,,Sippal, dobbal, nadihegedulvel

Mezzo-Soprano
Fdezzosopran

Weores Sandor verseire

I. Fabula

3 J = 48, deliberate and cruel

2
~jLj~j~

2.

Szem

meg>.

bogy

E~

flaws lofarzo ml, sdainas.&~eretSliiwne

A
A
A

Gy*rgy Ligeti
1923

be

jbn

aik

beg>.

I.Mu,in*.pheoc

(t
.5

if

r;~~-

tMa,imbapsnne

:~

Percussion

p/3

Schingzeldg

fins Diem Qomse) wish a bass dress suck

Graft Tmims,i (defer) mis elnem Grcnfle-Tremnsee-$cddagel

2
2

3 screaming (precut pitches)

~I~0-

rat

5 Slide V.1,lsdc
I. Laeno(&e

(gamut Toishohen)

seshsee

eok:_

hisidamoesals

poss(hlle

2. side wisisslo
2. Loroqlau

ftF)

averbi
~~ig

fl9

flisdamsidu
;~

I
s~

2, Sirece Whistle
2SINCLW>____

5-

I,nmamec

Schde

ssuiiaia

~
2 Fkaacoz

Li*asR
Bnmsamop
II

-~

fflssaiasnfoszn

2,~~e5efmdhb0

if

il~

nemor_zao-Ijs.cok!

En

Sr

beg>,

is

(yd,titaad~
(sekrdiehter md delchm4d Cr Wiatel)

SideDnimwithuiiate$
Misftdnmmmes (mis Sehearrsaiscn)

II

osaabik snajcnrmabjnr halls voice

~Jji~J
osteze

slrenenP~z_~

parsibile

Perc.

Meg.

3
2
I. Slscne Vthistie

ovesblowsng
a&rbdasen
T

1~

~.

Is

.1/seer.

~ bestial wqd aagetllgel

Meg,

Pt

fM&-.

F-

if seam

if

Ban Onan (medium 1Gw) adth a hoavy stick

OrMe Trammel (missed) ml: ebsem srhpmrea Hcduddligel
a A5 ~ ~ I
Cs-I

..

to

Basa.Mwimthapliose
-

,~

hsegy,

is

~
f ~

eve, desist and en diem, II)

Small side Deem ,wsthoai leases ss~j5p
(stIr dichie- end gseieswn4d es- Withal)
Klebie lldi,anrmsisstt (alma Sciman,ai:esJ

II~

l,Meimhaphooc

Perc.
Sdsdz.

42

. Bin alocher Jan! (fls)

~eseI

fIt. t-a

t~

Tascasm (the deepess psssiblrlso slef wit mIguel)

-

pcrssc

If

2ifufbrea
sahiicscvil.cynicd
~
iei4sixh.zJsssisrh11

~,

Meg,

4.

or

.,)_

cr~9~
-i-rI-v
fr

Schlz.

Ir-

Pcrc,

,
Li

cans Recorder
opronbloc#Th.

kilnk

~s.

an

egy

j
meg>.

ahsslwtcuilemce md iemwbilisy (dssasieo ad lb.)

absolute Stifle end Bewegangs(oslg(eii (Oaucraddib.)

p
~

9c

semi im],

l~-:~

H.Cko_

j
A cymbal with

the\td~

p0 wish hard ssck

50$ 55

so stamasce

I
,fl ,,iolda Seers

I) only she note vatss count, non the proponliona of die SpaCe

en

Stein,

0 2205 Scam himh lmaeaincal, M&es

j
s-c

I
I
IHI

Tenor Rercrder
Tenathdaebq&r

- ugy

j~L..
~
Treble Re~~sF
Alsbloc4qrne
5

,
mhesoadan Gong (meed)
Blnaanise/ier Gong (geniess)

aI(acca

IT. Tancdal
2 ~I
4
A

(the voice is vin,sc,o. dasgatos. cspritiom)

Mec.

IJjIJ1JJ~J.JjJ~
pa.oyi.ga- I

pa-oyi-ga- I

pa-syi-gu-

ii

pa-ulyi-ga- I

ii

pa-euyi-ga-

pa-nyl-ga- I

pa-owl-ga-

pa.nyi.ga- i

Police Y4il~d, (reIsdooly high)

Poriz,ipfe {/e (cinalich hoch)
~

7
8

S
2
4,
4
2
C
C p
i1JJJI~p ~~jIJ1~j2U1J JJ*pdiJJJI~

176, light, graceful, happy, fast

Ii

Log Drum

iU.pniarrd)

I. Mambophcoe

~w

Pore.
Sc/uk.

