ua E Bs lrarsinsioe hii E Sawin ges ia laa 2 Shooting mare C Re alcals ara C) ereswww.samsungcameras.co.uk TURN ON TOMORROW Create Samsung NX10 Create the world as you image it, with the Samsung NX10 SAMSUNG Theworldis your canvas. Create yourart. With Samsung's, new NX10 camera, life is not as dull as you see it. In stock now at Using a 14.6 megapixel Samsung APS-C size CMOS PARKCameras .com sensor, fast and precise AF, and a 3.0" AMOLED display, 8 www.ParkCameras.com/Samsung NG YOU " life can be created just as you imagine it. ‘@ 01444 23 7093 114 6M Samsung APS-C CMOS Sensor | Fast & Precise AF 3.0" VGA AMOLED Display | HD Movie Recordinghotograph Cainéfa Welcome wit digital cameras that allow youtec screen, previsualisingan imagecan help you improv photography and create more interesting pictures. Ki to position that regina landscape, whether to shootin colour or black & white, when touse a graduated neutral density fteror ‘which eitingtechnique to apply: allcan mean thei 5roducingan imagethat languisheson your hard drive and one that you print to hangon the wall fore Inthisissu have plenty of Sn 2, techniques and Berd ufc a tox tacoeet ke next level. For even more photographic inspiration, tl tive online magazine igtalPhotography.com. Angela Nicholson a Poet en ot ey Poetry eo ea ee oe ey sitar eee ere Pie e esol Prat tae Ba aN hrc eee Poincare reece) EIN o uo ay DIGITAL PHOTOGRAPHY TECHNIQUES 3Ho iy uke Eire N belles cy 6 Vileainel- shift effects | 4 DIGITAL PHOTOGRAPHY TECHNIQUES:22 Createa panosphere_¢ In this Essential skills ow these tiosand eam how tog 14 How toshoot landscapes 26 How to shoot black & white BG How to shoot iow ight 46 YourguidetoHOR 52 How toshoot gardens ‘58 create a 200m burst 60 Peming 64 Portraits using household lamps 66 street photography 8B Importing yourimages 90 How toscan prints & negatives ‘92 Preparing your imageson a PC 94 From keylines to borders 95 Toptips for printing Improve your shots 2k 'er photograph B_ Ruleotthirds 18 Shooting with neutral density fiters Contents @ Spring 2010 issue Reader portfolio G Mark Boyle: Colourful landscapes 24 Mike Harvey-Penton: Infrared landscapes 34 John Wild: striking architecture SO Lea Roberts: Nature and wildlife 62 Stephen Martinson: Sil ifeand macro Makingit better 12 Howtocrop 22 How to make panospheres 70 How to straighten yourhorizons 72 Correctingwhite balance 74 Createacinematicstyle 76 How tocreatea lens biureffect 78 How tousethe Cione Stamp tool 80 Advanced retouching techniques 84 Digital cross-processing 86 How tofake tit-shiftettects Coverimage ‘Adam Burton inlo@adam-buron co.uk sam butlon 200k DIGITAL PHOTOGRAPHY TECHNIQUES 5Reader portfolio Ca Digital photography ie era Te on ang 5 renee arr tr rece ue Pon G Mee ect otetins plakestii exe enced Sete eee eer ee cee eer eee ier Ts Tes erence eet year andassoonas| saw theresutson my eee a Se ea ee Te ere) peer eee tenn ge a bestout ofthe mages salaeacarten ‘What really love, though, is the different 2 ee eer eee eee ees eee rere! reer See eee) eee eer eee eects eer ets Panter crore) Cee ie ts Boyle. He nowsees aworld full with Cclecbonisegeo)Cotraitlt landscapes SONY ALPHA 300 (Moca oec en aLos noe} ered a eee ns emer Pa eentoa) arn ete se Crete ee et Poesecment aT) Peco ee rer ec Petar eee eee oot sd Ce ed fone ted Cees erent ee tt)pee relec Ne alec Ns oi Jee eer) Ce a aed the fina look othe image, and can serveto Catsq Whatis it? “Theruleofthrds concern theplacementet bjests within theframe, an involves viding thetrame nto nine separate, equal sized sections through the intersections ines laced a third ofthe way through the mages bothhorizontaly andvertialy. The id created by the intersectnglinesisthen used asa qidetorlacngthe key elementsinthe image or maximum impact. While many sholographictechniquesand rules canbe accused of beng shorlved and fashionable, theruleof thirds is etn not ‘oneof them. Theidea of segregating the frame into separate thirds was frstobserved by landscape photographers inthe early 19th centuryas 3 mearsot mpartingorderon thelr work andereatinga pleasing dynamicwthin thetrame ‘While thehorzontal lines serveasa goed Buidetothepiacingot horizon, thevertcal lines an ther interaction with the horizontal lines atthe points of ntercept are alsokeyto therule. Aranginganimagewithakey componentaliges tote intersecting points can createaristic tension and dynamism in theframe. Thefocus with the rule thirds iso tentely to do with what yeu puton these tnesandin each ofthe diferent sections, however; thereisalsoe large emphasison negative space. Using the rule of thirds The ueoF thirds, as previously mentioned, hasits roots inthe stud of andscapesin classical art. As such thebestpace to begin tothinkabout implementing therulisin conventional landscape photography. Oneot theintial observations 2stowhy testuy of Whyit works Noto oestharulacFta previo gudeirecactowheretopiacet erongeat ‘Somerssineech ompeaton thaharaon cr ‘habedyotamadol for oxarpi bux tnomnpaot Pre, pair arse aleahalpswehthe framingotnagee.Pisong a subjct on onact ‘hecoporv sobalow, gveetthersarum Impacnthe rama nralaion acer elma landscape wouldbe best suited tosomekind of rule was that itwould aveid the frama being dissected straight through the middleby the horizon. With this in mind, why notvisit your favouttelandscapelocation and experiment with lacing the horizon roughly in the top third or bottom thidol the frame? Youlfind that Foran porepecive, oueantotow regiee ‘onventonot pischathe Fotzanenth ‘bottom ‘ghes, rmuchmore Pee skuiryor Images spacious ceampostion ‘As oucanseeabove plashngtheharzen ‘unl inine wih nebettom hatzontl Irtoreectingna wih tho port ofintrestonthe irereoctprovceamaimumimpsct thissimple tiftcan transform the lookef the image and even bestow upon ita completely sifferent character tat you'd previously faied tocapture. Although the uleof thirdsis traditionally ‘wed 2s a compositional tol best suited to landscape photograpi, that’s not tosay it doesnt suit ter subjects. When shooting portraits