1 decades opeBemate, Won the hema pie {es ofl to el fos ran! ppt ba from raph thecreston of das btwn, Wesern ad Ween a, pss he cers one 8b a erate meer) or igh santa (i dieu), However ch tiv x cen alc ai id by Ines win ch tempor exh: inde cate of Tate Mads, fr example he may of (acme) lo ‘chibi consme Re by ero male soe we ese and non West ti tendo Be fed toh [aickeed) Tarine Halland pj pues. See. j Dem "The Tate Eh Hin Being, Andes Budensicg pd Pee Welle), Whe {dnt Compr? The Ga At Hl 3 ZK, | Cee fb Anand Matin Kalk, 00 7785 One soe ception is Ok Enver tga Tate Modes mcs gu, Ser: Ewen, "The PoColnil Contato,” Tey Sih Ole ewer and Nancy Coke), Anrf ad Clr: Moray Poi ‘Cope, Dake Unry Pas: Disha, 208Feezample the 20 cll hang Tate Maen was rie sized round he lowing ie "Pony and Dea (wich too ad Ge Stal, tu sn nde Joio Heat Fomor, Sate Maing 1997 ale sow Blk Pho ‘lL Mand ug by Jeph Be) "Ey od Proce ceed on Ate Povers ba wich a ined 2 aller i owe ales at Wali de Boon), "Sta ST Fas” (bed sound Cal, Frum and Voreco), "Sct sed Clie" (Soot ner alsa, but Spuning Cals ad Cony Arcng) cow thts pee appara of ge mi ra bt emblsoned an copa prs hp he cam on menage eth che dma ibe 34 Avner rie of dpi, elle "The Living Archie” preted ket of themes or ior itr whe a ing, Ser ap inh meee al a ner of wit Tend cold once ore he mau’ bse drs the ses "eyo es aot thei) The ered ey eabon mse msc ny (ch at Te Ste 1972) and preted rial imation abot an xp apace in Endhoen lll Hes Aplus" 197), bt al shove ‘sms ode muscu’ doctrine (Mae nde Reach ia Proges), rele each on the roe worn cleo ha were ated ee Nass eer dings Word Wi 5s. Somecassption thi ae ever le chat shetemporryedbon Fm of Reinet Det Saal Chang fom oh Pra (007), mari se the Vin Abort, 6 The moe tbl expen inhi ne iced "Onc op Ove Frank Sel Tied tie (Pag In 2, wc showed Sea's ‘we ping soo in allay accompa nly bya a {Sulla with tag mater elvan othe wo beans, ‘errpaodnes, exbn itn can por, a ae ‘Son pevous nla the pating) ho oo dhe able ‘tesa tape cot on which one olden oa peat (Se wok by aera Shep Stee "Keep (Pg In i) fd vot chance et Ci Soe wer rm Abe etn ci Theos weethen gon ged pte {hpi ponding te mace wh eof what oe ede cect itened nig ad ago“ sce ‘Drs (Che de Paget Pg tn, cael by he Dc tt Bk andr, dloplayd wei by Joph Bros and Broce Navman slongie tu bak publi by Comps Url (075-200) hich pode omni hp gid och How 0 Sort Yur Own Cony” Homsmade Guts al Homemade “Arma” and "How t Char You Adth and ovale Crimi Ree Vin Abbeminum promt sats aibe olin a ep srorevenbbemustemalefronseallie abs. p op 2x sabdiglypir rea) ses Grated by ack aire had eu fom dieting Dames 7 (Got "Zoneopacling van doe allen (Sammer Dil sf the Msn’ Calli) conse it alma elbeon fhe atooomy of he werk of athe eal of te xii tyes he al expe He viet Sec parabens ienseali sabi. i Inger sabdvoiy ps prox sercHal stbencsbetssthygieat. Video dacomeeaon ote rosy Khaled Hour and Rah Mishra war how at Docume 120124 Dili vewing hos woe ence via map of he puscte 2 Entsygoprapy eth uri) orm empty me teks be ite ad pase on Fm oe viewer eet (be in). 