Jn.

.f~ii

~1Jjy~
~

J~jj

-~v~

Fl

2. Mmimhepbanc

~;

Ssss-Marimbaphoae

~iit0~

fl;

A pair mall cymbals (old, coughing sound)

I Pear kiting Series (usir hauaeasde,a K/nag)

&

6
8

8(3+3+2]
;8fmnhonumco
>Iu....._..
A

Mcz.

if

~P y~J1
kot

ta ku-do-ra

(asfic / Psu right

II

~-

ii

P
kot

4p rapdrrsonn-

I)___
7>
.~~-J ~

Is ku-do-n

pa-nyl-ga- I

Caslaneca I Knsrngoeoieo

~ L7~7E._? ~

8(3+3+2]

~
C
C
I~-~ jT~vp~ Iv

ku-do-ra kol

Is

II

Wood (wish muffled soned)

Olnizrmnuuei (audi dwoupfgou flung)

pc%uriamosn.

p eapdceion
(S
I)

72~

Ia pa-nyl-ga- i

cot

IS

(>1

ynJ

jjJ

ku-do-ca pa-~i-ga

Goiro

p_y~

Sepoumiuo-Ocaaiua(F) I)
t~

ffmin
Perc.

V~

I. Maaimbcybooc

l~-J-;2

&oou/ssarn

Sc/u/c.

~
.

luau legs:
tsoprus~ocsnuu

:~

auss-Mrhubaphose

fans kgoro
I) suoni genIi - a fourth tower in the pans/il den Ssimmen cinc Qusnc icier

rj
5.

50511

J~Dp

.~

o~

6
~8

-~

a
a

a
a
a
a
a
a

~[4+3]

8
24

piaif(poniboe) (a.)

Ma.

I~

J~l
tot

s~

n%O~(3

ku-do-us

pa-nyi-ga-i

of~

pa-nyi-ga-i

Vibta Slap

pa-nyi-ga-i

~flr

:-.I
P terse

a
a
a
D
a
a
a
a
a
a
a
a
a

3J~

Is)

if

a
a
a
a
a
a

pa-nyi-go- i

ku-do-us lit

if

~~74

(3+4)

[4+3]

-.

a tempo

tot

lit

TOSTIbO wine
Schelieoommmel

~
I

i~
toe

to

Ii

(~

I~

pa-nyl-go-

La

8[2+4.)-2]

loporie

pa-nyi-ga-

II

if

.TLJ* J~-~rtH 11~~fJ

8~I-)ruprOccloso~
(>1

I~)

i-~ I

Ii

~ 8
iI
I~4
J~jJ~. I
pa-nyi-ga

Siren. Whistle
Sireseswef5
low SIll Drum
Sthliwrtosmel

Z ~F

/7

5*

IT

~
.

PckaWlaifl&wso

~Z~OWD

SKohgxke

~r:
~7Ipp.;

iJ~i~

41T

7 )-_4~7~

:~w:

-;

sopruninooconina

~IdIT

~fl7r~

-I.Manimhspbooe

Vi1

tI~

II~-

linscanino

III

~
P
I
>
ss~
>
I

p_________

A
~

Bast-Morintaphone
)l

-nj.

.7

a.

~
~

rJ

ku-do-n ps-syi-ga-i

6 [4+2]

[3+2]

(a.)

(a.)

5 (2+3]
fluff

lit

I~- ~7-s~i~
d

kot

I>)

Jj

ku-do-ru

(a

~.

Ii

1W

i~

!
.

pa-nyi-go-i

.R
SuMs.

(short nioonl) S

4 Temple Blocks

f
a.

[~7

~+Z]fr~
Baos-Manimbaphont
~

snfcresr

if

if

prig

if

Vp
50511

I. Mwimbaphme
~k

if

lagr C~dti played with a cello or dooble boss how

Beckon Irk)) iii: Cello- ode, Koorrwhossbogeeo gesrflrheo

II

Pert.

I;
has.

P50cc W)isde (thu highest)

Polizeipje(fe (llkkrwIuiglichl

Tamhowise
Scjzelkornpwoet

~~p1p.k

I,,~

~l~f[i~]

Mrs.

-I~

jjly~.