forexample, I's says a good idea to avoid placing he subject n the dead centre of theframe. Aligning the subjects eyeswith the line that dissects the top thirdoftheimageisan often-used technique; when shooting in portrait formatin general, themain focal point cfthesubjectswellserved when placed at either the top-left ortp-right point of intersect Architectural photography can also benefit from the rough implementation of te rule of thirds. Testrangement of converging verticals andleading lines through the magehas ‘maximum effet irected tan impact pont. A geediubofthunb whan attenping to heave there cf thie stoma lava the conn of theimago onef ary abjct etter ‘Wis cestasnagaive space whichdiawa tha exp oer cements with the ame such ex the boathauoe end chan tie shet and thehatoninthe dtanoe DIGITAL PHOTOGRAPHY TECHNIQUES @Improve Your shots ‘So, now thatyou understand therule of thirds, you arenodaubt keen to get cutin the tse esse eee implementation Reconnect toe en the guessworkout ofusingtheruleasa practical mpose with. A wide rengect aed am both compact and DSLR cameras now ship fundamental tothe rulecftheds, Asmar ateration of dsplay can beappiedtoa majorly of OSLRs'viewfindersviathe settings. (Once you've got your erdsetup, experimenting with the uleof thirds is easy Movediferent elements around the rame in ine with the grid, ane then review the images without the grdta see how the lookandfeet changes each time, However, ry and gainan innate dea of where the ri sis withou Know before you go SAC cd od roe having to visually refert it. Compesinga good paeeeeeee Ts paraers image is made more dificult by having thick coe rere eed ‘white ines superimposed over the top, and formerinentivth—rightareletsttime —eitherafthe although t’shelpfulin the short term,iteould pen coe ae’ he ed prove detrimental ta your images te lon peat toa eer cee en feaessienied run. if yourcamera doesnt eaturea gra, eed accurate you were in post-processing. your shots and then see how Ki Theysaythat rules are madeto _itinsomeinstancescandothe middle? Introducing.a strong Breaking Sa Seann ease ees the rules thatobserdngendcompyingcentreoftheframe,crshaota_staiisigaffecton your ieture impact tayour images, defying running dectlythrough the _allowingyou toabandonit. tiene toa’ tear eee tee ee 10 DIGITAL PHOTOGRAPHY TECHNOUESFor a range of lenses from leading brands, at competitve prices, see our website SIGMA Tamron. 2 mere) CHS rr scoot shonin Oxo nae) OMove records hh det (10) nove des 3 Dutt Magnesium alloy Bey Torrent CSAS ME) the tals Low pice onthe on Osos wells variety tax Optio H90 Ei "money saving fers, lease vst warm ParkCameras.com Dial ear slr CSD memary cr Pate tee our webs forthe latest \owPmices and further money saving tert OljmpusEPLY “Olympus E-P1 “FULL FRAMED-SUR FULUFRAME D-SLR Nikon Nikon D700 Dax Olympus E-P2Essential skills How to crop What Digital Camera’s Mike Lowe explains toalter the composition ofimages after capture Croppingisa simple yt effective technique that has been usedsince the dawn of photography asa meansto ut into’ an image Itcan be used fora variety of purposes, from choppingout unwanted pats ofpictureto changingthe aspect rato, oreven effectively recomposing the image, While some purists wil rame dscerningly in-camers and only printimagesas shot think alongthe lines ofthe ate and famous Henri Carte Bresson, alongwith some current Magnum photographers there are those ho wl use cropping frequently, with some even 'thinkingthe crop’ when shooting fullsize rame. Forallotus, thereareoccasions wien you perhaps ddn’thaveslong-enough lenson the camera when shootingand now you wish to crop into the frame to ive the impression of longer 200m, With ll thosemilions af pels salable on up-to-date sensor, relatively slightcrops will not affect image quality tao much, However, severecropping when using lens that's not especialy sharp an iit the amountof detail visible inthe inal image. Furthermore, many DSLR cameras these deysprovidea viewfinder with ess than 100% field of view, so there isthe increased likened of unwanted objects intruding on the edges of your frame. Thesolution isto crop themout, and now— withthe power of Photoshop, Elements, Paintshop Proora variety of other tree image-editing software i's relative dodde. Photoshop crop THE CROP TOOL In Photoshop, press’C’on your ‘ayboard for uicksolection, or select tne Crop tool itself from the too baron the eft. a hove techn te 1h cette tet Lr al) eee ‘Croppinghasbeen used sincethedawn ofphotographyto “cutinto” animage’ On the other side of the coin there are creative craps that wil frame subject better, or cropa portaitimage romalandscape frame, or perhaps even change the aspect rat from 43 toa panoramic widescreen 16.9, square 6:6 traditionally a6x6cm piece off or any number af ther paper or custom sizes: thinktradtional film sizes such 35:7, 5:4, oreven someother panoramic ratios. You may chooseto opt for these formats toharkbackto the daysol fim somepeople ‘even ad fake ‘sheet film edges'or ‘development marks in post-processingto go the wholehog ‘Sometimes a skewed hrizan can be straightened oo, ether by croppingor by rotalingthe image so that itisstraight and then croppingolf the non-fat edges, ast recomposing the picture, CLICK AND DRAG ‘Thiswillform a shape on theimage ares, and the shaded areas ousideof your crop selection willbe chopped away when double-cliekingto finalise the erp. ASPECTRATIO. Select the entreimagewith the Croptooland hold Shift whilst ragaing. Alternatively, presets con be elected from the top menu, or you can typein your own defined size, DHNIQUES:soeje520" a trsewhen ‘eoompodt toonmoko ‘agoodinagethat mich moreatng on detingth refeccenorsimmetry, maybenecomary®o ‘croptholmage toequstout ‘heproparionnor mmetchngetess toenhnance ‘thosagrmetialemphans ozantxymeng our oursrtothocomer cfthecropedicton Ir lononge tomrotatonal ‘srowforarttreny ‘dimers, periment tnecrop Hooks urngintamece ‘compoationthan ny ‘thers ect fim banod aapectatoe raiess 4.576760, THe. 697. Aina