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AxChatle Each woes courbes 2 denen cle by ailing ale open-minded sd hepsi sera impeding dfn hate lipo 3 comarca proces wit ifisene fae be comtay ‘potted unten alway senate Escheimevowed by Dominick Rapes "A Conmolgy a Money,” Mia _tyaey vale alin a hep meng oat eomelogratmacuy -dwemined by 3 plea conciaus at isto bat by a et tse le y he dponbleoeme of edged manger nd Rosia lps ene prpendcaneo ens ‘ting wos by et Alea inion det ‘ec cocoa decors inthe Ameri bve ao managed {8 Queror Mwum of A, New Yoko the gd sand cation program th ne Mes de Ane do Ro, ia de Jat, Thi exact yh tendency rhe potion of man Siro to be pein posto he atc de seh, rh he trading say Fran imps! ple on ‘paling he value of the mani Sian Col Wht Ae Une For, Pegs, Landon Use wae ind he pce fet and de humans inca hcl nda, eteton ad rm, sb pent! epmaton of sc il aie a ied one ap cone ‘See Carman, Age Cina Pry, okBIOGRAPHIES CLAIRE BISHOP isan steht nd cic basod inthe PRD Drogeam in Aut History athe Graduate Case, Cay Unietsiy sf Now Yok, She iste autho of fulltime (CaeRoulsdgs, 2005) aod Arial HelsPoptry At and he Politics of Settoip (Vers, 202), She ithe ator of Parts (QUT Wiaechapel, 2106) and 9657989: Poa Upload Artic Chane (Wiasaw, Museum of Modeen Art, 2010), and veut the exhibit Dalle Agta the London ICA in DMR, She vague contibutc wo Arfnum, and an ocesioca onsbutorto Oar (MIT Pres). DAN PERJOVSCHI ian att who mie drawing, cartoons sd ga, and who has played an atv olen he develope ‘of cit ec n Romani troogh his editorial work or Ret 22 ‘magazine, His drawings are quent a plies commentary on onent afis and cult evens, Heeepteeed Romania ache 1999 Venice Bieaale and has shown in bial and ene worldwide, aaably the Ixanbul Bien (2005), Tate Modern (2006), the Mascum of Modern Art, New York (2007) and the Pais Tremil (2012), He ha publi is drawings in he form office nwpapers and small book, including Mad Co, Bid Fly, lll Ville (207), Pastwodere Ex-Commist (207) and Recs (2010), He ives and woes sn Buches ACKNOWLEDGEMENTS This Kine book was sath by «number of isin ees Thefire wae my location othe U'S in 2008 aod encountering the conserva of is moteim inst. The second wis ching, 2 seminar st CUNY Grade Center on "The Conteniporry Moseom doing Autumn 2010 in preparation fe the eonfrenee The Now Mam. Conenpoery Av, Caren Hit, Atte Modi, whichT coorgamized wih Independent Coators Inter rational and the New Museum and was held in New Yorkin March 201, ‘The sent in the seminar were inspirational and cvergitngieloestory,s were many of the peer the one: ee The hid event waste progam aos that accompanied ropes och to height 2010 by way of response othe eras 208. Cuts to public fading inthe ars, particu nthe Netbeans led to 2 wave of press among ats profesor ht ie sympathy rom ther pbc etre ln Ging devs coabacke “Theoretically | am indebied to the work of Susan Buck Mors whose leurs CUNY Gradaste Center on the “Univer istry of Art” in 2011 wet rma fry thinking, Thanks are sls dct member of the Commie fic Globalization and Socal {Change tthe Grate Centr to my low Fellow tthe Clark ‘Aa Ist (Spring 2013}, and wo Sven Liticken and Stephen Mew allef whom gave adc on cry drafis. Thittet bene, lew much of my wring, from the generous editor dsc of [Nikki Columbus snd L dec this book wo he