>1

A~3-4~

2. Soptaso Oneina

-9:~J-11_

.5

z~:-P

; truce
p cepnccioso.

-a
a
a
a

>

oiftho.

,.

[4+2]

,4i.

1~

%~

Pert.
SuMs.

lit

ff.r~7

q.~

30 Is.)

(a

cmi

Boas-Man*ophoot

Mrs.

Sord Block

5
S
S
S
S
S
S
S
S
S
S
S
S
S
S
S
S
S
S
S
S
S
S
S

tot

J/>
>4~
~
:~~

ku-do-ru

II

if

IJi~,ji~

7
SuMs.

ku-do-n

fc 14

Perc.

(ai

.)~l,J

Lag Drum

17._

~rr

I - M4mboPhotc

7
7

(~~0

JLJk~1

Slide Whistle
lpoorflloe

Railway Whistle
Wlustle)
(or
I

C
(5.)

>

-l

lit

(a

-,

(5.)

[3+2+3]

p copiiccioa

4
Lento ()

III. Krnai templom

66)

if

p oDin legaic~ oeey creedy. like a noyabed eat000ny diutonsed nasal robe

Meg.

J.
Seem

ken

kr

J.
lomb

~5

J.

east

gold

t~nn

saimy,

lean

~.

tag

dj

Japaaeae Temple Bells (Rio) (mood)

./apo.itnch. Tempelglockesl (Run) (gesni.nesln)

Gckmspiel

Crannies with a nsesal hick. sosyonded (no coeds))

Mrnallschlougel mnsssaniae Gongs (oaae4
Binnasadsche Goings (gesllsnms)

P Th
Birmornan Gongs ~
Einnrnoise*e Gongs (gesoiimno)

~F

c-

J.

pflb~-

.].

IL...

4.

~-

.r%~

Tobolaraells
Rilh,rnglocken

nm

ra~~

Peit.
Sc/nit

Ndgy

fern

2
ii

ir~r

crenig:

Seep,

Hi,,

36,

~r
rnajd

Rang.

may

csend

ii
hole

mint

cog,

hang.

Gleokeaspiel

La

15

12

~8
~

Vlbmpbene withovol melee

alum Mono,

~~(1

Meg.

Ssiny.

~1.CJ

I)

r
kdk

~6,

-.

JapaecseTnmpleBwll,
Japaaiethe Teanpelg)ocka

2)

2,.
C

Cronalea

r9~

Pelt
Sc/nit.

girmaaiae Gongs
Hineondschr Gongs

2)

)~

Tabola, Bells
Rlhrengloeken

2-

~r

~&t-~j,

Meg.

IV. Kuli

alternating

wrciuelad

Con moto (~

~f

242)

!~]

~/33Xyleplncoe

4)
JI,

Ku-li bo
~

Li

rag.

I3
~

j J

J ~U ~J

D~ ~1D
Ku-li

lnegy,

)/

l~Jc7l

.IP

-j;~~i;; ~

T77j1TJ~i~-~
Perc,
Sc/nh.

-,~Jii
2~
of

r~

fr~fjJ

LL!r

5000 ~

~
gil- ri- gil-

cnak

elegy,

megy,

l.Masimbaplnone

~
Bnls-Inlanmbaplsoae

-____________________________

-.

Vibraphone

llandl3
8 m~

3
(

ri..

~ ~

rriliJjJjjdtj_T

~6p r~

1~

~tt tie r?_rf

~J~ri:i~ J~j~1JjL) qe ~

i.n1~.flJ1~

tin;

>

ri rt~

n-

.1 if~D ~jJ.i-

50511

I) NB. len the inslnnsxnlsp orypdepoethngoo the singer and the diffeseen insevlmenna. Theoveasll volume elieiald be balanced (i.e. mentor lean tWill).
de,,egch
flit site lnsrrwnelime: nlieevals abddonpfai
2) preferable Rio; if not available in this pilch. ethe Birsnsoiae Gong. bol do Ian play boOn iosllomennns wgethee.
,anaogsweige Riv;follo in dies., Toohdlhe ale/s ndglicll. ainswniseie,n Gong nellonro. abe, niche bride l,tsens,een,rt glelelsstiig.
or
in saydynlslse noancedonleed.
doesdnone.Then/ran
beplnyedp
thevaicehas
In
whole
imelleeselols
an
relanive
iadicalinn.
Daringthe
piece/in the
f//bread desgasngrsi Sndckes:f ha den h,ssn.meoeen isrei,,e cr1.51,. .eogabe, die Sioggrimese soil doanisoie,-oi. Daherla,aofolsp ode, ala jade ande,e gefordene dyva.nische
4)40551/ refers so thy inneasimy of heesthing. scion ace is runty Indicasiag the ebsoscmer. ii should sot be wine, Sian the nnsnilnnsrnlll,
..q,,ssi
betiebr sic) oaf die 4 ,e,vlveewieili. jolsa race becg(c*nles as, den Choecdre~ es soil. debt lciserals die insuo,oeese seha.