newer \whcesersn ean havessenareoineoand Becerenernsnve everyinago ¥youlose anreagelaiarencatthe ‘penseofarater then ‘conekderwhethertha Imag can doadustod ‘nate wayer ne. CORRECT SKEWED HORIZONS. PERSPECTIVE. USING SELECTION Aswellas horizontal andvertcal crops, it's Whensselecting the Crop tool there ise Make2 selection usingany ofthe Marquee possible omanuallyotateyour crop Perspectivetickbox inthetop menu. This _tools(M), thenseect Image> Cropto finalise. selection. Thsisideelforstraighteningup _allowsthecomnerstobeskewed incividualy to Nor-straight-edgedselectons willadd ‘ges or horizons in theinal frame, correct converginglines and perspective. ‘borders around themin the rises crop, DIGITAL P PHY TECHNIOLES 13Essential skills _ hii nad How to shoot Landscapes When framingscenes, rules will get you only so far. Niall Benvie describes how thoughtful composition can improve the power of your pictures “Thebig foreground’ isa favourite Thiak meine nana about the re (=S@U Rc. TMiflasht-e 14 DIGITAL PH PHY TECHNIQUESFollow the line Inatwo-dimensional medium wehavetobe clovef wewantiogvete viewer the sense a three mensions. Thesecretistotapinta our perception of perspective and ete viewer's mind construct the depth fromthe lues we provide. Onewayisto led'the viewers eve intothepicture witha strong ne, butony iit isleadingsomewhereorisinteresting enough inits own right. Again, consider the implication flight and dar: ane that leads upwards towards the ligt gives thepicturea more positive fel han onethat leads downwards towardssomeuher dark, Petres shot with telephoto lenses are even marein needot dep ralievethe elects of compression. Those of us who use the Roman alphabet may be mare comfortable folowingaline that soesfrom eto right creation, anda linet folow can help ourslonearSkaiteca, stacy, theFarceltands ‘Nikon 02x, 130mm,y25900 743801000 * Frame your image While the edges ofthe viewfinder naturally define the limitsata composition using framesas part the composition itselt conveysa different feeling. Frames are ambiguous and, dependingon the other clues yousupplythe viewer wih, yu can suggest a sense of claustrophobia orcomterting embrace, of protection orthrea.Lightingisa significant contributor to mood, too; shootout froma cave-fom derkta light ~and youl imparta more postive feeling thana composition that frames adark, mysterious spacewithina brightframe feorweonbatuceronth ‘Binising rough ist, eee eel oe eed Harmonious thirds Ferphetographers,thenotion of harmanious balanceis expressedintheruleof thirds. Ifa framelsdivided by equidistant pals lines, ‘wo horizontal and two vertical, the points at which the tines intersect represent the most ‘powerf locationsin the frame. The rule dictates that these are the placesto putthe subject forthe mast appealing composition. Ifthe theme of your pictures harmony and beauty and other positive things, rule of thirds composition makes sense. But ifthe picture is about struggle disturbance, displacement or marginalisation, why use the same compositional stuctureasfora positive image? Compositions about more than simply ‘orchestrating space’ itcan bea tool fotell the viewer something more about the subjectorwrat youfee! about it. Empty or negative’ space also has role inleting the subject breethe-tightramingisn't always fattering. PHOTOGRAPHY TECHNIQUES 15,Essential skills Atale of two halves eeeretme crn eet Se ee een ate par enero eee! Per Cueet ns! one een oen ns sym err satisfactorlyina rectangle, hencethe a eet) Usea teleghotolens and he viewerften has te sense ol beingat your shoulder, peering into the scene through the viewinder. However, in the absence ofa close foreground, heorshe feels morelike ‘an observer rather than a participant. Bu that sot necessarily bad thing: these long-range pictures often havea ess iteral feal to them-thisisnot, afterall, how we see landscape and therefore offer more soopefor personal interoretation. Theseare landscapesin summary the photographerselects elements that represantthe whale and, in daingso, paresaway uninteresting or irelevant partsof the scene, Atclephoto lens also has the advantage of appearingto compress perspective, reducingthe apparent cistance between subjects near andfar. Ths isa boon you want to abstract certain parts ofthe landscape and represeatthem as 2 pattem ora series of shapes. i, however, you want to maintain some sense of dept, youneed to rely on light and shade or ‘topographic features, such as oeriapping hillsiopes orrowsof trees andsoon, to suggest tinee dimensions ABOVE sont neroretberoremie-cunmer 2eo0st#8080 iar WaxeorcingxofodewokEay, (rereu sean 16 DIGITAL PHOTOSRAPHYdensity filters Tfyou'reserious about landscapes, or justlooking to get Fan Toy eke coe vomanTere bolt toes hd oa al icoet omy ole ra ald eto What Digital Camera’s Mat Gallagher explains Ce cee ee I eee Te eee meres recreated, acrtical one can't, andthat's eee ere ete ete a tripod or your memory card, Flmusersrely Photographers recognised that he ‘on catalogue of filters to provide a rangeof sensitivity offlm could not capture the same Ce ete Sa Ur eee\ypically seea range of around 24 stops, while your average 35mm fim ean cope with between 4 and 7 stops. This means thatina darkened room witha bright window, where weseedetaln both the window and the room, the camera ends up with ether the room in complete darkness othe window completely overexposed. Similary,.ona bright day, an apparently beautiful view appearson film with eithera whitesky ora dark and shadowy foreground. By using 2 praduates neutral density fier, Photographers re able toeven out the difference in brightness tolevelsthe film can cope wit, and produce an image in keeping with iow our eyes soe. Your typical JPEG image captured on 8 {igital sensor offers around the same dynamic rang, fnotless, than 35mm film —closerto the stopsof transparency fim. Therefore, it iseven mareimportantin digital photography toeven out the brightness. Rawfles éoalow an Increased dynamic range that can stretch to asmuch as 14 stops, but this stil palesinto insignificance when compared to human eyes, Asold neutral density fitarplaysa slightly different, tut equally asimportantrle, By reducing the amount flight cress the whole image itallowsthe photographer to use longer shutterspeedsin brighter conditions. This may bewhenashallow depth offeld, and therefore alarge aperture, is needed, orwhen the blurring ‘of mation is necessary forcreative effect, Sowhen should you useneutral density filters, and with so any onthe market, w ‘one do you need? This article will explain the differences between them, provide some hints and tis and show you how to use your ND rad to get perfect resus everytime. Know before you so aa “tet a Solid ND filters ‘Thesefitershave an even density across the \wholefitertorecuce the amountot fight {across the frame, Designed tobe neutral they should notaffect the colouring an image, just the strength of ght, The most commen Use forth type offiteristo blur movement in bright concltions, and tis often used to create acotton-woo) effect with water. Thisisntitsonlyuse, however night scenes can becomemore éramatie with increased lignt tals, and crowded scenes can appear empty just by using thefiter. For very bright conditions an NO fiter may simplybe used to make e wide aperture possibieforcreative effect, orachievea slower speed. The orientation of thefite in frontaf the las does natattectits jb. Without ND filter DISTAL Trallosttt: Ghosarsten ecreaso gh rrenaryforatene Dlarngorfera sShalonor dopthot fol o.sernoe ‘Aderoafi, favesas-stop ‘seersasninigne rtenaty.Thiscon bbeuedtervery ‘rentatuons oreractingcation ‘woot te water, Extremelyeensettor Grvosad-ctop Arletrargatt @hooee stop pronounced affce nd ofiks Snotluring reaucton nie ‘rtenaty lows eiomelyiong shuterapoed ‘oatforsovo Dlumngendlane ferooro avaible foruptorssicps ‘With ND filter rere eae Coenen ean en et roster Caen es Pocmeti peters tae Breese Pomrecteeeetsts pee erranc PHOTOGRAPHY TE QUES 19Improve Your shots Graduated filters ‘These are thebread and butter ary landscape photographer's kit. They provide fitration over roughly halfof the square filter, wit gradual ighteningionards the cent Theiczimistoequalsetheintensityofigtin the image, usually between sky andend to allow the camera oretainallo the image information within is parameters. The aim isn'tto equal the twolevels completely this would appearfaseinthe esulingimage but merely to restrain the levels enough to showdetailin esc There retwo main types of ND gradand te distinction comesinhow severly they are graduated. Thesoft grad asa gentiefall-ofof density, which suits busy harizans or more Without ND grad 20 DIAITAL PHO awkwardextremes, while hare grads ha more sudden fall-off that leaves a definite fine ‘across hefitr.Thishard gradissuited to very Sitaight horizons or where there isa sols distinction between the bright and darker areas, Theycan; There's norightor wrangchalce; some photographers swear by soft grads, others by hare grads, whileothersstil may use mixaf the wo, denencingon the shot ND gradfiters generallycome insquare formats that sit in aholder infront of they lens. Theyneed to be adjusted accuratelyforesch shot, and taken off again before being put back inyourbag. Besuretoretum them te their sleeves or pouch every ime; one scratch could ruinther, GRAPHY TECHNIQUES Types Sha weatat thats, cfightby stop wtia ‘thesama idealforcoudy Hosercuskconaltns, Trismic-angeNDgrad Igheey2stops atts most ‘moet popula choiceatND ‘godaak euterost oy ‘nolenddfernoas 0.90rmD3 Thamaetonvereoftho alehtredictonot porccutlyafertaken, Srforcestng ancl ‘tecteremetnernion plan ones Know before you go eter ce Coane th persion nonsenseud Lots of people use ND grads but not eveyone uses them properly, Folw ourquick guide to helpyeu achievethe best possible results from yours, everytime youshoot ‘Once youvefound youraceneyou nee toworkautwhichfteto use Frtiatoa ‘metorrescraffomtheskyercthen rm thegound Domisby stngyaurcamora retezinaparure-piertymeceanchalrpress i thochuttcwercoferoachhatfothepetue. Nate sohahuter vata yougse the steps. ‘ferancelsrougrtco.bletratina L090 ‘Nb grad frsreughyfeursmos,use a0 2rd setyourcameratomenuelshootng edie anccali ash tararapertre Yalisoferthaground. Your expooure eter shoud eac as cwereypeed four rmatershowsthisinterma of stopathen ale another wayto vera wheh Mr youraed.f tschonngoverby2stope,then a3 Ce ocr) NO gedshoudbe used. Poeeniestageand haralsnoshing fel eround theedgen When youre hhapou.tshensl Low achstmetson \yaurtrpedand chookitsonastabiofoatingso tharttllrotmovacutof pasion 3 Fho-tynoyourcompstton ensarngthe Plo yurerholer on that our onsand ak ther vk ido Ur, to thenooee ou snousbeatie tahoe rontelhnaisin ern pes SEE, butityouwaechyoursxposutanoede ‘enous lgnbak tome enticonaD theft sconectijinplace Setyourfocustomenvalard aqusta peuncore NFS yourimageformaniman Shapes Aajovarontingtie smourteipht younsytouirg aon Shuttr speed gouse mecemea's sat tineroraremoterlessetatatetheshee, Cc i) 7 a Essential kit creerettcnesmesss VOTES Cs tcecpeanesn mCiaikes HOLDERS: ADAPTORS: ‘genardtoime. hemore many you ret tTg Feinstein MAT wepnenystias _Spereonrnot’nebt ny Gaitonatorccon towne Touran” pasrrtonere hentge.e Seamer tse” ranges SuoeNonton athcughpraied ipghonmerteceseroree ter teman tren iene androud cut ba “ ‘frondecfierstanetosbousrone ‘heazeortnenher treadunte Remus akreysbe latheseme,ou —gwardsitheseotthehotierror =a. rT feansnapand—_reandftreyousirely nocd tomatch ee) cies Changecuaty. thefltrcnet yourlens rouge posabletousathese steprrgrngsto Maleate orto asmater ens. ——, DIGITAL PHOTOGRAPHY TECHNIQUES 21Maekingit better A How to make Panospheres Getplayful with your panoramas. Whee Dgeel ‘Camera's Mike Lowe shows how to createa panosphere without t Panospheres havethe presence of self-contained tle worid allto themselves, butcreating them in the propermannercan ‘aunt up some prety hefly costs fr the right ge Z DIGITAL PHOTOGRAPHY TECHNIOL kit-atriood, panoramic head, ultra: Wideangle