31

f~ ff~r r~t-~f~

Noaoee gespieln otdeo.

mp

~4

~fl

-4

P r~a

ri~

t r r b_b;- Lrj.L~

r~

#~~

J~d

Ic D~

JIu <I

<

<

,tot~tqwtivN-SSta

~jj.~Sr~

~ ~r~r rib r~i

i~

<

~-

14~) Q~rr rr

j~Jj

<

~--.:-?~

r~

V.

~ rr~r F1~ r
;iicqdcqwuSy4Z

\s-I~

s~_&&

.ii~~ ~~Lj~ ~31__41 ~1IJ.,L~J-J,J,j :T]_i~_iJ

-~

~c}

r~i~

<

J-cI~________

s&

~~_1jI

nrJJhJijlJj
1UOedO1~X[/

/1
-

48S~

J1dI9/~ ISES.

tan, t~eu

oq-w2

r L

?aosenm,

#Su~e,,q Jt3oe

ij-fl3j

503

414

~~If~I

4~_-mW

if

:,12n(Z 503

~!

WItS -j~U WflSqEq

WItS

3-5)1

SW 3-fl)1

*1

4,

osoinudo ft

ossom 001W ssnpod

odma; a

~
~
<

d~a

h
V

~t

:-

Q~I

~vs

j.j~}~1rrr~

j47j-

rI

7-H

Fi~ij~~~

d~g

f~~?~i

F ~i~j-

rrrr~Hr-r

N-sea
ft

rirrrL ~

IPtIN t~V
&

r-rr~

1nN

-SOW

IV 1-11)1

4q~; IIVW5 lU)1

~I
S-.cfr~-S

Id

Sw

IUOqdOIhX/1

//

L/
-

ii

Sw -c4C~.-f

werpod

ZIPS

,tt

if~I

Sw

4<

.5

LI

Soj-Q I~fl)l
-~
OTIWIIC /ISOth

Ipp~p~1~~ ,Apwindoi~

odiua a

XSawgo1eAS

315N

~jeS,

p-nJ-p-nV

nil
fl~r1r ~
a
ossow otiaw o,od

,a

l.a

~ Tf:J J.J ~

AacI~--

~:r~.

j1~

<

~F -Cl~

~ ~ .cr~1L__J
~

Ij

aioqdIqwuvpj-SsSa

tac

1~

~flJfln-C~r~ ~ ~~rrrr~r~
~a -c
~

flJ

F1~1
-c

~ TJ~iJJ.)iLj~j ~fD

,i~

~L~?

TINt

1q35

Prrr~~1~.

<

~:

,tjoqdeqiIspeN 1

JJii C

~TE3

jmJ.J~i1jj,j ~fl Pr

Tee

ri

;~J~r-j,

JE~-s~
-C

~l

wqdo~A~c

/1

:s~,pzeXu~qs

~~rnrT?

ES

z~q 31-TIN

[iT]ii

-~

Ic if

lu

31 -1r4

91

14)PZ54(IJflI9S

55

-~iV~LI

.5

.5

I
S

-.

a~gj~ oaod

odwa) a

6
if

i8

Mn.

~JJ~:~fr4I~I

II
RiIC-

gu- ri- gu- ri. gu. ri- gu- n. gu- ri- gu- ri..

I
Ca?

Au

to?

~rILS

Serkanyszekr?

X>4ophonc
~

if

sub.ff

Perc,
Schlz.

:JJJiJJiJ~TP
2,

2~6

ft~

~5:

Mtmbaphaoe

p
Bass.Mambapboue

[~p1rr..rLr(!r~&~

.t~

2.

if

~t

q~

Mn.

Pero.
$claiz.

sang tempo
Mn.

Pere,
Srhlz.