ens stitchingsoftwareand soon, But we're not going totroube you with those expensive overheads, Instead, ourguideto getting creativeon a tighter budget shows haw you can make your own planet-ike photographic compesitons. ‘While pro would use a tigod with a custom panoramichead for perfect rotation \when shooting, tis inact quite possible to shoot by eye. The ultimate goal isto attaina 360° panorama asthe basis of your panosphere. This meansyautIneed to shaota seiasof frames that overlap through ‘afulltun. I's bestto try and thinkinyour head of wat thefinal product wil ook ike, ‘close foreground deta can become distorted, while objects protrudingfrom the horizon will be emphasised sinificantl, need of expensive kit You'l also require plenty of room forthe sky fora more convincingfinal planet-lke form, However, for those wanting ta get a touch creative, you could happily use a single frame shot from abasic compact camera (see main imageabove, so longas you carefully consider what's inthe frame and trust your post-production skis to ‘match up the leftand right-hand sides ofthe ‘ame accurate Togal started youl need yourself, some Imagination, acamera and acopy of Photoshop C83 or later, or Phtoshap Elements 7orlate. The necessary in-software stitching and blending functionis unfortunately not available on earlier version. ‘Sogo cut and seek some goad locations, get playful, and haven visualsing your compositions, Here'show ta doit| | > a productionReader portfolio Camera MMi d st taca Pentonhadhis ee D70S converted to infrared, itopened upa whole new world of photography to him. Bs Careers icy Cee eed eer en e ren eer meee ety cece metre ity Ban heals eee eae ee ear Patent se eee ty eee err Pearse ee ae eT eee eee Dee oe eh ee OCR Ca ae pastry reales) res Perm se nn ESSA ln tiarerl Dehra cedpretovct an veto Mmm ier nt Berry ro Hidaelasonl aati rere tne reenter emus tact er ey cere ae SR eee rhe Moen ca fewesteeyerrti tetera met ert oe a csocle Peeeisreveyt ate | ete eta oy is Py Mc mee elec SU nals osc}eee Ceca ner ee ror) Perr eed Cees Pc ieiuaiiiienaned rete em Peete’ Renae ea eater ee ed Persad acer eed toon -Apothereay attempt Peete eee ‘kyjologeandtoregroundgracstook ere cee rd we) DIGITAL PHOTOGRAPHY TECHNIQUES 25i Black . 1 ; White - Give your shotsa classicstyling that willmakethemstandthetestof time. What Digital Camera's Mat Gallagher shows you the best ways toshootand edit your workEssential skills When you stop to consider somes the most hstiaivsintnedscnemes OOMera functions ‘made, youllfind mast fthemarein black & te, Even today, ina word of one-touch ‘Mono mooes/ 180 cigtalsaturaton, tack &whiteimageshaves _COLOURMODES Books whtolmng, certain authority overheircolourtul cousins, -‘MOstDSReendaane | partoveryinecooimerty Tradtonaly, ofcourse, Hack@whiteang -«seomuccommmantowcu suleceoten ose sepiawerethe only options avaiable, buteven _proaucoooouretouaurting _Goalviow ertetuctore after he adventef colour photography the ftmgtronmecarer tele leevanegrnjcot athe aihentofenirnneloganhy Ne | ealfupuaropanmingropine magenta conpartt ono mecliyn fs epeeiped popula, tae ‘rectly from yourmemony ‘techarm. Theeffectissimler to. somemaycisimthatthisisduetonostalga, —yderyouverniommmes theraeectatody wore black&white pilogranty undoubtedly thesmetreattmeyouspenc NgrisOsetrgaana dial Toducsaverditeertnepervaintitot -_-uehgedtngentce Cera antenna me mi a ‘Among the Vivie.Neturaland —— whitemeansany notes thet colour. By removing the colour you aretorced to Lendscapecoluropters, appearsdoesthave Ne) ol atnoughtulavlvotve focusmuch moreonthetoneandtextureof2n —manyakocfersMenechrome mutcobureddagmaaten— oAthaveh eva image, theshapes and composition and, ating Someqven alow Thersxaifyatachostngin —eBMnganoukttbe ultimately thesubject Ablack@&whiteimageis Tenuslacktmertofke | lowi.conserconveri®> ry ofexpomra lessielytodate—itsinthecoloursthatwesee fOEWRSEIEMlwneuovto Peck wineard converts conpensatonmey ba fresinayourmenoimegeter whenshootnginbiackewhen, Compenesvonnenbo fadingtonesand gaudy fashions—whichiswhy _contrastandevenmakeusect — youneednotworysomuch _Pevesserutenswe ht itisimmensaly popularor portraits. Landscape sedouredftrforapecio.sboutunhgheherisovatna. = comee.thouoacF et ‘rsureyoursubbo images can aso benefit hugely from removing fess Die cabana Donn na asc VATED i vormedt:sare Matt walters cour Cerin sIWUATION cumysee awed wt eels. ne ‘rane teen capred mes pros woul ct recommend iesngallcaersens tothe fee youdo atest reds kink succesful) ne abuse ages bot es Beale! Arpt eee sn ar 1, most ital cameras wil make the uveview eepecialy wither cameras 2 a ifyouereungabiecksvhte —thatevenmanodealndoek ‘exposure coupensaTion When sie sihistive Image mayne avoyat as you woul. Tis iutuewhentrieeto ‘reaaigh-corert soanes fernlecks wit one recttythsiotousothe ‘Sxpoourecompensstion foo. Tallow youto sdustypurexpecuraby our conversion for ou. Sogocererepawithe Imedaanyoureamara tele noteeplnangaatim gran Here aresome essentalipsand techniques Vewhineioncorprodsean ontpushticosenctviy TENTEMVananeS Of Pte uring that perect black &whileimage. esseriidpreviewofhowyou _unnecessay heh ware ‘omposton lookin ‘monochrome Reskestne > Know before you go Tearshowto iouesetre vor InblockSwhitesohminets — moreentoneendoetal facttymalesthenrecces —_toeaweytharage, Iuchessiersndmesraycu the exposurels a areneretkeljtoconeoutith themoe ‘sevoocestulee Ent lovelOStRoordmoct ‘sompect meds offer theuser ‘esecton of expe opeeis cere ey Seer eeaeieireerer set: Se ae peniuareroernenrcesrninnnene tae ae arcaee nee ee eee rmenochromaorblacka white foaeeteenrseee ets etl ees Uieresbysinpireducheths iia tennessee ett of the mege ard ‘uh theres can Dont straseaboutit anion lok ati. Ree ean ; But foraqukblack Suite DIGITAL PHOTOGRAPHY TECEssential skills Edit in-camera RAWSHOOTING. Mereshanerurngton prarubloxt wrtafimmeds, or 28. DIGITAL PHOTOGRAPHY TECH!Coloured filters Traditional black & whitephotographersuse coloured fitrsinfrontoftheirlenses to change thecontrast and