I) a split of he dbswioeodo the sound of die insaunseosu should be dourly audible and the cued.
Trots des ,.dbeeioierndo soften the Iensgnno.eete his visit Schloss deaiiirh Mrhorbteibeei,

V. Alma alma

Two of the four Chromonicas U M 270 (Hohner, Germany) are in C, the

other two in B F. The difference of tuning is a major second. Pressing the
button (on the right of the instrument) means to change C in C~ (i.e. Db),
B F in B h. The holes are marked ito 12. The instnment should be taken
into the mouth in that way, that always two adjacent holes can be played.
For each double stop in the score two numbers are given, indicating the
holes, + means blow, means inhale. An arrow up means press button
(change C into DF, respectively BL into Bh), an arrow down means re
lease the button, i.e. return to the original tuning. To insure correct play
ing, the tuning of each double stop is additionally indicated.

Zwei der vier Mundharmonjk.as JIM 270 (Hohner, Deutschland) sind in C,

die anderen beiden in B. Der Abstand der Stimniung betragt eine groJ3e
Sekunde. Wird der Knopf an der rechten Seite des Instrutnentes gedruckt,
wechselt C zu Cis (oder Des), bzw. B zu H. Die LOcher sind von 1 his 12
numeriert. Das Instrument wird so angeblasen, dass zwei benachbarre
Locher gespielt werden konnen. Die beiden Zahlen tiberjedem Doppeigr~
in der Partitur geben die jeweiligen Locher an. Des Kreuz (+) bedeutet:
Luft ausatmen, der Strich (-) bedeutet: Luft einatmen. Der Pfeil nach oben
bedeutet: Knopfdrucken (C zu Cis bzw. Des), der Pfeil nach unten
bedeutet: Knopf loslassen (zur Grundstimmung zuruckkehren).
Zur Sicherheit ist die Stiinmung bei jedem Doppe1gr~ffangegeben.

8
Andante

V. Alma alma

c~-

66)

sorok s sonardekek a ,sizenkeucdik szimfmi-b61

Mci.

al-

ma

A-

al-maring

gon

IJ

az

I. civomica c-c: 9Db))). Mrndhanwnikn C-GA lOb)

c~

~1

k_it~
p tap,,

J.~J

~J

A-

qOlo

2.cbrocsB~-B~w),2.uandhanoonikasH,

ab~

Pcrc.
ScM~

~~

1.i

3.ctUomoaicac-cs

(Db))3, Mwidhananika C.C

~,

3
2

~J-J:

+-+

-L 4~

L L_L

p Stl,Fe Cob
4,cI,,on,asicsob-B~ (H))4. MwcThannaiknB- H)
2

Bb

(Db)

c~-

-:

I~I

If)

ai-ma ring

gon

3? t~Wn Cilia

~
i~3?~

10

Mci,

r.

~r

al-maring

lom-bos A-goi

c:=Db.~r_t~j

Perc.

h ~

4d~

1Ur

ring

aring

r~

Bb

~r

Ii

A-go.,

bar.na

1J~

ring-varing-a

I
-

L~

J~

,i

rin-ga-16z.-va

in

ga

j.

Dbt__~:

J:J:,t_.1

~______r_

B~

f:Lr:

t~wr~y6

+__!L=__.__

a~

I
B

67

Schlz,

~1JJ:~

Bb

t-;~5~6~
JIJ.:T

J__

-__;iz__

r r

~-

%~

Mez,

insk&

bin

pa-un-

Is

?:

l~

~
H

c~9Ect

~~-----~

Dbifrif
~

ta

2
H

Db~t~~__~f:i:
-.

~Sb

Perc,

Schls,

L9

t,

.1

Si

rk~v~ri~r
zl Pp

~p

-~

i2

I-

BbjC~
-cff

-Vp?

50511

poco meno
27

m0000
~

Mn

al-moM-ma
CDbCDb

ObCDb

~titi2ti~

el-me al-ma
C

CDbCOb

Schit

111-,

Bk

Rb

Ok oh

Bk

~t4

I12I

oh
~

1.!I!