tone ofthe image. By using rangeotred, orange, be, yellow snd areentiters, certain colours can befiered ‘more thanothers, causing them toappear shootingraw fies. But what ifthe picture was taken ona compact camera? Orperhaps you {orgt to setyourcamerato rawmodebelore releasing theshutterand you have been left with acampletaly incomect witebalence. Theimage | ook here was. hurried snapshot of Grand Central Station in New York, taken immediately afterhavinggotoffa train. Unfortunately, in my hast, Morgatto alter the white balance from the daylight PHY TECHNIQUE Takinga JPEG image with the wrong white balance needn'tmean the imageisruined. Amateur Photographer's Richard Sibley explains how to use Adobe Camera Rawto correct acolour cast setting had been using earlier, and theresultwasa picture with ary bight orange colour cast. ‘While itis always better togetthe white balance correct in-camera, Ifyou alto do soitis stil possible tomake post-capture colour adjustments, eventoa JPEG fle. Infact, tis possible to use Adobe Camera Faw tomake those adjustments, although they wil nt emadeto‘araw fle uide have used Adobe tls be used inthe fullversion of Adobe Photoshop,(open Adcba Photoshop ElemanesEdtor ‘hiswiloponthemagelntheAccba LUsatne wneablancefestiretnacunt dosectelb-Opan ae Wrenthe CCameraaw ornare which wil alow you thecdour THe lsftonfaremperans ‘aiogusboxopane eoocttne.PeGfoyou tonskathessmascustimenizaeyoucan procuosbatarrosuatrenPratnone vchtbopenandsolectOpen Asa Came oaraivfa However cuetoinanasirbota Vrtousedoursasmnttools The aveFlefemthecrep-soun mars rect nequsitjorhese schismertswort _Alsomane Whrabalanceaptenmaucheaecs Desa goodasthosamadatoaral reeks tututhcobureactsaccrangee his! fcr tomeke manus Sttushe debe cameraRanihave ‘eventremavecthearsreroart Natqutecorcerewehthewneeatane, strode oreastandxghtnosoothe compen thaeveadctettonitokion pede Hus/Saturetontoolandseactd rmagobyjusngthe vereuseupootre busoyantnttoothe ores otthemare. thecyen arablueceloursecucrethe settrgs havealsoreducedtne Gronssii openedtheimagein sturatonafthessecoursighy ‘SotuatenreVixeroocsringntofurhertake _Phateahap Hemant eek¢ngenOpenImage theocgectthecraneseobur cast, Jaleoredueecthnasstustn ofenyredare ‘Thafnlstagewostoueotlorons! Yyatow coburscierytoopantakotre cama Geetion tonto done exthe ‘sageotthacect. \ertesicorvergancsareithealereanae thatthoimex we tena Fras croppecttoremovetheron-catosedgee i) ‘Thoinslimagoise marked Pisoni neti) DIGITAL PHOTOGRAPHY TECHNIQUES 73Mekingit better Seen eeend ences Amateur Photographer's Richard Sibley explains how tousea vignette to drawattention to your subjectand give yourimagesacinematicmakeover Most documentary photographs retaken on te spur ‘tthe moment, sometimes discreetly, which canleave litle time to perfect composition. The resultcan often be animage thathas all re elements ofan interesting photo, but which needs afew adjustments todraw attention tote main focal point Two waysin which you can do this oagainst photographiccorwentians. Rather than adhering tothe conventional crop ratios that have been used for yeas, why nat use a non-standard ctoprato? Atterall, wth home printers, monitors and televisions, amateur photographers no longer haveto stick to conventional 64, 75, 10:8 orsquare-format images, 74. DIGITAL PHOTOGRAPHY TECHNIQUE: Similarly, most photographers do theirbest to avoid vignetting or failing that, attempt to remove it ciitally. However by purposefully adinga vignette youcan ‘darken the edges ofan imageand craw attention tothe subjectin the middleof the frame. Inthe imagesean here, | have ried to produce cinematiceffect to help removethe wasted space in thebackground and make the subjects look Hike main charactersin theirown film "haveused Adobe Photoshop Elements 7 in my step-by-step guide, butthe same technique can be Used in the ull version of Adobe Photoshop ar inthe ‘majority ofother image-editing software.‘hfe step emake suetharyour Now naadtocrepthemagetnfocus more thavecrestedanewlaertyjssectrg imageh talah Todotha have dood OD) sertononinecouperatrartnanvcrg ——“) dayerfoval aye). Tre wlrobre [somone Suagrranimagetoo simply Setancerdcoprata havecptadter ) soscavercta, ‘aginetoolaongastagietneinihe 2501 heh soemmon)useerorteexe mage-intriscasstheraings hawsturestna fms Seacnetxoptoo|ancertaryoursaeke Ghdon@vew-crStohepchecktnattoirage rajinthewkthansheigbows, ‘sarah ve usecthePenceuckttoato tins pt eoccrotnovigentacocctthatmar avg ohargedtheba.shopaoty o10a, rowlayeroomplesiy block ardhave toatendent nschvecepbnsthtoG00p¢ gaduekystatiocrestoavenetsty Oh trenreccectneopscnycrtrtyarto ) ) cracretnotiacktyousresctcubr 05h, sothecrighelcanboseen moter fomthecertrit bothsuretine sentedtthelaye hesbeancompltaly dated srdaricetecetotheckerscpestectetad. SEE _Atorrtumihgtotheotgholbeclgcund ‘Smits haveusad bo uaresturation Now ttanthoimage ands twosk lnyxinavemadeatewtentonstothe Feer.re(Enrano Aut Galore thetevlsogan fyoulka youoanthon Imagelbvele (enhance sichetlgrang us/esturator)toreducathesstureon ‘saga bck trtetyabercerforan ova toaterthoplete'scortact. F ese ‘ever menocnamatifal sirpljedece rage teadto canvas Sizo ard wth rath bbocchecked. ocd s0%tothahaght Whenthe ‘ancherparissattotyemele—ncateaey ‘rowspanthgewayftomevaysdetrebax— Thokmseacon cara setapplocerrly oe tgpandborton setthacarwovextreion colour totincr eng he ee ceninmens DIGITAL PHOTOGRAPHY TECHNIQUES 715Mekingit better How to create alens blur effect Amateur Photographer's Richard Sibley explains how to create impact by using Adobe Photoshop’s Lens Blurtool to make backgroundsless distracting eae Pres ag Pe 7 DIGITAL PHOTOGRAPHY TECHN Adistracting background can make itificultto focus ‘thaviewer's attention on thernain subjact of animage, \Whetherit'sa portrait shot in which acstant tres sproutingfrom someone's head or just very busy scene, using wide aperture can bur the background sothat the focusisentelyon tha ubject However itsn'talways possibletouse large aperture, particulary in bright conditions. The restrictive aperture range and more extensive depth of field ofa compact camera can also make blurring bsckground dificult. Itmayeven bethecase that you Simply dic tnotice the busy background when you ‘wore takingtne shot and now wish tocorrectit, Using Adote Photoshop's Lens Blurtoo) itis possibletoblurthe backgroundet the imageso that only the main subject remains sharp, makingit the fecal point of the picture. Todo this, lam also using Photoshop's Quick Mask selection mode, which allows ‘metoselect where to apply the blurring, Tis same technique can alsobe used in Photoshoo Elements and any other image-editing software progam that features a Quick Mask tool ersiilara (oONea PS CchangethoedngenvranmarttoQuck Maskmade Ttefoundat thebotomot ‘petosspact. Sslacttnecradeeritoatocreatn biack-te-whtogrdert The wil Goss \wheharcea reap andwhch are ures asivanctheboathesherp| pavemaca surnattnenostie marty vor thobock gadentatthobortenvnehshowsup rexinaucktaaakmoda ofthabeatnaveerccrastha Each al ‘Sndhaveparicatneepofthebeatand montrgpost Partngusr gis scctothamack whcnshowelnredcnthe rage Mook thobootwalmsie su hata ofthe, 3 ‘Ae thegraciancbeghetofedesttnatop oneding uch Meskmodetherels rawasehoterera.nn araunetnton hifermemaga Theberemecgact ne sebctontowemrouncthe ceria thobost Retieadoctedareathat the bla ‘walbeepiocta _Ahtor ting OulekWockmod Ihave feocteden8urersurence sean, ‘Select Pier deretur Thecctnge Lndorthorissoctorrepcatathectoct of ‘teensepoture Thelrgo thera the goatethobrThachepacpfonatfocts ‘taakepecttnebaahr tebe orea Thais theouice Mackinac buttistimotre oedthaGradertodintheonpats| ectontoaelectthe very botemct he rege 6 teregrundageyorcengr evened ostratcestlortreapeculer hers Hove SHosicenoctanrelshape wih aReckscf50 Aawedortwantthesreatolecktco ‘ured eure afarewer acs Seg Coaeeeee eee ee eset eee) eee eee! erate eer cos DIGITAL PHOTOGRAPHY TECHNIQUES 7How to use the _Clone Sta What Digital Camera’s Mike Lowe expi: Cae Cie peerage ere See intoa diferent partottheimage. For See eer cal rue i scr = nes ee | eee Rea ene Po ee eed Ce eee ert ere eee ary tes Cee P/M mecca naLee Net s-3 ‘manipulation, and there are potential Cee ee et ae Cee s ae eer eens Used incombination vith other tools and Pet er ee nc seriously powerfl though don'inecessarily Greate eee ey image’ issues. Aproprateuse, when pee eet ey Run atst Nototnegoaa Iraeosa hnoce ‘< tfrenrgerecs— twiergagemnoue lonesneadaboatal ‘rita opto ‘etree you ‘wa ktocovr om preteraoywancean bck themee tsmtentne tnekeosr utero sostcherovatea ‘mere comet uatoatogne rotthePatestamp tool Selector ‘apatosamel (hat, cupleste acho Atwhletcibkrg Ajuatthobruchetza, ‘pacity sndfow ushgtheoptenestinetapot thescreen Asthe Gore Saarptodislyer sonata koopeckeyoon where youriend tosampletfem-youcancorbiatrananatayer | [co ele, th ypuccampl kena where ya werttoconekin~anclotore over ua ounicoo ourrandwoncurfit yousretnchingsmeracomplaxerss thentake coverage of erent bush aon ‘sortase evanloweropactycan acdsee Tokstoleraoronae.Samplngorearea,buhing tpneactrgaraveenenmerentuar ‘eritoaslradtomovoloursamol port 9 Selaethe Clone Stamptoals neu, Zooringin@2}t01009orfuthervilalow forrereaced s0o.reny.anduovbeable ‘opnaWhethorjouravean spprprotchy szedonoherdenauetnevensting soeusaplenned,Chengnatneskedfhetrush iloeomenn tewepecivesarcaarea charges semotmeattu otc unwrtoc ‘aoasofthepbue sokeapanayecntheecses efyouruch, Somstmesyouraywehtorefnswhere yparbeusmngcanerdcontgoteo-s0 Talangacalectonet snaroainanirage \ilosrmark as petted THsoanbe parieietjucatuwrenargsnePantoal (Piro rakocertu ubtytestroddetensincrr topoisctoarinpartenfanimagatramtha tuchblesangove: Hownvo,ren carping (Gteciek) netrusninaresthapresancect tresslecton, DIGITAL PH Common problems What to look out for IRanotokoyspansafre a cloringoancouso riers haughwerercrquterargDalyhe Sheephere ‘Gverusacanshow asalackafdetater apnarentaotineasinthetnshodrea This ‘erdstobedustore-camping wrathas keody been sarped hus progesshactsrertion ‘koopa. overt reeset veo rea Repettencfsrestureresheyshouert bee a0atahsropoot coudreappoxrng oval {imes—tortelvayscoruneng.cossmpleiom muti scurcestreecec, EneurotheHiteyjparellesiaaysopenin Photoshopto stopbsck shoddyoumaes Ize endbecrceof non sucoeaaf your woven ute prance tg OGRAPHY TECHNIQUES 79Mekingit better Although the Clone tool is the most obvious way of removing unwanted objects, the cloned areas are often easy to spot. Amateur Photographer's Richard Sibley demonstratessome advanced retouching techniques Asmuchas we striveto ga images corect in-camera, ‘there aresome conveniencesof modem ife wesimply cannot preventinirudng into cur photographs. Television aerials, telephone ines and electricity pylons ‘reall elements that, when inanimage,can easly craw ‘theeyeinthe weong direction, (of course, removing uch distractions isfalty straigntforwardin the digital age. Neary allimage- editingsoftware packages have a Clone tool or Spot Removal sh that allows theuser opin aut unwanted objects. However, ithout usinga degree offinesseiteanbe blatantly obvious where cloninghas taken place, partcultlyitsomeone is looking fori. Tisis because the human eyeis very good at sptting patterns, 80 DIGITAL PHOTOGRAPHY TECHNIQUES ‘Therefore, when loing,thetrckistoselecta aifferent source point everytime you use the brush ‘This avoids gradually building upapattem asthesame source is repeated time and ime again. Another concern isa changein texture. Whether itis theratural texture captured in an image or simoly 2 ceree of image noise, excessive use of theclaningor healingtoolscan resultinsmacth areasthat lackthe textureoftheareas around them, ‘Bu, by being litlecreatve with how the cloning toolis used, itis possible to make quite precise changes that areal but impossible to spot. Inthis image! have removed the distracting mastat thetopof the tower, as well asthe telephone lines and caronthefarletHow to remove linear objects Moet photographers would seth Cone tealorHoaingeruchtoramevethia Nagoolabutthre a quckormesrothak wortdesrey