Ma.

oh

1
+

743

~j

.b

Bk

Dbc

nbc

I4~

ti

tS

ii+

Ok
32

~-

nbc

2
I

tl
L41\IJ

Bk
II

do- at

Obak
LI

Oh
3
Li

pip

Bk

Bbg

4
~

flLL
+

Ian

cog

e- dcz

ye

r ~

pp

6
ill

Ms szel - ben amy-ban

C
9
10
Db
40
o

1
Bb

Oh
7
6
7
6
7
6
6
3
6
5
6
~
~
~

p~

C
~

Oh
~

~4-~~,p
k
~
73
2

p~

~
pp

~FBb
14

k1-

46

.O~o

oh

8(2+3.3)

tr~ r ~ r
Ok
a

Bk

~
C
Oh4

ti2

oh

tiC

~L4
2
I

moz -

41111.jij

3
4

I.

nbc

IJbJlJgfIL_!IJgJiIII~SJ

.
&t~4~.

Pert.
Sc/Ut

1:2:
!L~L~ I j~~,4A
+

Oh.
3
143
+

14
.

?
+

DbC

-~

B~

Oh

I1.~

I~i

pp

0b4

III

Oh

~J\J

azol...

C
6

DbC
~

I~

Obok

Ok

modj

Db

Db~

Bk oh
3
11-2

14

I
.

.3

2I

a
Obok

2
I

p
DbC

12t

:al

alOh C
11

Ok oh
11

j~1hh4J~

DbC
II

~+

512

C
Cob COb
4
3

pa

oh

~
-

Db

modj

4~

nbC
11

Pert.

r-

al-ma

~~

daict

IJ~(JIiIIfcJ~hI)frJl~

42

my

7
6

6
5

4
13

3
2

i---

23

~
Oh
~
1

-~

~
-c
C3
L4
+

1~

-_~

6
5

~
~
5.
coy
oh6
~
L~2 +

PP

Oh
23

4
3

Bk
I

~6
~8

Mn.
4~f
a-

J~:
lom

a-

~IE
gon

C
.10
so

Db
I
1,

a-

gait

7
6

J~
al-

~j
ma

ring-va

rio-

go-do-

t~o

Pert,
Sc/Ut.

.~
oh
~
In

ga-tOz-va

in-

ga-doz-va

~
r

r
Bk

~J

6
5

4
3
7

~j

psempe

Sb
~

4~

Bk

Oh
7

Bk
1

~
C
2

4
+

Oh
I

I
+

I
+
I

~t
p
Bk
12

pSOoIPfl
Rb
~
46
+

Bk

Bb

Bk

16

3
ta

6
5

a,
?o1

vi,

-P

:4

r
flmpfe

50311

im-

bo-lyog-va

itt

egyhely-ben

10
poco a poco rail.

2 ddcissbne

pp

A
Met.

meno mosso

~,11~LilI
el-ha-j6.zftc
~

1J
in

DbC

Oh

15 I
tt

~ gJiIi1 ~J~ ~.nI

di-

~
6

ba

af

Sb

B~

l~

I1~T~
5

Oh

1~IC

h~r,

78
a +

7h~~7

77

SbB~

~
Sb

71

g~

~~rt~

t77i77V7~7

lit

oh
lI

1w

tiC

3
2

111

Db

Pb

24
4
+

Ii

3
2

~+

JLq

42

Pb

al-azol?

oh

1I~

ii

a~
Is

Sb

C
67
516

5
4

~jJ~i~

a!

S~

Bba~
5

Sb

134

11.114

7~JpJ~1~lT77

.&~~J~7

;~

.h..p..

Smu

Ji~~

PP

It

7and

5 alrernaung

,( ~~1

~-

Sb

~11
+

1i~

~b~:

C
a

Oh

~ht:
B~

Sb

1-

~-~r 7 t 4r r

~-_

915111

VI. Keserdes

Met,

Clay,,

~ ~p tp~qp
fr~psein~
I)
3differeoISideDram,afldITa (om(deafls,athea4swnorara)
3 nrxllledeiw Klein, flamoiein dl Tamima lttefei at, dIe 3, Mci,. Trmimd)

I/p

g~E~rj

a elite

Sb
~O

Bk

1!].
+

malice

Oh

17

~,<v (67. MagyarEttid)

~ ~
~ Tempo giusto semplice econ dignit (~ = Lid)
~

II

Sb

B~

191

~,_

Sb

Perc,

alma?...

3
4
22

01

&,~

II

pp

Perc.
Schlz.

Sb

~T4T13~tfi~T77

pada,i4o, jolts net

.1 ~
C

Is

ri-ka- ba hold- ui-lag-ba... dl

Oh
6

4~

01

J.

szd,i

I
fj7f~g1g1Jg7

fT

(01

~JTI

9~

lpf~

JdJ~

LUfltThrJPr

Schit

Vibeaphone wan uibrmo

Bma-MedmW~

!~~ufl~uiP
-

F:!

Met.

Perc.
Schlz.

1)1. big] I hock: 2, medium high I miuei koch. 3. medium I mutt: Tomeom: medium looclmiucl

cit all dmt,o mithoai gaay,uI all, T,o,mnein shut Schnenmicen

50511

11

tyler.
tJ

Sz4ntottani nAn - lot

N f7~7f7

p gp VpfT

nAp gyAmant e

lam

,,p ttJtttt

p1~7

1~7

hullA kony
y

p~p

7~7

rgj~g

gp ~

vA-gig be-ve-eettem

hej,

vet

~Jr1[TJ~LRf JDP

~~4~L4

Schlz.

q~p

sgs S~Y

6 i

Pc cc

22

4-kJ~

Mn.

-i~J

J~-

---.~

fPf.p ~p fp

~I

er-doo/~

r~jji~p

P~

~1(-~Co

~Ir:~

Lz

m~ lam.

p~p cp~ t~p

L~~ErE1i-tt~FI i~i
-

p g~f5fQy

fT~

~i

mcL~ztnyi-lO r~sA~

7f7

TI

Pe~
Sc?

r r
hej, tobbet

g~ysgs g~

~4~hr~~ ~r~ff~F
La

2i

~4

0
30
Mez.

Lisa.

4~jJ

Jt1~iJ

L-

fern aludlam,

fp

!p t f

fA- hg Ab

p 1~P

J~Hij
vol

ren

gQq7 ~T fl fl f

~
~~Hajnalban Ml

tarn._

p gpip ~ ~

ccl

I;j.~-~-I

tern.

kaicu&szotszA

~ ~

~ ~

Perc.
Schit

~tz1
I

3i~~~ffr

~z.rEi

i-~

~ ~~t1 [
~

L(.J.

0
~

11cr.;

.1

tj
-

LJl[j~J
hej. visznelc es- ku- yOre

Ic

awl

lam,

.J
kedves ga

LtJ
lam

I]I~
~_f ~
born - mat.

ii

97g5

rc

p~p~pcs~:p

ysg~~ ~

~5f5ff~p

. 1r-~
A~I

P~P

1,J_ Jr

cpcpnlp-tr1--t-~tT-

~ r r
I. Soprasio-Ocanaa

?erc.
~ch?z.

-~
h.-~

TnP ~Th~C rfl: fl

~

_?-

kt,

V -

2.

HrYr
50511

12

VII. SzajkO
Molto vivace, quasi presto (~

in a mill Ojc~ I ml, scWlU.s- Sthssse

fnsapre lgoraw con iberia 0,555 SegeW

352)

pj~J1~Ijj

5jJ(flJI1iJiJ~lJ

Met,

Ta-ne-ri.
~

ks-ri

ka-ri-ka

pa-pir-i
Bass Dnasn
Gc Traswsel

Maraca

~
I

pa-ri
Tambnwnne

I~~t

leg5iem, ssalso,isssico

t~_njt
~~op

Kaseegnessen

I~p

~~j.~-e

L_~-

T~.(7~.J~T

~
Perc.
ScIslz.

I~1

455ngm11

ca-n
Casianeo

JapanlsdseHalvessel

Sehellesrro,smel

IINL_jj.ifl

ka.ri.ka
la.ne.ei
Japanese Wand Rule

pa-ri-pa

,~

m:p
ZMaisnba~eon(withhsedassebJasirhanesschuogelq)

:~~mpsesspre
r bees

i:;~fl1flJ~JJJ;~fl~I
I~,

fi

macrate

~
I0

Met.

i~F

pa-ri-pa

a-ni

PIJ

IH~j3

Mesas Pipe
Meeeilpfelfe

(ahnelanhahe)

1p

L~r H

pa-n-pa

ps-ri

~r(1~

L__r

:J

i;:T~

ps-pir-i

~mes (widsona pilebi

ks-ri-ks

Siaonsn

III

ri-ks-ri

Gr. Trammel

I[3

[.J

in
-

Sass Ds,sss

4~

Ih~_~

Heithink

ji__j
Pen.
Schlz.