netacurectthelmage ve \esxtho Marqusetoolardmade assent ightfetherededgonecisthopob. This witbe copenton neweyeranaron \sextohiethe pole Thefestherededgehabsto Bnd trsareauthtetscrayeurd Inavousesthopcugenaitercootoatto ‘ectthetopedgazofhechirne ‘ninvertrginissoleciontsebotons vend theareatprtect The rmekecitoayytoprosarathecdgaoftho hmmreyuihteuargiheclenatzatbcerarue Torerovetrepoi SolbetLayoraewalayer ta Copy. Tie ‘cope needeton Denewieyer the ayrepalattemskoeurtrsnewisyrie grief andsalectthetovetoot No \othoetrscrkoystoshiftinistayorsothattis postinadoverthopdla Ropastssapstand2 ‘arrgoerertsizoc sles nate Urnntaleres inion, ‘theareanavethomarq.cecapabioct bongected, rich aganhebspreserve ‘thaadgosotthechinnaywhiauahs tho 5 Invetthoseleetonagain Ts mokaconky Cretooloremavothe Rega DIGITAL PHOTOSRAPHY TECHNIQUES 81Maekingit better Cloning out wires and large objects i Theteahiqueterthelmageafthe Usethesdlectentapatshavertha Inavorepectadetsp 1 votheacesblsle omer to hone loa ‘vrhoad cable Tech the. eokt oneendtoarumbarct ‘oranavetnefegpokeantheprevou \ayoniowst ayer vison. tnogccairgcoeral 3p =| pag inaveveesthatvernatool ena Comthaceectonto nai within oneconeunaimeset “Mua lepttesteresenga m2 salect an aeaist newiayarsdoctad usatnelevatea|jeurdn _thecahehac henner Thalmagonowhas sbowthowte, ‘raTodlapeat)omevothotoyercoththe slayer TlatentrenvedoctLayer stn poteniepootonecovertwooBe Image ‘Thoaroaswherethecablemesttaccud ‘ocerpbtetnoinaee, uerttoremor Theldesistounsthecionetectocopy hs esctohednedtatlendthen Toe thecarandstructursonthalet wise srould thischergothocpecityet reckoning rmesraaobooren tooo Ihavet reploesthosar it arectoroseurfece ‘bruchtoeose ard reculoulluptne Srewdonepanterthaborcmedgeot Al. aulckest ay to dothis isto create anew, lank A3 document, then whilst holding down the Shift key, dag and drop yourimageonto the new document. Thiswilereatea new Step2 layer, and holding down the Shift key ensures the cropped image isin the absolute Nowselect Edit>Stroke and enterthe weight _centreof the page, that you would kethe keyline tab, then double-click an the Colour box to select its Step2 Steps colour. Astrokeof 30-50 willgveyourimage _Selectthe Magic Wandtooland, whilst From the ‘amore rame-likeappearance, whereasa _—holdngdownthe Ctikey,cickonthe menu, choose stokeof5-10_imageLayerthumbnalOoingthis Select fl wilshowa placesa‘marchingants'selection ‘Transform thinner mere _aroundthe image ayer. Selection and discreat enter width veyline. See and helgtof 1O5t%onthe options ba. ary ‘Ths xpands the selection. mel Select Eat Stoke and era wit con pial your conn color witht Location ete Ine, eran pee TOP TIPS Atisiageyounaywanttonddathicker —_iththeslction fenierioyerimeg: tenraineedo ea vomuuwatonrna InsessethecanessizTocotissdect _addasmcnd Ihe hearers pase cate eet te ete eee Gimensonmessuenenistopielsand | usheStoke ea Cieinowsrgte inseutetcaneasasby tte se buttistiesetine bot gos oar prourtfortaheitandwith. Wratyou | Locaenta coy eopeoen fede sccsistane send (ee ONE ati the edgesofthe second stroke has Prog ecco eee ccanbechanged by fourpiel width lckingthecoloured —_Theframeline has ssquarenexttothe been placed on te image layer, which keeps the frame Canvas extension tied to the image shoud itbe necessary torepesition ‘cour ba, thepictureon the page. 94. DIGITAL PHOTOGRAPHY TECHNIQUESEssential skills Do e e Top tips for printing Amateur Photographer's Angela Nicholson offers some top tips that will help you produce perfect prints time aftertime Monitor, Resolution Paper calibration Iam ce Gr ras 1d size thalmagetathe coract Wehuranséontjudgecolour —_dinenscrforuaurpint. Epecn Ferbectreaut, mil \wallendour sues orbrans) prntererewenoeaiesthat ae sureyoukoop ‘corer compensator Speced VS00inaper.whichequates Unused papers hangesiniiptngendeotu;es {03009p1 as aphuscalpirt packrgard iisessontatnatyounerkona ——eodutonfertnapenthead To Posie toe fx Tr ‘calbrctedmenito:celbraton” —ensurethatyoumekethebest pint KOapE even ondprovores \eitcestaketnequenworkour —_pocabla.Epsonvecemmercs yeu _-Sethgscrstchedorbent. ofeetsursequsment ‘eceothommagotothoreaured ‘output azect se0pet sy using maocoe abratpaee atverecltion for exarele BOP Tate or par 350pe 720netee 4p Ue Trotenthoreadktlonofthemege _-Matthepershaves smafer ola Guthoeresoulonottheprre ey garalthanglossypapar= Duatothe evorypdingsos rotchrgrecouioreuoviorowvay Waythetriebendswahmat papers, teppinterpartamerooare ThenonutarNsinepoltonintne. cestngrichjseraetisaktonesst | recesaaty,performmcening tnaca canenasisectytnemera Sieespansecshacow gration _cyoieancicheck the pret CormonsoOpptocommendeten anddetal.gossypapershaves —— hnadalgrment (geoterabityropreduceblacttones Thon thermattonurterport Yoon Bload paper Sccicsewitteon TOSS aer eee aa, enna Samar eg! fetsthe outbutot your freee Dreeeehomecaate nse mts tral gauetieve youre orarmarontetscrerienen, Srobasimpatertadedeonse een savethecanston of Dviewing Eeautecormentarpapertobe eorernnene sags erecta te Sseohpentertherongivojun Serio eal penn en environment i scsysuuc Uesthe Shes Wreneatngesturonueur Sete tee ‘computer sorcencrwhonviewng Your ndexfingor arthur very profiles . rnsbeamesecrrocoourctyor — aiperignepiwacgeofine teasosaltousethecorect Sharpening rvtonmane tyeurvalesrgeon, Sheet Teprntabe sda tlba fifa the paper concer eekiehabanngonthe cuhigntterconuilnoes — grijetelywneressteresrsce polousreusre.GoodTHC orl igubeleoptring oer youre georarivatenmedrous i fciraconlytuaine Papeete fenerusio) eamdyur toga Cerny 'ndinan elo baanon Esveerymarsonthemeda that pravEeaprefleferararqncfperter®. vale seeing ancliterpolatngardy thereatesiouvoviesemichct — auincpining antooecnihe Aywhatodeetrdiersn — ufactheurpignt heodoutpossBawataiven Caertacuincjenstauctrethe enetyermcomoahend — / Stylus Pro 79% } Price £1,734.98* . ooo ee agp 2 ——pre100 Stylus Pro 3880 Our Price £2,789 Our Price £999.99 saving over £144,261 Epson Perfection V30 oe a - = igpd Film & print scanners from Plustek! 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