Wnodbeoek

(Caassseis)

i-pa-n

Ini~

pa-pit

-.._J

-~

II

l::J

M1

~
9
Met.

ka-ri-ka

ca-na-ri

I.

is

pa-ri-pa

pa-pit

Jswanisr~e Gloria

Gairn

I0T

i-pa-rn

~TI~~

s[_,_j

l~

II J ~

i~~2

ri-ks

Ystdsde(bighsal)

(less begA)

Pfr~e(h6rhsm,6gllch)

(defer)

n-kB
Wlisde elnghesc)
Railway YkdaUe pfe~Th&fiss
La*omosbienpfe(e

IpITI~pTI~~

Is

I~T

mbglieb)

II

?f

Ip

r~r~r~r

~r

bmw,,

III~pTI~pI

ca-na

Ip

mp

f
.

ka-ra

smsil Japanese bell

(Mess) Pipe)

Perc.
Schlz.

ir~~

4IJIiJIi~LirJJJire_DiJJiJir~Iir_~j.

~
28
Met.

4 rj

~IIF~.fIuIs

ri-lea

pa-pi
Whisde (less lush)

Pfelfe (siqb4

IITYI~

Railway Whiade
Loiossotisesipfelfr

ri-pa

~i

ri-pa

ri-pa

Trtmgla

I~ITI~T

4 r~

~__~-i

ttYL.__
le
~
P
V
I

I) Bongos: tuned a fasr differenr pitches adlib,

is pier sajseerschiedlielsess Tosisolses ad jib.

ks-ri

ri-pa

pa

IpITI~pt~p

TY~

Us

p~J~-Ip

F f

ns~_r.

50553

ITIU

if

\
Hi

.-~

Pfeifa (h&bwsbglith)

II~II~

ht___~eTs~~[9

ri

i~.i~_JJ
Wbiade (Mglsmc)

I
Perc,
Schlz.

LIv-

i~

en.

Lm Li
if

3?

Mez.

4i-~-i

iii

ka-ta

ka

Ti

BassDram

4 Temple Blocica

Toszaam
Y

fl

u~

~.

-1

~~L:j

Ta

,p1d

TI

pa

4Tear~IoBIocka

o,. ma,&mef

-I

PT-n

pa-pa

pa-ri

ra

Pyre.
Schlz

i~L

~:

h,Y~?rkr.

~~Ij

t~L

~J~T

if
~

46
Mey.

~
la-na-ri

ri-Tea-ri

ca

rrIrJ-I~~

inrc.i~JJJi
-

u-pa-ri

pa

pa-pir-i

Tea

ka.ri-ka

pa

Side Dnjni (with snanea)

alilirdn,am,oei (ada Scla,arrsairmo)

Widade Thigh)

II~

~T

p1

1ii~S
Pyre.
Schlz.

I
(~1~
oj

p1

c_J

I~fc

pP

h~ ~

Fr

~b

~hr

Ilr

~p ~

III

1*

I~

.1

~:

J~

1JI 1:1

%
55

Mea.

4J-

II.JL,J.I[LrFIJjLhIFJ~vI

ta-ni-ri-

pa-ri-pa-

ka-ra

~~_j

*Ip

(
I

tj

L_~

-rJ

I~

ii

tract.

ri

ka-ri-ka

-~

ta-ni-ri

HJ
.

ka-ra

Hr

i~1

pa-ri-pa

pa-pu-

1r1

I~j~

r
.

tr.

~flJDIliJJfr1

I~

L-i

.mrlaaaa Ia force
A

El
-

~
-

pa

[Fj

11

4~

L~ ~ ~
cress.

50511

11~i

~rIr[

iTt.

OR
~

Ta
Big Map
Gci~s Priasche

Lr

Tamboerine(anly nl,ake)
ScheIlenrmsncoel (mar sthilsrrbi)

Ic~I

rF~FP~bFL

Maceta

u~

I~

pesante ma Sefiza nt.

I ~1

pa-ri-pa

pa-ri

1g

pa-pir-i
Lions Roar
Ldwrngabrall

nervously
aawakis

~iiT1 ~

ka..ri.ka

ka-ri

11p

64

Pyre,
Schtz.

I~

-r

rt~
RJ J
:~Lu~
~

Smail suspended Cymbal (with sick)

damn haogeodrs Backs, (nor Sleek)

4!

Ma.

ta-ni-ri

pa.na

Other Side Dram (withouT noarea)

.tadrra afthoonranuorl (ekes Scdoarnaiaea)

Pyre.
Sddc.

pa.pir.i

iJ~l~JI~Ju~JIJJJhn

II

if LucIa (africa
A

:~
I
-

if juice Iafo)zn